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Controlled Chaos

In chaos theory, control of chaos is based on the fact that any chaotic attractor contains an infinite number of unstable periodic orbits. Chaotic dynamics then consists of a motion where the system state moves in the neighborhood of one of these orbits for a while, then falls close to a different unstable periodic orbit where it remains for a limited time, and so forth. This results in a complicated and unpredictable wandering over longer periods of time.

Shortly before its demolition . With thanks to the 453rd Bomb Group (H) Memorial Association

Broadcasting Control Room. From the studio all emergency broadcasts couild be made to the outside world via the National Transmitter Network.

Upland rice weeds / CYPERACEAE (sedge family)

 

Weed name: Cyperus rotundus L.

 

books.google.com.ph/books/irri?id=tqRtCQ9WMLUC&pg=PA2...

 

Part of the image collection of the International Rice Research Institute (IRRI)

O controlo da luz? Não! Um dia quando eu morrer, e espero que esse dia esteja muito distante, eu ainda não saberei controlá--la, em pleno.

John Karamja loads an aircraft with chemical pesticides in preparation for aerial spraying to fight locust swarms in Garowe Airport in Puntland State Somalia, on 12 November 2020. A serious and widespread desert locust outbreak is destroying crops and pastures across Central and Eastern Somalia. Air control operations form an integral part of FAO in Somalia’s desert locust support activities. FAO in Somalia’s desert locust support activities help local pastoralists and farmers to save their crops from the insect infestations.

 

Photo credits must be given to: ©FAO/Ismail Taxta/Arete

 

Project codes:

OSRO/SOM/010/CHA

OSRO/GLO/007/USA

OSRO/GLO/024/UK

I added cruise control to my 2007 Yaris Liftback a while ago and I realized that I never documented it. Its sort of cheating since the ECU already has the software loaded. All I had to do was tap into the pin and create a resistor ladder with multiple taps for the different buttons.

Celebrating a Milestone: Inauguration of the New Insect Pest Control Laboratory, Seibersdorf, Austria. 25 September 2017.

 

Photo Credit: Dean Calma / IAEA

Ipswich Waterfront, Suffolk.

Fortunately there were all kinds of instructions on how to operate the plane. Once I got us up in the air I told Ray to feel free to take a nap but I woke him up to give me a hand with our landing.

16074 Lubro Control Unit for use with pneumatic tools.

Lowland rice weeds / POACEAE (grass family)

 

Weed name: Leersia hexandra Sw.

 

books.google.com.ph/books/irri?id=tqRtCQ9WMLUC&pg=PA2...

  

Part of the image collection of the International Rice Research Institute (IRRI)

“Control Headquarters” doesn't exist! However, this building I photographed does! Image editing consisted of converting to black and white, dodging, burning and levels adjustments.

 

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Full Artist's Statement

 

For me “Control Headquarters” is a representation of a mythical man made structure where the agents of Control work against the forces of Chaos. It is a digital photo of an actual architectural structure in my home town, Perth. Image editing consisted of converting to black and white, dodging, burning and levels adjustments.

 

Thanks to the television series “Get Smart” with agents 86 and 99 for inspiring the title. The image reminds me of the elaborate entry into Control Headquarters that agent 86 had go through at the start of each show.

 

There is nothing organic or random about the structure. It’s constructed entirely of man made building materials. It’s a totally controlled environment.

 

Down in the bowels of this structure is a door to an office. The light is on.

 

But is it a case of “The light is on but nobody’s home!” ?

 

Does Control Headquarters really exist? Does Control exist?

 

Despite all our supposed intelligence, technological creations, and maturity my life experience has shown me that we (human beings) have very little control over our lives even when it may appear otherwise. Seemingly random events can quickly turn our lives into turmoil.

 

I assert that control does not exist and that we would all do better to stop chasing the dream of control. Let’s face it if we ever got to a point of total control it would probably bore us to death. We need to be more embracing of change and the randomness of life to cope better with all that this chaotic life throws at us.

 

At an exhibition of this work a fellow photographic artist Louise Mann also of Perth remarked to me that she loved the “7” in the work. I had not intentionally sort to create a number within the structure and hadn’t seen it. Initially very surprised I hadn’t seen it then very annoyed because once pointed out I couldn’t stop seeing it.

 

Damn! I didn't intend people to see 7 but once pointed out it was bleedin’ obvious and I was worried it might detract from the image and spoil the message I was trying to get across with the image. I was hoping the viewer would see an office door with bright light glowing through glass windows above and to the side of the door - the entry to Control Headquarters - where the light is on but nobody is home!

 

So I asked her what the “7” meant to her. She replied :-

 

“The '7' in control headquarters is, in my opinion, wonderfully discordant! It’s an odd number so its not generating implied balance, but it’s not as acceptable as '3' nor as tidy as '5'. It leaves me with the question - 'what is the significance of '7'?' This doesn't have to be a question of the photographer's significance, just the significance of it appearing all on its own! Because it’s the lightest part of the image, I'm drawn to it and I'm wanting to work it out - I can't, but I want to - so that gives the image the power of drawing me back to it.”

 

– Louise Mann, Photographic Artist, in reply email 29 August 2006.

 

I agree with Louise’s assessment of the 7 as wonderfully discordant. Once seen it certainly made me feel uncomfortable and drew me into the image again and again. I also can't work it out.

 

I think this is because it is one of only a few recognisable elements in the image that a viewer can latch on to make sense of what the image is. The other elements are small and in the shadows so being the brightest element the 7 really leaps out as the recognisable. However after recognising the 7 the viewer can't build on that base to understand what the image is because it is out of context. Leading the viewer to try to disregard the 7 to read the image again. Also the fact that the 7 is separated into 2 parts begs the question is it really a 7? Does the 7 belong in the image? If that's a 7 what is the rest of the image?

 

This struggle to resolve the ambiguity of the image and find something recognisable and solid to grab onto ties back beautifully into the title and theme of the work "Control Headquarters". I think that resolving the ambiguity is our first reaction to control our lives. Recognising what we see (our environment), categorising it, and taking appropriate action allows us to avoid harm and feel safe and secure.

 

The strong geometry and other recognisable elements in the image along with the fact that is a photo of a real world subject give enough clues to what the image is of that a viewer can't automatically categorise it as "Abstract" and happily move on to the next image. They will try to work out what it is to control it.

 

By dodging the 7 to absolute white (or just about) to create the window effect I was after I have really introduced a new element into the image which is out of context and discordant. Being the brightest part it draws the viewers attention to it however because it is very small the rest of the image actually manages to compete with it for the viewers attention.

 

The importance the eye wants to attribute to the 7 just because it is the brightest part of the image is discordant with the amount of real estate it occupies on the paper. I think our brain recognises that discordance and logically looks to analyse the rest of the image to make sense of it but our eye keeps getting drawn back to the highlight 7.

 

I am very pleased with this result as this quandary certainly adds considerable depth and impact to an image that started out as a study of geometry and a play of light.

 

- Mike Wishart

 

Artist / Photographer

23 February 2007

 

Please click here to see a show of my Top 10 images

 

Click PIP Perth flickrwalk to view my lastest online Exhibition on a lovely black background without distractions.

  

This is all that is left of the old Stapleton Airport. The rest of the land is being developed into residential and retail.

Sign denoting a "Drinking Control Area" in Southend-on-Sea, England. This does not seem like a fun area.

Fitted to a fine triple expansion engine

emm no me gusto como me kedo haha pero buno ai sta a ver k les parece salu2

150,000 protest in London for Health, Homes, Jobs & Education - 16 April 2016

 

Political painter Kaya Mar shows his painting "David Cameron - I'm In Control".

 

16/04/2016: An estimated 150,000 people marched through Central London to protest against government austerity policies which are having serious impacts on public health, housing, employment, wages and education. Organised by The People's Assembly, the "March for Health, Homes, Jobs & Education" protesters represented junior doctors, nurses, NHS workers, teachers, students, firefighters, disability rights and welfare rights campaigners, local government employees and a wide cross section of aggrieved citizens who claim that they are being unjustly impoverished by an uncaring Conservative government which is purposefully dismantling public services and handing them to private capital to fund tax relief for the wealthiest.

 

An extra post-Panama Papers data leak flavour prevailed at the protest with many people carrying "Dodgy Dave" placards - a reference to Prime Minister David Cameron's recent painfully drawn-out admission over four days that he has personally benefitted from the use of offshore tax havens set up by his late father.

 

All photos © Pete Riches

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about.me/peteriches

I go through this everyday.

London's Iconic Mastering Houses: Transition, for FACT MAG

©GEORGINA COOK 2014

www.factmag.com/2014/07/30/georgina-cook-mastering-galler...

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