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Rue des Échevins (Place du Bouffay), Nantes
"Flora Moscovici intervient à même la pierre pour révéler, tout en finesse et respect, l’histoire et la mémoire du lieu.
« L’observation des espaces que je traverse et l’attention à certains détails qui me procurent des émotions ou stimulent mon imagination constituent les prémices de
ma recherche artistique. La manière dont la lumière s’introduit dans un espace, les particularités de l’architecture, les traces de l’histoire du lieu et bien sûr les couleurs, la façon dont elles sont posées et dont elles vieillissent sont autant de points que je tente de dévoiler (...). il s’agit d’une pratique de peintre au sens large, c’est-à-dire en pensant la peinture sous ses multiples définitions et en en utilisant les possibilités extrêmement variées. »
C’est avec cette attention particulière que le regard de Flora Moscovici s’est porté sur cette énigmatique trace du passé, une haute cheminée évoquant l’intérieur de l’ancienne maison des Échevins, qui accueillait au 15e siècle les assemblées du conseil bourgeois avant la création d’une mairie en 1564. La bâtisse fut détruite au début du 20e siècle afin de créer la rue existant aujourd’hui.
Souhaitant faire surgir le potentiel plastique et émotionnel de cet intérieur devenu extérieur, Flora Moscovici intervient à même la pierre pour révéler, tout en finesse et respect, l’histoire et la mémoire du lieu. Travaillant une nouvelle fois in situ, Flora Moscovici se confronte à la surface du vestige. Peints à la brosse, avec une palette de couleurs chatoyantes, les subtils dégradés de l’œuvre embrasent la cheminée. Afin de révéler la matérialité des pierres (du granit au tuffeau), la peinture, par des jeux de transparence, vient s’adapter à leur tonalité et à leur nature.
Flora Moscovici est née en 1985.
Elle vit et travaille entre Paris et Brest."
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© Martin Argyroglo
Closeup of weathered stucco wall.
This texture is provided free of charge under a Creative Commons Attribution Non-Commercial License with the condition that a credit (printed use) or a hyperlink (online use) is made to www.grungetextures.com. Thanks!
Have you created artwork using this texture? Post it in the Grunge Textures Showcase flickr group. We'd love to see your work.
Tipos de licencias Creative Commons.
Logotipos procedentes de la página oficial de Creative Commons: LOGOS CC
Avenue du Musée des beaux-arts de Montréal, ouest
"Building IV, est emblématique des principaux champs de tension qui irriguent l’œuvre d’Antony Gormley. Sa force naît de l’oscillation entre une forme qui évoque ces corps futuristes décomposés sur ordinateur, et une pose qui rappelle cette grande tradition sculpturale de la forme en éveil. En effet, dans cette figure d’un homme s’éveillant à sa condition d’homme, les genoux encore en flexion, le visage tourné vers le haut, Gormley se réclame d’une tradition qui court des esclaves du tombeau de Jules II de Michel-Ange au jeune homme de l’Âge de bronze de Rodin. Tradition que l’on retrouve chez un autre grand artiste d’aujourd’hui, dont l’œuvre est également informée par l’histoire de l’art, Bill Viola, qui dans The Crossing montre la naissance d’un homme hors de l’eau.
Cet homme numérique s’élevant vers sa condition d’humain, ce corps métallique disloqué en une multitude de blocs (ou de pixels) semble vouloir finalement renvoyer au spectateur sa propre image, le réfléchir. Comme l’a écrit Gormley : » My proposition is that we are part of a world constructed from the earth, in which everything is interchangeable. My hope is that the old formula of a ‘subject who looks’ at an object which is ‘looked at’ can be transmuted into us looking at ourselves. The place of my body is offered as yours and the space and actions of your body are reflected in the works, what they are made of and how they are made. Nothing is revealed that is not already there – including you. » (extrait du catalogue de l’exposition Still Moving : Works 1975-1996, à Tokyo, in Antony Gormley, Phaidon, p.152)."
Passage du Chantier, Paris
"L’idée du Vernispassage avait déjà vu le jour en juin dernier à l’initiative de Loiseaucraie et de Soyons Fous. En juin, la logistique était minimaliste. Quatre amis et quelques heures de travail avaient permis de donner naissance à une première galerie d’œuvres. Cette édition de novembre serait l’occasion de changer l’envergure du projet. En effet, ce sont une trentaine d’artistes, et pas des moindres (cf liste en conclusion d’article), qui sont venus embellir le Passage du Chantier. Chacun avec son style, ils ont traité les thèmes de l’oiseau et de l’envol."
blog.lavoixdelarturbain.com/2018/11/25/streetart-paris-ve...
blog.lavoixdelarturbain.com/2018/11/08/codex-urbanus-essa...
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Winslow Homer (1836–1910) is regarded as one of the greatest American painters of the 19th century. Homer utilized both oil and watercolor in depicting 19th century American Sea and landscapes and the daily life's of those who inhabited it. He was sent to work as an artist-correspondent for the new popular illustrated journal Harper’s Weekly in 1861. We have digitally enhanced many of his beautful artworks including “the Gulf Stream”, “Croquet Scene”, “Northeaster” and many more. They are all free to download and enjoy under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1344182/winslow-homer-watercolour-paintings-i-public-domain-artworks-designs?sort=curated&mode=shop&page=1
Borough of Mifflinburg, Union County.
Built around 1825; modernized in 1959. Listed in the National Register of Historic Places.
submitted to scavenge challenge
August 2011
clue : # 24 find an interesting object at your eye level when standing. Photo must be taken indoors
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Winslow Homer (1836–1910) is regarded as one of the greatest American painters of the 19th century. Homer utilized both oil and watercolor in depicting 19th century American Sea and landscapes and the daily life's of those who inhabited it. He was sent to work as an artist-correspondent for the new popular illustrated journal Harper’s Weekly in 1861. We have digitally enhanced many of his beautful artworks including “the Gulf Stream”, “Croquet Scene”, “Northeaster” and many more. They are all free to download and enjoy under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1344182/winslow-homer-watercolour-paintings-i-public-domain-artworks-designs?sort=curated&mode=shop&page=1
- Free to use but CREDIT ME please....
you can use the link below:--->
Texture by adamned.age / H.Adam:
www.flickr.com/photos/hanne_exurban/sets/72157622112724335/
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- Please post your version into the commentbox below.. I am very excited about it!
- Please be fair and do not claim it as your own work!
- Do not share it in bundles etc.
Stretched out on the sofa in front of a blazing fire, listening to quiet jazz while I read a good book, sample a variety of foods, and enjoy a bottle of one of my favorite wines. Sometimes its good to be snowed in.
Happy Midwinter's Day!
The Kaskelot was built in Denmark in 1948 and first earned her living carrying supplies to the remote East Greenland coast and later as a fisheries support vessel in The Faroes.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
لو يذكر الزيتون غارسهُ، لصار الزيت دمعاً
محمود درويش
"If the olive trees know the hands that planted them, their oil would become tears." Mahmoud Darwish.
On Saturday 25 May, University College London (UCL) students called on the support of other students and supporters across London to rally outside their Gaza pro-ceasefire encampment after the announcement that a pro-Israel rally would take place outside their main gate that afternoon.
One of the most frequently heard chants by students on this and other days was
"Disclose, Divest,
We will not stop,
We will not rest."
Among the crowd there were many students from the neighbouring School of Oriental and African Studies (SOAS) where an encampment had already been established about two weeks earlier.
SOAS students earlier published a list of demands including, according to two metre high placard at their encampment -
1. Disclose - Full details of all university investments
2. Divest - from companies complicit in Israel's denial of Palestinian rights - [a list of specific companies followed which included Barclays Bank, Alphabet (Google/Alphabet) and Microsoft.]
3. Terminate - the university's banking and lending arrangement with Barclays
4. Boycott - Israeli academic institutions which are complicit in the violation of Palestinian human rights, including the University of Haifa
5. Commit - to supporting Palestinian education and the rebuilding of Gaza's Schools and Hospitals. Establish partnerships and exchanges with Palestinian institutions and academics. Increase scholarships for Palestinian students. Advocate for removal of restrictions for pro-Palestinian expression.
6. Guarantee - the right of students and staff to express solidarity with the Palestinian struggle for liberation including in research, speech and actions.
7. Advocate - for the UK government to implement an arms embargo on Israel, to call for an immediate, unconditional and permanent ceasefire.
As of the date of posting (4 June 2024) at least 36,932 Palestinians have been killed since 7 October, including more than 15,000 children. An estimated 10,000 are missing, of whom most are probably dead. An unknown number of additional deaths due to excess mortality from food shortages, disease and difficulties in obtaining essential medical care and medicines. More than 82,000 Palestinians have been injured, many of them with life-changing injuries including many amputations. According to the United Nations, as of 2 June, more than half of all residential buildings have been destroyed or damaged but with some key infrastructure the destruction is even more devastating - including 80% of commercial facilities and 86% of school buildings damaged or destroyed. Additionally some 83% of groundwater wells are no longer operational.
ttps://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker
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A creative commons PHOTO LICENSE for COMMERCIAL USE for this photo is AVAILABLE for over sixty NGOs and socialist or progressive publications which are listed on the link below
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation, person or publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
Class 628 2-car DMU 628606 at Johanngeorgenstadt on 15 May 1995. Train 6730, 17:34 Johanngeorgenstadt to Zwickau (Saale) Hbf.
This is the old hospital on Hamilton AFB in Novato. It's all boarded up and starting to crumble now. I think it's been sold for development into an elderly care facility, but that was two years ago, so who knows!
Before the windows were boarded up, a nurse was rumored to be seen at the windows, decades after the base and hospital were closed. This makes it a perfect place to walk Shy, but so far no pics of ghosts I'm sad to report!
I love coming into the refuge from this direction. It is just so dang dramatic!
Be sure to click on the image to see 'large' and 'on black' ; or, if not a member, click above on "All Sizes."
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. If you wish to license them for commercial purposes, want to purchase prints or are interested in commissioning me to take photos, please send me a Flickr mail or visit my website, www.memoriesbymike.zenfolio.com/, for contact information. Thanks.]
Texture made of this original album cover (png).
Free for non-commercial use (but not for racist, pornographic or gore works). If you use this image, please credit me & link back to this page. Thanks!
Also thanks for every view, fave & comment. Much appreciated!
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Winslow Homer (1836–1910) is regarded as one of the greatest American painters of the 19th century. Homer utilized both oil and watercolor in depicting 19th century American Sea and landscapes and the daily life's of those who inhabited it. He was sent to work as an artist-correspondent for the new popular illustrated journal Harper’s Weekly in 1861. We have digitally enhanced many of his beautful artworks including “the Gulf Stream”, “Croquet Scene”, “Northeaster” and many more. They are all free to download and enjoy under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1344182/winslow-homer-watercolour-paintings-i-public-domain-artworks-designs?sort=curated&mode=shop&page=1