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Group workshop for EPSRC Programme Grant

Tape L for see in the black background.

Wow so this is my latest image as of the date 31/3/10.

My aim was to use as much texture as I could giving a gritty dirty feeling and yet have some sort of rebellious element to the image.

Graduate students display their research at the Graduate Research and Creativity Showcase. November 9, 2017

A friend and I experimented with wetting old books, shaping and cutting them, then drying them (http://theshoppingsherpa.blogspot.com/2011/01/books-in-bath.html ).

 

These are the results...

Gourd pitcher by Guy Taylor.

Creativity + Conflict Resolution: A Leadership Development Workshop with Guila Clara Kessous. At the Boston University Castle. Thursday, April 28, 2016.

Making a 2 litre whisky box is creative. Filling the box with 2 litres of creativity is also creative. Hence doble creativity. German border shop.

By Jakob Heinemann

Jesse Appell, Intercultur xChange al Comedian, Laugh Beijing, People's Republic of China; Cultural Leader during the during the Session: "The Creativity Lab" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China, July 1, 2019. Copyright by World Economic Forum / Jakob Polacsek

Still life with coloured pencils and sharpener...

Heriot Watt University 2011 Graduate Exhibition and Fashion Show ( www.tex.hw.ac.uk www.fashion-galashiels.blogspot.com ) celebrating the university's heritage to inform creativity and innovation. The events were curated and directed by Mark Eley, one half of world renowned fashion duo Eley Kishimoto ( www.eleykishimoto.com ).

 

Heriot Watt University 2011 Graduate Exhibition and Fashion Show ( www.tex.hw.ac.uk www.fashion-galashiels.blogspot.com ) celebrating the university's heritage to inform creativity and innovation. The events were curated and directed by Mark Eley, one half of world renowned fashion duo Eley Kishimoto ( www.eleykishimoto.com ). Designs with added interactivity available at (http://www.shoogleit.com ) Graduates: Samantha McEwan, Charlotte Vieilledent, Linzi Austin, Pamela Aitken, Kirstin Elliott, Brigida Cortellessa, Ashliegh Smith, Elaine Barlow, Lana Brady, Rebecca Wilkinson, Aimee Donofrio,Helen O'Neill, Athif Dean, Leeanne Tang, Deborah Garner, Lindsay Somerville, Pauline MacGillivray, Emily Gough, Isla Scott, Eilidh Mackay, Anna Visocchi, Rachel Wilson and Melissanthi Spei.

Group workshop for EPSRC Programme Grant

Foto di Stefano Corso

I can't tell you how happy I am in a white room. There is something so calming and "fresh slate" feeling about it. The room was painted by the previous owners a dark, dark gold with dark brown trim and dark brown painted floors. Uggg!

Step into the vibrant world of culinary artistry with Chef Scott Hebert, a master of his craft, captured in the midst of his culinary magic. This image showcases Chef Scott in his element, donning a classic black chef’s coat and a pristine white apron, embodying the essence of professionalism and dedication. The scene is set in a bustling professional kitchen, where the air is filled with the tantalizing aromas of gourmet creations.

 

Chef Scott is seen meticulously mixing ingredients in a large metallic bowl, likely part of a high-powered stand mixer, a testament to his commitment to precision and excellence. The background reveals a well-equipped kitchen, with gleaming utensils and state-of-the-art appliances, highlighting the high standards of the culinary environment. This snapshot offers an insider’s view of the meticulous process and the passion that goes into every dish Chef Scott creates.

 

Whether he’s crafting a delicate pastry or a savory entrée, his expertise and attention to detail are evident in every movement. For food enthusiasts and aspiring chefs alike, this image is a source of inspiration, showcasing the dedication and skill required to excel in the culinary world.

 

Join us in celebrating the artistry and hard work of Chef Scott Hebert, a true maestro in the kitchen.

Artist: Pilar Enrich

Giant sculptures inspired by the DNA double helix in London. an art trail by Cancer Research UK

www.cruk.org/crick

Foto di Stefano Corso

Once an important building,

but with tons of creative minds,

it appears Red.

 

Red, does not necessary means Fail, or Wrong (education system can be misleading; Red is usually used to symbolized Wrong / Fail).

Red Dot Museum is an outstanding example that RED does not means negative.

Its a sign of creativity & possibilities.

    

I got another word for it...

 

At a restaurant in Danzhou, Hainan, China, Summer 2007.

 

Photo COPYRIGHT 2008/2009 Django Malone

Art Think:Ways of Working - A Creative Approach for Students of Art Booklet.

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"You may think, well, how are we going to get one billion

people to think peace?

Imagine peace.

Because if one billion people in the world think peace, we

will get peace.

Remember each one of us has the power to change the

world.

Power works in mysterious ways.

You don’t have to do much.

Visualize the domino effect and just start thinking peace.

The message will circulate faster than you think.

It’s time for action.

And the action is peace.

Spread the word.

Spread peace.

I love you!

 

-Yoko Ono, Excerpt from Statement for Imagine Peace

 

Exhibition at JEMA, Spring 2008.

  

Directions for Wish Peace:

WISH PIECE

Make a wish.

Write it down on a piece of paper.

Fold it and tie it around a branch of a wish tree.

Ask your friends to do the same.

Keep wishing

Until the branches are covered with wishes.

 

- Yoko Ono"

  

"John Erickson Museum of Art (JEMA)

presents Yoko Ono

 

Sean Miller

American, b. 1967

and

Yoko Ono

American, born Japan, 1933

 

Yoko Ono at JEMA

IMAGINE PEACE

2008-9

Multimedia

 

Collection of Sean Miller"

  

imaginepeace.com/archives/7817

  

Yoko Ono: IMAGINE PEACE at JEMA/Samuel P. Harn Museum of Art [Florida, USA]

  

JEMA travels IMAGINE PIECE to the Samuel P. Harn Museum of Art, in Gainesville, Florida

 

JEMA proudly announces Yoko Ono’s IMAGINE PEACE is reopened at JEMA and is currently on view at the Samuel P. Harn Museum of Art, in Gainesville, Florida [map]. Yoko Ono’s exhibition runs from From October 6 – January 3rd, 2009-10, and includes her text-based work IMAGINE PEACE (2007) as well as WISH PIECE (1996). Viewers are invited to attend JEMA’s new outdoor sculpture garden and contribute to one of Yoko Ono’s Wish Trees by writing wishes on provided pieces of paper and adding them to the branches of the tree. Viewers and participants will note the tree provided for the exhibition is somewhat diminutive in keeping with the scale of JEMA’s gallery spaces. JEMA consultants from the JEMA Annex were present to distribute pencils and paper for Wish Peace during the October 6th opening at the Harn Museum of Art. JEMA Annex Consultants included Charisse Calaquian, Leah Floyd, Ladis Pietros, Kelly Rogers, and Matthew Whitehead. In time, all wishes will be gathered by the Annex Consultants and sent to The IMAGINE PEACE TOWER on Videy Island, Reykjavik, Iceland.

 

Previously IMAGINE PIECE opened at JEMA in Belfast, Northern Ireland in April, 2008. The exhibition traveled from Golden Thread Gallery, Catalyst Arts, NVTV Studios, and briefly left Belfast to open in Glasgow at the Glasgow School of the Arts.

 

Yoko Ono writes:

 

Power works in mysterious ways.

You don’t have to do much.

Visualize the domino effect and just start thinking peace.

The message will circulate faster than you think.

It’s time for action.

And the action is peace.

Spread the word.

Spread peace.

I love you!

 

-Yoko Ono, Excerpt from Statement for Imagine Peace Exhibition at JEMA, Spring

2008.

 

See a little art at JEMA… More or less,

John Erickson Museum of Art

A Location Variable Museum

  

www.jema.us/ ("JOHN ERIKSON MUSEUM OF ART" homepage)

 

www.jema.us/pages/jemaintro.html

 

An image comes to mind of a white, ideal space that, more than any single picture,

may be the archetypal image of 20th-century art. And it clarifies itself through a process of historical inevitability usually attached to the art it contains.”

 

Brian O’Doherty, Inside the White Cube

 

Welcome to JEMA

 

Advancements in technology and new ideas in contemporary art are preparing the current visual art audience to witness radically new and diverse exhibition strategies. Ideas associated with Marcel Duchamp’s Boite-en-valise (1941), and Brian O’Doherty’s Inside the White Cube (1976), have (for decades) provided groundbreaking precedents from which to conceive and approach the display of art. Advancements in internet technology, digital imaging and critical insights related to site-specificity have further expanded possible innovations in art display tactics. As a result, today’s exhibition spaces may be planned, constructed, maintained, and enjoyed with unprecedented levels of affordability, efficiency, and creativity.

  

The John Erickson Museum of Art (JEMA) is an example of one possible method of developing an exciting new venue for artists and viewers. It also functions as a model for discussing innovative possibilities toward the development of vital yet affordable art centers. JEMA’s portable quality offers artists an exhibition space that encourages radical experimentation with a low financial overhead. This new museum space is founded on an unwavering belief concerning the quick, decisive and efficient delivering art to the viewing public. This type of activity is an important sign of a vital cultural institution. Many art museums require years to schedule exhibitions. Moving slowly – these institutions function with power and strength but remain bogged down by red tape and expensive exhibitions.

 

By moving with stealth and agility, JEMA carries out its functions in a portable and thrifty manner. JEMA’s design allows for a greater focus on exhibition planning and a stronger intercommunication between the institution, exhibiting artists, and you (the viewing public). JEMA brings the art to you!

 

Think JEMA…more or less.

   

Samuel P. Harn Museum of Art

SW 34th Street and Hull Road

Gainesville, Florida 32611-2700

PHONE 352.392.9826

 

www.harn.ufl.edu/

 

Are you using all your creative potential. For my final major project, I am looking at how creativity is attained, retained and ultimately lost.

 

What do you think?

  

If you have a spare minute can you fill out my survey click here

  

Thank You =)

Graduate students display their research at the Graduate Research and Creativity Showcase. November 9, 2017

foto di Stefano Corso

foto di Stefano Corso

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