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Continuous line drawing with ink and watercolour detail on 200x150cm Fabriano paper.
Date; March 2015.
Elfreth's Alley, Philadelphia - the oldest continuously occupied residential street in US - dating back to 1702
disparo contÃnuo
produto do ócio/tédio
fazendo fotos de qquer coisa...
taking pictures of anything...
alvo: filme de 8mm
target: 8mm film
Due to the continuous Coastal Erosion along the shore line this Suffolk Square Pillbox is now on the beach, after being built apon the cliff top originally in the early 1940's. Due to the washing from the waves you can see the full form of the Pillbox including the plinth, the interior is accessible, it seems that continuous Concrete Weapons Shelves are common in this area running across both Loopholes. The grain from the timber shuttering is very clean and clear, and the roof camouflage has also survived !
The Suffolk Square Pillboxes in this area were constructed using the gravel from the nearby extraction pit, there was originally three such pits but only one survives now due to coastal erosion, the extracted gravel was used to construct Pillboxes, Anti-Tank Blocks, Coastal Defences and Airfield Runways. The Suffolk Square is a Bullet Proof Infantry Pillbox approximately 12ft 6in square used for rifles and light machine guns, there is a slight variation in some designs, it was designed by CRE (Commander Royal Engineers) 55th Division and is unique to Suffolk.
The walls are 15in thick, some have no reinforcing rods (as some demolished examples have shown) and the roof is 12in thick. There are usually two Loopholes in each face except the entrance which only has the one Loophole. The entrance is protected by an L-Shaped Blast Wall, which was quite often chamfered on the outer edge to increase the field of fire from the Loophole at the entrances. Normally there is no Anti-Ricochet Wall, which would have made the personnel vulnerable (some Loopholes were blocked up to help eliminate this).
A different range of shuttering was used, between Aldeburgh to Thorpness and in South Suffolk pre-cast concrete blocks were used. The Walberswick Pillboxes used bricks for the internal shuttering and pre-cast concrete blocks for the external shuttering. From Southwold to Lowestoft most Pillboxes were shuttered with timber. Loopholes were pre-cast concrete and either Stepped or Splayed, sometimes both types were used in the same Pillbox and fitted with a Concrete Weapons Shelf below, and in some cases a Loophole was fitted to the External Blast Wall.
At Trimley St Martin there is a 'Hybrid Pillbox' consisting of a 'Suffolk Square' married to a 'Type-23' pillbox, a unique example ! The Suffolk Square Pillbox is only found in forward defences, such as in defence of a vulnerable point or to the rear of the beaches, there are none found on inland Stop Lines. There were 245 Suffolk Square Pillboxes listed as being constructed.
inspirational bathtub reading this morning. i'll spare you an essay about why i enjoyed it, and my philosophy on fashion trending, mass conciousness, and culture. but i will give you a transcript of his label since i couldn't give you a clear shot of it:
(after the basic care instructions)
culture is continuously changing its shape all over the globe. when a new trend collides with local style, the convergence creates a completely unique cultural force.
This is original style and Quality Control.
DO NOT REMOVE THIS LABEL.
CRAFT WITH PRIDE.
RISE ABOVE.
Using a variety of drawing equipment, i created a series of continuous line drawings of clothes tags for my obsessions project which was on clothing.
I found this very hard to do as I found that I couldn’t create the same effect of illusion as I had hoped for.
This links to the brief because it shows how I can create a continuous landscape with a mixture of different photographs.
The use of getting different photos and collageing them to look like one image can communicate a sense of confusion in a landscape.
For this photo, I used an Aperture of f/5.6, a shutter speed of 1/160 and an ISO of 6400. I used the standard 18-55mm lens and the focal length was 55.0mm. I used 1 soft box to create a lit up face on one side and a completely dark face on the other. the light was positioned at a 90 degree angle on my right side (subjects left side). When capturing this photo, I was thinking about what a dramatic photo would look like and tried to visualize it in my head. this photo stands out from the crowd because the most of the subject is completely lit up but the rest of the subject and the background is completely black. my image communicates how dramatic photos can still be beautiful.
Continuous delivery, security, and lean management make your IT and business better
Nicole Forsgren (Chef), Jez Humble (DevOps Research and Assessment LLC), Gene Kim (IT Revolution Press)
My current brief is: Human Form & Portraiture: Realism to Abstract. I have been learning and practising different drawing techniques such as negative space, contour drawings and continuous line drawing. I created these continuous line studies of my friend, Toby, using a biro. I really like the style of continuous line as I feel it does not necessarily have to be fully representational and creates a unique aspect to the portraits, such as the work of Jeff Stone. As I am discovering new ways of abstracting a portrait, something I have never done before, I chose to layer the three different angled portraits over one another to create an interesting image. I like how different features from each of the different portraits stand out, e.g. the eyes of one, the mouth of another. I feel as a piece, it can also represent a fuller image of Toby than one single portrait might. I will take this further with different media such as inks and/or relief.