Complexité végétale / Vegetal complexity: abstractions
View allAll Photos Tagged complexity
Thanks for reading! 🙋♀️💕
I was dreaming about colors and black and white last night. I have an active imagination even sleeping. (I even created this phrase in my dream but it doesn't have a lot of sense for me."Nothing mourns colors like the absence of light." I was curious about the origin of colors and the phrase and searched online. (Didn't find the phrase) This is what I found about the complexity of colors and black and white.
www.colormatters.com/color-and-design/are-black-and-white...
Thank you very much for your kind comments and for those to take the time to read, much appreciated! © All rights reserved.
my Love Naiike Pani♫♥♫
HARO - Fogwood Dynasty Outfit
Male & Female
ATTIC- - Gamepod gacha set
M^2 - Japanese City Complex "Old vs. New" pt.2
Gacha set with 1 rare and 16 commons
Hermannus Boerhaave (1668-1738), great naturalist and director of the Hortus of Leiden, called this plant (1727) by a now disused name: Granadilla. His personal motto was 'Simplex sigillum veri', something like 'Simplicity is the hallmark of truth'. What he would have thought of the complicated symbolism of Jesuits in the sixteenth and seventeenth centuries with respect to this Passionflower, I don't know. It's called 'Passionflower' because in its flowering could be seen by the faithful the instruments of Jesus' Passion: the nails, the pillar, the whips and of course the triune pistil.
Here that originally South American complexity is being visited by a Honeybee.
The complexity and beauty of a Common Sow Thistle flower. Similar but smaller than your average dandelion flower
we recently camped in a wilderness area, where we canoed to our campsite. leaves fell from trees and landed in the water. i found this glowing leaf that appeared to be crying. life is complex. we hold many things in our hearts: grief and gratitude; anxiety and hope; dark and light; tears and laughter.
"The Happy Family" is a renowned painting created by the Dutch artist Jan Steen. Painted during the 17th century, Steen was known for his ability to capture scenes of everyday life with a touch of humor and wit. "The Happy Family" exemplifies his style and showcases his talent for storytelling within a single image.
In this painting, Steen depicts a bustling household filled with various members of a family engaged in different activities. The composition is lively and intricate, presenting a chaotic yet harmonious scene. Steen's attention to detail is evident as he portrays each character with unique facial expressions and body language, adding depth and personality to the painting.
At the center of the composition, a jovial couple sits at a table, surrounded by their children and other relatives. The scene is filled with laughter, lively conversation, and playful interactions. The family members engage in various activities, such as eating, drinking, playing music, and engaging in games. Steen's use of vibrant colors and intricate brushwork further enhances the joyful atmosphere of the painting.
Despite the apparent chaos, "The Happy Family" also carries a deeper message. It serves as a reminder of the importance of familial bonds and the joys of shared moments. Steen's portrayal of the diverse characters and their interactions reflects the complexities and dynamics of family life. Through his portrayal, he highlights both the humorous and challenging aspects of domesticity.
"The Happy Family" is a testament to Jan Steen's skill as a painter and his ability to capture the essence of human experience. It continues to be appreciated for its rich storytelling, vibrant imagery, and its ability to evoke a range of emotions from viewers. The painting stands as a testament to the enduring appeal of art that celebrates the joys and challenges of family life.
Inspired by another Flickr user to give stitching panos together another go I decided to give it a bash tonight. I had this set of images I'd taken up at Glen Lyon so I tried through affinity's stitch tool and this was what I ended up with.
I think the one thing I'd say I struggled with was the amount of distortion that the stich in affinity put on the images... so my work around was to put it back into the photo persona and almost reverse the distortion using the lens distortion tool and then crop it. I defo need to watch some learning on how to do it in affinity properly... as this was just a bash at it from what I already knew. These really where not the best files to use either as the sky was pretty blown but the only ones I really had to give it another go with. It took a bit of sky recovery which just added to the complexity of the edit I think. LOL spent about an hour editing this which is far to long in my book. I have a feeling my issues are a lack of understanding of affinity... and I think it may just not be as good as the Lightroom tool either.
So about this image... It's from Glen Lyon. It was taken just as I was about to leave as the light had got harsh. I just liked this composition when I seen it. The rock is the praying hands of Mary... but its just from an angle that doesn't show the hands... but I thought gave a nice view down the valley. I think this would be lovely with the right red sky pre pressurise light.
Thanks for stoping by and taking the time to comment. always highly appreciated. have a beautiful evening, dear flickr friends and good light :)))
500px
Flickriver
Taken overlooking The Hangings at Whiteleaf, Buckinghamshire. There was a lot to take in looking down into this valley and I couldn't work out to go wide or try and focus on individual structures, so I thought sod it and went the middle ground. Lots of characters jostling for space on the hillside with the sun making its presence felt at the top of the shot trying to burn off what mist it could find!
Swinging back from the ornate complexity of the "Brocade" series and into simpler statements in both colour and composition. Another effort in finding new ways to give further expression to the Pano-Sabotage medium.
This series of 5 images was inspired by a comment made by Skagitrenee who said something like "I'd like to see you work in a more monochromatic way, with reduced colours". I had already been thinking that my next step would be simpler but Renee's comment clinched it for me.
This image, and the series is dedicated to her.
As I worked I also incorporated the use of "Gaussian Blur" for it's "atmospheric" potential, taking the crisp edges of the "Brocades" and softening them up in veils of evanescent, "cloud-like" light. In order to keep these from becoming some form of visual vichysoisse though I made sure to contrast part of the image with sharper forms in definition.
Image created March 19, 2018.
___________________________________________________
© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
___________________________________________________
I am VERY proud to announce that I was chosen to be the feature artist of the "Kreative People" Group's Spring Gallery - Running until the end of June. I really must thank both abstractartangel77 and Xandram for bestowing me with this great honour. The link to the gallery appears below:
Please visit my Kreative People Highlight Gallery HERE
__________________________________________________
© 2020, Richard S Warner ( Visionheart ). All rights reserved. This image may not be used in any form here or elsewhere without express, written permission.
Cristal is the new body by EVE It is completely BOM, low complexity and beautiful!
For more photos, info, links and credits please visit my blog:
♥Midnyte Childs♥
Dedicated to Catness Grace and Paul Ewing for sparking the idea.
*** CLICK ON THE IMAGE TO ZOOM IN !!!!! ***
__________________________________________________
© 2020, Richard S Warner ( Visionheart ). All rights reserved. This image may not be used in any form here or elsewhere without express, written permission.
I am in Kuala Lumpur again this week, and guess what, I went to shoot the Petronas Towers again. It's a permanent quest to find new angles...For this one, I wanted a very geometric composition. The camera was on the non extended tripod, parallel to the ground. Took several shots (impossible to look in the viewfinder!), by slightly rotating the camera, checked the results on the LCD until I got the correct framing. Then I fired the seven auto bracketed shots.
Technique used: Smart Objects mixed with Digital Blending/Layer Masking. 7 exposures used. This is not a tone mapped HDR. I am pretty sure that tone mapping won't give me those color tones.
Malaysia Set | Digital Blending Set | Night Photography Set | Most Interesting shots