View allAll Photos Tagged creativespace
our family painting production on the wall of the atelier, in the place of honor next to the apple hi-fi
Last day of February 2009. Board from Ikea, magnets bought on Etsy -see notes later, on the photo- or gifts from Laurraine. The Junk-Mail Idea Notes are in full use. On top, cartoon plastic figurines from my hubby's childhood. Calendar made with Big Huge Labs, and printed at home. (neato !)
This is not much of an inspiration board, properly speaking, but it helps me remember ideas, or little things. There's another board on the right. (not pictured) (Feb. 28th 2009)
A young woman sits on a couch holding a vinyl record while surrounded by electric guitars and music-related decor. Her leather jacket adds a touch of style to the cozy room.
alarm clocks:
ebay. half of them don't work unfortunately.
harmophone: ebay
melodica: fleamarket
blue curtain and orange curtain: custom made
blue vase: das depot
This is my tiny sewing space which is in the office me and the dear hubby share(for now)... I can't wait till I have the whole room to myself!
I'm running out of room!
I took this of my craft room where I scrapbook at. I have storage for all of my various crafts...sewing supplies, fabrics, beads, paints, yarn, stamps, paper, scrapbooking supplies etc.
Yep, that's my new creative space, I can hardly believe it !! This is the computer corner on one desk, and my sewing corner on the other. I'm little by little adding my fabrics & creative stuff, but it's taking me ages to iron all of my stash for fitting the square shelves !!!
Decoration will be added soon as well.
(August 04th 2009)
That's what my/our secret project was ! A handmade inspiration board, made out of :
- bamboo sticks (4)
- cotton tape (6 meters)
- tiny nails (20)
- thread
- hemp twine
We'll be building another one next week. This one will be an "Inspiration Board", the other one will be an "Idea Board". (for my ideas)
Total cost ?
TEN euros for BOTH boards.
(U$ 15.00 I suppose)
The reason for this board ?
I didn't want to drill a big hole in the wall for a metallic board, I could hand string (like I used to do in Chessy), I had other ideas but they cost more.
So this idea came to my mind. It's lightweight, ecological & economical. Perfect.
Aug 27th 2009
I'm very lucky to have a large studio at home. It used to be a three car garage close to, but seperate from our house. The man of the house spent many months working on it for me, now it's my sanctuary of creativity all year round!
52 in 2019 #22 In my room.
I took this of my craft room where I scrapbook at. I have storage for all of my various crafts...sewing supplies, fabrics, beads, paints, yarn, stamps, paper, scrapbooking supplies etc.
The American Industrial Center commands the street corner with an authoritative presence that speaks to both its historical roots and contemporary purpose. Shot during the blue hour when natural light fades and artificial illumination takes over, this massive structure showcases one of San Francisco's most successful examples of industrial adaptive reuse at the Pier 70 complex.
This building's design language is distinctly different from its historic brick neighbors across the street. The warm terracotta and cream-colored facade, punctuated by hundreds of steel-framed windows arranged in a precise grid, represents a more modern approach to preserving industrial character. The exposed concrete structure with its bold horizontal banding creates a rhythm across the facade that's both industrial and elegant. It's a careful balance between honoring the site's manufacturing heritage and creating functional contemporary space.
The ground floor colonnade is particularly striking—a series of white columns creating a covered arcade that provides both practical weather protection and architectural drama. The generous ceiling height and open design of this ground-level space recall the loading docks and open bays that would have characterized the original industrial waterfront. Modern lighting fixtures illuminate the walkway, casting bright pools of light that contrast beautifully with the deep blue twilight sky above.
Looking at the fenestration pattern, you can see how the building is organized. Those massive window groupings speak to the flexible loft-style spaces within—high ceilings, open floor plans, and abundant natural light. This is exactly what creative companies, tech startups, and design firms look for when choosing office space. The industrial bones provide character that no suburban office park could replicate, while the modern systems and finishes provide the functionality contemporary businesses require.
The street scene itself tells a story about how Pier 70 functions today. A few cars are parked along the curbs, traffic signals glow red and blue, and the crosswalk striping is crisp and fresh. The overhead power lines cutting across the frame are a reminder that this is a working neighborhood, not some sanitized development that erases all traces of urban grit. That utility pole on the right and the various street fixtures ground the scene in everyday urban reality.
What's particularly notable about this perspective is how it captures the building's corner condition. Corner buildings have always been architecturally significant—they're visible from multiple directions, they anchor intersections, and they help define the character of a neighborhood. The American Industrial Center embraces this responsibility, presenting strong facades on both street frontages and creating a landmark that helps orient visitors to the district.
The lighting design deserves attention. Those glowing windows on the upper floors suggest activity within—people working late, businesses that operate beyond traditional hours. The variety in the window illumination, with some blue-toned lights visible among the warmer glows, hints at the diverse mix of tenants and uses within. Meanwhile, the ground-floor lighting creates a welcoming pedestrian environment, crucial for a neighborhood that's trying to balance its industrial past with a more mixed-use future.
Dogpatch and the broader Pier 70 area have become a laboratory for urban planners and developers interested in adaptive reuse. Rather than demolishing these massive industrial structures, San Francisco has chosen to preserve and repurpose them. The American Industrial Center represents a slightly different approach than the historic brick buildings nearby—here, the strategy was to create new construction that respects the industrial aesthetic without directly mimicking historical architecture. It's contextual design that speaks to its surroundings while maintaining its own distinct identity.
The empty streets at this hour create a contemplative atmosphere. You can appreciate the architecture without distraction, study the interplay of light and shadow, and imagine the building's multiple lives—past industrial uses, periods of vacancy or underutilization, and now this current chapter as a hub for the modern economy.
Little peek into my working space, more info and shots on the blog www.dearestjackdaw.com/2012/01/dearest-jackdaw-hq.html
Well maybe more messy spaces but a lot of crafting and plans for pictures go into this creative space. All my girls and boys headbands, hats and clothes are in this area along with a lot of props and craft supplies are here too.
Day 10
Theme Friday "Creative Space".
My creative space is this table in a leaky conservatory that I have,during term time,sole control of.Once everyone else back from Uni I have 1/3rd to call my own.I also share this "creative space" with two dogs,three cats, a pile of logs (quite large in winter),assorted household detritus such as wellingtons,garden shears,the hoover,obselete computer equipment that might just come in useful one day,the tumble drier and when Uni has finished...several bikes.No wonder what I make isn't very creative as the Feng Shui can't be too hot.
Me Made high waist trousers as worn before Vogue V8717.
Blouse not worn much before but adjusted it this morning Vogue 8392.To be blogged soon.
Also wore again my swimsuit.
Put on my new mustard yellow flats to take the edge off of my ultra embarrassing creative space.
Step into the rustic charm of a traditional Japanese pottery workshop. This image captures the exterior of the workshop, featuring a wooden structure with sliding panels and a signboard above the entrance with Japanese characters. The signboard adds an authentic touch, indicating the artisanal nature of the space. Outside the entrance, a large ceramic pot filled with vibrant yellow flowers and a small tree bring a pop of color and life to the scene.
The interior, visible through the open sliding panels, showcases more large ceramic pots and umbrellas, hinting at the craft activities inside. The combination of natural wood, ceramic art, and greenery creates a harmonious and inviting atmosphere. This setting highlights the cultural and artisanal aspects of Japanese pottery making, blending tradition with artistic expression.
The workshop’s design, with its simple yet functional architecture, reflects the principles of Japanese craftsmanship—emphasizing natural materials, attention to detail, and a deep connection with nature. The presence of the large ceramic pots and tools suggests a space where skilled artisans shape clay into beautiful and functional pieces, continuing a craft that has been practiced for centuries.
Whether you are a pottery enthusiast or simply appreciate traditional Japanese culture, this workshop offers a glimpse into the world of Japanese ceramics. It’s a place where creativity and tradition come together, providing a tranquil retreat for those who seek to explore the art of pottery making.
i dig how the magnetic board and box of paints are off-center, but the vase of yellow flowers balance it all out.
i was planning to add smaller frames to the left of my inspiration board, but may keep it as is.
decluttered is a good thing.
I took the Christmas fairy lights out of their box, and installed them on top of the shelves.
I love the warm & festive light they bring to the creative space, and to the whole living-room. (as my space is in one of the living-room's corner)
Lots of WIPs at the same time, please forgive the mess.
Nov 14th 2009
Ahh this is the reason the door of my craftroom is usually closed...a wee bit in disarray. But I like it that way. It's MY mess and really I DO know where everything is ;)
As the sun sets on Lothian Street, Paradise Palms begins to glow—casting its neon charm over Edinburgh’s eclectic nightlife. A queer-friendly haven co-owned by brothers Trystan O’Brien and Andrew Rennie, this beloved spot serves up vegetarian delights, vinyl vibes, and a cocktail of creativity. Whether you’re sipping sonic tonic or spinning through one of their offbeat events, this is where the city’s soul puts on lipstick and stays out late.
À la tombée du jour, Paradise Palms s’illumine comme un phare de fête sur Lothian Street. Ce lieu inclusif, dirigé par les frères Trystan O’Brien et Andrew Rennie, est un paradis queer où se mêlent plats végétariens primés, disques qui claquent et événements farfelus. Ici, l’énergie est renouvelable, l’ambiance électrique et la fête toujours au programme. Bienvenue au cœur de l’âme alternative d’Édimbourg.
The Terrace, a building of various managed workspaces off Grantham Street, Lincoln, Lincolnshire.
Grantham Street was called Brancegate in 1185, Brantegate 1226, Brauncegate 1341, Grantham Lane 1650 until 1846 when the name Grantham Street was adopted. Brauncegate continued west of the High Street as St Martins Church is located there in documents of the 1460s. The area has been considered to have been the area inhabited by Jews until the expulsion of 1290. It is possible, as suggested by Speeds 1607 map, that the street formerly continued directly eastwards to the Clasket gate, rather than ending at Danesgate. Probably named after the Grantham family. The houses were renumbered in April 1859 by order of the Lighting and Paving Commissioners.