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Dawson City on Christmas Day 1976 (with texture) - 35mm Compact Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Revue 35 Compact de Luxe, a scarce sister of the Revue 35 Compact Electronic, which is itself also a scarce camera.
As far I found out, the difference is in the viewfinder: Both feature a needle of the exposure meter, but the Electronic only indicates over- or underexposure, the de Luxe displays shutter speeds (1000-250-30), similar to a Minox 35.
The Revue 35s are nearly identical to the Vivitar 35 EM. The Vivitar also displays the shutter speeds and its opening for the lens barrel is round, not square.
The producer of this camera is still a mystery, it reminds me of the Revue 400SE/Vivitar 35ES pair.
The logo on this camera, the atomic model, looks like the early Yashica logo, but it is not the same.
The camera itself is really cute. With the lever at the bottom you can retract the lens and the shutter button, the lens is protected by a sliding cover then. It has aperture priority AE, the focus has to be set manually. There is a small button above the viewer, which obviously has the same function like the half pressed shutter button: the meter is switched on and the needle in the viewer indicates the expected shutter speed, furthermore a red light becomes visible on top, I assume it is a battery check (two 1.5 V SR44 are required).
The film speed dial around the rewind crank is devided in half-steps (!) from 25 to 400+1/2, perhaps 560 ASA.
Most parts of the housing are made of thin plastic. There are small cracks around some screws and the window of the viewer is broken too.
Update after one roll of film: Yes, really a fine camera. Sometimes I had mixed up the feet and the meter scale, but that didn't matter ...
This is my 2nd Moon Heart Compact. I really love the design. I wish there would be a reproduction with better sound system. I got this from a friend. Thanks to Mr.Champ ^__^
I think the designs for Sailor Moon S toys are superb. Most of the items came out beautifully, including the heart moon rod, the compact, and lip-rods for neptune, uranus and pluto. They look so real, not like plastic-ky we have nowsaday with other girl's anime item. Don't you think so?
Minhas impressões
Realmente a sensação que sinto quando uso esse pó-base é de uma pluma, como se não tivesse usado nada, porém a pele fica linda.
Hoje fiz a prova de fogo. Apliquei às 09h e fui trabalhar. Uma observação - trabalho o dia todo na rua, dentro de um carro (sem ar condicionado), sujeita a pó, calor, vento, chuva. Fez um calor dos infernos e, às 16h, quando me olhei no espelho, estava um pouco suada, mas apenas levemente/quase nada oleosa. Na verdade, a aparência estava bem digna. Gostei, gostei muito!
Ah, ela tem FPS 15.
No momento minhas bases preferidas são:
- ArtDeco Matificadora (compacta, cremosa)
- Shiseido Pureness, Dior Forever e Lancôme Teint Idole Ultra (compactas, em pó)
- Mary Kay de cobertura média (líquida).
PS - Seja qual for a base, sempre uso em pouca quantidade. Odeio base que aparece mais que eu....rsrs
This is a roll-off compactor box seen at Trash Taxi in Winter Haven, FL.
Special THANKS to Trash Taxi for allowing me into the yard to take these pictures!
Compact rare en France, utilise les rollfilms 127 pour des vues 4x4 cm, corps en plastique.
Ojectif ménisque fixe avec deux diaphragmes, l'un pour le N&B l'autre pour la couleur, fixfocus. L'obturateur ne permet que l'instantané à une vitesse restée secrète, sécurité contre les doubles expositions et signal de non-armement dans le viseur qui est interne et fixe et sans autre indication. L'armement se fait par levier. Flash à lampes incorporé.
H x l x p : 73 x 116 x 56 mm, 180 g. Fiche SH
Vide-grenier du 10 avril 2022 à Montrond-les-Bains (Loire)
I currently own and use the following digital compact mirrorless cameras:
The Canon G5 (back left) is the oldest digital camera that I still use. I would like to retire it but it has one useful feature that none of my other camera have -- a built-in intervalometer.
The Canon G11 (back center) has a reticulated LCD screen that I find useful when I am shooting still life or close-up subjects with the camera mounted on a tripod or a copy stand.
The Canon G15 (back right) is the one I take when I need to travel with a light photographic load. The f/1.8 to 2.8 28mm to 140mm fixed zoom lens covers 80% of the subjects I need to shoot. If it had a reticulated LCD, it would be close to perfect for me.
The Olympus E-p3 (middle left) and the Olympus E-p1 (middle right) were my handheld available light cameras until I replaced them with the X-Pro1. I am now using them as dedicated black & white cameras.
The Fuji X-Pro1 (foreground) is my current handheld available light camera.
All six cameras have the following important features that I need:
1. Quiet operation -- especially when shooting theater or in audio recording studios
2. Excellent image quality (jpeg and RAW)
3. Size, weight, and style of a Leica rangefinder
4. A simple user interface that relies more on dials rather than menus
5. Video
Some of the important features that I need but none of the six cameras have are:
1. Fast and accurate manual focus control
2. Input jack that accepts a microphone for video audio track
3. Accessory battery pack for extended shooting sessions
Some of the important features that I need that some have and some do not include:
1. Built to withstand daily usage -- my G5, E-p1, and E-p3 break too often and too easily
2. High quality, fast, interchangeable lenses -- the Canon lenses are not interchangeable
3. LCD screen that swings, tilts, and rotates -- only on the Canon G5 and G11
4. Hot shoe and PC flash connections for external flash units -- all have hot shoes but only the X-Pro1 has both
1978 CLAAS Compact 25 combine harvester.
Cheffins vintage and classic auction, Sutton -
"1978 CLAAS Compact 25 8ft cut COMBINE HARVESTER Reg. No. ADX 974S Serial No. 73002886 Fitted with Mercedes engine and is reported to run and drive."
Sold for £1800.
Compact camera.
Taken from a hotel room.
Will add the title later, feel free to suggest a good one!:)
Story: After I put up the video of my retouching on the Jonnie Walker shot I got a meeting with a company that makes cosmetics. Since I didn't really have any cosmetics in my book I spent some quality time shooting specifically for that meeting. This was actually the shot that I started with. I knew I wanted a shot of a compact and this was basically the most difficult compact to shoot I could find. The entire thing is mirrored.
Lighting: The compact is sitting on a white seamless and there are two lights. There is a bare dynalite 2040 head from camera left providing the hard shadow. Then there is another bare head from camera right pointed to the seamless and that is what is providing the light fall off for the top. If the seamless is one color then the chrome doesn't look chrome so you have to get some light fall off. In addition to the two lights there is also a reflector right in front and a reflector overhead. The camera is just able to get between the two reflectors which is why the compact is small on the sensor in the before shot. I really needed that bit of light on the edge around the actual makeup.
After digging for 40 minutes I found the trash. After literally removing an entire dumpster of trash.
Compacted trash. Here is the problem. I thought that bag was the bag I needed. It was NOT. This was from earlier. The trash gets pushed I of the dumpster and the. Shoved as hard as possible. Older trash is not as destroyed as it’s moved up and falls over. The bag I am looking for is completely smushed and buried in trash. But I had to find it.