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Pilze, und in diesem Fall meine ich in erster Linie die Großpilze, lassen sich auf unterschiedliche Weise in Szene setzen. Man kann sie mit einer längeren Brennweite vom Hintergrund loslösen und so die Aufmerksamkeit ausschließlich auf den Pilz und seine Strukturen und Farben legen. Man kann aber auch mit einer kürzeren Brennweite den Pilz in seinem Waldumfeld abbilden. Nun spielt er zwar immer noch die Hauptrolle, ist aber Teil einer Gesamtkomposition geworden. Letzteres habe ich mit dieser Aufnahme versucht. Zum Einsatz kam eine 22mm Festbrennweite, die am Canon APS-C Sensor 35mm KB entspricht.
Mushrooms, and in this case I primarily mean large mushrooms, can be presented in different ways. You can separate them from the background with a longer focal length and thus focus exclusively on the mushroom and its structures and colors. But you can also use a shorter focal length to image the mushroom in its forest environment. Now he still plays the main role, but has become part of an overall composition. I tried the latter with this recording. A 22mm fixed focal length was used, which corresponds to 35mm KB on the Canon APS-C sensor.
An Asian barred owlet (Glaucidium cuculoides) was framed resting on a Pine tree branch with a gorgeous looks on offer. Nature with a subject in full attention and a sweet backdrop bokeh - all made this a very very eye pleasing composition indeed. Love the lights and the texture of the tree bark with algae on it and the expression of the Owlet in this background! Pics was taken from Sattal Forest in Uttarakhand, India.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
This was my favorite comp. From this angle, the intricate curls of the garlic stems show up well. Those stems can't be straightened - they grew that way and are pretty rigid.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.