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One of my assignments for one of my classes was to create a CD compilation. We needed one instrumental and one song with no electronic instruments.
CD is as follows:
1. The Dismemberment Plan - I Love a Magician*
2. Wilco - Kicking Television
3. Broken Social Scene - Swimmers
4. Pavement - 5-4=Unity
5. Tom Waits - Big Joe and Phantom 309
6. Sonic Youth - The Diamond Sea**
* later changed to the song One Too Many Blows to the Head
** the extended, 19 minute version - just to be an ass.
This is a short video i made as part of some animation master classes i did. The aim of these were to teach people the basics of animating a walk.
Date: September and October of 2022.
✏️️📓---✏️️📓
Twitter post (in Spanish and cropped): twitter.com/cracklol456/status/1585062588542758913
1. North American T6 Texan Meeting aerien Epinal Mirecourt 21 septembre 2008-26501 copie, 2. Fouga CM-170 Magister 2008-26481, 3. lycène bleu 28 septembre 2008-8120, 4. Theatre_de_la_Passion_2008_12_07_2008-8770, 5. Mouche dans une orgie de pollens, 6. Butterfly, 7. IMGP4292, 8. IMGP4309, 9. Gouttes d'eau N°2, 10. Cailloux °1, 11. Red Ball K20D 200 iso, 12. Macro-6177, 13. 01juil.2007 Mirage 2000 D Ba 133 8
Created with fd's Flickr Toys.
Thunderstorm over Madrid (July 25th). It just passed me by with no rain at all.
Picture made with 7 single shots overlapped.
To go along with the San Francisco Muni shots I've been posting, here's a quick video montage of the F-Line, plus a bonus clip of a California Street cable car.
This operator is entering and verifying Yellow Pages data. Due to the layout of pages in the Yellow Pages, there is more hands-on entering of the data than the more OCR-friendly White Pages.
(Photo provided by ReferenceUSA)
A selection of the packaging for the annual Christmas CD compilation for 2010. All made using recycled materials, each one unique.
Every year, the good folks over at YO! The Movement throw a weekend long Celebration of Hip Hop. This year I did the compilation cover. Big ups Toki Wright, Larry Lucio, Franz Diego, Pam McBride, Claire, and all the rest of the team that makes this event happen.
*Creating meaning through editing*
In the early days of film, especially in the 1920s in the Soviet Union, filmmakers have experimented with editing existing material to find out how film in general can create meaning and tell a story.
The most famous example is perhaps the short sequence that Lev Kuleshov edited around 1918 out of one close-up shot of the actor Ivan Mozzhukhin with a neutral expression on his face, and the shots of a plate of soup, a girl and a coffin. He edited the face shot between the other shots and showed the sequence to an audience, who according to filmmaker Vsevolod Pudovkin “raved about the acting.... the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead woman, and admired the light, happy smile with which he surveyed the girl at play. But we knew that in all three cases the face was exactly the same.” [Pudovkin, ‘Naturshchik vmesto aktera’, in Sobranie sochinenii, volume I, Moscow: 1974, p.184, cited in wikipedia].
This experiment showed that the meaning of a film shot is not fixed and that editing can add or perhaps even change meaning. This discovery is the basis for a subgenre of compilation films, that use their material often in a critical and dialectical way.
As design researchers we can use this technique also in a dialectical and critical way. We do not need to see this effect as a danger that compromises the realistic quality of the images we shoot in our research. Rather it offers opportunities to construct meaning in your film, to show the results of your research and not just the notes you took on video.
I did not find a tape or DVD of this film.