View allAll Photos Tagged creatures
Oh how i dislike these little creatures!!
Edited with PTM Silver Screen Goddess BW, PTM Timeworn texture, and Shadowhouse Creations Raised Paper -1
Dundurn Castle, Hamilton, Ontario. This fairy tale home was finished in 1835, after 3 years of building. There is some very interesting history around this site, I highly recomend visiting it.
On the grounds there is a beautiful flower and vegtable garden, where I came across these.
This reminded me of the creature in the sand in the movie "Return of the Jedi". The one that they were trying to throw Luke and Han into! lol!
© All Rights Reserved - Miles Away Photography
Please! No usage allowed without the consent of Mandi A. Miles
Based out of Flesherton, ON, please write for prices and information!
Perhaps dental offices could use these as examples of excellent hygene and tooth alignment.
This is a capture from a video clip. Quality if fairly fair.
This was such a fun project (again!!) haha ^^
I got to do the face-up and bodyblush of Charles' Creatures Cabinet Fidelia Firefly, and she is so cute. I totally love her. Very tiny, very slender, and it was fun posing her. (ahum it's a lot of pictures I took and uploaden of her *^_^*)
Anyway, enjoy the photos.
A beer can-case-tray doubles just fine as a dog bed, says the Chihuahua. With a few extra blankets, that is.
12 July 2018.
▶ Creature Comforts is a 'craft' brewery in Athens, Georgia.
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ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
Snakes, reptiles, Kangaroo and some other strange creatures! Hey that girl likes coffee, saving animals, and sleeping, she would be perfect for me!
I go to this event every year and every year this is the first place I stop to see the animals.
The Destruction of Jerusalem
Unknown
French, Paris, about 1415
Tempera colors and gold leaf on parchment
The J. Paul Getty Trust
MS. 63, FOL. 237
(L -r) ALDEN EHRENREICH as Ethan Wate and ALICE ENGLERT as Lena Duchannes in Alcon Entertainment's supernatural love story “BEAUTIFUL CREATURES,” a Warner Bros. Pictures release.
....enjoying their salads of choice in my garden. The real reason I don't get as many forget-me-nots, in the case of the woodchuck; tulips, or maple leaves. I thought the Easter bunny was going to bring me jelly beans but he nipped off the tender tops ofmany emerging plants! Sheese!
The Demon Hiranyaksha Departs the Demon Palace: Folio from a Bhagavata Purana Series
Attributed to Manaku (active ca. 1725–60)
Date: ca. 1740 Culture: India (Guler, Himachal Pradesh)
The Metropolitan Museum of Art.
---English below---
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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Una collaborazione tra il performer e artista transmediale Pier Giorgio De Pinto e la coreografa e danzatrice Katja Vaghi
Sede
i2a Istituto Internazionale di Architettura.
Limonaia di Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano, Svizzera
Durata dell'evento
Venerdì 5 Maggio, 2017
dalle 19:00 alle 19: 30 (30 minuti totali)
Sabato 6 maggio 2017
Quattro eventi: alle 11.30 poi ogni due ore ovvero 13.30, 15.30, 17:30 (30 minuti ad evento)
Creatures # 5 fa parte della Festa Danzante / Fête de la Danse / Tanzfest
Festa Danzante Ticino
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CREATURES #5 è un'installazione interattiva di Pier Giorgio De Pinto coadiuvata dalla presenza della danzatrice Katja Vaghi. Lei osserverà, riprodurrà ed elaborerà il movimento generato dal pubblico di fronte all'installazione digitale.
Oltre ai cinque sensi tradizionali, importanti per le nostre attività quotidiane ci sono anche l'equilibrio e il senso cinestetico o propriocezione. Questi ultimi due sono centrali nella danza. La danza, in tal modo, lavora prevalentemente con il nostro sesto e settimo senso! L'installazione vuole rendere il pubblico consapevole del proprio movimento e di quello degli altri per trasmettere il messaggio che qualsiasi movimento prodotto da qualcuno può potenzialmente generare materiale per la danza.
Una fotocamera tramite il software utilizzerà alcuni effetti per webcam che decodifica I visitatori davanti ad uno schermo. L'installazione modifica il risultato degli effetti grazie al movimento e alla forza della luce naturale che viene catturata dalla telecamera. Analogamente, ad intervalli specifici, la danzatrice osserverà, riprodurrà ed elaborarà i movimenti prodotti dal pubblico davanti all'installazione.
L'intento è quello di rendere il pubblico consapevole dei propri movimenti e di quelli degli altri. Quando I visitatori interagiranno con l'installazione saranno per lo più a conoscenza delle loro intenzioni, ma non del potenziale estetico che staranno generando. Allo stesso modo, il pubblico avrà la scelta di continuare ad interagire con l'installazione e/o con la danzatrice.
Un sentito grazie a Tiziana Conte, Ludovica Molo, Luca Crosta, i2a Istituto Internazionale di Architettura e a tutto lo staff di Festa Danzante.
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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Collaboration between the performer and digital interaction artist Pier Giorgio De Pinto and the choreographer and dancer Katja Vaghi
Venue
i2a International Institute for Architecture.
Limonaia, Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano
Event duration
On Friday 5th May 2017
19:00-19:30
On Saturday6th May 2017
On going with dancer’s intervention every 2 hours for 30 min. Four slots starting at: 11.30, 13.30, 15:30, 17.30
Creatures #5 is part of the Fête de la Danse / Tanzfest / Festa Danzante
Festa Danzante Ticino
#creatures5 #festadanzante
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CREATURES #5 is an interactive installation by Pier Giorgio De Pinto supplemented with the presence of the dancer Katja Vaghi. She will observe, reproduce and elaborate the movement generated by the audience in front of the digital installation.
Beside the five traditional senses, important to our everyday activities are balance and the kinesthetic sense or proprioception. These last two are central to dance. Dance thus work predominantly with our six and seven sense! The installation wants to make the audience aware of their and other people’s movement and convey the message that any movement produced by any one can potentially generate dance material.
A camera via software will use webcam effects decoding people in front of a screen. The installation modifies the result of the effects thanks to movement and strength of natural light caught by the camera. Similarly, at set interval, the dancer will observe, reproduce and elaborate the movements produced by the audience in front of the installation.
The intent is to make the audience conscious of their own movements and that of others. When interacting with the installation they will mostly be aware of their intentions but not of the aesthetic potential they are generating. Thus, the audience will have the choice of continuing interacting with the installation and/or with the dancer.
Many thanks to Tiziana Conte, Ludovica Molo, Luca Crosta, i2a International Institute for Architecture i2a and the staff of Festa Danzante.
#creatures5 #festadanzante
ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
Model: Cindi Khongwiset
Body Painter: Pashur
Photo by Robert H. Soulliere, Jr. using Westcott products (www.fjwestcott.com)