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More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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~ free texture ~ creative commons license ~
by attribution ~
**If you use this texture, please credit me with a link back to this texture. I would love to see your work, please leave a link or a sample ( small size ) of your work in my comments, thank you**
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
~ free texture ~ creative commons ~
by attribution ~
feel free to download :o
**If you use this texture, please credit me with a link back to this texture. I would love to see your work, please leave a link or a sample ( small size ) of your work in my comments, thank you**
here are some more: alicepopkorn free textures
CC Attribution, Share Alike! Credit me by linking back to my flickr account or my website. Thanks!
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The Kaskelot was built in Denmark in 1948 and first earned her living carrying supplies to the remote East Greenland coast and later as a fisheries support vessel in The Faroes.
My dashing around Suffolk in my lunch hour continued today as I visited Pin Mill, a very interesting part of the River Orwell between Ipswich and Felixstowe. You're always told that taking photographs whilst the sun is high overhead is not a good idea...after the last few days I can confirm that I agree ;-) That said, all these places are definitely high on the agenda for Autumn and Winter visits when they'll be a lot less crowded (Pin Mill was stacked with people enjoying the sun) and the light will be a lot easier to control.
So, according to my Tide Guide App on my phone it was supposed to be High Tide when I arrived here...but someone had clearly pulled the plug!
Woodcut spots from Damien Hirst. This series need no introduction. Each print is an abstract representation of a biochemical compound, expressed as a spot color from circular wood cuts.
It is hard for me to talk about Damien Hirst. On the one hand, I see a gifted and very talented artist who produces brilliant works. On the other, an artist-turned-factory who has become so commercialized that he would need to come up with all kinds of methods to pump up works to please the high demands for his work.
Andy Warhol likes to say that “making money is art, and working is art and good business is the best art.” But I tend to have a problem with art created purely to make money. Mondrian’s early works are brilliant and full of ideas, but the Mondrian after he has becoming the darling of his times left little to be desired.
These “limited edition prints” is probably the worse of this trend—making quick bucks in the art market, each asking approximately four-thousand pounds on today’s market. I have no doubt that these works are key to supporting the artist’s livelihood and thus allows him to be the richest living artist in Britain.
Art to me is pure magic, but in these works I see nothing but a money-making machine disguised as something fine but has no soul except the greed within.
Damien Hirst
Thr-ser (1-inch woodcut spot)
2012
Woodcut
55 editions
Hand signed and numbered
A series of woodcut printed on 410 gsm Somerset White textured paper. Signed by the artist on the front and numbered on the reverse in an edition of 55.
# Damien Hirst
Damien Steven Hirst (born 7 June 1965) is an English artist, entrepreneur and art collector. He is the most prominent member of the group known as the Young British Artists (or YBAs), who dominated the art scene in Britain during the 1990s. He is internationally renowned, and is reportedly Britain's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.
en.wikipedia.org/wiki/Damien_Hirst
# Paragon Press
6 Wetherby Gardens
London SW5 0JN
United Kingdom
# SML Data
+ Date: 2013-05-23T14:35:35+0800
+ Dimensions: 2776 x 2776
+ Exposure: 1/6400 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.04002.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Limited Edition Prints by Damien Hirst: Thr-ser, 2012 (1-inch woodcut spot)” / Paragon Press / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04002.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #DamienHirst #ParagonPress #woodcut #prints #spot #colorist #abstract
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
~ Handmade texture available for use in your artworks with creative commons license ~
~ Do not re-distribute in ANY WAY ~
~ Please do not use to create your own stock ~
~ Please credit me if used with a link back to this texture or my photostream ~
~ I would love to see what you have done, if you would like to put a small size sample in my comments, thanks & have fun~
~ Please add your artworks to my group here ~
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لو يذكر الزيتون غارسهُ، لصار الزيت دمعاً
محمود درويش
"If the olive trees know the hands that planted them, their oil would become tears." Mahmoud Darwish.
On Saturday 25 May, University College London (UCL) students called on the support of other students and supporters across London to rally outside their Gaza pro-ceasefire encampment after the announcement that a pro-Israel rally would take place outside their main gate that afternoon.
One of the most frequently heard chants by students on this and other days was
"Disclose, Divest,
We will not stop,
We will not rest."
Among the crowd there were many students from the neighbouring School of Oriental and African Studies (SOAS) where an encampment had already been established about two weeks earlier.
SOAS students earlier published a list of demands including, according to two metre high placard at their encampment -
1. Disclose - Full details of all university investments
2. Divest - from companies complicit in Israel's denial of Palestinian rights - [a list of specific companies followed which included Barclays Bank, Alphabet (Google/Alphabet) and Microsoft.]
3. Terminate - the university's banking and lending arrangement with Barclays
4. Boycott - Israeli academic institutions which are complicit in the violation of Palestinian human rights, including the University of Haifa
5. Commit - to supporting Palestinian education and the rebuilding of Gaza's Schools and Hospitals. Establish partnerships and exchanges with Palestinian institutions and academics. Increase scholarships for Palestinian students. Advocate for removal of restrictions for pro-Palestinian expression.
6. Guarantee - the right of students and staff to express solidarity with the Palestinian struggle for liberation including in research, speech and actions.
7. Advocate - for the UK government to implement an arms embargo on Israel, to call for an immediate, unconditional and permanent ceasefire.
As of the date of posting (4 June 2024) at least 36,932 Palestinians have been killed since 7 October, including more than 15,000 children. An estimated 10,000 are missing, of whom most are probably dead. An unknown number of additional deaths due to excess mortality from food shortages, disease and difficulties in obtaining essential medical care and medicines. More than 82,000 Palestinians have been injured, many of them with life-changing injuries including many amputations. According to the United Nations, as of 2 June, more than half of all residential buildings have been destroyed or damaged but with some key infrastructure the destruction is even more devastating - including 80% of commercial facilities and 86% of school buildings damaged or destroyed. Additionally some 83% of groundwater wells are no longer operational.
ttps://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker
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A creative commons PHOTO LICENSE for COMMERCIAL USE for this photo is AVAILABLE for over sixty NGOs and socialist or progressive publications which are listed on the link below
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation, person or publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. If you wish to license them for commercial purposes, want to purchase prints or are interested in commissioning me to take photos, please send me a Flickr mail or visit my website, www.memoriesbymike.zenfolio.com/, for contact information. Thanks.]
Once a year the dead rise up and party. This year, at Leicester Square in London, I was at hand with my camera.
Free texture for you to use in your artwork. Please credit me with a link and I'd love to see your work in the comments. (small size please)
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
Angie Hiesl, X-fois gens chaise, installation, performance, Festival TransAmérique, 24 au 27 mai 2012, Montréal.
