View allAll Photos Tagged conservation
A spectral Christmas Eve walk at Ivinghoe Beacon.
Despite knowing this walk so well, there were a couple of moments when I lost my bearings in this blanket of fog.
A lot of the farmers around here introduced 3 metre conservation strips around their fields a number of years ago. The idea is to encourage the return of the many endangered species of farmland birds that declined following the introduction of intensive farming techniques. Certainly it seems to have worked with good populations of Skylarks, Meadow Pipits, Yellowhammers and Corn Buntings at this location. Not that I saw any in this pea souper!
In Aug of 2018....The IUCN has up-graded this EVENING GROSBEAK from least concern to VULNERABLE statues.. (One step closer to "Endangered".)
(Image captured at Algonquin Provincial Park.)
Here is one last look at H. aureoguttatum's transparent ventral surface. You can clearly see its heart, lungs, and intestinal tract. These little frogs are one of the many fascinating creatures that call the Chocó home.
#savethechoco #amphibians #conservation
copyright James H. Muchmore Jr.
One of the Highland ponies brought in for conservation grazing at SWT Montrose Basin. Masquerading as a Unicorn by walking in front of the fencepost. (Only noticed the fencepost when loading to laptop, so 0 out of 10 for composition at the time!)
Northern Flicker taken January 26, 2019, at B. K. Leach Memorial Conservation Area in in northeastern Lincoln County, Missouri.
© All rights reserved - - No Usage Allowed in Any Form Without the Written Consent of the photographer, Mark S. Schuver.
The best way to view my photostream is on Flickriver: Nikon66's photos on Flickriver
Watching these birds at the pond is always an enjoyable experience. This guy decided all of the sudden that it was time to go and I happened to have my lens pointed in his direction.
Dungeness is a headland on the coast of Kent, England, formed largely of a shingle beach in the form of a cuspate foreland. It shelters a large area of low-lying land, Romney Marsh. Dungeness is also the name of the power station and a few other nearby buildings near the beach, and of an important ecological site at the same location.
Dungeness is one of the largest expanses of shingle in the world. It is of international conservation importance for its geomorphology, plant and invertebrate communities and birdlife. This is recognised and protected mostly through its conservation designations as a National Nature Reserve (NNR), a Special Protection Area (SPA), a Special Area of Conservation (SAC) and part of the Site of Special Scientific Interest (SSSI) of Dungeness, Romney Marsh and Rye Bay.
There is a remarkable variety of wildlife living at Dungeness, with over 600 different types of plant: a third of all those found in Britain. It is one of the best places in Britain to find insects such as moths, bees and beetles, and spiders; many of these are very rare, some found nowhere else in Britain.
The short-haired bumblebee, Bombus subterraneus, was last found in the UK in 1988, but has survived in New Zealand after being shipped there more than 100 years ago. It is to be reintroduced at Dungeness. It is planned that the first bees will be introduced in the spring of 2010.
The flooded gravel pits on Denge Beach, both brackish and fresh water, provide an important refuge for many migratory and coastal bird species. The RSPB has a bird sanctuary there and every year thousands of bird watchers descend on the peninsula to catch a glimpse of a rare bird from the bird observatory.
One of the most remarkable features of the site is an area known as 'the patch' or, by anglers, as 'the boil'. The waste hot water and sewage from the Dungeness nuclear power stations are pumped into the sea through two outfall pipes, enriching the biological productivity of the sea bed and attracting seabirds from miles around.
Beach fishing is popular at Dungeness, with the area being a nationally recognised cod fishing venue in the winter.
The name Dungeness derives from Old Norse nes: "headland", with the first part probably connected with the nearby Denge Marsh. Popular etymology ascribes a French origin to the toponym, giving an interpretation as "dangerous nose".
Conservation. Our mess becomes their mess...
Bright Eyes
Song by Art Garfunkel
Is it a kind of a dream
Floating out on the tide
Following the river of death downstream
Oh, is it a dream?
There's a fog along the horizon
A strange glow in the sky
And nobody seems to know where it goes
And what does it mean?
Oh, is it a dream?
Bright eyes, burning like fire
Bright eyes, how can you close and fail?
How can the light that burned so brightly
Suddenly burn so pale?
Bright eyes
Is it a kind of a shadow
Reaching into the night
Wandering over the hills unseen
Or is it a dream?
There's a high wind in the trees
A cold sound in the air
And nobody ever knows when you go
And where do you start?
Oh, into the dark
Bright eyes, burning like fire
Bright eyes, how can you close and fail?
How can the light that burned so brightly
Suddenly burn so pale?
Bright eyes
Bright eyes, burning like fire
Bright eyes, how can you close and fail?
How can the light that burned so brightly
Suddenly burn so pale?
Bright eyes
Excerpt from uwaterloo.ca:
Description of the District
The MacNab-Charles Heritage Conservation District is a one
block area bounded by MacNab Street South, Hurst Place,
Charles Street and Bold Street in the City of Hamilton. The
district consists of seven properties. These properties include
two multi-unit residences, a church and manse, two residential
properties and offices.
Cultural Heritage Value of the District
According to a plaque, the cultural heritage value of the district lies in the fact that:
The downtown block of MacNab Street South, Hurst Place, Charles Street and Bold Street contains a unique collection of stone buildings primarily dating from the 1850s.
While stone architecture was relatively rare in Ontario, Hamilton’s Mountain offered a ready supply of limestone. The local resource was used to great advantage in the hands of the newly-arrived Scottish stonemasons, establishing pre-Confederation Hamilton as a city renowned for its wealth of handsome stone
architecture.
With the MacNab Street Presbyterian Church as the focal point, the Victorian stone and brick streetscape of MacNab-Charles evoke a genuine sense of history in the heart of this city.
Designation of the District
The designation of the MacNab Charles Heritage Conservation District was initiated by the City Hamilton.
The Study and Plan were conducted and written between 1986 and 1988 by the Local Planning Branch, Planning and Development Department and the Hamilton-Wentworth Region. It was carried out in consultation with a local District Steering Committee made up of owners from the area.
The MacNab-Charles Heritage Conservation District is protected by By-law 90-144 which was passed on May 9, 1990 by the City of Hamilton.
Male Masai giraffe calf (Giraffa camelopardalis tippelskirchi), yet-to-be-named, born 12.17.17 to mother Harriet at the San Diego Zoo. Conservation status: Vulnerable
16 year old female polar bear (Ursus maritimus) named "Tatqiq" shakes herself dry while enjoying a healthy in-between meal snack. San Diego Zoo. Conservation status: Vulnerable
This is a field of cattails, at the former Mount Albion Conservation Area. I like the contrast it had on a grey fall day.
Munmorah State Conservation Area - Central Coast NSW
This my companion shot www.flickr.com/photos/27469618@N08/10082476176/in/photost... . Also this www.flickr.com/photos/27469618@N08/9756569564/in/photostream
4501 and 4306 roll into Platform 1 at Central station with an eclectic mix of carriages being transferred from long term storage in the open at Broadmeadow to secure undercover storage at Chullora.
The cow on the left and the calf in the middle are the ones I posted earlier this month. The cow on the right was peacefully grazing nearby and kept getting closer. I thought maybe the mom might get a bit defensive, but all remained calm. Again, this is two cows and one calf...not a cow and two calves. The cow on the right is on lower ground, making her looks smaller.
This was taken during the rut and there was a large bull nearby but he stubbornly remained in tall, dense willows so no shot of him on this day.
Bighorn National Forest, Wyoming.
Excerpt from Wikipedia:
The Rockwood Conservation Area has a rich and unique geological aspect. A few specific features that are a part of the environment at the Rockwood conservation area include glacier bluffs, potholes, caves and some of the oldest dated trees in Ontario.
The cave system includes a series of 12 caves, which is one of the most extensive networks in Ontario. Within the caves is a prominent feature called flowstone, which over many years is created by flowing water that deposits a type of calcium carbonate called calcite.
Another feature at Rockwood are the potholes. Within the conservation area, there is over 200 potholes that all vary in measurements. These potholes are also known as giant's kettles, which are large cavities that have been drilled by flowing water carrying stones and gravel.
As well, glacial bluffs are seen at Rockwood. These have been formed over thousands of years after the earth’s most recent ice age ended. They can be relatively small and get as large as 30 meters deep and 200 meters wide.
Within the Mavora Lakes Conservation Park.
All rights reserved. Written permission required for usage.
Please do not use this photo on any websites or for personal use.
Thank you.
©2015 Fantommst
Chestnut-breasted Coronet Family Dispute
Raymonds Ecuador Tours
Please support conservation efforts to protect rain-forests.. so these birds have a place to fight!
And Live in Peace!
ray@raymondbarlow.com
Nikon D810 ,Nikkor 200-400mm f/4G ED-IF AF-S VR
1/1000s f/4.0 at 400.0mm iso3200
The more I read about the preservation of these big cats the one main element that seems to be their demise is the human conflict.
Farmers view them as pests and if they kill their livestock they put strain on the farmers then feeding their family, so the farmer will kill a snow leopard/cheetah/lion for retribution. It seems though that education is now playing a pivotal roll. Not only educating the farmers but their children how to live with these predators ensuring newer generations view the predators differently to generations past.
Many organizations such as the Snow Leopard Trust works directly with herders and communities that share habitat with snow leopards and have identified the specific threats the cats face, and have come up with solutions to mitigate these threats. These solutions really work! In the last four years, there have been no snow leopards killed in the communities where they have conservation programs at work.
The Jerónimos Monastery or Hieronymites Monastery is a former monastery of the Order of Saint Jerome near the Tagus river in the parish of Belém, in the Lisbon Municipality, Portugal; it was secularised on 28 December 1833 by state decree and its ownership transferred to the charitable institution, Real Casa Pia de Lisboa.
The monastery is one of the most prominent examples of the Portuguese Late Gothic Manueline style of architecture in Lisbon. It was classified a UNESCO World Heritage Site, along with the nearby Tower of Belém, in 1983.
The Jerónimos Monastery replaced the church formerly existing in the same place, which was dedicated to Santa Maria de Belém and where the monks of the military-religious Order of Christ provided assistance to seafarers in transit. The harbour of Praia do Restelo was an advantageous spot for mariners, with a safe anchorage and protection from the winds, sought after by ships entering the mouth of the Tagus. The existing structure was inaugurated on the orders of Manuel I (1469–1521) at the courts of Montemor o Velho in 1495, as a final resting-place for members of the House of Aviz, in his belief that an Iberian dynastic kingdom would rule after his death. In 1496, King Manuel petitioned the Holy See for permission to construct a monastery at the site. The Hermitage of Restelo (Ermida do Restelo), as the church was known, was already in disrepair when Vasco da Gama and his men spent the night in prayer there before departing on their expedition to India in 1497.
The construction of the monastery and church began on 6 January 1501, and was completed 100 years later. King Manuel originally funded the project with money obtained from the Vintena da Pimenta, a 5 percent tax on commerce from Africa and the Orient, equivalent to 70 kilograms of gold per year, with the exception of those taxes collected on the importation of pepper, cinnamon and cloves, which went directly to the Crown. With the influx of such riches, the architects were not limited to small-scale plans, and resources already prescribed for the Monastery of Batalha, including the Aviz pantheon, were redirected to the project in Belém.
Manuel I selected the religious order of Hieronymite monks to occupy the monastery, whose role it was to pray for the King's eternal soul and to provide spiritual assistance to navigators and sailors who departed from the port of Restelo to discover lands around the world. This the monks did for over four centuries until 1833, when the religious orders were dissolved and the monastery was abandoned.
The monastery was designed in a manner that later became known as Manueline: a richly ornate architectural style with complex sculptural themes incorporating maritime elements and objects discovered during naval expeditions, carved in limestone. Diogo de Boitaca, the architect, pioneered this style in the Monastery of Jesus in Setúbal. Boitaca was responsible for drawing the plans and contracting work on the monastery, the sacristy, and the refectory. For its construction he used calcário de lioz, a gold-coloured limestone quarried from Ajuda, the valley of Alcántara, Laveiras, Rio Seco and Tercena. Boitaca was succeeded by the Spaniard Juan de Castilho, who took charge of construction around 1517. Castilho gradually moved from the Manueline to the Spanish Plateresque style, an ornamentation that included lavish decorations suggesting the decorative features of silverware (plata). The construction came to a halt when King Manuel I died in 1521.
Several sculptors left their mark on this building: Nicolau Chanterene added depth with his Renaissance themes, while the architect Diogo de Torralva resumed construction of the monastery in 1550, adding the main chapel, the choir, and completing the two stories of the monastery, using only Renaissance motifs. Diogo de Torralva's work was continued in 1571 by Jérôme de Rouen (also called Jerónimo de Ruão) who added some classical elements. The construction stopped in 1580 with the union of Spain and Portugal, as the building of the Escorial in Spain was now draining away all the allocated funds.
On 16 July 1604, Philip of Spain (who ruled after the Iberian Union) made the monastery a royal funerary monument, prohibiting anyone but the royal family and the Hieronymite monks from entering the building. A new portal was constructed in 1625, as well as the cloister door, the house of the doorkeepers, a staircase and a hall that was the entrance to the upper choir designed by the royal architect Teodósio Frias and executed by the mason Diogo Vaz. In 1640, the prior Bento de Siqueira ordered construction of the monastery's library, where books owned by the Infante Luís (son of King Manuel I) and others linked to the religious order were deposited.
With the restoration of Portuguese Independence in 1640, the monastery regained much of its former importance, becoming the burial place for the royal pantheon; within its walls four of the eight children of John IV of Portugal were entombed: the Infante Teodósio (1634–1653), the Infanta Joana (1636–1653), King Afonso VI (1643–1683) and Catarina de Bragança (1638–1705). In 1682 the body of Cardinal Henrique was buried in the transept chapels. On 29 September 1855, the body of King Afonso VI was transported to the royal pantheon of the House of Braganza in the Monastery of São Vicente de Fora, along with his three brothers and sister.
In 1663, the Brotherhood of the Senhor dos Passos occupied the old Chapel of Santo António, which was redecorated with a gold tiled ceiling in 1669, while the staircase frescos with the heraldry of Saint Jerome were completed in 1770. The retables were completed in 1709 and 1711, valuable alfaias were presented to the religious order, and the sacristy was redecorated in 1713. The painter Henrique Ferreira was commissioned in 1720 to paint the Kings of Portugal: the regal series was placed in the Sala dos Reis (Hall of the Kings). Henrique Ferreira was also commissioned to complete a series of nativity paintings.
The monastery withstood the 1755 Lisbon earthquake without much damage: only the balustrade and part of the high choir were ruined, but they were quickly repaired. On 28 December 1833, the Jerónimos Monastery was secularised by state decree and its title transferred to the Real Casa Pia de Lisboa to serve as a parochial church for the new civil parish of Santa Maria de Belém. Many of the artworks and treasures were either transferred to the crown or lost during this period. It was vacant most of the time and its condition began to deteriorate.
Restoration work began on the monastery after 1860, starting with the southern façade under supervision of the architect Rafael Silva e Castro, and in 1898 under Domingos Parente da Silva. Although the cloister cistern, internal clerical cells and the kitchen were demolished at this time, three reconstruction projects proposed by architect J. Colson, including the introduction of revivalist neo-Manueline elements, failed to gain the required approval. In 1863, architect Valentim José Correia was hired by the ombudsman of the Casa Pia, Eugénio de Almeida, to reorganise the second storey of the old dormitory and design the windows (1863–1865). He was subsequently replaced by Samuel Barret, who constructed the towers in the extreme western end of the dormitories. Similarly and inexplicably, Barret was replaced by the Italian scenery designers Rambois and Cinatti, who had worked on the design of the São Carlos Theatre, to continue the remodelling within the monastery in 1867. Between 1867 and 1868, they profoundly altered the annex and façade of the Church, which then appeared as it does today. They demolished the gallery and Hall of the Kings, constructed the towers of the eastern dormitory, the rose window of the upper choir and substituted the pyramid-shaped roof of the bell tower with the mitre-shaped design. The remodelling was delayed by the 1878 collapse of the central dormitory. After 1884, Raymundo Valladas began to contribute, initiating in 1886 the restoration of the cloister and the Sala do Capítulo, including construction of the vaulted ceiling. The tomb of Alexandre Herculano, designed by Eduardo Augusto da Silva, was placed in the Sala do Capítulo in 1888.
To celebrate the 1898 fourth centenary of the arrival of Vasco da Gama in India, it was decided to restore the tomb of the explorer in 1894. The tombs of Vasco da Gama and Luís de Camões, carved by the sculptor Costa Mota, were placed in the southern lateral chapel. A year later the monastery received the remains of the poet João de Deus, later joined by the tombs of Almeida Garret (1902), Sidónio Pais (1918), Guerra Junqueiro (1923) and Teófilo Braga (1924).
The Minister of Public Works opened a competition to finish the annex, which would serve as the National Museum of Industry and Commerce (Museu Nacional da Indústria e Comércio), but the project was canceled in 1899, and the Ethnological Museum of Portugal was installed.
Further remodelling of the monastery was begun in 1898 subsequent to the work done by Parente da Silva in 1895 on the central annex, now simplified, as well as restoration of the cadeirals (the chairs used by the clergy in religious services), which were completed in 1924 by sculptor Costa Mota. In 1938 the organ in the high choir was dismantled at the same time that a series of stained-glass windows, designed by Abel Manta and executed by Ricardo Leone, were replaced in the southern façade.
As part of the celebrations marking the centenary of modern Portugal in 1939, yet more remodelling was completed in the monastery and tower. During these projects, the baldachin and tomb of Alexandre Herculano were dismantled and the cloister patio was paved. In 1940 the space in front of the monastery was redesigned for the Portuguese Exposition. The Casa Pia vacated the interior spaces of the cloister and the tombs of Camões and Vasco da Gama were transferred to the lower choir. A series of windows designed by Rebocho and executed by Alves Mendes were completed in 1950.
In 1951 the remains of president Óscar Carmona were entombed in the Sala do Capítulo. They would later be transported to the National Pantheon in 1966 to join the bodies of other former presidents and literary heroes of the country.
The Maritime Museum was inaugurated in the western wing of the monastery in 1963.
The church and the monastery, like the nearby Torre de Belém and Padrão dos Descobrimentos, symbolise the Portuguese Age of Discovery and are among the main tourist attractions of Lisbon. In 1983, UNESCO formally designated the Monastery of the Hieronymites and Tower of Belém as a World Heritage Site.
When Portugal joined the European Economic Community, the formal ceremonies were held in the cloister of the monument (1985).
Two major exhibitions took place at the monastery during the 1990s: 4 séculos de pintura, in 1992; and the exposition "Leonardo da Vinci – um homem à escala do mundo, um Mundo à escala do homem", in 1998 (which included the Leicester Codex, on temporary loan from Bill Gates).
At the end of the 20th century, remodelling continued with conservation, cleaning and restoration, including the main chapel in 1999 and the cloister in 1998–2002.
On 13 December 2007, the Treaty of Lisbon was signed at the monastery, laying down the basis for the reform of the European Union.