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"The art of simplicity is a puzzle of complexity."

Douglas Horton

 

Weekly Photo Project on Google+

Week 7: Reflections.

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Here is my 2021 close-up of this remarkable flower.

See my previous post for this year's life-cycle mosaic of it.

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copyright © Mim Eisenberg/mimbrava studio. All rights reserved.

 

See my photos on fluidr: www.fluidr.com/photos/mimbrava

 

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Inside the Royal Australian mint. This shot is at a different angle to the previous shot.

Calm often camouflages complexity

Woodland shots are without doubt my favourite type of landscape images, both to take and to view.

 

I find them very difficult to execute, but I guess that's part of the attraction. It's often hard to simplify the complexity of neighboring elements, however I quite like all the different lines and colours in this image.

 

Croxby, Lincolnshire Wolds.

 

The image looks a whole lot better if you click on it to view it large!

Processed with VSCO with b1 preset

  

song: AbJo - Kalimba Song (Instrumental)

Wells Cathedral, England

Downtown Dallas’ 2100 Ross Avenue rises into the sky over North Texas.

The Sphere Within Sphere, also known as Sfera con Sfera, is a series of sculptures created by Italian sculptor Arnaldo Pomodoro depicting an enormous metal sphere with a cracked surface revealing an intricate interior with another cracked sphere inside.

 

Arnaldo Pomodoro says that the inner ball represents the Earth and outer ball represents Christianity. The design of the internal layers which look like the gears or cogwheels of a complex machine symbolizes the fragility and complexity of the world.

 

This sphere is at Trinity College in Dublin Ireland but it can be found at other prime location around the world. Originally created for the Vatican Church in the 1960s, also at the Headquarters of the UN in New York, The Christian Theological Seminary in Indianapolis, USA, The Tehran Museum of Contemporary Art, the Columbus Museum of Art in Columbus and the Tel Aviv University in Israel, to name a few.

  

Machen Sie Ihren Körper zur Herzenssache! Auf einer unvergesslichen Reise unter die Haut zeigen einzigartige anatomische Präparate, darunter viele Ganzkörperplastinate, die beeindruckende Komplexität und Verwundbarkeit des menschlichen Körpers.

Die Ausstellungsmacher erläutern leicht verständlich, wie bereits kleine Änderungen im Alltag große Auswirkungen auf das Herz-Kreislaufsystem und den Gesamtzustand unseres Körpers haben.

 

Make your body a matter of the heart! On an unforgettable journey under the skin, unique anatomical specimens, including many full-body plastinates, show the impressive complexity and vulnerability of the human body.

The exhibition organizers explain in an easy-to-understand way how even small changes in everyday life can have a major impact on the cardiovascular system and the overall condition of our body.

Dusk and mist and evening light show over the hinterland foothills.

Detail from the EDP building in Lisboa

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PRETTY in PASTEL PURPLE - Smile on Saturday

 

©annedhuart

"Complexity characterises the behaviour of a system or model whose components interact in multiple ways and follow local rules, leading to non-linearity, randomness, collective dynamics, hierarchy, and emergence.

  

The term is generally used to characterize something with many parts where those parts interact with each other in multiple ways, culminating in a higher order of emergence greater than the sum of its parts. The study of these complex linkages at various scales is the main goal of complex systems theory.

  

The intuitive criterion of complexity can be formulated as follows: a system would be more complex if more parts could be distinguished, and if more connections between them existed." (WP)

  

"La complexité caractérise le comportement d'un système ou d'un modèle dont les composants interagissent de multiples manières et suivent des règles locales, conduisant à la non-linéarité, au hasard, à la dynamique collective, à la hiérarchie et à l'émergence.

  

Le terme est généralement utilisé pour caractériser quelque chose comportant de nombreuses parties, où ces parties interagissent les unes avec les autres de multiples manières, aboutissant à un ordre d'émergence supérieur supérieur à la somme de ses parties. L’étude de ces liens complexes à différentes échelles constitue l’objectif principal de la théorie des systèmes complexes.

  

Le critère intuitif de complexité peut être formulé ainsi : un système serait plus complexe si plus de parties pouvaient être distinguées et s'il existait plus de connexions entre elles. » (WP)

complexities at the waterline.

downtown gate

san francisco, california

From lighting exhibit at the High Museum of Art in Atlanta, GA.

In the heart of Gatorland, I focused my lens on the commanding figure of the American alligator (Alligator mississippiensis). The stark clarity of this shot belies the complexity of capturing such a subject. With precision, I honed in on the alligator's textured hide and the subtle reflections in its watchful eye, the image a study in texture and detail.

 

The challenge in this environment was not just to respect the subject's space but to adjust the settings to capture the essence of the alligator's habitat—a task requiring patience and an understanding of the interplay between light and shadow. The result is a portrait that goes beyond mere representation, seeking to evoke the primal essence of one of nature's most resilient survivors.

 

©2020 Adam Rainoff

A dried petal of Bougainvillea.

Taken on a foggy day on a local walk.

 

This winter, on my exercise outings, I have grown to love the bare-branched trees, with their complexity and different shapes and forms. And foggy days are a boon, though often I stay tucked up in the warm instead of venturing out with the camera :)

 

I have trouble taking this sort of image because they tend to over-expose around the sun... still working on the method :)

 

Thank you for taking the time to look. Happy sunny days of Spring :)

For some reason the first line of an old John Prine song popped into my head. This is actually a mixture of ice, water, leaves of grass, and part of a cottonwood leaf, all jumbled into a rich stew of nutrients that will feed the new growth in my backyard in the weeks to come. Shooting straight down and very close.

 

It's a departure from the spare look of my ice shots over the past few days. No elegant, clean lines here. Usually I try for simplification, which maybe I could have found in the leaf itself... but I have lots of close ups of leaves, and thought I'd try something different, organizing the visual elements around complexity instead. I built in a bit of structure by placing objects - the leaf, blades of grass - along the left, bottom, and right sides, leaving the top side open. This was intentional.

 

Tomorrow I'll be cranking up the wayback machine and revisiting some of my favourite wilderness backpacking adventures from years past. I am grateful to my younger self for being willing to place one foot in front of the other for as long as it took to get into these amazing places. It was a huge part of my life for a quarter century. Ask my knees and back - they'll tell you it's true!

 

This shot was made in my backyard at the peak of snowmelt in April. Val Marie, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2023 James R. Page - all rights reserved.

The complexity of life, even that of a 'simple' magnolia flower, never ceases to amaze me. And the closer one looks, the more amazing it gets.

 

Indeed, if we looked even closer than a macro photographer's lens can see, we would observe a level of complexity far beyond our imagination. As in every other living thing, each cell in this magnolia flower contains the DNA for the entire organism. In his book (the Selfish Gene), Richard Dawkins says of human DNA:

 

This DNA can be regarded as a set of instructions for how to make a body, written in the A, T, C, G, alphabet of the nucleotides. It is as though, in every room of a gigantic building, there was a book-case containing the architect's plans for the entire building.

 

Dawkins denies that there is a God, yet admits that all living cells contain information (instructions) and even likens it to architect's plans. No matter the medium in which it is stored (paper and ink, compact disk, DNA, etc) information has to have an author or, in Dawkin's analogy, an architect.

 

Sadly, Dawkins appears to recognise the unavoidable truth, yet still says there is no God. But the Bible says:

 

For the invisible things of Him [God] from the creation of the world are clearly seen, being understood by the things that are made, even His eternal power and Godhead; so that they are without excuse: Because that, when they knew God, they glorified Him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened. Professing themselves to be wise, they became fools.

(Romans 1:20-22)

Gifford Pinchot NF

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