View allAll Photos Tagged creativespace
My craftroom at Christmas, blogged here: lisasteatime.blogspot.com/2011/12/christmas-in-my-craft-r...
This is the West Wing at the Virginia Museum of Fine Arts located at 200 N Arthur Ashe Blvd, Richmond, VA.
This section of the Museum opened in 1985; it was designed by Hardy Holzman Pfeiffer Associates and features some beautiful late Brutalist architecture.
The West Wing was sponsored significantly in part by Sydney and Frances Lewis, who owned BEST Products. Hardy Holzman Pfeiffer Associates also designed the iconic headquarters building for BEST Products, located in neighboring Henrico County.
I took this of my craft room where I scrapbook at. I have storage for all of my various crafts...sewing supplies, fabrics, beads, paints, yarn, stamps, paper, scrapbooking supplies etc.
Description :
Page's cluttered computer desk holds momentos such as a Portuguese prayer collected when her husband, W. Arthur Irwin, was ambassador to Brazil in the 1950s /
Le pupitre d'ordinateur fort encombré de Page comprend des souvenirs personnels comme une prière portugaise recueillie par son époux, W. Arthur Irwin, lorsqu'il était ambassadeur au Brésil dans les années 1950
Creator(s) / Créateur(s) : Emily Ballantyne
Date(s) : Unknown / Inconnu
Reference No. / Numéro de référence : AMICUS n/a, MIKAN n/a
Location / Lieu : Victoria, British Columbia, Canada / Victoria, Britannique, Canada
Credit / Mention de source :
Emily Ballantyne. Zailig Pollock. Library and Archives Canada, 100_0121 /
Emily Ballantyne. Zailig Pollock. Bibliothèque et Archives Canada, 100_0121
I tried to declutter/sort out my creative space ONCE AGAIN LOL. You can see a good part of my inspiration / WIPs wall. Wooden clothespin are "sticked" to the wall with BlueTack. And the string is knotted to the doors. No hole. (we rent) (Jan. 24th 2009)
Harriet is studying for her Part 1 in Architecture at the Welsh School of Architecture in Cardiff. Pictured in the family studio at home near Alresford, Hampshire.
Part of an ongoing project.
© Andy Matthews
My office had white walls just like the living room. I wanted to make it GIRLIE, so I chose PINK, hehehe! It's kind of like a pepto pink, but I LOVE IT!
My office is definitely a work in progress.
I showed my mum a vintage paper cutter in a German Country Living magazine and told her much I would like to find me one like it too. So what did she do? She went downstairs in her basement and came back up with my new vintage paper cutter! Yeah! You just gotta love her! Well I do for sure! :) I have meanwhile incorporated it in my studio and can now proudly present it to you!
We had an Open Studios at Second Floor Studios & Arts at the weekend. Here's my studio & display of work.
Second Floor Studios & Arts
© Rod Hunt 2011
Rod Hunt's full portfolio
Office refurbishment in Canary Wharf, London for a financial client. The brief was to create a more inspiring working environment by targeting previously underutilised areas of the existing offices.
Previously uninteresting meeting rooms located throughout the 12,000 sq ft floor were given a radical face-lift with full height photographic images and use of colour across furniture and flooring. The spaces, both open and cellular, are now creative areas successful both in their intended use as well as creating focal points in the open plan floor.
The spaces, both open and cellular, are now creative areas successful both in their intended use as well as creating focal points in the open plan floor.
The breakout area has been integrated with the previously separate tea point to create one large open plan space with zones for dining and food preparation. A large circular meeting table with blackboard ‘cocoon’ provides a great area for team lunches and brainstorming sessions. A full height, panoramic forest image provides a focal point and combined with the use of natural wood throughout creates a relaxing environment for personnel to utilise throughout the working day.
This client wanted his old Ford truck lettered to look like it might have been done 50 years ago. I mixed up the paint with a bunch of clear and flattening paste to accentuate the strokes and give it a faded out look.
Home to much of Brighton's best and most innovative. Places are and evolve as far as i can see and you can't replicate that sense of place. Its a loss but hey ho money's everything isn;t it? So probably we will be treated to some new faceless sterile homage to some imagined sense of progress, that's progress for you! or why? Could have left the building and that would have been just great and who knows what might've happened but we can't have that can we?
What i can't understand is how this area is a conservation area with nothing to conserve.