View allAll Photos Tagged complexity
The seaweed has returned to the tidal pool, in spades. Zoom in for lots of detail, er, complexity!
To see the whole, varied collection of my photos of this ever-changing tidal pool, visit my album, That Protean Tidal Pool: www.flickr.com/photos/jerry-rockport/albums/7217772030227...
The complexity of Chaos.
Thank you very much all flickeriani who visit my album and appreciate the photos ^_^
I thank you for the invitations, I appreciate it
“Each snowflake, alone,
Impossibly intricate.
Yet snowfalls abound!”
—Ron Masters, Snowflake Haiku, ©️2021
What most people don’t realize is that the 2nd Law of Thermodynamics requires what we call complexity, because every little bit that happens results from the most likely process available to increase entropy (disorder) overall.
Single exposure, normal processing. Straight down, field of view maybe 2ft, 60cm. Happy Mono Monday!
25 Apr 2022; 10:15 CDT; >B&W
259;32;2
This image of a well-preserved unnamed elliptical crater in Terra Sabaea, is illustrative of the complexity of ejecta deposits forming as a by-product of the impact process that shapes much of the surface of Mars.
Here we see a portion of the western ejecta deposits emanating from a 10-kilometer impact crater that occurs within the wall of a larger, 60-kilometer-wide crater. In the central part is a lobe-shaped portion of the ejecta blanket from the smaller crater. The crater is elliptical not because of an angled (oblique) impact, but because it occurred on the steep slopes of the wall of a larger crater. This caused it to be truncated along the slope and elongated perpendicular to the slope. As a result, any impact melt from the smaller crater would have preferentially deposited down slope and towards the floor of the larger crater (towards the west).
Within this deposit, we can see fine-scale morphological features in the form of a dense network of small ridges and pits. These crater-related pitted materials are consistent with volatile-rich impact melt-bearing deposits seen in some of the best-preserved craters on Mars (e.g., Zumba, Zunil, etc.). These deposits formed immediately after the impact event, and their discernible presence relate to the preservation state of the crater. This image is an attempt to visualize the complex formation and emplacement history of these enigmatic deposits formed by this elliptical crater and to understand its degradation history.
The University of Arizona, Tucson, operates HiRISE, which was built by Ball Aerospace & Technologies Corp., Boulder, Colo. NASA's Jet Propulsion Laboratory, a division of Caltech in Pasadena, California, manages the Mars Reconnaissance Orbiter Project for NASA's Science Mission Directorate, Washington.
Copyright © S. F. Brown - All Rights Reserved
www.fluidr.com/photos/25709079@N03
Explore: January 27, 2015
#photoaday4ayear 176/366 #globetrotting in #Amsterdam - complexity #iphoneography #abstractart via Instagram ift.tt/2ahY0lu
This year's Nuit Blanche theme, Translating the City, shines a spotlight on Toronto's multilingualism and the complexities of urban spaces.
This HYBYCOZO sculpture is titled Point of View is in the Kitchell Family Heritage Garden.
Point of View 2022
Stainless Steel, Powder Coat Pigment, LED
This sculpture's patterns draw inspiration from Ukrainian cross-stitching, a traditional folk art from Ukraine, the birthplace of HYBYCOZO artist Yelena Flipchuk. This tribute to her cultural origins invites visitors to reflect on grief, resilience, joy, and the yearning for peace.
Please spin artwork gently.
dbg.org/events/light-bloom/2024-10-12/
www.youtube.com/watch?v=FFelgzzzQqg
LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.
HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.
dbg.org/meet-the-artists-behind-light-bloom/
Q: Walk us through your creative process?
A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.
Q: What inspired the concept of LIGHT BLOOM?
A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."
Desert Botanical Garden
DBG HYBYCOZO Light Bloom
Yellow-tipped Flasher (Telegonus anausis) captured at the Emerald Valley Nature Center, Lake Yojoa, Honduras. This image showcases the butterfly perched delicately on a cluster of white flowers, its intricate wing patterns and vibrant yellow tips highlighted against a softly blurred green backdrop. The photo was taken with a Canon R5 and an RF 100-400mm lens combined with a 1.4x extender, using a shutter speed of 1/180 sec at f/11 and ISO 800. The f/11 aperture was intentionally chosen to achieve a deep depth of field, ensuring the entire butterfly and its perch remained in sharp focus.
From a photographer's perspective, capturing the Yellow-tipped Flasher in its natural habitat presented a rewarding challenge. The choice of equipment and settings was crucial to freeze the subtle movements of the butterfly while maintaining clarity and depth. The Emerald Valley Nature Center is renowned as the top spot in Honduras for butterfly photography, offering a diverse array of species to observe and capture. Special thanks to Robert Gallardo and his efforts at the nature center. His dedication to conservation and his comprehensive butterfly book have been invaluable resources for understanding the rich biodiversity of this region. This image stands as a testament to the beauty and complexity of nature, and I hope it inspires others in the photography community to continue exploring and preserving our natural world.
©2022 Adam Rainoff Photographer
The Leeds and Liverpool Canal in Kirkstall, Leeds, West Yorkshire.
The Leeds and Liverpool Canal was the first of the Trans-Pennine canals to be started and the last to be completed. The length and the complexity of the route meant that the canal took 46 years to build at a cost of five times the original budget.
The canal originates from a proposal in 1765 to construct a canal from Preston to Leeds to carry woollen goods from Leeds and Bradford and limestone from Skipton. Prospective backers in Lancashire argued for the canal to start from Liverpool.
The engineering of the canal is very different from other Trans-Pennine canals. Most of the locks are concentrated in groups with long level sections between. Tunnels and cuttings are avoided where possible with the canal following the contours round bends and loops. In some sections the distance between points by canal is twice the shortest distance. The earliest locks, between Leeds and Bingley, are often grouped together to form staircases of two or three locks. The most spectacular feature of the canal is the five rise lock staircase at Bingley.
The canal prospered through the nineteenth century and was used for carrying stone, coal and many other goods. The impact of the railway age was not as great as with other canals but the coming of the lorry finally saw commercial traffic on the Leeds and Liverpool dwindling. The Bradford Canal closed in 1922 but commercial traffic continued along the main canal until 1964. Regular work stopped in 1972 when the movement of coal to Wigan Power Station ceased.
Information Source:
What does it mean to take the complexity of what it means to be human, to truly be alive, and represent it for each person in one singular moment? When i shot more concerts, I became obsessed about the gesture or facial expression that defined that person. As I age, I am more interested in moments of non performance when someone just absorbs life and lets it in.
I am actually a fairly shy person with people I don't know, especially musicians I admire. So, I have seen John Dwyer perform many times in different states even (Texas, California, Illinois) but I've never had an actual conversation with him. Yet, I love how he always stands on the side of the stage for the openers and really listens actively. Here he is during the Adult set watching. Usually, I see him taking photographs of the other bands from the sides but I think he didn't pull out his camera because it was snowing this day.
Sometimes, you want to believe the dream that the musicians you care about are kind and filled with wonder in real life and you can't risk meeting them in case that just turns out not to be true. I think in Dwyer's case, it's probably true.
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