View allAll Photos Tagged consulate
A U.S. Marine with India Company, Battalion Landing Team 3rd Battalion, 1st Marine Regiment, 15th Marine Expeditionary Unit, provides security at a simulated diplomatic facility during Composite Training Unit Exercise (COMPTUEX) aboard Camp Pendleton, Calif., March 19, 2015. The Marines trained to rapidly reinforce the facility. MEU’s are capable of responding to crises from U.S. Navy ships like the Essex Amphibious Ready Group in as few as six hours while deployed. (U.S. Marine Corps photo by Staff Sgt. Miguel Carrasco/Released)
Thalidomide casualties offer spare limbs to German Consulate - London 02.10.2013
Thalidomide survivors protested outside the German Consulate in London's Belgrave Square against the German government's 42-year long protection of Grünenthal GMbH - manufacturer of Thalidomide - from prosecution by any victims of the infamous drug which was administered to pregnant women as a cure for morning sickness, but which caused terrible birth deformities in over 10,000 babies worldwide, many of whom died agonising deaths.
The German government passed a special law in 1971 which gives the drug manufacturer immunity from any prosecution by victims of Thalidomide, even though Grünenthal's victims have needed a lifetime of support which has instead been paid for by taxpayers of the countries in which they were born.
Though various Grünenthal senior officials have verbally apologised over the past few years, the company still refuses point blank to pay compensation for the enduring human misery they have caused, and it is alarming to hear that Thalidomide is now being dished out in Brazil as an effective treatment for Leprosy. Though Thalidomide is proving to be very effective, the problem is that unscrupulous doctors and pharmacists in Brazil are not ensuring women are not pregnant before issuing the drug. As a consequence, the horrors of Thalidomide has been unleashed on the favelas, and Grünenthal know they will continue to be unfairly protected by their government.
Grünenthal has never paid a penny of compensation to its victims in Australia, Sweden, Canada or the United Kingdom.
For more information, please visit Thalidomide Trust or their campaign website ShowYourHand where you can show your support.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
UK Foreign secretary David Milliband and U.S. Secretary of State Hillary Clinton answer questions from the press at Carlton Gardens.
(Embassy photo by SJ Mayhew)
Thalidomide casualties offer spare limbs to German Consulate - London 02.10.2013
Thalidomide survivors protested outside the German Consulate in London's Belgrave Square against the German government's 42-year long protection of Grünenthal GMbH - manufacturer of Thalidomide - from prosecution by any victims of the infamous drug which was administered to pregnant women as a cure for morning sickness, but which caused terrible birth deformities in over 10,000 babies worldwide, many of whom died agonising deaths.
The German government passed a special law in 1971 which gives the drug manufacturer immunity from any prosecution by victims of Thalidomide, even though Grünenthal's victims have needed a lifetime of support which has instead been paid for by taxpayers of the countries in which they were born.
Though various Grünenthal senior officials have verbally apologised over the past few years, the company still refuses point blank to pay compensation for the enduring human misery they have caused, and it is alarming to hear that Thalidomide is now being dished out in Brazil as an effective treatment for Leprosy. Though Thalidomide is proving to be very effective, the problem is that unscrupulous doctors and pharmacists in Brazil are not ensuring women are not pregnant before issuing the drug. As a consequence, the horrors of Thalidomide has been unleashed on the favelas, and Grünenthal know they will continue to be unfairly protected by their government.
Grünenthal has never paid a penny of compensation to its victims in Australia, Sweden, Canada or the United Kingdom.
For more information, please visit Thalidomide Trust or their campaign website ShowYourHand where you can show your support.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
The Consulate General of Germany in Istanbul,
Romanian Cultural Institute in Istanbul Dimitrie Cantemir and SanatOdası/KunstRaum/ArtRoom present:
A Dance Performance by Natalia Murariu
İÇ DÜNYALARIN ŞİİRSELLİĞİ
Balerin ve koreograf Natalia Murariu bedensel dille iç dünya ve ruh hallerini anlatıyor. Doğal kronolojinin ötesine giden insan yaşam döngüsünün bir yansımasıdır izleyeceğimiz bu dans performansı. Sadece düşünce ve projeksiyon değil, daha çok yaşanmış yoğun anların anılarıdır.
POESIE INNERER WELTEN
Die Tänzerin und Choreographin Natalia Murariu erzählt in ihrem körperlichen
Ausdruck von inneren Welten und Seelenzuständen. Es ist eine Reflektion des menschlichen Lebenszyklus, welche sich über natürliche Chronologie hinwegsetzt.
Es sind nicht nur Gedanken und Projektionen, vielmehr Erinnerungen an intensive Augenblicke im Leben.
Ich lebe mein Leben in wachsenden Ringen,
die sich über die Dinge ziehn.
Ich werde den letzten vielleicht nicht vollbringen,
aber versuchen will ich ihn.
Hayatımı genişleyen halkalar içinde yaşıyorum ben.
Nesneler üzerinde açılan halkaların
Sonuncusunu başarmak belki gelmez elimden;
Yine de başarmaya çalışacağım.
I live my life in growing rings
That reach across this World of things
Perhaps I’ll never complete the last,
but that’s what I mean to try.
Rainer Maria Rilke
***
Sponsored by www.villadatatil.com
Natalia Murariu hakkında:
Balerin Natalia Murariu Moskova'da doğdu. Bükreş'te 1973 yılında Bale Akademisi’nden mezun olduktan sonra Bükreş Devlet Operası, opera topluluğuna alındı ve operaya kısa sürede solist olarak kabul edildi.
1985 yılından beri Köln’ de yaşayan Natalia Murariu Koreograf ve yönetmen olarak tiyatro ve performans alanında çalışmalarını sürdürmektedir.
Haydar Zorlu`nun uzun yıllar üzerinde çalışmış olduğu Goethe’nin Faust eseri, uzun denemelerden sonra ancak Natalia Murariu’nun yönetmen olarak uyguladığı sahne teknikleri sayesinde yepyeni bir yorumla gerçekleşebildi. www.faust-istanbul.com
Über die Künstlerin Natalia Murariu
Die Ballerina Natalia Murariu wurde in Moskau geboren. Nach dem Abschluss der Ballettakademie 1973 in Bukarest wurde sie ins Opernensemble der Bukarester Staatsoper aufgenommen, wo sie schon nach kurzer Zeit als Solistin auftrat. Gleichzeitig beschäftigte sie sich immer wieder mit neuen Formen des modernen- und Ausdrucktanzes und wurde Mitglied zweier neu gegründeter Modern Dance Gruppen. Anerkennung und Erfolg kamen auch aus dem Ausland, während des Kunstfestivals „Frühling 1978“ in Paris.
1979 gewann Natalia Murariu zusammen mit einer Gruppe des Ensembles der Bukarester Staatsoper den 1. Preis auf nationaler Ebene für junge Choreographen und den 1. Preis für tänzerische Darbietung. In der Fachzeitschrift „Ba۸et“ feierte man sie als beste Nachwuchschoreographin. Im gleichen Jahr ging sie auf eine Tournee mit der Staatsoper Bukarest durch mehrere Städte der DDR. Als höchste Ehrung lobte die sowjetische Fachzeitschrift „Бarem“ sie als neue Hoffnung der Tanzwelt.
Seit 1985 Aufenthalt in Deutschland. Hier fing sie an, ihr Können und ihre Begeisterung auch dem Nachwuchs zu vermitteln. Seit 1994 lebt Natalia Murariu in Köln. An der Musikschule Ahrweiler unterrichtete sie über viele Jahre Klassisches Ballett, Jazz Tanz und Tanztheater. Seit 2004 widmet sich die Künstlerin der Freien Tanzszene in Köln und gründete 2005 die Tanzgruppe „Espace Danse Cologne“. In ihrer Liebe für die Musik von Bach, Händel und Pergolesi (nur ein Bruchteil ihrer Lieblingskomponisten), die ihre Kreativität beflügeln, kommen noch viele selbst „gedichtete Gedanken“ hinzu, die den Zuschauer in die „Gedankenwelt einer Tänzerin“ einführen sollen. So hieß auch ihr Vortragsabend im November 2005 im Kölner Kunstsalon, mit dem ihre Aufnahme in die GEDOK KÖLN bestätigt wurde.
Natalia Murariu hat das Faust-Solo mit Haydar Zorlu inszeniert, welches im März 2009 seine Premiere im Kaisersaal des Deutschen Generalkonsulats in Istanbul hatte. Durch das Zusammentreffen mit der Regisseurin Natalia Murariu fand Haydar Zorlu die Ausdrucksformen, um den Faust in einer völlig neuen Inszenierung auf die Bühne zu bringen, wobei es Murariu gelungen ist, die rasanten Rollenwechsel mit wenigen Mittel zu unterstreichen. Das Ergebnis: Goethes Faust, ganz großes Theater im Taschenformat. www.faust-solo.de
POEZIA LUMII INTERIOARE
Dansatoarea si coregrafa Natalia Murariu exprimă, prin limbajul trupului, stări sufletesti si aspecte ale lumii lăuntrice. Este o oglindire a ciclului vietii umane care merge dincolo de cronologia naturală. Nu sunt doar gânduri si poiectii, ci mai degrabă amintiri ale unor momente trăite cu intensitate. Dramaturgia emotionantă a acestui eveniment artistic este redată de subtilitatea ironiei si de absurdul existential inevitabil.
Balerina Natalia Murariu (n.Traistaru) s-a nascut la Moscova.
- 1973 absolventa a Liceului de Coregrafie Buc.
-Dupa absolvire membra a ansamlului de balet al Operei Romine Buc.
-La scurt timp devine solista in repertoriul clasic si inscenarile contemporane
ale Operei Romine.
-In paralel activitate artistica in grupurile de expresie moderna/contemporana
conduse de Adina Cezar,Sergiu Anghel si Miriam Raducanu-(Spectacole "NOCTURN 9 1/2")de la teatrul Tandarica si de "POESIE si DANS"la Teatrul National Buc.
- 1978-Paris,Centre Pompidou(Festivalul Primaverii),turneu cu ansamblul Operei
Romine Buc.sub conducerea lui Mihai Brediceanu
- 1979-Berlin,Erfurt,Weimar,deasemenea turneu.
- 1979-Consacrarea ca solista si asistenta coregrafica in spectacolul Operei Romine "Izvoare si Radacini"(Premiul national pt.interpretare) sub conducerea lui Ion Tugearu
- 1984-In revista sovietica"BALET"este numita ca o noua speranta a lumii dansului.
- 2009-Docenta pt. tehnica dansului modern la Universitatea de Teatru,Film si
Coregrafie Buc.(clasa Pr.Pr.Dr.Sergiu Anghel
Thalidomide casualties offer spare limbs to German Consulate - London 02.10.2013
Thalidomide survivors protested outside the German Consulate in London's Belgrave Square against the German government's 42-year long protection of Grünenthal GMbH - manufacturer of Thalidomide - from prosecution by any victims of the infamous drug which was administered to pregnant women as a cure for morning sickness, but which caused terrible birth deformities in over 10,000 babies worldwide, many of whom died agonising deaths.
The German government passed a special law in 1971 which gives the drug manufacturer immunity from any prosecution by victims of Thalidomide, even though Grünenthal's victims have needed a lifetime of support which has instead been paid for by taxpayers of the countries in which they were born.
Though various Grünenthal senior officials have verbally apologised over the past few years, the company still refuses point blank to pay compensation for the enduring human misery they have caused, and it is alarming to hear that Thalidomide is now being dished out in Brazil as an effective treatment for Leprosy. Though Thalidomide is proving to be very effective, the problem is that unscrupulous doctors and pharmacists in Brazil are not ensuring women are not pregnant before issuing the drug. As a consequence, the horrors of Thalidomide has been unleashed on the favelas, and Grünenthal know they will continue to be unfairly protected by their government.
Grünenthal has never paid a penny of compensation to its victims in Australia, Sweden, Canada or the United Kingdom.
For more information, please visit Thalidomide Trust or their campaign website ShowYourHand where you can show your support.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
Altinho, Panaji Goa
inside the Consulate's compound wall
2nd Q
queue
Queuing
about portuguese passport, nationality etc
joegoauk-pointofview.blogspot.in/2013/04/of-portuguese-ci...
address:
House No. 38, 39, Parvathi House, Fr Agnelo Road, Altinho, Panjim, Goa 403001, India
Thalidomide casualties offer spare limbs to German Consulate - London 02.10.2013
Thalidomide survivors protested outside the German Consulate in London's Belgrave Square against the German government's 42-year long protection of Grünenthal GMbH - manufacturer of Thalidomide - from prosecution by any victims of the infamous drug which was administered to pregnant women as a cure for morning sickness, but which caused terrible birth deformities in over 10,000 babies worldwide, many of whom died agonising deaths.
The German government passed a special law in 1971 which gives the drug manufacturer immunity from any prosecution by victims of Thalidomide, even though Grünenthal's victims have needed a lifetime of support which has instead been paid for by taxpayers of the countries in which they were born.
Though various Grünenthal senior officials have verbally apologised over the past few years, the company still refuses point blank to pay compensation for the enduring human misery they have caused, and it is alarming to hear that Thalidomide is now being dished out in Brazil as an effective treatment for Leprosy. Though Thalidomide is proving to be very effective, the problem is that unscrupulous doctors and pharmacists in Brazil are not ensuring women are not pregnant before issuing the drug. As a consequence, the horrors of Thalidomide has been unleashed on the favelas, and Grünenthal know they will continue to be unfairly protected by their government.
Grünenthal has never paid a penny of compensation to its victims in Australia, Sweden, Canada or the United Kingdom.
For more information, please visit Thalidomide Trust or their campaign website ShowYourHand where you can show your support.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
Prime Minister Gordon Brown and U.S. Secretary of State Hillary Clinton pose for the press at Chequers. n.
(Embassy photo by SJ Mayhew)
Thalidomide casualties offer spare limbs to German Consulate - London 02.10.2013
Thalidomide survivors protested outside the German Consulate in London's Belgrave Square against the German government's 42-year long protection of Grünenthal GMbH - manufacturer of Thalidomide - from prosecution by any victims of the infamous drug which was administered to pregnant women as a cure for morning sickness, but which caused terrible birth deformities in over 10,000 babies worldwide, many of whom died agonising deaths.
The German government passed a special law in 1971 which gives the drug manufacturer immunity from any prosecution by victims of Thalidomide, even though Grünenthal's victims have needed a lifetime of support which has instead been paid for by taxpayers of the countries in which they were born.
Though various Grünenthal senior officials have verbally apologised over the past few years, the company still refuses point blank to pay compensation for the enduring human misery they have caused, and it is alarming to hear that Thalidomide is now being dished out in Brazil as an effective treatment for Leprosy. Though Thalidomide is proving to be very effective, the problem is that unscrupulous doctors and pharmacists in Brazil are not ensuring women are not pregnant before issuing the drug. As a consequence, the horrors of Thalidomide has been unleashed on the favelas, and Grünenthal know they will continue to be unfairly protected by their government.
Grünenthal has never paid a penny of compensation to its victims in Australia, Sweden, Canada or the United Kingdom.
For more information, please visit Thalidomide Trust or their campaign website ShowYourHand where you can show your support.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
Altinho, Panaji Goa
inside the Consulate's compound wall
2nd Q
queue
Queuing
about portuguese passport, nationality etc
joegoauk-pointofview.blogspot.in/2013/04/of-portuguese-ci...
address:
House No. 38, 39, Parvathi House, Fr Agnelo Road, Altinho, Panjim, Goa 403001, India
The Consultate General of Mexico opened new offices in Natomas late last month. Here are: Fred Millar, chairman of the Sacramento Hispanic Chamber of Commerce; Rosa Escutia, past chairwoman of the
group; Carlos Gonzalez Gutierrez, Consul General of Mexico; and Ixiim
Flores, vice chairwoman of the Hispanic Chamber.
Photo by Tia Gemmell , Riverview Media Photography
Photo © Linda Dawn Hammond / IndyFoto July 22, 2006 STOP THE WAR Protest rally for Lebanon: July 22, 2006 March from Israeli Consulate to US Consulate, Toronto.
Lost boy at Lebanon protest, in front of US Consulate #1
This was perplexing. I saw this boy standing alone- it seemed to me he might have lost his family. The guards at the US consulate were completely ignoring him. I asked the police what he was doing there- they said they didn't know. I suggested he might be lost- they were indifferent. I asked if they'd even talked to him- NO. And were obviously not going to. It's funny- I thought this situation to among their duties as police. I was always told as a child, "If you're ever lost or in trouble, find a policeman. "I expect he was told the same.
I photographed the boy from beyond the "no go" area where he was standing. One of the cops said to me something like, "You sure pick your battles" (whatever that implies), then criticised the protest group for including their children, this in spite of the fact that it was a very orderly and peaceful march.
I asked if I could get a close-up of the boy, ostensibly to render the "Lebanon" inscribed on his cap visible in my photo, but to also ask him if he was OK. He appeared to be, and seeing this is Toronto and I am a complete stranger, I thought it best to leave him in their "safe company".
I believe that the inclusion of so many children was a poignant and affecting reminder that OVER ONE THIRD of the civilian deaths in the recent bombing of Lebanon by Israel ARE CHILDREN. Boys and girls like these ones. Innocent victims, suffering pointless and unnecessary deaths. Thousands more lie maimed and suffering - the luckier ones in hospitals, while the rest remain unable to reach help. This is a humanitarian crisis of utmost urgency. These children who march want to be seen- to remind us of those whose plight we are overlooking.
Deputy High Commissioner Tony Brennan, Head of Inward Investment QLD Craig O'Kane and High Commissioner Paul Madden
Vice Consul Cassy Allen shakes hands with Din Ladak, C.E.O. of Immigrant Services Calgary. l-r Stefan Schwarz, Consualr Intern; DIn Ladak, C.E.O.; VC Cassy Allen; Puneet Kullar, Family Resource Centre Coordinator; Wendy Auger, Mosaic Family Resource Centre Director.
Altinho, Panaji Goa
Q ing for Portuguese Passport etc
queue
Queuing
about portuguese passport, nationality etc
joegoauk-pointofview.blogspot.in/2013/04/of-portuguese-ci...
address:
House No. 38, 39, Parvathi House, Fr Agnelo Road, Altinho, Panjim, Goa 403001, India
La Maison Fenwick, first and oldest American Consulate General, has occupied this site for most of its history since 1790 in Bordeaux. Photo taken June 2004.
The building long ago took the name of the American occupant and chief tenant in 1790, Joseph Fenwick. He became the first US Consular General in 1790 and was from a family with Maryland and South Carolina connections.
The marker, in French and English, reads:
"Here lived Joseph Fenwick, who became the first American Consul in Bordeaux in 1790."
"This plaque, unveiled by Mayor Jacques Chaban-Delmas on November 26, 1990 commemorates the Bicentennial of the U.S. Consulate in Bordeaux, the oldest American consulate in the world."
Charleston merchants were very familiar with Bordeaux in 1790. It had been one of the major points of entry for South Carolina comodities for decades. Carolina gold rice, sea island cotton and raw indigo dye were highly valued products to be traded in major European markets. The profits were used to buy manufactored goods and finished products in the latest styles for resale in Charleston and other American markets. International trade required stable and reliable contacts in order to maintain the confidence between sellers and buyers, in addition to keeping up the reputation of the goods traded. It was very logical that America's first consulate would be established in a port as important to 18th and 19th century Europe as the port of Charleston was to the new American republic.
Unlike Paris in 1790, Bordeaux was still a stable and conservative business environment as the French Revolution was just beginning. The turmoil in Paris and the value of keeping trade opportunities open underscored the importance of the presence of a permanent representative to oversee American interests at a chief point of entry into the country. Bordeaux would eventually experience the violence of the Red Terror but its trade relations with other important ports around the world survived, largely undesturbed, well into the 20th century. The fame of Bordeaux wine and a world demand for it to match, probably helped to keep those trade routes the preferred ones for many foreign brokers, factors and merchant ship captains.
The US consular's offices in Bordeaux would be the first of many such consulates to be established by the US in places around the world other than national capitals. The importance of this one is that it was the first. It also is the one that has remained opened longer than any other. Just as importantly, the Hotel de Fenwick, Joseph Fenwick's former residence and offices still in use, is a reminder of the historic relationship that has always existed between the US and France...even when our governments have been less than agreeable.
Note: According to a reference found on the website, eDiplomat.com, the history of this American Consulate has been on hold since 1976. The story of this and other US Consular offices is recounted in Consular Tales, an online record. The reference states: Consular Tales was inspired by the closing of the American Consulate General in Bordeaux, as a budgetary decision by the Clinton Administration in 1996. This was our oldest American Consulate General, opened by President George Washington in 1790. The mission was only closed briefly twice in its long history, when war between France and the United States seemed possible at the end of the eighteenth century, and then again during the Second World War, during the Nazi Occupation.
Bordeaux and the Aquitaine region in SW France. Photo taken 17 June 2004.
Photo and text posted: 30 January 2008
Revised: 19 November 2010
Copyrights reserved: hdescopeland
6/25/2013
I went to the Vietnam consulate in San Francisco to obtain a visa. I am preparing for a three week trekking adventure in October. I will be spending a considerable amount of time in North Vietnam near the Vietnam/China border. This area is home to some of vietnams ethnic minorties and I will experience homestays in their villages.
U.S. Secretary of State Hillary Rodham Clinton addresses Mumbai Consulate General staff during an event at the Crystal Ballroom of the Taj Palace Hotel in Mumbai, India July 19, 2009. [State Department photo]
Brazilian Consulate - San Francisco, California
June 21, 2019
Road blockade by the group 1000 Grandmother for Future Generations (aka Society of Fearless Grandmothers)
Outside the Brazilian Consulate, a giant puppet, a road shutdown and a street painting to send a message to Jair Bolsonaro, President of Brazil: PROTECT the AMAZON - RESPECT INDIGENOUS RIGHTS - The AMAZON is NOT FOR SALE.
Organized by the Brasil Solidarity Network, Idle No More SF Bay and Indigenous Women of the Americas Defending Mother Earth Treaty.
2 July, 2011. HU hosted a Guest Speak Talk on Thursday, 21 July, 2011 by Mr. Tristram Perry & Ms. Andrea DeArment Information Officers of the US Consulate General of Lahore & Karachi. The purpose was to allow students to ask questions concerning the PAK-US relations to get a better understanding of the current issues.
The interactive session lasted more than an hour, during which both speakers gave an introduction of their roles & duties at the respective US Consulates in Lahore and Karachi, which led to a Question & Answer session with the participating students of Business, Pharmacy & Fashion Design Faculties of Hajvery University (HU). Their questions centered on the past PAK-US relations, the recent events which received a lot of coverage and where the Foreign Policy of US with Pakistan is headed in the next 10 years. Gen (r) Muhammad Latif, Director Administrator HU presented Shields to both Guests.
Ms. Andrea also showed keen interest in HU School of Fashion Design. She interacted with BFD Students, and admired their attention to detail and innovation in Dress Designson Display in their classroom/workshop.
Their visit concluded after a lively discussion over Tea; the discussion included strengthening Academic ties between the US Universities and Hajvery University (HU), so as to bridge the gaps between the two Academic Communities and allow them to experience Pakistan first hand and vice versa.
Hajvery University (HU) is one of the leading Universities in Pakistan. HU is Chartered by Govt. Of Pakistan, Accredited by Higher Education Commission of Pakistan (HEC) and rated W category. HU is a progressive, Student Centric University, focused on offering rigorous, market driven courses in Business, Fashion, Engineering, Computer sciences, Textile Design, Media Studies, Economics, Commerce, Pharmacy & English.For details:
Web: www.hup.edu.pk,
UAN: 042-111-777-007
email: info@hup.edu.pk
A visa issued by the consulate of Armenia in Los Angeles Ca.The visa has been edit for identity reasons.
Altinho, Panaji Goa
inside the Consulate's compound wall
2nd Q
queue
Queuing
about portuguese passport, nationality etc
joegoauk-pointofview.blogspot.in/2013/04/of-portuguese-ci...
address:
House No. 38, 39, Parvathi House, Fr Agnelo Road, Altinho, Panjim, Goa 403001, India
The Consulate General of Germany in Istanbul,
Romanian Cultural Institute in Istanbul Dimitrie Cantemir and SanatOdası/KunstRaum/ArtRoom present:
A Dance Performance by Natalia Murariu
İÇ DÜNYALARIN ŞİİRSELLİĞİ
Balerin ve koreograf Natalia Murariu bedensel dille iç dünya ve ruh hallerini anlatıyor. Doğal kronolojinin ötesine giden insan yaşam döngüsünün bir yansımasıdır izleyeceğimiz bu dans performansı. Sadece düşünce ve projeksiyon değil, daha çok yaşanmış yoğun anların anılarıdır.
POESIE INNERER WELTEN
Die Tänzerin und Choreographin Natalia Murariu erzählt in ihrem körperlichen
Ausdruck von inneren Welten und Seelenzuständen. Es ist eine Reflektion des menschlichen Lebenszyklus, welche sich über natürliche Chronologie hinwegsetzt.
Es sind nicht nur Gedanken und Projektionen, vielmehr Erinnerungen an intensive Augenblicke im Leben.
Ich lebe mein Leben in wachsenden Ringen,
die sich über die Dinge ziehn.
Ich werde den letzten vielleicht nicht vollbringen,
aber versuchen will ich ihn.
Hayatımı genişleyen halkalar içinde yaşıyorum ben.
Nesneler üzerinde açılan halkaların
Sonuncusunu başarmak belki gelmez elimden;
Yine de başarmaya çalışacağım.
I live my life in growing rings
That reach across this World of things
Perhaps I’ll never complete the last,
but that’s what I mean to try.
Rainer Maria Rilke
***
Sponsored by www.villadatatil.com
Natalia Murariu hakkında:
Balerin Natalia Murariu Moskova'da doğdu. Bükreş'te 1973 yılında Bale Akademisi’nden mezun olduktan sonra Bükreş Devlet Operası, opera topluluğuna alındı ve operaya kısa sürede solist olarak kabul edildi.
1985 yılından beri Köln’ de yaşayan Natalia Murariu Koreograf ve yönetmen olarak tiyatro ve performans alanında çalışmalarını sürdürmektedir.
Haydar Zorlu`nun uzun yıllar üzerinde çalışmış olduğu Goethe’nin Faust eseri, uzun denemelerden sonra ancak Natalia Murariu’nun yönetmen olarak uyguladığı sahne teknikleri sayesinde yepyeni bir yorumla gerçekleşebildi. www.faust-istanbul.com
Über die Künstlerin Natalia Murariu
Die Ballerina Natalia Murariu wurde in Moskau geboren. Nach dem Abschluss der Ballettakademie 1973 in Bukarest wurde sie ins Opernensemble der Bukarester Staatsoper aufgenommen, wo sie schon nach kurzer Zeit als Solistin auftrat. Gleichzeitig beschäftigte sie sich immer wieder mit neuen Formen des modernen- und Ausdrucktanzes und wurde Mitglied zweier neu gegründeter Modern Dance Gruppen. Anerkennung und Erfolg kamen auch aus dem Ausland, während des Kunstfestivals „Frühling 1978“ in Paris.
1979 gewann Natalia Murariu zusammen mit einer Gruppe des Ensembles der Bukarester Staatsoper den 1. Preis auf nationaler Ebene für junge Choreographen und den 1. Preis für tänzerische Darbietung. In der Fachzeitschrift „Ba۸et“ feierte man sie als beste Nachwuchschoreographin. Im gleichen Jahr ging sie auf eine Tournee mit der Staatsoper Bukarest durch mehrere Städte der DDR. Als höchste Ehrung lobte die sowjetische Fachzeitschrift „Бarem“ sie als neue Hoffnung der Tanzwelt.
Seit 1985 Aufenthalt in Deutschland. Hier fing sie an, ihr Können und ihre Begeisterung auch dem Nachwuchs zu vermitteln. Seit 1994 lebt Natalia Murariu in Köln. An der Musikschule Ahrweiler unterrichtete sie über viele Jahre Klassisches Ballett, Jazz Tanz und Tanztheater. Seit 2004 widmet sich die Künstlerin der Freien Tanzszene in Köln und gründete 2005 die Tanzgruppe „Espace Danse Cologne“. In ihrer Liebe für die Musik von Bach, Händel und Pergolesi (nur ein Bruchteil ihrer Lieblingskomponisten), die ihre Kreativität beflügeln, kommen noch viele selbst „gedichtete Gedanken“ hinzu, die den Zuschauer in die „Gedankenwelt einer Tänzerin“ einführen sollen. So hieß auch ihr Vortragsabend im November 2005 im Kölner Kunstsalon, mit dem ihre Aufnahme in die GEDOK KÖLN bestätigt wurde.
Natalia Murariu hat das Faust-Solo mit Haydar Zorlu inszeniert, welches im März 2009 seine Premiere im Kaisersaal des Deutschen Generalkonsulats in Istanbul hatte. Durch das Zusammentreffen mit der Regisseurin Natalia Murariu fand Haydar Zorlu die Ausdrucksformen, um den Faust in einer völlig neuen Inszenierung auf die Bühne zu bringen, wobei es Murariu gelungen ist, die rasanten Rollenwechsel mit wenigen Mittel zu unterstreichen. Das Ergebnis: Goethes Faust, ganz großes Theater im Taschenformat. www.faust-solo.de
POEZIA LUMII INTERIOARE
Dansatoarea si coregrafa Natalia Murariu exprimă, prin limbajul trupului, stări sufletesti si aspecte ale lumii lăuntrice. Este o oglindire a ciclului vietii umane care merge dincolo de cronologia naturală. Nu sunt doar gânduri si poiectii, ci mai degrabă amintiri ale unor momente trăite cu intensitate. Dramaturgia emotionantă a acestui eveniment artistic este redată de subtilitatea ironiei si de absurdul existential inevitabil.
Balerina Natalia Murariu (n.Traistaru) s-a nascut la Moscova.
- 1973 absolventa a Liceului de Coregrafie Buc.
-Dupa absolvire membra a ansamlului de balet al Operei Romine Buc.
-La scurt timp devine solista in repertoriul clasic si inscenarile contemporane
ale Operei Romine.
-In paralel activitate artistica in grupurile de expresie moderna/contemporana
conduse de Adina Cezar,Sergiu Anghel si Miriam Raducanu-(Spectacole "NOCTURN 9 1/2")de la teatrul Tandarica si de "POESIE si DANS"la Teatrul National Buc.
- 1978-Paris,Centre Pompidou(Festivalul Primaverii),turneu cu ansamblul Operei
Romine Buc.sub conducerea lui Mihai Brediceanu
- 1979-Berlin,Erfurt,Weimar,deasemenea turneu.
- 1979-Consacrarea ca solista si asistenta coregrafica in spectacolul Operei Romine "Izvoare si Radacini"(Premiul national pt.interpretare) sub conducerea lui Ion Tugearu
- 1984-In revista sovietica"BALET"este numita ca o noua speranta a lumii dansului.
- 2009-Docenta pt. tehnica dansului modern la Universitatea de Teatru,Film si
Coregrafie Buc.(clasa Pr.Pr.Dr.Sergiu Anghel
On March 23, 2016, Queen's welcomed a South African delegation to campus to discuss academic & research opportunities. Visitors included Ms. Veronica Nnensa (from MAPP Africa in Toronto), Mr. Reginold August Ncamane (Political Consul, South African Consulate General in Toronto), Mr. Nyameko Goso (Consul General, South African Consulate General in Toronto), and Mr. Brian Dodo (Partner/Chief Designer Officer at BmDodo Strategic Design). (Photo by Bernard Clark)