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Construction work continues in the Cannon House Office Building's east wing.
Phase 3 of the Cannon Renewal Project began in January 2021 and is scheduled to be complete in December 2022. The entire east side of the building, from the basement to the fifth floor, is closed. Work includes demolishing and rebuilding the fifth floor, conserving the exterior stonework and rehabilitating the individual office suites.
Full project details at www.aoc.gov/cannon.
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Reference: 20210602_112443_SG
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The review and modernization of the Global Maritime Distress and Safety system (GMDSS) continues this week at the fourth session of the Sub-Committee on Navigation, Communication, Search and Rescue (6-10 March). The GMDSS requirements in SOLAS Chapter IV were adopted in 1988 and ensure an integrated communications system using satellite and terrestrial radiocommunication systems. The meeting is expected to develop draft amendments to SOLAS to accommodate additional, global or regional, mobile satellite systems. Also on the agenda are: the technical review of proposed new or amended ships' routeing measures; the functioning and operation of the Long-Range Identification and Tracking (LRIT) system, including a review of submitted audit reports; and search and rescue related matters, including the harmonization of aeronautical and maritime search and rescue. IMO Secretary-General Kitack Lim opened the session, which is being chaired by Mr. Ringo Lakeman (the Netherlands).
OM PARVAT
Om Parvat (also Adi Kailash, Little Kailash, Jonglingkong Peak,Baba Kailash, chhota Kailash)[3] is a mountain in the Himalayanmountain range, lying in the Darchula district of western Nepal and inPithoragarh District, Uttarakhand, India. It is considered sacred by Hindusand its snow deposition pattern resembles the sacred 'OM' (ॐ). Its appearance is distinctly similar to Mount Kailash in Tibet.[4] Near Om Parvat lie Parvati Lake and Jonglingkong Lake. Jonglingkong Lake is sacred, as Mansarovar, to the Hindus. Opposite to this peak is a mountain called Parwati Muhar. The Om Parvat is the fruit of discord between India and Nepal who do not reach agreement about the border line between the two countries. The Om Parvat is currently on the Indo-Nepalese border face "Om/ॐ" in India and the back of the mountain inNepal.
This peak was attempted for the first time by an Indo-British team including Martin Moran, T. Rankin, M. Singh, S. Ward, A. Williams and R. Ausden. The climbers promised not to ascend the final 10 metres (30 ft) out of respect for the peak's holy status. However, they were stopped around 200 m (660 ft) short of the summit by very loose snow and rock conditions.[4]
The first ascent of Adi Kailash came on October 8, 2004. The team comprised Tim Woodward, Jack Pearse, Andy Perkins (UK); Jason Hubert, Martin Welch, Diarmid Hearns, Amanda George (Scotland); and Paul Zuchowski (USA). They did not ascend the final few metres, again out of respect for the sacred nature of the summit.
Om Parvat can be viewed en route to the Kailash Manasarovar Yatra from the last camp below Lipu Lekh pass at Nabhidhang. Many trekkers to Adi Kailash often make a diversion to view Om Parvat. Om Parvat and Adi Kailash or Baba Kailash are not one and the same. Om Parvat is located near Nabhi Dhang (Nepal),The Chhota Kailash is located near Sinla pass, Near Brahma Parvat.
The best view of Om Parvat which "Om" drawn by the snow is the view from the district of Pithoragarh (Uttarakhand, India), which faces the mountain and hence to the "Om". By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
OM
Auṃ or Oṃ, Sanskrit: ॐ) is a sacred sound and a spiritual icon in Indian religions. It is also a mantra in Hinduism, Buddhism, Jainism, and Sikhism.
Om is part of the iconography found in ancient and medieval era manuscripts, temples, monasteries and spiritual retreats in Hinduism, Buddhism, and Jainism. The symbol has a spiritual meaning in all Indian dharmas, but the meaning and connotations of Om vary between the diverse schools within and across the various traditions.
In Hinduism, Om is one of the most important spiritual symbols (pratima). It refers to Atman (soul, self within) andBrahman (ultimate reality, entirety of the universe, truth, divine, supreme spirit, cosmic principles, knowledge). The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other Hindu texts. It is a sacred spiritual incantation made before and during the recitation of spiritual texts, during puja and private prayers, in ceremonies of rites of passages (sanskara) such as weddings, and sometimes during meditative and spiritual activities such as Yoga.
Vedic literature
The syllable "Om" is described with various meanings in the Vedas and different early Upanishads.[19] The meanings include "the sacred sound, the Yes!, the Vedas, the Udgitha (song of the universe), the infinite, the all encompassing, the whole world, the truth, the ultimate reality, the finest essence, the cause of the Universe, the essence of life, theBrahman, the Atman, the vehicle of deepest knowledge, and Self-knowledge".
Vedas
The chapters in Vedas, and numerous hymns, chants and benedictions therein use the syllable Om. The Gayatri mantra from the Rig Veda, for example, begins with Om. The mantra is extracted from the 10th verse of Hymn 62 in Book III of the Rig Veda.These recitations continue to be in use, and major incantations and ceremonial functions begin and end with Om.
ॐ भूर्भुवस्व: |
तत्सवितुर्वरेण्यम् |
भर्गो देवस्य धीमहि |
धियो यो न: प्रचोदयात् ||
Om. Earth, atmosphere, heaven.
Let us think on that desirable splendour
of Savitr, the Inspirer. May he stimulate
us to insightful thoughts.
Om is a common symbol found in the ancient texts of Hinduism, such as in the first line of Rig veda (top), as well as a icon in temples and spiritual retreats.
The Chandogya Upanishad is one of the oldest Upanishads of Hinduism. It opens with the recommendation that "let a man meditate on Om". It calls the syllable Om as udgitha (उद्गीथ, song, chant), and asserts that the significance of the syllable is thus: the essence of all beings is earth, the essence of earth is water, the essence of water are the plants, the essence of plants is man, the essence of man is speech, the essence of speech is the Rig Veda, the essence of the Rig Veda is the Sama Veda, and the essence of Sama Veda is the udgitha (song, Om).
Rik (ऋच्, Ṛc) is speech, states the text, and Sāman (सामन्) is breath; they are pairs, and because they have love and desire for each other, speech and breath find themselves together and mate to produce song. The highest song is Om, asserts section 1.1 of Chandogya Upanishad. It is the symbol of awe, of reverence, of threefold knowledge because Adhvaryu invokes it, the Hotr recites it, and Udgatr sings it.
The second volume of the first chapter continues its discussion of syllable Om, explaining its use as a struggle between Devas (gods) and Asuras (demons). Max Muller states that this struggle between gods and demons is considered allegorical by ancient Indian scholars, as good and evil inclinations within man, respectively. The legend in section 1.2 of Chandogya Upanishad states that gods took the Udgitha (song of Om) unto themselves, thinking, "with this [song] we shall overcome the demons". The syllable Om is thus implied as that which inspires the good inclinations within each person.
Chandogya Upanishad's exposition of syllable Om in its opening chapter combines etymological speculations, symbolism, metric structure and philosophical themes. In the second chapter of the Chandogya Upanishad, the meaning and significance of Om evolves into a philosophical discourse, such as in section 2.10 where Om is linked to the Highest Self, and section 2.23 where the text asserts Om is the essence of three forms of knowledge, Om is Brahman and "Om is all this [observed world]".
Katha Upanishad
The Katha Upanishad is the legendary story of a little boy, Nachiketa – the son of sage Vajasravasa, who meetsYama – the Indian deity of death. Their conversation evolves to a discussion of the nature of man, knowledge,Atman (Soul, Self) and moksha (liberation). In section 1.2, Katha Upanishad characterizes Knowledge/Wisdom as the pursuit of good, and Ignorance/Delusion as the pursuit of pleasant, that the essence of Veda is make man liberated and free, look past what has happened and what has not happened, free from the past and the future, beyond good and evil, and one word for this essence is the word Om.
The word which all the Vedas proclaim,
That which is expressed in every Tapas (penance, austerity, meditation),
That for which they live the life of a Brahmacharin,
Understand that word in its essence: Om! that is the word.
Yes, this syllable is Brahman,
This syllable is the highest.
He who knows that syllable,
Whatever he desires, is his.
— Katha Upanishad,
Maitri Upanishad
The Maitrayaniya Upanishad in sixth Prapathakas (lesson) discusses the meaning and significance of Om. The text asserts that Om represents Brahman-Atman. The three roots of the syllable, states the Maitri Upanishad, are A + U + M. The sound is the body of Soul, and it repeatedly manifests in three: as gender-endowed body - feminine, masculine, neuter; as light-endowed body - Agni, Vayu and Aditya; as deity-endowed body - Brahma, Rudra and Vishnu; as mouth-endowed body - Garhapatya, Dakshinagni and Ahavaniya; as knowledge-endowed body - Rig, Saman and Yajur; as world-endowed body - Bhūr, Bhuvaḥ and Svaḥ; as time-endowed body - Past, Present and Future; as heat-endowed body - Breath, Fire and Sun; as growth-endowed body - Food, Water and Moon; as thought-endowed body - intellect, mind and pysche. Brahman exists in two forms - the material form, and the immaterial formless. The material form is changing, unreal. The immaterial formless isn't changing, real. The immortal formless is truth, the truth is the Brahman, the Brahman is the light, the light is the Sun which is the syllable Om as the Self.
The world is Om, its light is Sun, and the Sun is also the light of the syllable Om, asserts the Upanishad. Meditating on Om, is acknowledging and meditating on the Brahman-Atman (Soul, Self).
Mundaka Upanishad
The Mundaka Upanishad in the second Mundakam (part), suggests the means to knowing the Self and the Brahman to be meditation, self-reflection and introspection, that can be aided by the symbol Om.
That which is flaming, which is subtler than the subtle,
on which the worlds are set, and their inhabitants –
That is the indestructible Brahman. It is life, it is speech, it is mind. That is the real. It is immortal.
It is a mark to be penetrated. Penetrate It, my friend.
Taking as a bow the great weapon of the Upanishad,
one should put upon it an arrow sharpened by meditation,
Stretching it with a thought directed to the essence of That,
Penetrate that Imperishable as the mark, my friend.
Om is the bow, the arrow is the Soul, Brahman the mark,
By the undistracted man is It to be penetrated,
One should come to be in It,
as the arrow becomes one with the mark.
— Mundaka Upanishad, 2.2.2 - 2.2.4
Adi Shankara, in his review of the Mundaka Upanishad, states Om as a symbolism for Atman (soul, self).
Mandukya Upanishad
The Mandukya Upanishad opens by declaring, "Om!, this syllable is this whole world". Thereafter it presents various explanations and theories on what it means and signifies. This discussion is built on a structure of "four fourths" or "fourfold", derived from A + U + M + "silence" (or without an element).
Aum as all states of time
In verse 1, the Upanishad states that time is threefold: the past, the present and the future, that these three are "Aum". The four fourth of time is that which transcends time, that too is "Aum" expressed.
Aum as all states of Atman
In verse 2, states the Upanishad, everything is Brahman, but Brahman is Atman (the Soul, Self), and that the Atman is fourfold. Johnston summarizes these four states of Self, respectively, as seeking the physical, seeking inner thought, seeking the causes and spiritual consciousness, and the fourth state is realizing oneness with the Self, the Eternal.
Aum as all states of consciousness
In verses 3 to 6, the Mandukya Upanishad enumerates four states of consciousness: wakeful, dream, deep sleep and the state of ekatma (being one with Self, the oneness of Self). These four are A + U + M + "without an element" respectively.
Aum as all of knowledge
In verses 9 to 12, the Mandukya Upanishad enumerates fourfold etymological roots of the syllable "Aum". It states that the first element of "Aum" is A, which is from Apti (obtaining, reaching) or from Adimatva (being first). The second element is U, which is from Utkarsa (exaltation) or from Ubhayatva(intermediateness). The third element is M, from Miti (erecting, constructing) or from Mi Minati, or apīti (annihilation). The fourth is without an element, without development, beyond the expanse of universe. In this way, states the Upanishad, the syllable Om is indeed the Atman (the self).
Shvetashvatara Upanishad
The Shvetashvatara Upanishad, in verses 1.14 to 1.16, suggests meditating with the help of syllable Om, where one's perishable body is like one fuel-stick and the syllable Om is the second fuel-stick, which with discipline and diligent rubbing of the sticks unleashes the concealed fire of thought and awareness within. Such knowledge, asserts the Upanishad, is the goal of Upanishads. The text asserts that Om is a tool of meditation empowering one to know the God within oneself, to realize one's Atman (Soul, Self).
Epics
The Bhagavad Gita, in the Epic Mahabharata, mentions the meaning and significance of Om in several verses. For example, Fowler notes that verse 9.17 of the Bhagavad Gita synthesizes the competing dualistic and monist streams of thought in Hinduism, by using "Om which is the symbol for the indescribable, impersonal Brahman".
I am the Father of this world, Mother, Ordainer, Grandfather, the Thing to be known, the Purifier, the syllable Om, Rik, Saman and also Yajus.
— Krishna to Arjuna, Bhagavad Gita 9.17,
The significance of the sacred syllable in the Hindu traditions, is similarly highlighted in various of its verses, such as verse 17.24 where the importance of Omduring prayers, charity and meditative practices is explained as follows,
Therefore, uttering Om, the acts of yajna (fire ritual), dāna (charity) and tapas (austerity) as enjoined in the scriptures, are always begun by those who study the Brahman.
— Bhagavad Gita
Yoga Sutra
The aphoristic verse 1.27 of Pantanjali's Yogasutra links Om to Yoga practice, as follows,
तस्य वाचकः प्रणवः ॥२७॥
His word is Om.
— Yogasutra 1.27,
Johnston states this verse highlights the importance of Om in the meditative practice of Yoga, where it symbolizes three worlds in the Soul; the three times – past, present and future eternity, the three divine powers – creation, preservation and transformation in one Being; and three essences in one Spirit – immortality, omniscience and joy. It is, asserts Johnston, a symbol for the perfected Spiritual Man (his emphasis). BY KAILASH MANSAROVAR FOUNDATION SWAMI BIKASH GIRI www.sumeruparvat.com , www.naturalitem.com
A cart mired in the mud.
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Photo credit must be given: ©FAO/Nigeria. Editorial use only. Copyright FAO
The dried up Christmas Bush in the backyard. Love the soft watercolour bokeh. If you haven't worked it out by now, me love bokeh :)
Saint Luke of Simferopol and Crimea (Valentin Felixovich Voyno-Yasenetsky, 1877-1961) was a Russian surgeon, professor of anatomy, and archbishop of Simferopol and Crimea. Saint Luke was a prominent medical doctor and saint whose life signified how the Christian faith can be combined with surgical practice and medical research. Here, we provide a biographical exploration of his life and work to reflect on his importance and legacy in our current era. Saint Luke is recognized as the father of the surgical treatment of pyogenic and purulent infections. He also introduced local anesthesia to Russian practice, and he performed the first renal transplantation from a calf to a human. Although he was exposed to over 11 years of exile and persecution by the Communist Party, Saint Luke remained committed to his faith. He conducted divine liturgies, delivered sermons to defend Orthodox Christianity, and fought against dialectic materialism. Saint Luke's life and legacy continues to inspire not only healthcare practitioners but also those advocating for peace in the region and globally in the twenty-first century. Saint Luke's legacy is now especially relevant given that Crimea is currently a place of war and immense human suffering due to the ongoing conflict between Russia and Ukraine.
pubmed.ncbi.nlm.nih.gov/40702279/
In ABCs and 123s: S is for saint
Measure twice and cut once, this is never so important when you don't have many spares and can't run to the local lumber store for more.
First wall is up!
Continuing the showcase of our "Oribana Charm" collection. Here is the dynamic Oribana arrangement we call "In Dancing Rhythms". The starring floral models are our Frittilaria with its delicate blue bell-shaped flowers, open star-blooms of Kaffir Lily with cup-shaped petals and attractive pouch-like flowers Calceolaria, accompanied by dancing Round Leaves. The container is our Low Oval Vase that has two in-built flower holders in it to make duet compositions. Used Japanese and Swedish paper for plants and the vase. Happy folding!
The diagrams are published in our ORIBANA CHARM
nunca desistir do que almeja,do q sonha, pode demorar mais um dia vem e vem com juros, q a felicidade venha e irradie minha alma e corpo por que estou precisando muito disso.
Continuing a tradition that was reinaugurated during the university's Tercentenary in 1993, William & Mary begins each fall with Opening Convocation to celebrate the start of the academic session.
#wmconvocation 2015
Photo by Stephen Salpukas
Willliam & Mary
The 0-6-0T is still a placeholder, but I have now completed a second combo. These will be part of the expansion to my California State Railroad Museum display.
Yikes : Port Lyttelton, NZ
Jacob's coming back. There's more to do.
Jacob Ryan, organiser of the current "Ground up" graffiti event over the last couple of weeks. This held in conjunction with "Rise", a major graffiti festival, and exhibition which opened on the 20 Dec in the Canterbury Museum in Christchurch. Organised and deliberate encouragement for graffiti artists to reclaim our broken city through art. The earthquakes have given us a lot of empty lots and ugly, bare walls.
JASPER COUNTY, S.C.—Work continues on the back dike raising at the U.S. Army Corps of Engineers Savannah Harbor dredge disposal area "14A" shown here Aug. 29, 2013. Col. Thomas Tickner, commander for the Corps' Savannah District, and his staff visit the work site and meet with Chad Brown, vice president of Ashridge Construction, the prime contractor. The project includes the placement of 198,000 cubic yards of dredge material to raise the back dike, plus an additional 40,000 cubic yards of sediment, according to Brown. It also includes the placement of 170,000 square yards of geotechnical fabric, which is layered under the dredge material to improve the structural stability of the dike. The team is also installing wick drains to help dissipate the groundwater. Construction began in the spring of 2013 and is slated for completion in October. The Corps' Savannah District is responsible for operating and maintaining the Savannah shipping channel (and its associated dredge disposal areas) to ensure commerce has safe and adequate access to and from the Garden City Ocean Terminal. The Savannah Harbor is the nation's fourth busiest container port. USACE photo by Tracy Robillard.
this is hard.
my machine makes a "trace" of the area that will be sewn, but its really hard to connect curves and predict where they are going to line up. looks like a flawless match here. yay!
Les Grés d'Annot
Le sentier continu au travers des jardins du Roi avec quelques moments insolites
14,5km 5h30 D770
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Annot's Sandstone
The path continues through the King's gardens with some unusuals moments
“Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.”
~Ralph Ellison
This is the third placer, continued paddling to finish the race. Please read the full story in my blog.
PUERTO CORTES, Honduras (Nov. 4, 2022)--U.S. Navy Lt. Cmdr. Shannon Griffiths, a pediatric clinical nurse specialist from Morganton, North Carolina, assigned to the hospital ship USNS Comfort (T-AH 20), is interviewed by a local news outlet during a health fair at Escuela San Martin Porres in Puerto Cortes, Honduras, Nov. 4, 2022. Comfort is deployed to U.S. 4th Fleet in support of Continuing Promise 22, a humanitarian assistance and goodwill mission conducting direct medical care, expeditionary veterinary care, and subject matter expert exchanges with five partner nations in the Caribbean, Central and South America. . (U.S. Army photo by Cpl. Genesis Gomez)
Continued from last photo....
Basically, I designed, drew, cut out, and assembled all these bears, flowers, and leaves....oh and each hat has the name of all the new students. Welcome to 1st GRADE!
FINIS
To continue taking action and making steady progress towards protecting the safety and security of vulnerable women in B.C., government is making available up to $1 million in targeted grant funding and committing to examining the structure and funding of policing in the province.
Learn more: www.newsroom.gov.bc.ca/2013/11/action-continues-to-suppor...