View allAll Photos Tagged compositephotography
Art numérique surréaliste 30 x 40 cm - Surrealist digital art 11.81 x15.75 inches.
La première version (en bleu) se trouve sur mon autre compte Flickr.
Three picture composite.
Pentax K70 SMC PENTAX-DA* 2.8 16-50mm ED AL (IF) SDM.
Pentax KP SMC PENTAX-DA 3.5-5.6 18-55mm AL.
Panasonic DMC-FZ1000 Lumix 2.8 25-400mm LEICA lens.
My composite of some shots I took during the blue moon. The plane is a decommissioned Harvard trainer on a pedestal can be seen at the local airport here in Kingston, Ontario. If you look closely there is also a starling or some little bird on the prop.
This is a composite made from four shots of a Brown-Headed Barbet as it emerged from the nest it was building.
"At times, all you need to do is, to take a leap of faith .."
Photographie prise en mouvement, le soir.
Format 30 x 45 cm.
emmanuellebaudry.wordpress.com/2022/05/12/il-est-temps-de...
Composition photographique abstraite et fractale, version noir et blanc, disponible sur mon nouveau site :
emmanuellebaudry.wordpress.com/2021/12/31/tribalite-ii-tr...
Fractal & abstract composite photography 12 x 16 inches, black and white version, avalaible on my new website:
emmanuellebaudry.wordpress.com/2021/12/31/tribalite-ii-tr...
Photographie surréaliste 30 x 45 cm, disponible sur mon site officiel - Surreal photography 45 x 30 cm avalaible on my official website :
emart-emmanuellebaudry.e-monsite.com/album-photos/6eme-se...
I am not Iban by heritage, but the longhouse has long been woven into the fabric of my childhood. I never lived in one, yet I grew up with its presence—playing in its corridors, watching life unfold beneath its towering stilts, and soaking in its warmth and rhythm during visits to nearby Dayak communities. For me, the longhouse was more than a structure; it was a living memory—a backdrop to laughter, discovery, and cultural richness.
Now, decades later, I return as a visitor—not just to a place, but to a feeling that never truly left me.
“The Iban Longhouse Soul” is a merged image, carefully crafted in Lightroom using two separate exposures. One captures me in stillness—contemplative, present—while the other is a motion-blurred echo of myself, walking through the very same space. This layering of images reflects the layers of time within me: the adult revisiting a place that once held the child, the present walking through the corridors of memory.
The blurred figure represents the soul in motion—a longing spirit caught between past and present, drawn to the familiarity of woven mats, vibrant buntings, and the hanging ornaments that still breathe tradition into the wooden beams of the Iban longhouse.
Though these longhouses are becoming part of history, fading into stories and photographs, they remain alive in the memories of those who once walked their length—even if only as children.
This photo is not just documentation; it is remembrance. It is my quiet tribute to the soul of the longhouse, and the soul it left in me.
Super moon eclipse in pink aka blood moon in apocalyptic prophecy and the end times speculation.
The bare tree branches are poplar trees shedding their autumn foliage
#supermoon #moon #moonlovers #lunareclipse #luna #bulan #bloodmoon #bloodmooneclipse #apocalypse #compositephotography #sonyphotography #nightphotography
Gear:
- FUJIFILM X-E2
- ASAHI SMC Pentax-M 135mm F3.5
- KOMURA TELEMORE 95 II 7.K.M.C TELECONVERTER
Hong Kong
The new spring of the new Earth
Photographie composite fractale 30 x 40 cm - Fractal composite photography 12 x 16 inches.
Situated between Capitol Reef to the west, the Henry Mountains to the south, the San Rafael Swell to the north and the San Rafael desert to the east. This butte is a popular spot for both Photographers and OHV (off highway vehicles). This situation has created a conflict of sorts as the landscape has tracks through it. This causes a challenge in the hope of getting a pristine photo of this location.
The most common method of photographing this beaut of a butte is from the air via a drone. From the air the tire tracks are plain to see. It takes some time to repair the photo by cloning out the tracks.
This is a scene that I have been wanting to photograph for a while now but with this being a pretty common location for landscape photographers, it's a little difficult to create something unique.
I had the opportunity to go there last week to photograph this area, including Factory Butte. Because I only had a couple of days there I didn't have the epic skies that I had hoped above this landscape.
I brought this photo up and decided to try to process it into something, anything to justify the time that I spent there - and the time spent repairing it. I took a lot of time working on the foreground but when I was done that plain, blank sky stared at me. I almost hit delete.
Now I have always said that the reason people will drop in a sky is because their time is limited and the time spent at a location didn't produce the results that were hoped for. This was the exact situation that I was in with this image. As I sat there carefully brushing out tire tracks that blank sky taunted at me.
Once I was done with the foreground repair I saved the file and then decided to play with some different skies and boom. I saw this.
I have always said that if a photo is a composite I'm just fine with it as long as the artist is honest and transparent about it being so. I'm not one to criticize a person's creative expression. All I ask for is honesty.
And so in my attempt at transparency, I explain the process that I went through to create this image for you. This is a composite of two images combined to create the image that I had hoped to create naturally.
I hope that you enjoy it for what it is.
Composite photograph representing "AIR" of the Elements collection I am working on.
Video available here: youtu.be/8CrQCjsLjMc
Here is another past favorite of a silhouette I created for my son. He loves elephant, giraffe, monkeys, and zebra so I wanted to create him a series of silhouettes to print and go in a small book. He loves them and I hope you do as well!
Colorado Springs, CO - I was inspired by Mike Kelley, a photographer whose composite photograph of the Los Angeles airport made a lasting impression.
I had this idea for a picture and figured I'd give it a try. This composite photograph was created by stitching thirteen pictures into one. The most laborsome part of this project was going through hundreds of photos trying to find the right picture of each rider so they would property fit without overlapping. It's like creating a jigsaw puzzle.
Thanks, Mike, for the inspiration!
Over time and more experience I have revisited some of my composites. First up and how I envisaged in the outset but struggled to perfect is my personal favourite. I always wanted the floor to be rustic and damaged but for life of me just couldn't do it. Suddenly it clicked recently...LOL. Also after showing a professional car photographer Darren Woolway when he talked at my Photographic Society, spotted no shading on the front wings! Doh! So rectified that too.
Merry Christmas from our family to yours!
This is the image created for use in our annual family Christmas card this year.
Nikon D750
Nikon 24 - 120mm f/4
f/8 | 1/200 | 48mm | iso 160
Photo of each subject was shot using (1) B800 in a large octabox camera left @1/4 power and (1) B800 in a med soft box camera right @ 1/4 power for a cross light set up. Strobes were fired using cybersync. All lights, modifiers and triggers by Paul C. Buff
Family image merged with Volkswagen microbus and other images in Photoshop CC
Is it because I lied when I was seventeen...?
I feel like such a newbie photographer again, trying my hand at these things that I'm not very skilled at! Having fun practicing though. Luckily I have great friends who wants to help :)
Please like my Facebook page!
Nikon D750
Nikon 50mm f/1/8
The main subject was photographed using available light, and then extracted from the original photo, and combined with the foreground photo, the sky, and the balloons in Photoshop CC.
Again, inspired by and shamelessly borrowed from a tutorial by www.rafy-a.com
Full Moon Over the Platte River (Photo Composite) - Last week's full moon was the perfect addition to the magic of the Sandhill Crane migration. This photo artwork combines two images taken on the Crane Trust property in Wood a River, Nebraska. Approximately 500,000 Sandhill Cranes have been stooping at the Platte River during the migration to their breeding grounds.