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On the deck of the Kaiwo Maru at the Tall Ships Festival in Steveston (Richmond, BC).
To see others' superb photos of the Kaiwo Maru during the 3 day
tall ship festival in Steveston--including the sailors up on the masts unfurling the sails--please go to this Gallery I created: www.flickr.com/photos/130881643@N04/galleries/72157681555...
abstract shapes shadows and silhouettes
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Detail of ground level walkway within Keeling House, a modernist apartment block in Bethnal Green, East London. Designed by Denys Lasdun and completed in 1957.
looking for symmetry here, I didn't want that, I wanted to capture the many design levels, the absolute abundance of visual stimuli in the opulent choir gallery, which in case of doubt has no symmetry at all ... ;-) ...
fangt erst gar nicht an hier nach Symmetrie zu suchen, die wollte ich nicht, ich wollte die vielen Gestaltungsebenen, den absoluten Überfluss an visuellen Reizen einfangen in dem üppigen Chorumgang, der im Zweifelsfalle auch gar keine Symmetrie hat ...
;-) ...
Sie ist eine der üppigsten Kirchen des Abendlandes ...
Der heilige Antonius setzte das Werk Franz von Assisis fort.
Die Basilika des Heiligen Antonius (italienisch: Basilica di Sant’Antonio, regional oft auch nur Basilica del Santo oder einfach Santo) in Padua ist eines der berühmtesten und meistbesuchten Heiligtümer Italiens, meint meine Freundin Wiki ...
Sie gehört zu den weltweit acht internationalen Heiligtümern.
Sie ist päpstliche Basilika und Basilica minor. Sie ist der erste große Kirchenbau mit Gewölbe in der Terraferma und wurde zwischen 1232 und etwa 1310 mit romanischen wie gotischen Stilelementen errichtet, um das Grab des heiligen Antonius von Padua († 1231 in Arcella, heute Stadtteil von Padua) aufzunehmen.
Die Basilika ist 118 m lang und 32,5 m breit, das kurze Querhaus 55 m breit. Die größte Innenhöhe beträgt 38,5 m.
Die Kirche hat ein dreischiffiges Langhaus, einen polygonalen Chor, Chorumgang und Kapellenkranz im Osten.
Langhaus und breites Querschiff sind im typischen Baustil italienischer Bettelordenskirchen.
Der Umgangschor, der Kapellenkranz (ähnlich San Francesco in Bologna) und das dem Querhaus eingefügte Zwischenjoch sind französischen Ursprungs.
Die 37 m hohe und 28 m breite Fassade, der älteste Teil des Kirchenbaus, vereint venezianisch-byzantinische, lombardische-romanische und gotische Elemente.
Die acht Kuppeln ähnlich dem 5-Kuppel-System des Markusdoms im nahegelegenen Venedig, die zwei schlanken, sechseckigen und 68 m hohen Glockentürme und zwei minarettartige Türmchen sind typische Merkmale des byzantinischen Baustils. Der Engel auf der kegelförmigen Kuppel über der Vierung thront in 72 m Höhe. Zwei weitere Fensterrosen an den Seiten des Hochaltars beleuchten das Kircheninnere.
Zuvor habe ich eine solch verworrene Komplexität kaum erlebt. Das Gebäudeensemble besitzt alleine drei Kreuzgänge und Kapellen mit berühmtesten Fresken wie einem Chor mit Kunst Donatellos.
Padua (italienisch Padova, lateinisch Patavium) ist eine italienische Gemeinde und Hauptstadt der gleichnamigen Provinz Padua.
Sie liegt am Rande der Po-Ebene, 30 km westlich von Venedig, am Fluss Bacchiglione und hat 206.651 Einwohner.
Mit dem botanischen Garten und mit mehreren über die Altstadt verteilten Freskenzyklen des 14. Jahrhunderts besitzt Padua zwei Einträge in der Liste des Weltkulturerbes der UNESCO. Die Stadt beheimatet zudem mit der Universität Padua (Gründung im Jahr 1222) eine der ältesten europäischen und die nach Bologna (gegründet 1088) und Modena (gegründet 1175) drittälteste Universität Italiens.
English ...
It is one of the most lavish churches in the Occident.
Saint Anthony continued the work of Francis of Assisi.
The Basilica of Saint Anthony (Italian: Basilica di Sant’Antonio, regionally often just Basilica del Santo or simply Santo) in Padua is one of the most famous and most visited shrines in Italy, says my friend Wiki...
It is one of the eight international shrines in the world.
It is a papal basilica and a minor basilica. It is the first large church building with a vault in the terraferma and was built between 1232 and around 1310 with Romanesque and Gothic style elements to accommodate the tomb of Saint Anthony of Padua (died 1231 in Arcella, now a district of Padua).
The basilica is 118 m long and 32.5 m wide, the short transept is 55 m wide. The greatest interior height is 38.5 m.
The church has a three-aisled nave, a polygonal choir, ambulatory and a ring of chapels in the east.
The nave and wide transept are in the typical architectural style of Italian mendicant churches.
The ambulatory choir, the ring of chapels (similar to San Francesco in Bologna) and the intermediate bay inserted into the transept are of French origin.
The 37 m high and 28 m wide facade, the oldest part of the church building, combines Venetian-Byzantine, Lombard-Romanesque and Gothic elements.
The eight domes similar to the 5-dome system of St. Mark's Basilica in nearby Venice, the two slender, hexagonal and 68 m high bell towers and two minaret-like turrets are typical features of the Byzantine architectural style. The angel on the conical dome above the crossing sits enthroned at a height of 72 m. Two more rose windows on the sides of the high altar illuminate the interior of the church.
I have rarely seen such confusing complexity before. The building ensemble alone has three cloisters and chapels with famous frescoes such as a choir with art by Donatello.
Padua (Italian: Padova, Latin: Patavium) is an Italian municipality and capital of the province of Padua of the same name. It lies on the edge of the Po Valley, 30 km west of Venice, on the Bacchiglione River and has 206,651 inhabitants.
With the botanical garden and several 14th-century fresco cycles spread across the old town, Padua has two entries on the UNESCO World Heritage List. The city is also home to the University of Padua (founded in 1222), one of the oldest European universities and the third oldest in Italy after Bologna (founded in 1088) and Modena (founded in 1175).
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Finding oneself between all these levels, positioning yourself and finding a path can sometimes prove to be a challenging task.
www.corinneserafini.it/sea-knows-it-all/
I’ve always seen the seaside as a peaceful place, where reconnect with myself.
Humans are strictly bond with nature. After all we couldn’t live without all this complexity that surround us. Now, more than ever we need to find our own individuality, and our questions searches for earthly answers.
Sea knows it all
all rights reserved.
In "Autumn Rhythm," as in many of his paintings, Pollock first created a complex linear skeleton using black paint. For this initial layer the paint was diluted, so that it soaked into the length of unprimed canvas, thereby joining image and support. Over this black framework Pollock wove an intricate web of white, brown, and turquoise lines, which produce the contrary visual rhythms and sensations: light and dark, thick and thin, heavy and buoyant, straight and curved, horizontal and vertical. Textural passages that contribute to the painting's complexity — such as the pooled swirls where two colors meet and the wrinkled skins formed by the build-up of paint — are barely visible in the initial confusion of overlapping lines.
Although Pollock's imagery is nonrepresentational, "Autumn Rhythm" is evocative of nature, not only in its title but also in its coloring, horizontal orientation, and sense of ground and space.
With the naked eye this seemed like a single flash with reflection and resonance from all points of the compass. The camera tells a quite different story — of complexity and multiplicity. The village at left is Palm Beach with Tallebudgera Creek and Big Burleigh (Jellurgal). The earth bolt hits the Pacific Ocean a few kilometres west of the Queensland Gold Coast. The hazy brightness top right is a cloud to cloud strike within or behind the cloud layer. The dark foreground is the bush on the Gold Coast hinterland. This was an eight second exposure and a small section of sky, just part of a storm which lasted about two hours affecting a huge area of southeast Queensland and northern New South Wales.
VIEW LARGE for complexity of the tiny flowers:
I was at the Garden yesterday (not today, too hot and humid), and ran into the curator, figuratively, of course. Pointing at this three-inch sphere with nine ribs, he asked if I had seen the first and long-awaited bloom which occurred that morning. And then he gave me some background.
Euphorbia obesa is a subtropical succulent species of flowering plant in the genus Euphorbia. It comes from South Africa, especially the Cape Province. Sometimes referred to as the baseball plant or gingham-golfball.
In the wild it is endangered because of over-collection and poaching, combined with its slow growth, and the fact that the pod contains only 2 to 3 seeds.
The Garden had five of these two weeks ago. Then, someone stole one. "Happens all the time, and it happens in all public gardens!"
The (literally) "Fat Euphorbia" has exploded in popularity as a houseplant since it was discovered in the late 1800s. Its unique appearance (unique in cacti, succulents, even among Euphorbia) and its low maintenance needs has made it the object of thieves to the extent that it is considered endangered in its native habitat. Producing only three seeds, it is simply not sustainable.
I have been watching this plant for the past six weeks. It, and now, its three companions, are nestled in a deeply shaded spot between three large boulders. Anyone who would steal one or all knows where they are, and is purposeful in their intent. Though I have not seen them, from what I understand, it is sold in nurseries around the world. In California, reputable nurseries sell them for between $27 and $45. I guess, if you're a thief, price is no object!
The man who betrays Him day after day, drunk with vanity, resentment, or reckless ambition, lives in a ghostly mist of mis-givings. Having ruined love with greed, he is still wondering about the lack of tenderness in his own life. His soul contains a hiding-place for an escaping conscience. He has torn his ties to God into shreds of shrieking dread, and his mind remains dull and callous. Spoiler of his own lot, he walks the earth a skeleton of a soul, raving about missed delight.
--Abraham Joshua Heschel, Man’s Quest for God: Studies in Prayer and Symbolism
A closeup look at the complex linking forming the forming the wheel and drive of an old steam locomotive.
Willow trees across Horsemill Stream in the River Lee Country Park, one of several channels of the River Lea in this area.
A Bristlecone Pine complexity on Limestone.
Many years collection of spent pine cones.
Early pollen cones visible on the trees.
“Her complexity is a glorious fire that consumes, while her simplicity goes unapproachable. But if one takes time to understand her, there is something beautiful to find, something simple to be loved. But she goes unloved, for being misunderstood.”
― Anthony Liccione
Guarini's dome on the Capella della Sindone in the Palazzo Reale in Turin . Magnificently restored in the decades after the terrible fire of 1997.
Dedicated to Paul Ewing and Catness Grace for sparking the idea.
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© 2020, Richard S Warner ( Visionheart ). All rights reserved. This image may not be used in any form here or elsewhere without express, written permission.
I’m WFH this afternoon. I went to the kitchen to get another cuppa cawfee and came back to this. Apparently I’d been petting the mouse when I should have petted Someone Else. (In the background you can see my work-related trophies from the FDFFL and the Bugbear, whose job it is to eat software bugs.) Added to Happy Caturday for 10 July 2021 theme “Cats and Electronics.”
A macro view of a collection of glass beads. The frame represents a span of two-inches from top to bottom.
Strobist info:
The scene was illuminated by two Nikon SB900 speedlights positioned at 9- and 3-o'clock, 20-inches above and two-feet away from the beads. They were fired in Manual mode @ ¼ -power through Neewer 24" x 24" soft boxes.
The speedlights were triggered by three PocketWizard Plus X flash triggers.
Lens: Meyer Optik Görlitz Oreston (zebra) f1.8/50mm with a 36mm extension tube attached.