View allAll Photos Tagged copyleft
Kirkkojärvi (Church lake) in Karjaa, Raasepori
[Photo taken with Canon 5D + CZJ S(onnar) 3.5/135mm open wide & aperture priority]
Photo copyleft by Frederick FN Noronha. Creative Commons 3.0 non-commercial, attribution. May be copied for non-coimmercial purposes. For other purposes, contact fn at goa-india.org or fredericknoronha1 at gmail dot com.
Photo copyleft by Frederick FN Noronha. License: Creative Commons, 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes contact fn at goa-india dot org
Been reading up on copyright and copyleft laws. Although people are starting to open up, I find it hard to believe that the practice of copylefting one's work will be embraced completely. See, capitalism thrives on scarcity. It is demand that drives its economic engine. If everything suddenly became free, the very foundation that capitalism sits on will be shattered. Pricing power will weaken and collaboration will replace trading. This is obviously good for consumers but bad for business. And that is why big businesses that have copyrighting in their models will do everything in their power to stop this movement. Of course, in a market that is swiftly becoming consumer-driven, who knows what can happen in the next few years?
26APR2010
-taken with a Nokia N96-
Photo copyleft by Frederick FN Noronha. Creative Commons, 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes, contact fn at goa-india dot org or +91-832-2409490 or +91-9822122436
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Commons, 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes, contact fn at goa-india dot org or 919822122436 (mobile).
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Commons, 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes, contact fn at goa-india dot org or 9822122436.
Copyleft = free utilisation for non commercial use - with mention
N°: 10259
Photo: www.solidaire.org - Salim Hellalet
When: 7/10/2015
Where: Brussel - Bruxelles - Brussels
What: Betoging vakbonden - Manifestation des syndicats
Why: 1 ans du gouvernement Michel 1 - 1 jaar regering Michel 1
Who: 100.000 betogers - 100.000 manifestants
Mannen, vrouwen, jong en minder jong, vakbondsleden, leden van de meest diverse organisaties en verenigingen, burgers uit alle hoeken van het land … 100.000 mensen betoogden vandaag door de straten van Brussel.
Hommes, femmes, jeunes et moins jeunes, syndiqués, membres d’associations les plus variées, citoyens… 100.000 visages ont manifesté aujourd’hui dans les rues de Bruxelles, et ils avaient 100.000 raisons de se mobiliser.
Photo copyleft by Frederick FN Noronha. Creative Commons, attribution, non-commercial. May be copied for non-commercial and educational purposes. For other purposes, contact fn at goa-india dot org or fredericknoronha at gmail dot com or +91-9822122436 or +91-832-2409490
Photo copyleft by Frederick Noronha (FN). Creative Commons, 4.0.Attribution, non-commercial. May be copied for educational and not-for-profit purposes. For other purposes contact fredericknoronha2 at gmail.com or +91-9822122436
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Are HDR strawberries sweeter than the usual ones - as an average?
This is an experiment with Photomatix 4.1.
Hyaena Reading è in giro per ciò che resta dell’Italia a presentare l’EP “In movimento” (2010, autoprodotto/Sub Terra).
“La formazione romana [...] si muove con estrema disinvoltura tra le trame cupe e disilluse di certo blues metropolitano. Un cantato-parlato che non può non ricondurre alle alte declamazioni in stile Clementi, a modellare ambizioni di poesia suburbana, fotografando impietosamente il mondo attorno.” Emanuele Tamagnini – Nerds Attack
Brani violenti, sporchi e vitali. Senza fronzoli, senza esercizi di stile. Hyaena Reading riporta alla mente il blues delle origini, così come le sperimentazioni rock degli anni ’70 e ’80, ricordando sempre le proprie radici nel cuore del bacino mediterraneo. Testi brevi e incisivi, chitarre essenziali e taglienti. In poco più di tre anni di vita, Hyaena Reading ha portato le proprie sperimentazioni sonore nei luoghi più disparati: dal grande club al bookshop indipendente, dai teatri italiani e francesi al casolare di campagna, spesso dividendo il palco con stimati artisti quali The Niro, Giorgio Canali, Heike Has The Giggles, Rein, honeybird & the birdies. Hyaena Reading, poco incline al compromesso gestionale quanto a quello artistico e preferendo le incoerenze della rete alle ingiustizie del copyright, per volontà dei propri autori è fiero di non avere brani tutelati dalla SIAE secondo il vecchio, inutile copyright tradizionale. Hyaena Reading è presente inoltre – come promotore e con un brano – sulla compilation doppia edita in Creative Commons “Liberalarte! 3” (2008, Fpml/FHF), a fianco di Gang, Filippo Gatti & Collettivo Angelo Mai, L’Enfance Rouge, Têtes de Bois.
A questo indirizzo è possibile ascoltare e scaricare l’interno album www.jamendo.com/en/artist/Hyaena_Reading
Creative Copyleft Nait #1 - Beba Do Samba (Roma), 18 feb 2011
Photo copyleft by Frederick FN Noronha, Creative Commons, 3.0, attribution, non-commercial. Some rights reserved. May be copied for non-commercial purposes. For commercial purposes, contact fn@goa-india.orgl or +91-98222436 or 91-832-2409490.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Helianthus annuus
Sometimes it is good to take a few moments and just sit down with a bagfull of toys and compare results w/o any scientific or artistic ambitions. It is simply relaxing!
This is shot with a ca 40€ market camera. I cannot blame the result compared with those shot with equipment 50 to 100 times as much...
I hope this is NOT a "family friendly" group or whatsoever set up by (North) American puritans. Thousands of genitals are visible here!
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
L'insaisissable docteur Elmet, one of the various book from my grand-father. I'm making some experiment to OCR the book... but after various tries, I'm simply doing a transcription. All the family agreed to release it under a "copyleft" style license. Better than seeing the book just staying on the bookshelf...
hace tiempo viajé a valpo y encontré este mural... lo encontré muy interesante, especialmente porque tiene copyleft y no copyright :-P
Esa vez le saqué foto con mi cámara análoga, pero se me perdió el rollo.
Hyaena Reading è in giro per ciò che resta dell’Italia a presentare l’EP “In movimento” (2010, autoprodotto/Sub Terra).
“La formazione romana [...] si muove con estrema disinvoltura tra le trame cupe e disilluse di certo blues metropolitano. Un cantato-parlato che non può non ricondurre alle alte declamazioni in stile Clementi, a modellare ambizioni di poesia suburbana, fotografando impietosamente il mondo attorno.” Emanuele Tamagnini – Nerds Attack
Brani violenti, sporchi e vitali. Senza fronzoli, senza esercizi di stile. Hyaena Reading riporta alla mente il blues delle origini, così come le sperimentazioni rock degli anni ’70 e ’80, ricordando sempre le proprie radici nel cuore del bacino mediterraneo. Testi brevi e incisivi, chitarre essenziali e taglienti. In poco più di tre anni di vita, Hyaena Reading ha portato le proprie sperimentazioni sonore nei luoghi più disparati: dal grande club al bookshop indipendente, dai teatri italiani e francesi al casolare di campagna, spesso dividendo il palco con stimati artisti quali The Niro, Giorgio Canali, Heike Has The Giggles, Rein, honeybird & the birdies. Hyaena Reading, poco incline al compromesso gestionale quanto a quello artistico e preferendo le incoerenze della rete alle ingiustizie del copyright, per volontà dei propri autori è fiero di non avere brani tutelati dalla SIAE secondo il vecchio, inutile copyright tradizionale. Hyaena Reading è presente inoltre – come promotore e con un brano – sulla compilation doppia edita in Creative Commons “Liberalarte! 3” (2008, Fpml/FHF), a fianco di Gang, Filippo Gatti & Collettivo Angelo Mai, L’Enfance Rouge, Têtes de Bois.
A questo indirizzo è possibile ascoltare e scaricare l’interno album www.jamendo.com/en/artist/Hyaena_Reading
Live visuals a cura dei maghi More*Tv*V, già selezionatori di immagini e atmosfere per molteplici luoghi (Brancaleone, Init, Esc) ed eventi (curati da RomaEuropa Festival, Soundgate) della capitale.
Creative Copyleft Nait #1 - Beba Do Samba (Roma), 18 feb 2011
Photo copyleft by Frederick FN Noronha. Creative Commons 3.0, attribution, non-commercial. May be reproduced for non-commercial purposes. For other purposes, contact fn at goa-india dot org or fredericknoronha1 at gmail.com or +91-9822122436.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Commons, 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes, contact fn at goa-india.org or +91-9822122436 or +91-832-2409490
Photo copyleft by Frederick FN Noronha, Creative Commons, 3.0, attribution, non-commercial. Some rights reserved. May be copied for non-commercial purposes. For commercial purposes, contact fn@goa-india.orgl or +91-98222436 or 91-832-2409490.
Copyleft = free utilisation for non commercial use - with mention
N°: 10257
Photo: www.solidaire.org - Karina Brys
When: 7/10/2015
Where: Brussel - Bruxelles - Brussels
What: Betoging vakbonden - Manifestation des syndicats
Why: 1 ans du gouvernement Michel 1 - 1 jaar regering Michel 1
Who: 100.000 betogers - 100.000 manifestants
Mannen, vrouwen, jong en minder jong, vakbondsleden, leden van de meest diverse organisaties en verenigingen, burgers uit alle hoeken van het land … 100.000 mensen betoogden vandaag door de straten van Brussel.
Hommes, femmes, jeunes et moins jeunes, syndiqués, membres d’associations les plus variées, citoyens… 100.000 visages ont manifesté aujourd’hui dans les rues de Bruxelles, et ils avaient 100.000 raisons de se mobiliser.
Photo copyleft by Frederick FN Noronha, Creative Commons, 3.0, attribution, non-commercial. Some rights reserved. May be copied for non-commercial purposes. For commercial purposes, contact fn@goa-india.orgl or +91-98222436 or 91-832-2409490.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Common 3.0, attribution, non-commercial. May be copied for non-commercial purposes. For other purposes, contact fn@goa-india.org or +91-9822122436 or +91-832-2409490.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. May be copied for non-commercial purposes. For other purposes, contact fn at goa-india dot org. Or 91-98221222436 or +91-832-2409490. Or fredericknoronha at gmail.com
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Photo copyleft by Frederick FN Noronha. Creative Commons, non-commercial, attribution. On assignment. If you know of any challenging and creative assignment, contact me on +91-9822122436 or fn at goa-india dot org). Assignments undertaken in Goa, western and southern India.
Arturo Di Corinto presenta "I nemici della rete" (Rizzoli, 2010), scritto insieme a Alessandro Gilioli.
Moderatore, Gianluca Bernardo.
"La rete è la moderna frontiera della libertà e della democrazia. Luogo che apre canali di condivisione e scambio, internet è un diritto irrinunciabile, e la sua tutela l’unità di misura di un Paese civile. Nella corsa al digitale, però, l’Italia è il fanalino di coda dell’Occidente e il ritardo accumulato rischia di condannare i nostri figli a crescere in un Paese del terzo mondo.
Ma qual è il freno che ci tiene inchiodati al passato? A chi giova l’ostinazione all’arretratezza che risulta evidente nei rapporti tra potere e web?
In un’inchiesta accurata e coraggiosa Arturo Di Corinto e Alessandro Gilioli svelano il lato oscuro di una catena di ottusità e interessi: leggi che sono al limite della censura, una burocrazia che è un pachiderma mangiasoldi, un’opposizione politica maldestra che nasconde la difesa di lobby intoccabili, fondi destinati all’innovazione che restano congelati nelle casse dello Stato, l’astio di una certa casta di giornalisti che vede tremare una tradizione di privilegi.
Ma in un’Italia in affanno, gli autori raccontano anche le storie dei pochi illuminati che hanno visto nel web una risorsa, non soltanto per le proprie tasche, indicando così la strada perché il futuro non resti per noi soltanto un’ipotesi."
ALESSANDRO GILIOLI è giornalista de “L’espresso” e tiene il blog “Piovono rane”. Ha scritto, tra gli altri, Forza Italia: la storia, gli uomini, i misteri e, con Renato Gilioli, Cattivi capi, cattivi colleghi e Stress Economy. Per BUR Futuropassato ha pubblicato Premiata macelleria delle Indie (2007).
ARTURO DI CORINTO ha fatto ricerca e insegnato presso la Stanford University e la Sapienza di Roma. Consulente per la Presidenza del Consiglio dei ministri e l’Onu, scrive per “Il Sole 24 Ore”. È autore di numerosi saggi, come Hacktivism (2002). Il suo sito è www.dicorinto.it/
Creative Copyleft Nait #1 - Beba Do Samba (Roma), 18 feb 2011