consequence photos on Flickr

Mingle Media TV and our Red Carpet Report team with host, Stephanie Piche were at the 5th Annual TorC Film Fiesta.

This year’s TorC Film Fiesta was held from October 22-24, 2021 in Truth or Consequences New Mexico and screened winning feature and short films from the Santa Fe Film Festival and some local films in addition to “Walking with Herb’ a truly New Mexican film from the author of the book to the filmmaker.

The festival also had Anthony Michael Hall, who is a star in the new “Halloween Kills” movie along with a rich history of film and TV work. Three of the films that AMH made with John Hughes, “Weird Science,” “16 Candles,” and “The Breakfast Club” were screened on the opening night of the festival with AMH available for photos, signed merch and a Q&A held after the final film was shown to a grateful audience of fans.

Screenings of films "Walking with Herb," "The Kennedy incident," "Earl biss Doc," Steven Maes "Caffeine & gasoline," Jerry Angelo "Artik," Hafid abdelmoula "Broken GAite," Ruben Pla "The Horror Crowd," Jordyn Aquino "Can't have it both ways," Jordan Livingston "DeLorean: Living the dream," Jeanette Dilone "Rizo," & Two 'Best Of' Shorts screenings

In addition to the screenings, the El Cortex Theatre, was enjoying a grand re-opening after being shuttered for years and the town was thrilled to see the progress of the updates being done for this event.

Follow the TorC Fiesta Partners on Social

Filmmakers were also honored with a filmmaker brunch, a panel by esteemed entertainment lawyer, Harris Tulchan, at Ingo’s Cafe, after parties at the Point Blanc Winery and Glam Camp which also had a fire dancer perform in addition to everyone letting loose and singing Karaoke songs throughout the night.

There was a filmmakers brunch at the Center Gallery and a filmmakers lounge with specialty cocktails during the festival.

In addition to honoring filmmakers, it was a joy to hear that they were excited to see their films on the big screen.

For video interviews and other Red Carpet Report coverage, please visit www.rcrnewsmedia.com and follow us on Twitter and Facebook at:

Tierpark Berlin: Rothschild-Giraffen in der Savanne - Berlin Animal Park (Tierpark Berlin): Rothschild's giraffes in the Savannah by riesebusch

That’s what it’s about, making stories come alive and enjoying them in the dark with strangers…

U.S. Post Office Cornerstone (Truth or Consequences, New Mexico) by cmh2315fl

Historic U.S. Post Office in Truth or Consequences, New Mexico. When it was constructed in 1939, the name of the city was “Hot Springs”. It was changed in 1950 to “Truth or Consequences” after the TV game show.

The Classical Revival style building was listed on to the National Register of Historic Places in 1990 (NRHP No. 90000141 as the US Post Office-Truth or Consequences Main). It was also added to the New Mexico State Register of Cultural Properties in 1990 (HPD 242 as Hot Springs Main Post Office).

Chihuahuan Desert Landscape - Sierra County, NM by G. O'Graffer

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The rugged, intimidating, and beautiful Chihuahuan Desert dominates the landscape of southern New Mexico.

This image was taken just north of Truth or Consequences as the summer monsoon storms were starting to fire up across the region.

The Consequences by Mirøslav Hristøff

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The Consequences of the age...

Ants by Eugene Kim

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These gnarly, nasty buggers were all over the desert, but they didn't deter my fellow workshop participants, who often lay fearlessly in the dirt to get their shot... and often suffered the consequences.

Actions have consequences by ddbfrog

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She ain't heavy, she's my mother.....

Restorative Consequences by Robin Hutton

Stolen DSC_0157_1sm by Preselector

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If the current shutdown and related financial consequences to the future of Aldridge Transport Museum were not serious enough, we did have some visitors last night! Not only didn't they pay to come in, but they left with our car carrier trailer, which is a real blow. Here's a picture of it when it was donated to us, 16 months ago - if a trailer like this suddenly appears abandoned near you, please tell the Police - it could be ours (or tell us).

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Berlin boasts two zoological gardens, a consequence of decades of political and administrative division of the city. The older one, called Zoo Berlin, founded in 1844, is situated in what is now called the "City West". It is the most species-rich zoo worldwide. The other one, called Tierpark Berlin ("Animal Park"), was established on the long abandoned premises of Friedrichsfelde Manor Park in the eastern borough of Lichtenberg, in 1954. Covering 160 ha, it is the largest landcape zoo in Europe.

Rund 15 Prozent der Erdoberfläche werden von Savannen bedeckt. Damit gehören sie zu den größten und wichtigsten Lebensräumen des Planeten. Seit dem 26. Mai 2023 wird Besucher*innen im Tierpark Berlin ein Einblick in diese faszinierende Landschaft gewährt und sie können mehr über die unterschiedlichen Bewohner der ostafrikanischen Savanne und ihren natürlichen Lebensraum erfahren.

Ein wahrer Höhepunkt der neuen Tierpark-Savanne ist der 120 Meter lange Giraffenpfad: Hier werden die Gäste den bis zu fünf Meter hohen Grazien der Savanne zukünftig auf Augenhöhe begegnen können – wer sich traut, bahnt sich den Weg durch den Wald bis zu den Aussichtsplattformen über eine abenteuerliche Hängebrücke. Der Tierpark Berlin erreicht mit der Eröffnung der Afrikanischen Savannenlandschaft ein neues Etappenziel auf seinem Weg zu einem Zoo der Zukunft. Seit knapp neun Jahren wird der 1955 gegründete und 160 Hektar große Tierpark Berlin zu einem naturnahen Geozoo umgebaut. Um einen Einblick in den Lebensraum der einzelnen Tierarten und deren Interaktionen, Besonderheiten und Problematiken zu ermöglichen, werden die Tiere im Tierpark größtenteils nach geografischen Gesichtspunkten zu sehen sein.

www.tierpark-berlin.de/de/aktuelles/alle-news/artikel/wil...

Around 15 per cent of the earth's surface is covered by savannahs. This makes them one of the largest and most important habitats on the planet. Since 26 May 2023, visitors to Tierpark Berlin have been given an insight into this fascinating landscape and can learn more about the different inhabitants of the East African savannah and their natural habitat.

A true highlight of the new zoo savannah is the 120-metre-long giraffe trail: here, guests will be able to meet the up to five-metre-high graces of the savannah at eye level in future - those who dare will make their way through the forest to the viewing platforms via an adventurous suspension bridge. With the opening of the African Savannah Landscape, Tierpark Berlin has reached a new milestone on its way to becoming a zoo of the future. For almost nine years, the 160-hectare Tierpark Berlin, which was founded in 1955, has been transformed into a near-natural geozoo. In order to provide an insight into the habitat of the individual animal species and their interactions, peculiarities and problems, the animals in the zoo will largely be seen according to geographical aspects. www.tierpark-berlin.

de/de/aktuelles/alle-news/artikel/wil...

Consequences by Thomas Hawk

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Consequences by trekriffic

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consequences by Diane Greene Lent

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One Million US Dead from Covid. Truth Tuesdays at Fox News

Pumping Papercrete by Mikey Sklar

After three partial work days of pumping papercrete we have managed

to fill the dome to just above the height of the door. If you look

carefully you can see a even ring of wetness at the 7' mark of the

dome. Now the work should go very fast as the dome rapidly shrinks in

diameter at that height.

Consequences by Lorant Szabo

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There are in nature neither rewards nor punishments, there are consequences.

Robert Ingersoll (1833 - 1899)

At the 5th annual #TorCFilmFiesta #Filmmakers #FocusonNewMexico #NMFIlm by Red Carpet Report on Mingle Media TV

Mingle Media TV and our Red Carpet Report team with host, Stephanie Piche were at the 5th Annual TorC Film Fiesta.

This year’s TorC Film Fiesta was held from October 22-24, 2021 in Truth or Consequences New Mexico and screened winning feature and short films from the Santa Fe Film Festival and some local films in addition to “Walking with Herb’ a truly New Mexican film from the author of the book to the filmmaker.

The festival also had Anthony Michael Hall, who is a star in the new “Halloween Kills” movie along with a rich history of film and TV work. Three of the films that AMH made with John Hughes, “Weird Science,” “16 Candles,” and “The Breakfast Club” were screened on the opening night of the festival with AMH available for photos, signed merch and a Q&A held after the final film was shown to a grateful audience of fans.

Screenings of films "Walking with Herb," "The Kennedy incident," "Earl biss Doc," Steven Maes "Caffeine & gasoline," Jerry Angelo "Artik," Hafid abdelmoula "Broken GAite," Ruben Pla "The Horror Crowd," Jordyn Aquino "Can't have it both ways," Jordan Livingston "DeLorean: Living the dream," Jeanette Dilone "Rizo," & Two 'Best Of' Shorts screenings

In addition to the screenings, the El Cortex Theatre, was enjoying a grand re-opening after being shuttered for years and the town was thrilled to see the progress of the updates being done for this event.

Follow the TorC Fiesta Partners on Social

Filmmakers were also honored with a filmmaker brunch, a panel by esteemed entertainment lawyer, Harris Tulchan, at Ingo’s Cafe, after parties at the Point Blanc Winery and Glam Camp which also had a fire dancer perform in addition to everyone letting loose and singing Karaoke songs throughout the night.

There was a filmmakers brunch at the Center Gallery and a filmmakers lounge with specialty cocktails during the festival.

In addition to honoring filmmakers, it was a joy to hear that they were excited to see their films on the big screen.

For video interviews and other Red Carpet Report coverage, please visit www.rcrnewsmedia.com and follow us on Twitter and Facebook at:

1:100 Macross Destroid "Nimrod" SDR-04-Mk. XIV; "A-XI (s/n D-229-194)” a.k.a. “Journey’s End" of the U.N. Spacy Ground Forces; based at Monument City, 2012 (Whif/Modified Imai kit/generative A.I. rendition) by Dizzyfugu

That’s what it’s about, making stories come alive and enjoying them in the dark with strangers…

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+++ DISCLAIMER +++

Nothing you see here is real, even though the pictures might be based on existing fictional characters or franchises.

This is for private use only. BEWARE!

An experiment with A.I.-based picture generation, using a still/portrait as a starting point.

Some Background:

The Space Defense Robot-04-Mk. XIV Destroid Nimrod was an anti-air/heavy artillery mecha, and intended as a replacement for the SDR-04-Mk. XII Phalanx, a Destroid specifically designed for space operations to defend the SDF-1 Macross, along with its sister unit, the cannon-armed ADR-04-Mk. X Destroid Defender.

The Phalanx had been developed in a hurry under the pressure of the raging war against the Zentraedi and suffered, as a consequence, from several disadvantages. For instance, its combat operation capability decreased substantially once the missile ordnance (a total of forty-four 430mm caliber missiles, half of them ready to fire and the rest held in reserve in internal magazines) had been exhausted. To counter this, a few models were modified in the field, e.g. with additional light Gatling guns mounted within the head unit, as well as other variations, but most Phalanx’ remained basically bipedal heavy missile launchers. A sub-variant with improved sensors and missile guidance systems, as well as the ability to deploy the new reflex missiles, the Phalanx Mk. XIII, was also built, but only in small numbers, and it could not overcome the flaws of the original design.

The Nimrod was the attempt to mend these shortcomings after initial combat experience with the type. The so-called SDR-04-Mk. XIV utilized the proven MBR-04 ambulatory system and shared a common hip and leg structure with a wide range of other Destroids. Like the Phalanx, the Nimrod’s newly designed upper body was a simple core structure that neglected any silliness for a weapon composition consisting of missiles, radar, and propulsion system, all mounted on the main rotating body which could be detached from the lower torso for maintenance of in case of emergency.
The Nimrod filled the same tactical niche as the Phalanx but was a more sophisticated design with improved capabilities and a – though limited – secondary close-range combat capability. The radar and sensor suites for target acquisition as well as missile guidance were improved, so that the Nimrod became even suited for air space surveillance and as a guidance/coordination unit for other Destroids. Due to this additional workload, the Nimrod’s crew was expanded by a WSO to two in a tandem cockpit.

The armament remained tailored to medium and long range, but there were some improvements. On the Nimrod, the Phalanx’ bulbous drum-shaped missile magazines gave way to more streamlined 540 mm caliber reflex missile containers, which were carried in staggered clusters of four twin-pods on each shoulder, holding a total of 48 missiles with sixteen of them ready to fire and the rest in reserve. This modification reduced weight and frontal area, and in a case of emergency the missile containers could be jettisoned.
In order to improve the Nimrod’s tactical value after its missiles had been deployed, it was furthermore provided with a secondary close-range combat capability in the form of a pair of particle beam guns. These were integrated into the arms, protected by the missile containers, and these reliable weapons could be effectively used against both air as well as ground targets. Thermal smoke dischargers completed the Nimrod’s defensive measures.

Like the Phalanx and other Destroids, the Nimrod was capable of limited space operations due to its vernier thrusters all over the hull. This allowed for units that were stationed on the deck of the SDF-1 to propel themselves back to the battle fortress if they were knocked off.

The Nimrod was, like the Phalanx, first deployed on the SDF-1 and was used to augment the ship's own weapon system to protect the vessel from Zentraedi attacks, even though the type came relatively late and was only used in the final phase of the war and only in limited numbers. After the conflict, production was throttled down (only a total of fifty SDR-04-Mk. XIVs were eventually built), and the surviving Nimrods from the SDF-1 were stationed at airbases in New Macross City and in nearby cities, such as Monument City.

Specifications:

Designation: SDR-04-Mk XIV

Mecha Class: Destroid

Crew: 2 (Pilot, WSO)

Weight: 21.8 tons (dry)

45.5 tons (loaded)

Height: 12.36 m (hull only, incl. radome)

13,50 m (with raised arms)

Breadth: 9,32 m

Depth: 5.0m

Max. walking speed: 72 kph loaded

Armament:

2x weapon clusters in shoulder locations, each with:

- Eight launch tubes for 540mm caliber mid-/long-range missiles (typically with anti-air capacity, artillery

rockets as alternative), with eight missiles ready and another sixteen as reserve (for a total of 48)

- One Mauler PBG-06 liquid-cooled electrically-charged twin particle beam gun

- Three thermal smoke dischargers

The kit and its assembly:

This is a fictional Macross Destroid, with a highly modified Imai Phalanx kit at its core. It depicts a potential successor for the missile-only-armed Phalanx, but it has been totally made up. Inspiration came when I recently procured a bunch of Kotobukiya’s MSG sets for mecha conversions – one of these sets included the quadruple missile launchers that now make up the Nimrod’s new “arms”. I was torn between using a Defender or a Phalanx as conversion basis, but due to the weapon pods’ bulkiness I went for the more massive Phalanx.

Beyond the MSG parts and the replacement of the Phalanx “missile drums”, there was initially no real plan for the conversion – things evolved gradually, depending on the donor parts at hand. However, several fundamental changes were made. The most important improvement measure that works for all Destroid kits with the “04” chassis is the integration of a completely now hip joint arrangement. OOB, the model's posture is pretty stiff, with the legs and feet facing straight forward. The model is just supposed to stand upright, and with the model’s OOB joint options it is really hard to create a vivid poise. Furthermore, the bolts that hold the legs are prone to break off, even more so because the Imai kit is from the 1st generation of mecha kits, without vinyl caps and just relying on a very tight joint fit for hold.

My proven solution: the implantation of a new hip “bone” made from plastic-coated steel wire, which is stiff in itself but can be bent in two dimensions. The thighs had to be modified accordingly, since the wire is much thinner than the original bolts. Inside of the pelvis, the W-shaped wire was attached with the help of sprue material and styrene profiles, a thorough fixation is necessary because a lot of load has to be held in place in a very small space.

In order to attach the legs to the wire, there’s a convenient trick: the receptor holes in the thighs were simply filled with small vinyl rings, standard material from other mecha kits (e.g. from Arii’s 1:100 VF-1 Battroids or the Gunze Sangyo/Aoshima Dorvack PAs), the rings’ outer AND inner diameter fit perfectly into the new arrangement. With this trick, a much more dynamic and "natural" leg position could be achieved, also thanks to the large feet and their joints of the “04” Destroid chassis. This tuning measure improves the model considerably. The legs were otherwise taken OOB, just some small styrene bits were added to the lower legs’ front sides (improving another small detail flaw of the model), and some openings on the lower legs’ rear side were filled with putty and styrene sheet. Furthermore, the open insides of the “heels” were filled with putty, too.

In order to integrate the new missile bins, suitable adapters for the shoulder had to be found. Being somewhat lazy and trying to use as many parts from the Phalanx kit as possible, I decided to integrate a styrene tube all through the upper body, so that I got better attachment points. This tube was extended so far that I could re-use the Phalanx’ blast exhausts from the original missile bins as shoulder joint covers. This looks very natural and these re-dedicated parts fit well over the implanted central styrene tube channel as well as into the channel that runs along the MSG missile containers’ inner side. In order to attach the new arms/containers, a smaller diameter styrene tube was glued into these channels, so that the new pods could be moved vertically.

As a weapon improvement over the Phalanx, a pair of particle beam guns was added to the new missile containers – they come originally from a Dorvack PA-36K “Berlon” kit, but they were tailored considerably in order to fit into their new position. They also help to hide the new shoulder joint, which was covered from above with parts from the Phalanx kit (the boxed that are normally attached to the upper legs) and the space between them with paper tissue, drenched with white glue. The result is a good visual transition.

The central hull was changed in order to move the look away from the Phalanx base. The rear side uses OOB parts, but these were modified and attached to the hull in a different way, so that the back is not as deep as on the Phalanx. The front received a vertical pair of searchlights (formerly return rollers from a 1:35 tank…), set into the breast plate. The cockpit bulge between the shoulders as well as the head unit are completely new. The cockpit cover is a leftover hull piece from a Kotobukiya helicopter drone, and it was moved forward, so that a crew of two is more plausible. The head unit on the elongated spine behind and above it consists primarily of a donor from a wrecked VT-61 “Tulcas” mecha (Dorvack), plus a small dish antenna for a tracking radar on the right (left over from a Dorvack PA-36K “Berlon” kit) and a round radome for target acquisition – scratched from main wheels of a Matchbox PB2Y and set upon a mount made from styrene profiles. Looks strange, esp. with that flat, square head unit underneath, but I wanted a unique and different look that sets the Nimrod apart from other canonical Destroid designs. And this certainly worked.

A final word concerning the Phalanx kit itself: like all other Destroids models, this is basically a simple affair and the model goes together well – but expect some PSR on every seam, and there are some improvements possible that IMHO raise the model’s quality. The lack of vinyl caps makes later movement a tricky affair, though, and it is interesting to see that while the “04” chassis Destroids (Phalanx, Tomahawk and Defender) share the same lower body, all three kits are different! As a positive trait concerning the finish, the Phalanx is also the only kit of this trio that comes with decals for the typical white trim on the lower legs of these Destroids.

Painting and markings:

Once more I wanted to stay true to the original look of a typical Macross Destroid from the “04” series. These tend to carry a uniform livery in murky/dull tones of green, brown and ochre: unpretentious "mud movers". Anything else is rare (I am aware of dark blue Phalanx’ on board of the SDF-1), and complex camouflage patterns are AFAIK not seen (probably a tribute to the TV series’ cel production). In consequence, I gave the Nimrod an overall livery in a rather unidentifiable brownish tone, namely RAL 7008 (Khakigrau), a tone that was carried by German WWII Afrikakorps tanks and very similar to the tone IDF vehicles like the Merkava typically carry nowadays. Since I only had this tone in a rattle can available, the model and its components were painted accordingly, with an additional hushed spray over the upper surfaces with a slightly lighter tone as a shading measure. After this basic painting, the parts received a washing with thinned black ink.

Decals mostly come from the OOB sheet, plus some extra stencils, including the "nose art" painted on the left leg (from a P-38); many Destroids and also Armored Valkyries seem to bear such markings. Gives the mecha a personal touch, though.

Finally, before everything was assembled, the kit received a dry-brushing treatment with light grey and an overall coat with matt acrylic varnish. As a final step, mineral pigments were dusted over the model, esp. around the feet and the lower areas of the mecha.

A rather straightforward conversion project that gradually evolved – but with a postive outcome, after some twists and turns. The fictional Destroid Nimrod turned out more believable than expected, thanks to the good donor parts that went into it, and the simple livery also adds to the design’s “realism” within the Macross universe. Even though the thing still looks odd – but not worse than the other canonical Destroids from the original TV series!

Fukushima 2019 by Roberto Maldeno

This is a modest hommage to the courageous people of Fukushima prefecture. They survived a triple disaster in 2011 and are now, nine years later, still fighting with the consequences. I wish them well in their strugle for their beautiful province and thank them for their kindness during this trip.

Fukushima is the third largest prefecture in Japan (14,000 km²), and one of its least densely populated. The prefecture is divided into three main regions: Aizu in the west, Naka dori in the centre and Hama dori in the east. Aizu is mountainous with snowy winters, while the climate in Hama dori is moderated by the Pacific Ocean.

The Fukushima Daiichi nuclear disaster (福島第一原子力発電所事故 Fukushima Dai-ichi (About this soundpronunciation) genshiryoku hatsudensho jiko) was a nuclear accident at the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Fukushima Prefecture. The disaster was the most severe nuclear accident since the 26 April 1986 Chernobyl disaster and the only other disaster to be given the Level 7 event classification of the International Nuclear Event Scale.

The accident was started by the Tōhoku earthquake and tsunami on 11 March 2011.] On detecting the earthquake, the active reactors automatically shut down their fission reactions. Because of the reactor trips and other grid problems, the electricity supply failed, and the reactors' emergency diesel generators automatically started. Critically, they were powering the pumps that circulated coolant through the reactors' cores to remove decay heat, which continues after fission has ceased. The earthquake generated a 14-meter-high tsunami that swept over the plant's seawall and flooded the plant's lower grounds around the Units 1–4 reactor buildings with sea water, filling the basements and knocking out the emergency generators. The resultant loss-of-coolant accidents led to three nuclear meltdowns, three hydrogen explosions, and the release of radioactive contamination in Units 1, 2 and 3 between 12 and 15 March. The spent fuel pool of previously shut-down Reactor 4 increased in temperature on 15 March due to decay heat from newly added spent fuel rods, but did not boil down sufficiently to expose the fuel.

In the days after the accident, radiation released to the atmosphere forced the government to declare an ever larger evacuation zone around the plant, culminating in an evacuation zone with a 20-kilometer radius. All told, some 154,000 residents evacuated from the communities surrounding the plant due to the rising off-site levels of ambient ionizing radiation caused by airborne radioactive contamination from the damaged reactors.

Large amounts of water contaminated with radioactive isotopes were released into the Pacific Ocean during and after the disaster. Michio Aoyama, a professor of radioisotope geoscience at the Institute of Environmental Radioactivity, has estimated that 18,000 terabecquerel (TBq) of radioactive caesium 137 were released into the Pacific during the accident, and in 2013, 30 gigabecquerel (GBq) of caesium 137 were still flowing into the ocean every day. The plant's operator has since built new walls along the coast and also created a 1.5-kilometer-long "ice wall" of frozen earth to stop the flow of contaminated water.

While there has been ongoing controversy over the health effects of the disaster, a 2014 report by the United Nations Scientific Committee on the Effects of Atomic Radiation (UNSCEAR) and World Health Organization projected no increase in miscarriages, stillbirths or physical and mental disorders in babies born after the accident. An ongoing intensive cleanup program to both decontaminate affected areas and decommission the plant will take 30 to 40 years, plant management estimate.

On 5 July 2012, the National Diet of Japan Fukushima Nuclear Accident Independent Investigation Commission (NAIIC) found that the causes of the accident had been foreseeable, and that the plant operator, Tokyo Electric Power Company (TEPCO), had failed to meet basic safety requirements such as risk assessment, preparing for containing collateral damage, and developing evacuation plans. At a meeting in Vienna three months after the disaster, the International Atomic Energy Agency faulted lax oversight by the Ministry of Economy, Trade and Industry, saying the ministry faced an inherent conflict of interest as the government agency in charge of both regulating and promoting the nuclear power industry. On 12 October 2012, TEPCO admitted for the first time that it had failed to take necessary measures for fear of inviting lawsuits or protests against its nuclear plants.

Placebo effect and unintended consequences in lift (elevator) 'close door' button by Rik Williams

Perceived control running-up against unintended consequences of the Americans with Disability Act (1990) and technical debt.

"When the Americans With Disabilities Act was first passed in 1990, certain requirements for elevators were outlined, such as the installation of raised buttons, braille signs, and audible signals.

The act ensured that someone with a disability would have enough time to get inside, stipulating that elevator doors must remain fully open for at least three seconds and thereby preventing the button from cutting that time short. Some elevator manufacturers took it one step further by deactivating the button entirely." — via Mental Floss

Reddit: u/r-slash-randomname

At the 5th annual #TorCFilmFiesta #Filmmakers #FocusonNewMexico #NMFIlm by Red Carpet Report on Mingle Media TV

Mingle Media TV and our Red Carpet Report team with host, Stephanie Piche were at the 5th Annual TorC Film Fiesta.

This year’s TorC Film Fiesta was held from October 22-24, 2021 in Truth or Consequences New Mexico and screened winning feature and short films from the Santa Fe Film Festival and some local films in addition to “Walking with Herb’ a truly New Mexican film from the author of the book to the filmmaker.

The festival also had Anthony Michael Hall, who is a star in the new “Halloween Kills” movie along with a rich history of film and TV work. Three of the films that AMH made with John Hughes, “Weird Science,” “16 Candles,” and “The Breakfast Club” were screened on the opening night of the festival with AMH available for photos, signed merch and a Q&A held after the final film was shown to a grateful audience of fans.

Screenings of films "Walking with Herb," "The Kennedy incident," "Earl biss Doc," Steven Maes "Caffeine & gasoline," Jerry Angelo "Artik," Hafid abdelmoula "Broken GAite," Ruben Pla "The Horror Crowd," Jordyn Aquino "Can't have it both ways," Jordan Livingston "DeLorean: Living the dream," Jeanette Dilone "Rizo," & Two 'Best Of' Shorts screenings

In addition to the screenings, the El Cortex Theatre, was enjoying a grand re-opening after being shuttered for years and the town was thrilled to see the progress of the updates being done for this event.

Follow the TorC Fiesta Partners on Social

Filmmakers were also honored with a filmmaker brunch, a panel by esteemed entertainment lawyer, Harris Tulchan, at Ingo’s Cafe, after parties at the Point Blanc Winery and Glam Camp which also had a fire dancer perform in addition to everyone letting loose and singing Karaoke songs throughout the night.

There was a filmmakers brunch at the Center Gallery and a filmmakers lounge with specialty cocktails during the festival.

In addition to honoring filmmakers, it was a joy to hear that they were excited to see their films on the big screen.

For video interviews and other Red Carpet Report coverage, please visit www.rcrnewsmedia.com and follow us on Twitter and Facebook at:

At the 5th annual #TorCFilmFiesta #Filmmakers #FocusonNewMexico #NMFIlm by Red Carpet Report on Mingle Media TV

That’s what it’s about, making stories come alive and enjoying them in the dark with strangers…

Mingle Media TV and our Red Carpet Report team with host, Stephanie Piche were at the 5th Annual TorC Film Fiesta.

This year’s TorC Film Fiesta was held from October 22-24, 2021 in Truth or Consequences New Mexico and screened winning feature and short films from the Santa Fe Film Festival and some local films in addition to “Walking with Herb’ a truly New Mexican film from the author of the book to the filmmaker.

The festival also had Anthony Michael Hall, who is a star in the new “Halloween Kills” movie along with a rich history of film and TV work. Three of the films that AMH made with John Hughes, “Weird Science,” “16 Candles,” and “The Breakfast Club” were screened on the opening night of the festival with AMH available for photos, signed merch and a Q&A held after the final film was shown to a grateful audience of fans.

Screenings of films "Walking with Herb," "The Kennedy incident," "Earl biss Doc," Steven Maes "Caffeine & gasoline," Jerry Angelo "Artik," Hafid abdelmoula "Broken GAite," Ruben Pla "The Horror Crowd," Jordyn Aquino "Can't have it both ways," Jordan Livingston "DeLorean: Living the dream," Jeanette Dilone "Rizo," & Two 'Best Of' Shorts screenings

In addition to the screenings, the El Cortex Theatre, was enjoying a grand re-opening after being shuttered for years and the town was thrilled to see the progress of the updates being done for this event.

Follow the TorC Fiesta Partners on Social

Filmmakers were also honored with a filmmaker brunch, a panel by esteemed entertainment lawyer, Harris Tulchan, at Ingo’s Cafe, after parties at the Point Blanc Winery and Glam Camp which also had a fire dancer perform in addition to everyone letting loose and singing Karaoke songs throughout the night.

There was a filmmakers brunch at the Center Gallery and a filmmakers lounge with specialty cocktails during the festival.

In addition to honoring filmmakers, it was a joy to hear that they were excited to see their films on the big screen.

For video interviews and other Red Carpet Report coverage, please visit www.rcrnewsmedia.com and follow us on Twitter and Facebook at:

View on black, courtesy of B l a c k M a g i c

That’s what it’s about, making stories come alive and enjoying them in the dark with strangers…

Truth or Consequences, NM 3192a by Don Barrett

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With a name like Truth or Consequences, I had to visit. From what I could see, it was just another older western town strung along the interstate. It had renamed itself after a radio show, so that the radio show would broadcast from there once every year.

From "T or C" my plan was to get to Alamogordo and see the White Sands area. This required going south on I-25 through a number of small towns to Las Cruces (which turned out to be much less interesting than I expected), and then east on US-70 across the White Sands Missile Range (next picture).

Best viewed as part of New Mexico set.

At the 5th annual #TorCFilmFiesta #Filmmakers #FocusonNewMexico #NMFIlm by Red Carpet Report on Mingle Media TV

Mingle Media TV and our Red Carpet Report team with host, Stephanie Piche were at the 5th Annual TorC Film Fiesta.

This year’s TorC Film Fiesta was held from October 22-24, 2021 in Truth or Consequences New Mexico and screened winning feature and short films from the Santa Fe Film Festival and some local films in addition to “Walking with Herb’ a truly New Mexican film from the author of the book to the filmmaker.

The festival also had Anthony Michael Hall, who is a star in the new “Halloween Kills” movie along with a rich history of film and TV work. Three of the films that AMH made with John Hughes, “Weird Science,” “16 Candles,” and “The Breakfast Club” were screened on the opening night of the festival with AMH available for photos, signed merch and a Q&A held after the final film was shown to a grateful audience of fans.

Screenings of films "Walking with Herb," "The Kennedy incident," "Earl biss Doc," Steven Maes "Caffeine & gasoline," Jerry Angelo "Artik," Hafid abdelmoula "Broken GAite," Ruben Pla "The Horror Crowd," Jordyn Aquino "Can't have it both ways," Jordan Livingston "DeLorean: Living the dream," Jeanette Dilone "Rizo," & Two 'Best Of' Shorts screenings

In addition to the screenings, the El Cortex Theatre, was enjoying a grand re-opening after being shuttered for years and the town was thrilled to see the progress of the updates being done for this event.

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Filmmakers were also honored with a filmmaker brunch, a panel by esteemed entertainment lawyer, Harris Tulchan, at Ingo’s Cafe, after parties at the Point Blanc Winery and Glam Camp which also had a fire dancer perform in addition to everyone letting loose and singing Karaoke songs throughout the night.

There was a filmmakers brunch at the Center Gallery and a filmmakers lounge with specialty cocktails during the festival.

In addition to honoring filmmakers, it was a joy to hear that they were excited to see their films on the big screen.

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