View allAll Photos Tagged crossing
Crossing back over the river to get to Conakry I got to admire the mechanical ingenuity of the man operating the raft.
Transit users, cyclists and pedestrians cross the pedestrian overpass at the McTavish Interchange on Highway 17.
Bunchrew Level Crossing with automatic half barriers - converted from automatic open crossing (AOCL) to AOCL+B in August 2013.
The 1Z31 Exeter to Paisley Gilmour Street via Hexham 'Easter Highlander' with DRS 37607 and 37409 up front approaches the Anglo-Scottish border near Gretna on Good Friday 29th March 2013. In atrocious light I decided to go for a 'wrong side' position to make use of what colour there was in the sky and the reflected light from the River Esk.
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
Midday on a rather humid Sunday, about 75-100 protestors gathered for a march on the southern edges of Elmhurst, Illinois, an overwhelmingly white suburb 10 miles west of the Chicago city limits. Spirits were high and the march proceeded 4.3 miles (7 km) north on foot through a residential area, downtown Elmhurst, and a busy commercial section of York Road. While the march progressed through the residential area, a number of protestors joined those already marching. The participants raised their voices in words of solidarity for those killed by police as well as in calls for reform. Some motorists made known their support for the protest by blowing their horns and by displaying positive hand gestures. Near the downtown and on a grassy knoll directly across from the local police department, the entire group stopped to kneel for 8 minutes and 46 seconds in memory of George Floyd. The participants of the march were mostly white and the march ended on the north side of the suburb after approximately two hours of marching.
Part of the march's Facebook page description stated the following:
"This is a visible, peaceful protest through Elmhurst, IL. The purpose of this protest is to continue the momentum of anti-racism movements such as Black Lives Matter and Say Her Name. After the public lynching of George Floyd, our white dominated town has started to open its eyes to the many forms of racism ingrained in ourselves and our town. Since the murder of George Floyd, many other Black bodies have been disrespected, abused, targeted, and murdered, and our anti-racist actions cannot end. We must look inward at ourselves and our predominantly white town to see the countless ways we perpetuate systems of oppression and white supremacy in our daily lives. With this march, we will be protesting the countless forms of systemic racism we see in our home town—in our police, schools, medical care, sports, and personal lives."
Elmhurst, Illinois, USA
Feb. 25, 1980: L. H. Wagner of Downey, a crossing guard at the Imperial School in Downey, takes a break between escorting children back and forth across Imperial Highway. Wagner has been a crossing guard for six years. It's a rough intersection, Wagner said, because people don't want to stop. Last month a car hit him. Wagner said he likes working outside and "the kids are great." Photo appeared in the Feb. 26, 1980, Downey Southeast News.
"Crossing to Freedom", Jane Burch Cochran
By Marilyn Bauer
Enquirer staff writer
Jane Burch Cochran's art quilts are known for their sparkling embellishments, vibrant colors and potent depictions of everyday life. She combined her training as a painter with her love of fabric and her skills in sewing and beading to create the 7-by-10-foot quilt "Crossing to Freedom," which hangs at the Group Entrance to the Freedom Center.
Her process is mind-boggling and free-flowing - she never cuts or measures, but simply begins sewing and allows the story to evolve on its own. This work took nine months of nearly daily work to complete.
Among the symbolic images in "Crossing to Freedom" is a painted blue canvas that snakes through the fabric patches and morphs from a star-lit sky into the Ohio River. Strips made from clothing - a child's shirt, a woman's blouse, gloves and African fabrics - represent slaves who made the journey to freedom.
"I use common symbols and quilt patterns and recycle old gloves and other materials to create a new narrative," the 60-year-old Rabbit Hash native says.
In 1964, Cochran was one of 10,000 people who marched with Dr. Martin Luther King Jr. in Frankfort in support of civil rights. The upper right corner of "Crossing to Freedom" includes a button from that march, bridging the gap between the slavery-era struggle for freedom and the early civil rights era.
I started making small bead and fabric collages in 1978. The first fabrics I used were painted canvas and my father’s neckties. The first large quilt I made was in 1985, and I have been completely obsessed with making art quilts since then.
I have been fortunate to be a full time artist since 1980. Once I had more time to spend on my work, instead of making more quilts, I made quilts that took more time. I love doing labor intensive art work --- it is an odyssey. After working several months on a quilt, if I don’t think it is working then I must not cast it aside but “fix it”. I often do this by building up and adding more embellishments and paint rather than taking it apart. I do have patience and a vision --- which keep me going.
3D Corythosaurs, environment, and their textures were all created by myself (Craig Dylke). Contact me about my 3D art at fossil3d@gmail.com
My piece created for the ART Evolved May. 1st 2011 Hadrosaur Gallery. Submit your Hadrosaur art to artevolved@gmail.com today!
Looking north up the old mainline (C&NW) to Rice Lake a new simple gate has been installed at the crossing of the Barron Sub. October 12, 2012.
Cinderland Crossing at the time of demolition on the Skelton Junction - Warrington disused railway.
1987
Image taken from footage shot by StevieOdessa who kindly gave me permission to upload here.
The “Weyerhaeuser” local is heading back toward the mainline, crossing the largest grade crossing on the Marcola Branch at Main Street. Springfield, Oregon. 2/23/2023.
A view of the crossing towards the south transept. The arches lead to the south choir aisle on the left and south nave aisle of the right. Above these, on each side, are three figures of apostles under canopies. Above them are huge decorated windows. The transept is the oldest part of the cathedral dating from the 12th century. The south end (in the middle of the picture) has an arcade and a blind arcade above it. Then there are two storeys of two rounded windows and above it a wide perpendicular gothic window. The roof is from the 15th century. It's a stich of 4 images. HDR
Ardrossan Harbour open level crossing. The crossing now has short barriers installed but used to be open.
Ex BR class 50 50049 'Defiance' heads over the iconic Victoria bridge near Arley on the Severn Valley Railway with a service to Bridgnorth
50049 is now bearing a GBRf livery and is still active on the mainline
A Heuliez Bus Hybrid Bendy Bus on route 91 crosses Boulevard Raspail, travelling down Boulevard du Montparnasse.
I take a lot of pictures out the window of the red line train as it crosses the Longfellow Bridge. But here is ... look, a red line train crossing the Longfellow Bridge! And I'm way over here!
Arriving an hour and a half late, GBRf’s 66718 and 66306 arrive at Totnes and reverse onto the South Devon Railway to collect the Rail200 exhibition train stock.
L to R: Sera-Lys McArthur and Nathalie Standingcloud in Crossing Mnisose at The Armory.
Photo by Patrick Weishampel/blankeye.tv/Courtesy of Portland Center Stage at The Armory
Crossing Mnisose
By Mary Kathryn Nagle
Directed by Molly Smith
Scenic Designer Todd Rosenthal
Costume Designer Alison Heryer
Lighting Designer Sarah Hughey
Composer & Sound Designer Roc Lee
Text Director &
Vocal Coach Anita Maynard-Losh
Assistant Director Devon Roberts
Fight Director Kristen Mun
Dramaturg Benjamin Fainstein
Cultural Consultant,
Yankton Sioux Nation Glenn Drapeau
Cultural Consultant,
Shoshone-Bannock Tribes Lauren Cordova
Stage Manager Susan R. White
Stage Manager Mark Tynan
Production Assistants Lilo Alfaro
Alexis Ellis-Alvarez
April 13 — May 5, 2019
On the U.S. Bank Main Stage
Crossing Mnisose (“minne-show-she”) tells the story of one of America's first feminists, Sacajawea, and draws a line from a completely original view of Lewis and Clark to the present day, as descendants of the Dakota and Lakota Nations continue their fight for the Mnisose (or what Europeans named the “Missouri River”) and the lands that contain the burials of their ancestors. From celebrated playwright, activist, and attorney Mary Kathryn Nagle (Cherokee Nation), whose Manahatta captivated audiences at Oregon Shakespeare Festival.
Commissioned by Portland Center Stage at The Armory | World Premiere
5917 crosses Dora Creek on it's way north to Broadmeadow to await the arrival of the Blue Zephyr.
22/6/14
4174S Snowtown grainy has just completed loading and accelerates accros Highway 1, behind 701 'Tailem Bend' and 2212
The Tongariro Crossing, in the Tongariro National Park, one of the best and most popular day hikes in New Zealand. The well trodden path can be seen descending, but it's the tiny figures on the snow (lower left) that give a sense of scale to the unusual landscape. October 2010. © David Hill
Crossing guard stopping traffic to allow students from Barrett Elementary School to cross Oporto-Madrid Blvd.
5 Oporto-Madrid Blvd, Birmingham, Jefferson County, Alabama. January 3, 1983.
Canon AE-1 Program
Roll A050 December 31, 1982 - January 5, 1983.
P1983-0103R050s-17 AE1P.CR2
Note the directions of the shadows. Both of these are shadows of sunlight, but neither of these shadows is from the direction of the sun. Both are from reflections from buildings.