View allAll Photos Tagged constraining
Although it seems that excessive snowmelt has caused this river to misbehave, the raised bank on the right was no doubt built by land "improvers" who wanted to constrain the water and prevent it from taking its natural course, meandering down this gentle valley. On the right, the floodwater can be seen to have reached the bottom of the rising ground. View downstream from the small bridge carrying the driveway to Cringletie Hotel.
Larimar
Radiates love and peace and promotes tranquility.
It naturally raises consciousness and harmonizes the body and
soul to new vibrations.
Spiritually, it is empowering, dissolving boundaries that constrain the spiritual self, and
guiding the soul onto its true pathway in life.
Larimar facilitates angelic contact and communication with other realms.
It is an excellent stone for those seeking a soul mate, and it facilitates the healing of past relationships and heart trauma.
Psychologically, Larimar removes self imposed blockages and constrains.
It dissolves self-sabotaging behavior and assists taking control of life, particularly useful for alleviating guilt and removing fear.
Mentally, it brings serenity and clarity and constructive thought.
It stimulates creativity and encourages “going with the flow”.
Emotionally it brings calmness and equilibrium.
It is an antidote to emotional extremes.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Taken for Take a Class with Dave & Dave.
Week 17, Assignment 1: Green
This will probably get me thrown out of the class, but Protagonist did say that he refused to constrain our vision.
Was assigned by the district manager to help out sister store to adjust their visual presentations (wall setup). Came up with wall setups that fits in with the company's brand image. Also with the constrain of different heights of dividers (which are not moveable) within the wall units, I was able to present products visibly well than before.
When under time constrains and/or wanting to keep travel costs under control, one can always find ways to connect with nature within a short distance from urban centers. Here, with past year’s images I am sort of giving a heads up as to what one might discover along the Rideau Canal.
Rideau Canal, Kingston, Ontario, Canada
Much of the testing world sees test automation through a common lens, a common mental model. This is the paradigm of the assembly line robot: deterministic, mechanical actions repeated time and again. Whilst this model may have its uses, as with all models, it also has its failings: ways in which it constrains how we think about testing problems.
See the Skillscast (film/slides/code) at skillsmatter.com/skillscasts/5238-models-of-automation
EL ANATSUI - BEHIND THE RED MOON: A journey through monumental new artwork made of shimmering metal fragments in the Turbine Hall of the Tate Modern
“Each material has its properties, physical and even spiritual - El Anatsui
Staged as an artwork in three acts, El Anatsui's cascading metal hangings transform the Turbine Hall. Thousands of repurposed liquor bottle tops and metal fragments were crumpled, crushed, and connected by hand with copper wire into unique compositions.
Later, large sheets were pieced together to form massive abstract fields of colour, shape, and line. Despite being monumental in scale, the works are flexible and adaptable to change. Descending from the Turbine Hall's ceiling, Anatsuis symphonic sculptures hang in the air and seem to float across the space.
You are invited to embark on a journey of movement and interaction through the hangings, a dance between bodies and sculptures.
Anatsui's free-flowing forms challenge the building's industrial scale and open up different ways of looking. Viewing the hangings from afar reveals a landscape of symbols: the moon, the sail, the Earth, and the wall. Up close, the logos on the bottle tops speak to their social and material life as commodities. As products of a global industry built on colonial trade routes, they connect the overlapping histories of Africa, Europe and the Americas. Revealing the poetic possibilities of his materials, Anatsui explores the entangled relationships and geographies that bind us together.
ACT III: THE WALL
In this final act, a monumental black wall stretches from floor to ceiling. Anatsui's interest in walls is rooted in the ancient story of the earthen wall of Notsie (present-day Togo). Built by King Agokoli to contine and oppress his subjects, a revolutionary uprising by the Ewe people led to the wall's destruction and the Ewe's escape. As well as structures that constrain and encircle, Anatsui also speaks of the productive quality of walls as 'an attempt to hide things. They provoke curiosity and curiosity might get imagination out to the other side.'
Facing the yellow back of the sail, the wall might suggest an arrival at shore. Metal pools rise from the ground at the base of the wall, resembling crashing waves and rocky peaks. For Anatsui, the use of black refers to the continent of Africa and its global diaspora, charged with the potential of homecoming and return. Moving behind the wall reveals an edifice of shimmering silver, covered in a multi-coloured mosaic. As lines and waves of blackness and technicolour meet, they echo the collision of global cultures and hybrid identities that Anatsui invites us to consider throughout the commission.”
All text above @ Copyright Tate Modern, 2023 - from display panels in the Turbine Hall
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
EL ANATSUI - BEHIND THE RED MOON: A journey through monumental new artwork made of shimmering metal fragments in the Turbine Hall of the Tate Modern
“Each material has its properties, physical and even spiritual - El Anatsui
Staged as an artwork in three acts, El Anatsui's cascading metal hangings transform the Turbine Hall. Thousands of repurposed liquor bottle tops and metal fragments were crumpled, crushed, and connected by hand with copper wire into unique compositions.
Later, large sheets were pieced together to form massive abstract fields of colour, shape, and line. Despite being monumental in scale, the works are flexible and adaptable to change. Descending from the Turbine Hall's ceiling, Anatsuis symphonic sculptures hang in the air and seem to float across the space.
You are invited to embark on a journey of movement and interaction through the hangings, a dance between bodies and sculptures.
Anatsui's free-flowing forms challenge the building's industrial scale and open up different ways of looking. Viewing the hangings from afar reveals a landscape of symbols: the moon, the sail, the Earth, and the wall. Up close, the logos on the bottle tops speak to their social and material life as commodities. As products of a global industry built on colonial trade routes, they connect the overlapping histories of Africa, Europe and the Americas. Revealing the poetic possibilities of his materials, Anatsui explores the entangled relationships and geographies that bind us together.
ACT III: THE WALL
In this final act, a monumental black wall stretches from floor to ceiling. Anatsui's interest in walls is rooted in the ancient story of the earthen wall of Notsie (present-day Togo). Built by King Agokoli to contine and oppress his subjects, a revolutionary uprising by the Ewe people led to the wall's destruction and the Ewe's escape. As well as structures that constrain and encircle, Anatsui also speaks of the productive quality of walls as 'an attempt to hide things. They provoke curiosity and curiosity might get imagination out to the other side.'
Facing the yellow back of the sail, the wall might suggest an arrival at shore. Metal pools rise from the ground at the base of the wall, resembling crashing waves and rocky peaks. For Anatsui, the use of black refers to the continent of Africa and its global diaspora, charged with the potential of homecoming and return. Moving behind the wall reveals an edifice of shimmering silver, covered in a multi-coloured mosaic. As lines and waves of blackness and technicolour meet, they echo the collision of global cultures and hybrid identities that Anatsui invites us to consider throughout the commission.”
All text above @ Copyright Tate Modern, 2023 - from display panels in the Turbine Hall
The portrait by Charles Camoin shows Amélie Matisse-Parayre at work. Henri Matisse's wife was a gifted modiste who ran her own fashion shop from 1899 until 1902. Before her husband was successful with his art, her business was vital to supporting the family, which by then numbered five. As the painting records, she was often dressed after the latest fashion. The loose-fitting garment, a kimono, did not constrain her at work; by contrast with the bodice, it was regarded as a symbol of - physical and personal - freedom. Camoin's detailed rendition of the fabrics reflects his interest in artisan craftwork, which did not command the same prestige as painting.
Much of the testing world sees test automation through a common lens, a common mental model. This is the paradigm of the assembly line robot: deterministic, mechanical actions repeated time and again. Whilst this model may have its uses, as with all models, it also has its failings: ways in which it constrains how we think about testing problems.
See the Skillscast (film/slides/code) at skillsmatter.com/skillscasts/5238-models-of-automation
Lisa Danielson, M.S., Geoscience, University of Nevada, 1998, conducts experiments that simulate the interiors of terrestrial planets, at both past and present physical and chemical conditions. High pressure and temperature experiments are used to constrain the core-mantle segregation process, mantle mineralogy, and mantle evolution, June 17th, 2016. (Josh Hawkins / UNLV Creative Services)
Walden Pond - "I did not pay a tax to, or recognize the authority of, the state which buys and sells men, women, and children, like cattle at the door of its senate-house. I had gone down to the woods for other purposes. But, wherever a man goes, men will pursue and paw him with their dirty institutions, and, if they can, constrain him to belong to their desperate odd-fellow society. It is true, I might have resisted forcibly with more or less effect, might have run 'amok' against society; but I preferred that society should run 'amok' against me, it being the desperate party." Henry David Thoreau
The MID Seminar Series offered a forum for the presentation and in-depth discussion of thematic studies and results developed as part of the Mozambique Institutional Diagnostic (MID) study. Elaborated by key specialists in their fields, the topics covered by the studies include decentralization, education, natural resources, and the rule of law in Mozambique.
Launched in June 2019 by the Inclusive growth in Mozambique programme, the Mozambique Institutional Diagnostic (MID) study is a unique collaboration between various international research institutions, including the University of Copenhagen, UNU-WIDER, and Oxford Policy Management (OPM), and local high-level analysts. The study explores the relationship between the characteristics and functioning of Mozambican institutions and the economic performance of the country. The key goal of the study is to produce an institutional diagnostic tool that allows policymakers to identify institutional weaknesses that constrain economic development and indicates possible directions for reforms and change.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Article Title: A quantitative study of cotyledon positioning in conifer development
Author: David M. Holloway, Byron Brook, JooHyun Kang, Cameron Wong, and Michael Wu
Citation: Botany, 2016, 94(11): 1063-1074, doi.org/10.1139/cjb-2015-0242
Source: dx.doi.org/10.1139/cjb-2015-0242
Caption: Fig. 1.Positioning conifer cotyledons on the surface of the embryo. (a and b) Cotyledons form with a characteristic spacing (?) within a whorl. Cotyledon numbers vary between individuals owing to variation in diameter (scale bars = 250 µm in (a) and 200 µm in (b); these are older larch embryos, with substantial cotyledon outgrowth; adapted from Harrison and von Aderkas 2004, reproduced with permission). (c and d) Cotyledon patterning occurs during a change in embryo geometry, from a hemispherical dome (c) to a flattened top (d). Arrows indicate the first visible sign of cotyledon initials (larch embryos, adapted from Nagata et al. 2013, reproduced with permission). Line segment d represents the measured diameter (†). (e) Representation of the embryo geometry and the factors involved in positioning the cotyledons. Polar coordinates for a circular embryo, with radial coordinate r and circumferential coordinate (longitude). A point on the early-stage (hemispherical) dome would also have a latitude (?) coordinate; as the embryo flattens, ? decreases and the geometry becomes more disk-like. The ? parameter specifies flatness, varying between ? = 1 (hemisphere) and ? = 0 (disk). (f) Top-view of the geometry, with the r, coordinate system and parameters as described above (adapted from Harrison and von Aderkas 2004, reproduced with permission). There are two aspects to positioning the cotyledons (black spots) on such a surface (see text): P1, constraining cotyledons to form in a whorl, at a certain radial distance from the embryo’s tip or the outer edge (inset, b/2) of the morphogenetic tissue (red, e); and P2, setting the intercotyledon spacing (?), within the whorl (along the coordinate). The slope is ?/p and b is the y-intercept in †. The diameter of the cotyledon whorl is d – b. www.nrcresearchpress.com/journal/cjb
For rights and permission, click here [bit.ly/1pL1c5f]
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Screen addiction in kids Showing kids how to deal with computer games and their very own feelings while playing computer games can be extreme. A few guardians see their children cheerfully playing computer games and would prefer not to disturb or outrage them by instructing them to stop. Different guardians use computer games as a sitter so they can get everything from cooking to cleaning to work done around the house. It's reasonable in light of the fact that getting Screen Addiction In Kids something — anything! — done when you have children can be a genuine test, and it can make constraining amusement time as difficult for guardians for what it's worth for children. However, in the event that that amusement time is antagonistically influencing your youngster, it's a penance you're going to need to make.
Know More Click Here ==> gullybabakids.com/breaking-screen-addiction-in-kids/
Former Center for Racial Justice visiting fellow, legal scholar, and sociologist Atinuke O. Adediran discussed her new book Disclosureland: How Corporate Words Constrain Racial Progress. Drawing from social science research and legal analysis, Disclosureland uncovers the power structures and institutional practices that determine how companies respond to calls for change. Critical, insightful, and forward-thinking, Disclosureland challenges readers to look beyond public rhetoric to understand how corporate narratives shape our collective pursuit of fairness, equity, and shared responsibility. Adediran was joined in conversation by Mark S. Mizruchi, U-M professor of sociology.
All rights reserved. This photo is copyrighted by Michigan Photography and the University of Michigan. Third-party use requires prior written permission from the Gerald R. Ford School of Public Policy and/or written permission or a license agreement with Michigan Photography.
For commercial or business use, contact Michigan Photography at photography.umich.edu. News organizations should email fspp-editor@umich.edu for usage permission. Mandatory photo credit: Gerald R. Ford School of Public Policy/Michigan Photography.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
A lonely tree growing on a rocky crag in the middle of Skilak Lake. Like a bonsai, though it is small it may be many years old, dwarfed because its harsh envoirment constrains it growth
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
.
absence of a centrally coordinated placement cell. The University must also take admissioxi in .
research programs to its full capacity so the research output of university is also increased, and .
students have ample opportunities for their research. .
WI-Fi in Hostels, Creating Wi-Fi Parks in Public spaces: Implementing Wi-Fi in the whole .
campus has been a constant struggle fought by NSUI. After our concrete efforts, JNU .
administration managed to clinch a MoU with MTNL for implementation of Wi-Fi in Hostels. But it .
has been implemented only in Academic Complex. It is very important in facilitating the research .
work as students will be able to access internet and E-Resources from Hostels. This Will also reduce .
the rush in central library and facilitate the smooth functioning of Library. With the launch of newly .
introduced JNUapps, which is a very significant step in democratizing and modernizing the .
academic environment the need to have Wi-Fi in Hostels becomes more useful and urgent. .
.
Increase MCM to 3000: Merit cum Means scholarship was introduced to help the economically .
deprived students continue their studies without difficulties and to act as a economic equalizer. .
.
With time and increasing inflation the MCM provided is not sufficiep.t. Due to our Constant struggle .
.
Administration has increased the MCM from 1500 to 2000, but this is neither adequate. The vice .
.
Chancellor has himself cited the Financial constrains, but we have to get the MCM increased. lf .
JNU administration is unable to provide funds* then it must ask the MHRD, UGC. NSUI will not .
stop our struggle for MCM at ad Block only. We will cany it forward to the gates of UGC and MHRD. .
NSUI aims to have a concrete solution for MCM within this semester. .
Upgrade of Academic Infrastructure: We demand the library to be open 24x7, increase the reading halls in library. After increasing the seats, the load on classes have increased and the classrooms are not able to accommodate the students. Some MA classes have more than 100 students in a single room. These classes do not have even proper ventilation and air circulation. Such classrooms need to be updated soon and all classes who have more than 50 students must also have air conditioning. The Hellen keller unit needs to be expanded and Braille transcription of course material must be provided in all centers for VH. students. Day scholars have a lot of problems \Vhen they have a long gap between the classes. We demand the administration to immediately construct a new hall for day scholar students. .
Central Scholarship and reimbursement Cell: Lots of students who receive CSIR and other scholarships have problems in receiving the scholarship in time. They have to condone every time they have to get contingency bills. Most of the scholarships come to the students after 6 months or more. To reduce the red-tapism, timely distribution of scholarships, we need a proactive centralized scholarship and reimbursement cell. .
Health Insurance for students: Health insurance needs a very nominal amount (100-200 Per head) from administration but it is very important for JNU Students. In year 2007 JNU Administration proposed a scheme for JNU students or free, but the then AISA led JNUSU derailed the proposal citing that the insurance Company was an multinational company without any deliberation within student community. We feel there is an urgent need for health insurance for students, and it must be implemented very soon. .
Extension of Scholarships till completion of 9B: The research scholars in the .final year of their research are deprived of any Financial help, which is most important in the final year of their work. JNU Students have already initiated a struggle for the issue. NSUI expresses solidarity with them and we will also carry foxward their struggle from our side. .
Introduce gender sensitive courses: In the context of the tragic incident of 31st July and different suggestions given to avoid such incidents in future, we would like to demand. gender sensitive courses for different disciplines and interactive programs in Courses. .
Making the campl:lS more PH/VH friendly: In the last few years, -Govt. has released funds for making the campus more PH/VH friendly. But there are still a lot of complaints from the PH students. These must be addressed immediately and the campus should be 100°/o PH/VH friendly. .
Sd/ Sd/ Sd/ Meraj Ahmad Marniyr Padu.
Pranveer Singh .
.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Former Center for Racial Justice visiting fellow, legal scholar, and sociologist Atinuke O. Adediran discussed her new book Disclosureland: How Corporate Words Constrain Racial Progress. Drawing from social science research and legal analysis, Disclosureland uncovers the power structures and institutional practices that determine how companies respond to calls for change. Critical, insightful, and forward-thinking, Disclosureland challenges readers to look beyond public rhetoric to understand how corporate narratives shape our collective pursuit of fairness, equity, and shared responsibility. Adediran was joined in conversation by Mark S. Mizruchi, U-M professor of sociology.
All rights reserved. This photo is copyrighted by Michigan Photography and the University of Michigan. Third-party use requires prior written permission from the Gerald R. Ford School of Public Policy and/or written permission or a license agreement with Michigan Photography.
For commercial or business use, contact Michigan Photography at photography.umich.edu. News organizations should email fspp-editor@umich.edu for usage permission. Mandatory photo credit: Gerald R. Ford School of Public Policy/Michigan Photography.
.
-· ... .... .
.
~ .
:!1-.
(l,,, .
4) .
[Jfrf .
5)98< .
6)~ .
..3 .
~ .
absence of a centrally coordinated placement cell. The University must also take admissimi in research programs to its full capacity so the research output of university is also increased, and students have ample opportunities for their research. .
WI-Fi in. Hostels, Creating Wi-Fi Parks in Public spaces: Implementing Wi-Fi in the whole campus has been a constant struggle fought by NSUI. Mter .our concrete efforts. JNU administration managed to clinch a MoU with MTNL for implementation of Wi-Fi in Hostels. But it has been implemented only in Academic Complex. It is very important in facilitating the research work ns students.will be able to access intemet and E-Resources from Hostels. This will also reduce the rush in central library and facilitate the smooth functioning of Library. With the launch of newly introduced JNUapps, which is a very significant step in democratizing and modernizing the .
acadentic environment the need to have Wi-Fi in Hostels becoxnes more useful and urgent. .
Increase MCM to 3000: Merit cum Means scholarship was introduced to help the economically deprived students continue their studies without difficulties and to act as a economic equalizer. With time and increasing inflation the MCM provided is not sufficient. Due to our Constant struggle Administration has increased the MCM from 1500 to 2000, but this is neither adequate. The vice Chancellor has himself cited the Financial constrains, but we have to get the MCM increased. If JNU administration is unable to provide funds, then it must ask the MHRD, UGC. NSUI will not stop our struggle for MCM at ad Block only. We will carry it forward to the gates ofUGC and MHRD. NSUI aims to have a concrete solution for MCM Within this semester. .
Upgrade of Academic Infrastructure: We demand the library to be open 24x7, increase the reading halls in library. After increasing the seats, the load on classes have increased and the classrooms are not able to accommodate the students. Some MA classes have more than l 00 students in a single room. These classes do not have even proper ventilation and air circulation. Such classrooms need to be updated soon and all classes who have more than 50 students must .
also have air conditioning. The Hellen keller unit needs to be expanded and Braille transcription of .
course material must be provided in all centers for VH students. Day scholars have a let of problems when they have a long gap between the classes. We demand the adnllnist:rnUon. to immediately construct a new hall for day scholar students. .
Central Scholarship and :reimbureement Cell; Lots of students who receive CSIR and other scholarships have problems in receiving the scholarship in time. They have to condone every time they have to get contingency bills. Most of the scholarships come to the students after 6 months or more. To reduce the red-tapism, timely distribution of scholarships, we need a proactive centralized scholarship and reimbursement cell. .
Health Insurance for students: Health insurance needs a very nominal amount (100-200 Per head) from administration but tt 1s very tmportant for JNU Students. In year 2007 JNU Administration proposed a scheme for JNU students or free, but the then AJSA led JNUSU derailed .
the proposal citing that the insurance Company was an multinational company without any deliberation wiUtin student community. We feel there is an urgent need for health insurance for students, and it must be implemented very soon. .
Extension of Scholarships till completion of 9B: The research scholars in the final year of their research are deprived of any Financial help, which is most important in the final year of their work. JNU Students have already initiated a struggle for the issue. NSUI expresses solidarity with them and we will also carry forward their struggle from our side. .
Introduce gender sensitive courses: In the context of the tragic incident of 31st July and different suggestions given to avoid such incidents in future, we would like to demand.gender sensitive courses for different disciplines and interactive programs in Courses. .
Making the ccunpus more I"H(VH friendly; In Ulc last few year:S, Govt. has released funds for making the campus more PH/VH friendly. But there are still a lot of complaints from. the PH students. These must be addressed Immediately and the campus should be 100% PH/VH fn.endly. .
Sd/ Sd/ Sd/ .
Marniyr Padu.
Pranveer Singh MerajAhmad .
_.., /. .
.
Euro 2020 - What are Gareth Southgate's alternatives to Harry Kane?
blog.eurotickets2020.com/euro-2020-what-are-gareth-southg...
Harry Kane out up to April with a constrain injury. With Euro 2020 just 5 months away from Harry Kane has been ruled out due to hamstring injury
www.eurotickets2020.com/euro-cup-teams-tickets/england-eu...
#EnglandVsCzechRepublicTickets
#FollowCzechRepublicEuro2020tickets
#FollowEnglandEuro2020tickets
#EnglandEuroCupTickets#CzechRepublicEuroCupTickets
#Euro2020Tickets
Abandono, actuación y éxito: la dramática historia de El Borras, el perro de Roma Una de las películas mexicanas más aclamadas de los últimos meses ha sido Roma filme producido por Alfonso Cuarón en el que expone la vida de México en los años setenta basado en algunas de sus vivencias en la colonia que lleva el mismo nombre. Time and Space constrain us, but they also define who w... SUSCRIBETE ES GRATIS!! www.youtube.com/channel/UCiFBDYHiRQ5ph4nGKYhyIQg?sub_conf... SUSCRIBETE para no perderte nada, aqui seguiremos activos Dando a conocer mas de HUNI News , deja tu comentario y tu like, nos motiva a seguir adelante Hasta la Proxima!! #Abandono #actuación #y #éxito #la #dramática #historia #de #El #Borras #el #perro #de #Roma
Estimated annual cost of rust and other corrosion to the Defense Department each year: $23,000,000,000 (Harpers Magazine, p15, November 2011)
- - - - - - - - - - - - DESCRIPTION- - - - - - - - - - - -
For this piece, my main goal was to depict the fact clearly, with simplicity, by focusing solely on the typography, constraining myself with one typeface.
To communicate that $23 Billion is spend on rust and corrosions, I made the figure '$23 Billion' rusty and corrosive (or made the rust and corrosion be of the figure '$23 Billion').
I could have made 'RUST & other CORROSIONS' in a similar manner, however it would have been too literal and would have taken the attention away from the fact I was trying to depict.
- - - - - - - - - - - -REFERENCES- - - - - - - - - - - -
Font: Baskerville
Tutorial on rust effect: www.vectordiary.com/illustrator/rusty-metal-text-effect-t...
- - - - - - - - - - - -UPDATES- - - - - - - - - - - -
*upper text colours have been changed around, to make "Estimated Amount..." and "to the Department..." more readable
The MID Seminar Series offered a forum for the presentation and in-depth discussion of thematic studies and results developed as part of the Mozambique Institutional Diagnostic (MID) study. Elaborated by key specialists in their fields, the topics covered by the studies include decentralization, education, natural resources, and the rule of law in Mozambique.
Launched in June 2019 by the Inclusive growth in Mozambique programme, the Mozambique Institutional Diagnostic (MID) study is a unique collaboration between various international research institutions, including the University of Copenhagen, UNU-WIDER, and Oxford Policy Management (OPM), and local high-level analysts. The study explores the relationship between the characteristics and functioning of Mozambican institutions and the economic performance of the country. The key goal of the study is to produce an institutional diagnostic tool that allows policymakers to identify institutional weaknesses that constrain economic development and indicates possible directions for reforms and change.
These are from my studio lighting experiments. I thought they worked better in black and white. I didn't like constraining the crop to 8x10 proportions for the final portfolio. I boosted the contrast and added noise for that 70's Tri-X look.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Despite the tremendous number of exoplanets detected, planet-forming scenarios are not yet able to fully explain the large diversity of planets. They form and obtain their composition from gas and dust in protoplanetary disks. The elemental composition of disks is known to vary spatially due to physical (ex: pebble drift) and chemical (chemical reactions, sublimation) processes. Thus, the elemental composition of planetary atmospheres is expected to give valuable insight about their formation, in particular the C/O ratio. However, the chemical composition of planet-forming regions of disks is still poorly constrained, making it difficult to link exoplanetary atmospheres and planet formation history. In this context, the James Webb Space Telescope opens an unprecedented observation window on the inner disks (<10 au). The MIRI Guaranteed Time Observation of planet-forming disks MINDS (PI: Th. Henning) observed more than 50 disks, and revealed an active chemistry in these inner regions by detecting plenty of new molecules, especially hydrocarbons. In particular, the JWST spectra show a large dispersion of H2O and C2H2 emission in TTauri disks (Grant+2025), potentially highlighting chemical processes at stake.
We now need thermo-chemical models to understand these observations and quantify fundamental parameters of disks.
I will present an overview of several important results from the MINDS collaboration, and highlight a work based on the thermo-chemical model Dust And LInes (DALI) to investigate the relationship between the observed variation of H2O and C2H2 emission and the C/O ratio. After mentioning several modelling improvements, especially a refined carbon chemistry, I will show that the C2H2/ H2O line flux ratio is very sensitive to the elemental abundances, in particular the C/O ratio and the oxygen abundance O/H. Still, the dust opacity plays a key role in this line flux ratio, reflecting the intrinsic link between the gas and dust components. Therefore, using complementary observations to constrain dust properties such as VLTI/MATISSE, this flux ratio may serve as an important observational signature of the composition of inner disks. These results could put strong constraints on our understanding of the structure and evolution of protoplanetary disks.
NORFOLK, Va. (July 24, 2008) The attack submarine USS Scranton (SSN 756) departs Naval Station NorfolkÕs Pier 3 for a brief underway to complete Electronic Navigation Certification using the Voyage Management System (VMS). VMS, a combination of digital charts, constant global positioning system fixes, environmental sensors and electronic command and control, will allow the submarine to eliminate many of the constraining aspects of navigation when using paper charts. U.S. Navy photo By Mass Communication Specialist 1st Class Todd A. Schaffer (Released)
Much of the testing world sees test automation through a common lens, a common mental model. This is the paradigm of the assembly line robot: deterministic, mechanical actions repeated time and again. Whilst this model may have its uses, as with all models, it also has its failings: ways in which it constrains how we think about testing problems.
See the Skillscast (film/slides/code) at skillsmatter.com/skillscasts/5238-models-of-automation
Can this pass as Concealed and Revealed? Faceless, partially limbless figure, concealing half herself? Probably would've worked better with a corset, the whole "constraining" (concealed) idea. But skin is more interesting to paint.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.