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Voluntary Interactive Session for Ministers and head of delegation at the International Conference on Nuclear Security: Commitments and Actions. IAEA Vienna, Austria. 5 December 2016
Photo Credit: Dean Calma / IAEA
YAMANASHI PREFECTURE, Japan – Scores of Soldiers and family members from U.S. Army Japan and I Corps (Forward) joined their Japan Ground Self-Defense (JGSDF) allies in conquering one of the world's most revered mountains.
Peaking at 12,388 feet (3,776 meters) above sea level, Mt. Fuji annually attracts hundreds of thousands of people from all walks of life whose shared adoration for the volcanic marvel comes second only to their aspiration to climb it.
The USARJ/JGSDF ascent to the summit of one of the newest additions to UNESCO's premiere World Heritage List began the morning of Aug. 7, 2015, from the fifth of 10 stations along the Yushida trail. The climbers, whose physical prowess ranged from veteran hikers and Army Rangers to young children and elderly grandparents, snaked their way along dirt trails, stone steps, gravel switchbacks and concrete tunnels.
Nearly two dozen outposts comprising the remaining five stations welcomed their often breathless guests with a free place to rest and, for a fee that climbed steadily with the elevation, hot food, cold drinks and even cans of compressed air. Each station also boasted master craftsmen who adorned the climbers' wooden walking staffs with uniquely engraved stamps that signified their progress along the journey.
Army Command Sgt. Maj. Eric C. Dostie, command sergeant major, USARJ, was the first in the group to set foot on the summit in three hours, 11 minutes. Most of those who reached the top within six hours witnessed a reenlistment ceremony for Army Spc. Angela M. Wilson, an intelligence analyst from the 10th Regional Sustainment Group in Okinawa, who personally requested that her extended commitment to support and defend the Constitution of the United States begin at the peak of Japan's greatest natural treasure.
Although nearly every one who challenged Mt. Fuji returned to their buses with sweat-soaked shirts, dirt covered pants and sun burnt skin, all of them basked in the glory of expanding their vertical boundaries through courage, commitment and camaraderie.
Story and photos by Sgt. John L. Carkeet IV, U.S. Army Japan
Real dedication doesn't care about violent storms, unyielding traffic or bone deep muscle fatigue.
Even though they make ugly sneakers these days, Nike has it right: Just Do It ®.
The 2016 Nuclear Security Summit provides a forum for heads of state and foreign ministers to reinforce our commitment to secure nuclear material [Ben Solomon/U.S. Department of State].
Aruna Mohanty
Devotion, perseverance and commitment have placed Aruna Mohanty as the finest among Odissi dancers of her generation. Nurtured under the able guidance of Guru Gangadhar Pradhan, Aruna especially excels in the abhinaya aspect of Odissi. She has been a student and Secretary of Orissa Dance Academy. Her unique skill and versatility make her the recipient of many awards and accolades, including the Mahari Award 1997, Sanjukta Panigrahi Memorial National Award 2001, Fellowship by Ministry of HRD, Govt. of India, and an award for her contribution to the field of Odissi Dance, from the Utkal University, orissa. Apart from dance, Aruna has also established herself as an excellent choreographer. Some of the items in her repertoire include the dance ballet “Shrusti O Pralay”, “Varsha Abhisara”, “Shravan Kumar”, “Samrat Kharavela” , “Kanchi Abhijan”, “Krupanidhana” & “Krushna Saranam”, etc. Widely traveled to countries like Canada, USA, South America and some of the European countries, she is the advisor-member of Central Sangeet Natak Akademi, New Delhi. Currently she is conferred for the Central Sangeet Natak Akademi Award for the year -2010 by the Govt. of India. And Govt. of Orissa has appointed her to be the Vice-President of State Sangeet Natak Akademi.
Concept Note
----------------
Gatha Odissi - from the temple to the stage
History is not scripted; it gets created over the ages. It transforms itself according to the tides of life and times. Therefore, from the point of view of the present, how does one view the entire panorama of Odissi Dance, which has traveled through an arduous journey of nearly two thousand years?
After the sunrise, comes the dark hour of the sunset. But the rhythmic foot falls of Odissi dance, however, continue to reverberate from within the dark corridors of history.
Around the middle of Ninteenth century a new resolve paves the way for the resurrection of the flagging traditions of Odissi Dance. The danseuse damsels break out of their stony incarnation from temple-walls and metamorphose into life. In this hour of revival, the great Gurus of our times create a whole new grammar of Odissi. The genesis of Mangalacharan, Pallavi, Sthayi, Abhinaya and Moksha, which form the superstructures of Odissi, spring up from the sub-structures of the allied art forms and folk forms of Odisha such as Mahari, Gotipua, Sakhi Nata, Raasa and Leela.
Through brief narrations and symbolic images Odisha Dance Academy spins the story of transformation and resurgence of Odissi Dance spanning from the Jagannath Temple of Puri right up to the contemporary stage.
Conceptualized by - Guru Aruna Mohanty
Kedar Mishra
Music composition - Guru Bijay Kumar Jena
Rhythm composition - Guru Dhaneswar Swain
Guru Bijay Kumar Barik
Musicians :
Mardala - Guru Ddhaneswar Swain
Guru Bijaya Kumar Bari
Vocal - Harapriya Swain
Nazia Alam
Rupak Kumar Parida
Violin - Ramesh Chandra Das
Flute - Srinibash Satpathy
Sitar - Swapneswar Chakravorty
Dance Choreography- Guru Aruna Mohanty
Dancers :
Odissi Dance : Ramesh Ch. Jena, Madhusmita Mohanty, Yudhisthir Nayak, Pabitra Ku. Pradhan, Sridutta Bhol, Janhabi Behera, Pankaj Ku. Pradhan, Pravat Ku. Swain, Arupa Gayatri Panda , Prashant Ku. Behera, Bijan Ku. Palei , Pragati Das & Rudra Prashad Swain.
Gotipua Dance : Sriram Chahatray, Suryakanta Samantaray,Arupananda Pradhan, Santosh Biswal & Rama Pradhan
Aruna Mohanty
Devotion, perseverance and commitment have placed Aruna Mohanty as the finest among Odissi dancers of her generation. Nurtured under the able guidance of Guru Gangadhar Pradhan, Aruna especially excels in the abhinaya aspect of Odissi. She has been a student and Secretary of Orissa Dance Academy. Her unique skill and versatility make her the recipient of many awards and accolades, including the Mahari Award 1997, Sanjukta Panigrahi Memorial National Award 2001, Fellowship by Ministry of HRD, Govt. of India, and an award for her contribution to the field of Odissi Dance, from the Utkal University, orissa. Apart from dance, Aruna has also established herself as an excellent choreographer. Some of the items in her repertoire include the dance ballet “Shrusti O Pralay”, “Varsha Abhisara”, “Shravan Kumar”, “Samrat Kharavela” , “Kanchi Abhijan”, “Krupanidhana” & “Krushna Saranam”, etc. Widely traveled to countries like Canada, USA, South America and some of the European countries, she is the advisor-member of Central Sangeet Natak Akademi, New Delhi. Currently she is conferred for the Central Sangeet Natak Akademi Award for the year -2010 by the Govt. of India. And Govt. of Orissa has appointed her to be the Vice-President of State Sangeet Natak Akademi.
Concept Note
----------------
Gatha Odissi - from the temple to the stage
History is not scripted; it gets created over the ages. It transforms itself according to the tides of life and times. Therefore, from the point of view of the present, how does one view the entire panorama of Odissi Dance, which has traveled through an arduous journey of nearly two thousand years?
After the sunrise, comes the dark hour of the sunset. But the rhythmic foot falls of Odissi dance, however, continue to reverberate from within the dark corridors of history.
Around the middle of Ninteenth century a new resolve paves the way for the resurrection of the flagging traditions of Odissi Dance. The danseuse damsels break out of their stony incarnation from temple-walls and metamorphose into life. In this hour of revival, the great Gurus of our times create a whole new grammar of Odissi. The genesis of Mangalacharan, Pallavi, Sthayi, Abhinaya and Moksha, which form the superstructures of Odissi, spring up from the sub-structures of the allied art forms and folk forms of Odisha such as Mahari, Gotipua, Sakhi Nata, Raasa and Leela.
Through brief narrations and symbolic images Odisha Dance Academy spins the story of transformation and resurgence of Odissi Dance spanning from the Jagannath Temple of Puri right up to the contemporary stage.
Conceptualized by - Guru Aruna Mohanty
Kedar Mishra
Music composition - Guru Bijay Kumar Jena
Rhythm composition - Guru Dhaneswar Swain
Guru Bijay Kumar Barik
Musicians :
Mardala - Guru Ddhaneswar Swain
Guru Bijaya Kumar Bari
Vocal - Harapriya Swain
Nazia Alam
Rupak Kumar Parida
Violin - Ramesh Chandra Das
Flute - Srinibash Satpathy
Sitar - Swapneswar Chakravorty
Dance Choreography- Guru Aruna Mohanty
Dancers :
Odissi Dance : Ramesh Ch. Jena, Madhusmita Mohanty, Yudhisthir Nayak, Pabitra Ku. Pradhan, Sridutta Bhol, Janhabi Behera, Pankaj Ku. Pradhan, Pravat Ku. Swain, Arupa Gayatri Panda , Prashant Ku. Behera, Bijan Ku. Palei , Pragati Das & Rudra Prashad Swain.
Gotipua Dance : Sriram Chahatray, Suryakanta Samantaray,Arupananda Pradhan, Santosh Biswal & Rama Pradhan
Agriculture Secretary Tom Vilsack and Agriculture Deputy Jewel Bronaugh hoist the Pride Flag at the U.S. Department of Agriculture in Washington, DC on June 1, 2022. During June 2022, USDA will host in-person, virtual and hybrid Pride Month activities and events for internal (employees) and external stakeholders. These events are coordinated by OASCR in partnership with USDA Mission Areas, Staff Offices and USDA Employee groups. The celebration for Lesbian, Gay, Bisexual, Transgender, Queer, and Intersex (LGBTQI+) Pride Month will reflect on the fight for justice, inclusion, and equality while reaffirming our commitment to do more to support LGBTQI+ rights. USDA photo by Tom Witham
2020-02-08: Portrait of Lesego Makgothi, Minister of Foreign Affairs, the Kingdom of Lesotho during African Leaders for Nutrition - Leveraging commitments towards Tokyo 2020.
Aruna Mohanty
Devotion, perseverance and commitment have placed Aruna Mohanty as the finest among Odissi dancers of her generation. Nurtured under the able guidance of Guru Gangadhar Pradhan, Aruna especially excels in the abhinaya aspect of Odissi. She has been a student and Secretary of Orissa Dance Academy. Her unique skill and versatility make her the recipient of many awards and accolades, including the Mahari Award 1997, Sanjukta Panigrahi Memorial National Award 2001, Fellowship by Ministry of HRD, Govt. of India, and an award for her contribution to the field of Odissi Dance, from the Utkal University, orissa. Apart from dance, Aruna has also established herself as an excellent choreographer. Some of the items in her repertoire include the dance ballet “Shrusti O Pralay”, “Varsha Abhisara”, “Shravan Kumar”, “Samrat Kharavela” , “Kanchi Abhijan”, “Krupanidhana” & “Krushna Saranam”, etc. Widely traveled to countries like Canada, USA, South America and some of the European countries, she is the advisor-member of Central Sangeet Natak Akademi, New Delhi. Currently she is conferred for the Central Sangeet Natak Akademi Award for the year -2010 by the Govt. of India. And Govt. of Orissa has appointed her to be the Vice-President of State Sangeet Natak Akademi.
Concept Note
----------------
Gatha Odissi - from the temple to the stage
History is not scripted; it gets created over the ages. It transforms itself according to the tides of life and times. Therefore, from the point of view of the present, how does one view the entire panorama of Odissi Dance, which has traveled through an arduous journey of nearly two thousand years?
After the sunrise, comes the dark hour of the sunset. But the rhythmic foot falls of Odissi dance, however, continue to reverberate from within the dark corridors of history.
Around the middle of Ninteenth century a new resolve paves the way for the resurrection of the flagging traditions of Odissi Dance. The danseuse damsels break out of their stony incarnation from temple-walls and metamorphose into life. In this hour of revival, the great Gurus of our times create a whole new grammar of Odissi. The genesis of Mangalacharan, Pallavi, Sthayi, Abhinaya and Moksha, which form the superstructures of Odissi, spring up from the sub-structures of the allied art forms and folk forms of Odisha such as Mahari, Gotipua, Sakhi Nata, Raasa and Leela.
Through brief narrations and symbolic images Odisha Dance Academy spins the story of transformation and resurgence of Odissi Dance spanning from the Jagannath Temple of Puri right up to the contemporary stage.
Conceptualized by - Guru Aruna Mohanty
Kedar Mishra
Music composition - Guru Bijay Kumar Jena
Rhythm composition - Guru Dhaneswar Swain
Guru Bijay Kumar Barik
Musicians :
Mardala - Guru Ddhaneswar Swain
Guru Bijaya Kumar Bari
Vocal - Harapriya Swain
Nazia Alam
Rupak Kumar Parida
Violin - Ramesh Chandra Das
Flute - Srinibash Satpathy
Sitar - Swapneswar Chakravorty
Dance Choreography- Guru Aruna Mohanty
Dancers :
Odissi Dance : Ramesh Ch. Jena, Madhusmita Mohanty, Yudhisthir Nayak, Pabitra Ku. Pradhan, Sridutta Bhol, Janhabi Behera, Pankaj Ku. Pradhan, Pravat Ku. Swain, Arupa Gayatri Panda , Prashant Ku. Behera, Bijan Ku. Palei , Pragati Das & Rudra Prashad Swain.
Gotipua Dance : Sriram Chahatray, Suryakanta Samantaray,Arupananda Pradhan, Santosh Biswal & Rama Pradhan
The gold and diamonds for these rings were recycled from a ring that had been one friend's father's ring. The process was very labor-intensive. The diamonds had to be removed then the ring melted down into an ingot. This was then hammered out flat in several cycles of hammering and annealing (softening by heating-- the gold hardens significantly with a little hammering) and finally run though my rolling mill until I had a strip slightly less than 1/16" thick. I then sawed this into thin strips lengthwise and pulled them through a drawplate to make round wire out of it. This again involved several cycles of annealing and of filing the corners down on all the thin strips to help the process of basically turning a strip with a square cross-section into a piece of round wire.
The diamonds were reset into the band first and the gold added later, shaped by hand, and soldered in piece by piece.
World leaders convene at the United Nations on 27 September 2015 for the “Global Leaders’ Meeting on Gender Equality and Women’s Empowerment: A Commitment to Action” to personally commit to ending discrimination against women by 2030 and announce concrete and measurable actions to kick-start rapid change in their countries.
Read More: www.unwomen.org/en/news/stories/2015/9/press-release-glob...
Read every country's committment from the event: beijing20.unwomen.org/en/step-it-up/commitments
Photo: UN Women/Ryan Brown
Aruna Mohanty
Devotion, perseverance and commitment have placed Aruna Mohanty as the finest among Odissi dancers of her generation. Nurtured under the able guidance of Guru Gangadhar Pradhan, Aruna especially excels in the abhinaya aspect of Odissi. She has been a student and Secretary of Orissa Dance Academy. Her unique skill and versatility make her the recipient of many awards and accolades, including the Mahari Award 1997, Sanjukta Panigrahi Memorial National Award 2001, Fellowship by Ministry of HRD, Govt. of India, and an award for her contribution to the field of Odissi Dance, from the Utkal University, orissa. Apart from dance, Aruna has also established herself as an excellent choreographer. Some of the items in her repertoire include the dance ballet “Shrusti O Pralay”, “Varsha Abhisara”, “Shravan Kumar”, “Samrat Kharavela” , “Kanchi Abhijan”, “Krupanidhana” & “Krushna Saranam”, etc. Widely traveled to countries like Canada, USA, South America and some of the European countries, she is the advisor-member of Central Sangeet Natak Akademi, New Delhi. Currently she is conferred for the Central Sangeet Natak Akademi Award for the year -2010 by the Govt. of India. And Govt. of Orissa has appointed her to be the Vice-President of State Sangeet Natak Akademi.
Concept Note
----------------
Gatha Odissi - from the temple to the stage
History is not scripted; it gets created over the ages. It transforms itself according to the tides of life and times. Therefore, from the point of view of the present, how does one view the entire panorama of Odissi Dance, which has traveled through an arduous journey of nearly two thousand years?
After the sunrise, comes the dark hour of the sunset. But the rhythmic foot falls of Odissi dance, however, continue to reverberate from within the dark corridors of history.
Around the middle of Ninteenth century a new resolve paves the way for the resurrection of the flagging traditions of Odissi Dance. The danseuse damsels break out of their stony incarnation from temple-walls and metamorphose into life. In this hour of revival, the great Gurus of our times create a whole new grammar of Odissi. The genesis of Mangalacharan, Pallavi, Sthayi, Abhinaya and Moksha, which form the superstructures of Odissi, spring up from the sub-structures of the allied art forms and folk forms of Odisha such as Mahari, Gotipua, Sakhi Nata, Raasa and Leela.
Through brief narrations and symbolic images Odisha Dance Academy spins the story of transformation and resurgence of Odissi Dance spanning from the Jagannath Temple of Puri right up to the contemporary stage.
Conceptualized by - Guru Aruna Mohanty
Kedar Mishra
Music composition - Guru Bijay Kumar Jena
Rhythm composition - Guru Dhaneswar Swain
Guru Bijay Kumar Barik
Musicians :
Mardala - Guru Ddhaneswar Swain
Guru Bijaya Kumar Bari
Vocal - Harapriya Swain
Nazia Alam
Rupak Kumar Parida
Violin - Ramesh Chandra Das
Flute - Srinibash Satpathy
Sitar - Swapneswar Chakravorty
Dance Choreography- Guru Aruna Mohanty
Dancers :
Odissi Dance : Ramesh Ch. Jena, Madhusmita Mohanty, Yudhisthir Nayak, Pabitra Ku. Pradhan, Sridutta Bhol, Janhabi Behera, Pankaj Ku. Pradhan, Pravat Ku. Swain, Arupa Gayatri Panda , Prashant Ku. Behera, Bijan Ku. Palei , Pragati Das & Rudra Prashad Swain.
Gotipua Dance : Sriram Chahatray, Suryakanta Samantaray,Arupananda Pradhan, Santosh Biswal & Rama Pradhan
Reinforcing its commitment to product development and global expansion, Jaguar Land Rover, the UK's leading manufacturer of premium vehicles showcased its breakthrough Land Rover Discovery Sport and Jaguar XE models at the Paris Auto Show.
A joint commitment between BC and Canada of approximately $25.5 million has been announced to widen Highway 13 from 8th Avenue to 0 Avenue supporting border enhancements the Canada Border Services Agency (CBSA) has recently implemented at the Aldergrove/Lynden border crossing.
Learn more: news.gov.bc.ca/releases/2016TRAN0224-001422
Date: [1939-1945]
Creator: Creator unknown, Archives of Ontario War Poster Collection
Reference Code: C 233-2-12-0-10
Archives of Ontario, I0016089
GET YOUR KNEE OFF OUR NECKS Commitment March Rally at Lincoln Memorial Reflecting Pool North Pathway, NW, Washington DC on Friday morning, 28 August 2020 by Elvert Barnes Photography
Visit Commitment March website at nationalactionnetwork.net/commitment-march-on-washington-dc/
Elvert Barnes 57th Anniversary of 1963 March on Washington COMMITMENT MARCH docu-project at elvertbarnes.com/57MOW2020
Impact Commitment Workshop: Society and Equity at the Young Global Leaders Annual Summit 2022 in Geneva, Switzerland, 2 September, Copyright: World Economic Forum/Pascal Bitz
The number 1 Great Dane information donation rescue adoption site on the internet
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Kenya - Kibera Primary School: The Muslim run Kibera Primary School was one of many faith schools represented at a 7-day Education For Sustainable Development conference organised by ARC in Nairobi in 2012. On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
The JW Marriott Desert Ridge Resort & Spa was initially conceived by Marriott International even though Marriott already had a strong presence in the Phoenix area with its Camelback and Mountain Shadows Resorts. Marriott planned the property on its own, and then approached CNL Hospitality in the first quarter of 2000 with the idea of coming up with an ownership strategy. CNL’s REIT division made an investment on its own, and the company also sponsored a partnership to fund the $300 million development. Marriott International also became an ownership entity.
The building of the 950-room resort reflects a deep commitment for all those involved. With 170,000 square feet of meeting space, the developers intended the mega-resort at being a major player nationally for meetings and convention business. The resort would face stiff competition in the local marketplace which included The Phoenician, Arizona Biltmore and Scottsdale Princess. Also opening within a month of the JW Marriott were the $180 million 750-room Westin Kierland Resort and the $125 million 500-room Sheraton Wild Horse Pass Resort. Two of the JW Marriott's ballrooms alone will make it stand out from the competition. One is 33,000 square feet, the other is 26,000: either of those are the largest in Arizona.
The JW Marriott Desert Ridge opened in Dec 2002 as the largest hotel in Arizona with 950 rooms (869 standard rooms and 81 suites) at a cost of $311 million. The hotel claimed 10 restaurants, two championship golf courses designed by Arnold Palmer and Nick Faldo, 8 tennis courts, and a 28,000 sq ft spa. The grounds include 267 palm trees, broad lawns and several ponds, not to forget the lazy river and three swimming pools including an Olympic sized pool.
At opening the fine dining outlet was Ristorante Tuscany headed by chef Dina S. Davies. Another major outlet was Blue Sage with Southwestern cuisine. Also Chef/Owner Roy Yamaguchi opened a branch of his Hawaiian-fusion themed restaurant Roy's. The 5-story atrium lobby has limestone pillars lined with alabaster light fixtures. Opening room rates started at $260 per night.
The Phoenix JW Marriott along with the 998-room JW Marriott Orlando, Grande Lakes and 582-room The Ritz-Carlton Orlando, Grande Lakes have been linked for well over a decade. They were formerly owned by CNL Hotels & Resorts of Orlando. In 2007, the team of Morgan Stanley Real Estate, California State Teachers and Florida State Board acquired CNL for $6.5 billion which included the three hotels. In 2011, the Morgan Stanley partnership defaulted and surrendered the properties to the holder of mezzanine debt — an investment group consisting of Paulson & Co. of New York (a 43% stake), Capital Trust of New York (42%) and Winthrop Realty of Boston (14%). In 2012 Blackstone took control of Capital Trust and assumed its interest. In 2015, Blackstone bought out Paulson & Co in a transaction that valued the three properties at $1.2 billion. It financed each resort separately with floating-rate loans, totaling $1 billion, from Deutsche, Barclays and J.P. Morgan. Some $722.4 million of those two debt packages was securitized in a single-borrower deal (BXHTL 2015-JWRZ).
In September 2019 Blackstone Group sold the 950-room JW Marriott Desert Ridge Resort & Spa in Phoenix for $602 million, or $633,684/room to a venture of Trinity Real Estate Investments and Elliott Management Corp. For comparison the Arizona Biltmore sold in 2018 for $403 million and in 2015 the Phoenician Resort sold for $400 million.
Sean Hehir, Managing Partner of Trinity, said the JW Marriott Desert Ridge was purchased at well below replacement cost. Trinity and Elliott intend to implement a multi-million dollar capital improvement plan to further enhance the Resort and unlock embedded value. In addition to guestroom renovations, planned improvements include upgrades to the Resort’s meeting spaces and ballrooms, water features, and food offerings. Trinity Investments is a private real estate investment firm. Recently Trinity acquired the Westin Maui Resort on Kaanapali Beach, Maui and divested itself from the Ritz-Carlton Kapalua, Maui, Hawaii and the Kahala Hotel in Honolulu. Hehir is a graduate of Cornell University with a Bachelor of Science degree in Hotel Administration and holds a Diploma in Hotel Administration from the Hotel Institute Montreux, Switzerland.
Paul Singer created the hedge fund firm Elliott Associates in January 1977. In 2019 Elliott Management acquired Barnes & Noble for around $683 million and in 2018 acquired the A.C. Milan the professional football club in Milan, Italy, Elliott Management Corporation specializes in distressed debt acquisitions.
According to legal documents The JW Marriott Desert Ridge generated $42 million of net operating income in 2018 with a 73% occupancy rate. Blackstone, during its ownership, spent about $37 million on renovations. Steve Hart was the opening General Manager and today continues as Area Vice President and General Manager.
Compiled by Dick Johnson, October, 2019
A commitment from the Province and the Government of Canada to AbCellera will support a made-in-B.C. anchor company to expand in Vancouver and solve global health-care challenges while creating hundreds of new, high-paying jobs.
Learn more: news.gov.bc.ca/releases/2023JEDI0029-000798
Aruna Mohanty
Devotion, perseverance and commitment have placed Aruna Mohanty as the finest among Odissi dancers of her generation. Nurtured under the able guidance of Guru Gangadhar Pradhan, Aruna especially excels in the abhinaya aspect of Odissi. She has been a student and Secretary of Orissa Dance Academy. Her unique skill and versatility make her the recipient of many awards and accolades, including the Mahari Award 1997, Sanjukta Panigrahi Memorial National Award 2001, Fellowship by Ministry of HRD, Govt. of India, and an award for her contribution to the field of Odissi Dance, from the Utkal University, orissa. Apart from dance, Aruna has also established herself as an excellent choreographer. Some of the items in her repertoire include the dance ballet “Shrusti O Pralay”, “Varsha Abhisara”, “Shravan Kumar”, “Samrat Kharavela” , “Kanchi Abhijan”, “Krupanidhana” & “Krushna Saranam”, etc. Widely traveled to countries like Canada, USA, South America and some of the European countries, she is the advisor-member of Central Sangeet Natak Akademi, New Delhi. Currently she is conferred for the Central Sangeet Natak Akademi Award for the year -2010 by the Govt. of India. And Govt. of Orissa has appointed her to be the Vice-President of State Sangeet Natak Akademi.
Concept Note
----------------
Gatha Odissi - from the temple to the stage
History is not scripted; it gets created over the ages. It transforms itself according to the tides of life and times. Therefore, from the point of view of the present, how does one view the entire panorama of Odissi Dance, which has traveled through an arduous journey of nearly two thousand years?
After the sunrise, comes the dark hour of the sunset. But the rhythmic foot falls of Odissi dance, however, continue to reverberate from within the dark corridors of history.
Around the middle of Ninteenth century a new resolve paves the way for the resurrection of the flagging traditions of Odissi Dance. The danseuse damsels break out of their stony incarnation from temple-walls and metamorphose into life. In this hour of revival, the great Gurus of our times create a whole new grammar of Odissi. The genesis of Mangalacharan, Pallavi, Sthayi, Abhinaya and Moksha, which form the superstructures of Odissi, spring up from the sub-structures of the allied art forms and folk forms of Odisha such as Mahari, Gotipua, Sakhi Nata, Raasa and Leela.
Through brief narrations and symbolic images Odisha Dance Academy spins the story of transformation and resurgence of Odissi Dance spanning from the Jagannath Temple of Puri right up to the contemporary stage.
Conceptualized by - Guru Aruna Mohanty
Kedar Mishra
Music composition - Guru Bijay Kumar Jena
Rhythm composition - Guru Dhaneswar Swain
Guru Bijay Kumar Barik
Musicians :
Mardala - Guru Ddhaneswar Swain
Guru Bijaya Kumar Bari
Vocal - Harapriya Swain
Nazia Alam
Rupak Kumar Parida
Violin - Ramesh Chandra Das
Flute - Srinibash Satpathy
Sitar - Swapneswar Chakravorty
Dance Choreography- Guru Aruna Mohanty
Dancers :
Odissi Dance : Ramesh Ch. Jena, Madhusmita Mohanty, Yudhisthir Nayak, Pabitra Ku. Pradhan, Sridutta Bhol, Janhabi Behera, Pankaj Ku. Pradhan, Pravat Ku. Swain, Arupa Gayatri Panda , Prashant Ku. Behera, Bijan Ku. Palei , Pragati Das & Rudra Prashad Swain.
Gotipua Dance : Sriram Chahatray, Suryakanta Samantaray,Arupananda Pradhan, Santosh Biswal & Rama Pradhan
Germany: Chancellor Angela Merkel
"Women have to play a more prominent role in politics, in the economy, and in society. [We commit] ourselves to…launching an initiative to improve [women’s] professional qualifications in developing countries and…promote the entrepreneurial empowerment of women. In Germany too there is still room for improvement. … We've greatly enhanced the possibilities for child care and we finally have a law on women in leadership positions. We all committed ourselves in 1995 to implement the Beijing Platform for Action. Now we are making a new commitment with Sustainable Development Goal 5. Commitments are good. Action is better. Let us take action!"
World leaders convene at the United Nations on 27 September 2015 for the “Global Leaders’ Meeting on Gender Equality and Women’s Empowerment: A Commitment to Action” to personally commit to ending discrimination against women by 2030 and announce concrete and measurable actions to kick-start rapid change in their countries.
Read More: www.unwomen.org/en/news/stories/2015/9/press-release-glob...
Read every country's committment from the event: beijing20.unwomen.org/en/step-it-up/commitments
Photo: UN Women/Ryan Brown
Bhutan: Prime Minister Lyonchhen Tshering Tobgay
“I pledge my Government’s full commitment to the accelerated implementation of the Beijing Declaration and Platform for Action and to the realization of the gender equality goals of empowerment in the 2030 Agenda. More specifically, I recommit to support ongoing initiatives to increase representation of women in governance and decision-making at all levels. For this, we have commenced extensive nation-wide consultations to explore measures to encourage women’s participation in politics. We commit to strengthen targeted programmes for economic empowerment of women. This is critical to address the persistent burden of poverty on women and effectively remove inequality in economic structures and policies. We commit to enhance investment in programmes that ensure equal access to the critical areas of education and training and healthcare for women. We commit to render full support to agencies and civil society organizations that combat violence against women and girls and we commit to promote programmes and policies that strengthen the role of women in the management of natural resources and in the safeguarding of our environment.”
World leaders convene at the United Nations on 27 September 2015 for the “Global Leaders’ Meeting on Gender Equality and Women’s Empowerment: A Commitment to Action” to personally commit to ending discrimination against women by 2030 and announce concrete and measurable actions to kick-start rapid change in their countries.
Read More: www.unwomen.org/en/news/stories/2015/9/press-release-glob...
Read every country's committment from the event: beijing20.unwomen.org/en/step-it-up/commitments
Photo: UN Women/Ryan Brown
ARC Education Workshop: In March 2012 more than 50 teachers and faith leaders from Christian and Muslim communities across sub-Saharan Africa came together in Nairobi. They were attending a week-long workshop organised by ARC and the Kenyan Organisation for Environmental Education. The aim was to explore how to integrate religious values into education on sustainable development. Among other outcomes, the workshop committed to developing a multi-faith toolkit for use in primary schools. On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
I am terrible at committing myself to keep in communication with friends - I am so used to moving on and losing touch, since I am very independent. And my best friend lives in Europe, which makes it harder. Keeping in regular communication with those I care about is a huge commitment for me, but a necessary part of not losing connection with people in general. I am reminded of this every morning that I am woken up early by our old Russian neighbor who tries to keep in contact with us - he is much better at picking up that phone and dialing than I am......
Denmark: Prime Minister Lars Løkke Rasmussen
"The 2030 agenda for sustainable development sets out new goals for our continued struggle, and I warmly welcome these new and ambitious goals. Denmark will continue its longstanding acts of support for gender equality. We remain committed to intensifying our efforts to ensure that all women and girls have equal opportunities to pursue the education and career they want and have free and equal access to the labour market. The Danish Government is further determined to combat domestic violence. We are proud to organize the next Women Deliver conference in May 2016 in Copenhagen."
World leaders convene at the United Nations on 27 September 2015 for the “Global Leaders’ Meeting on Gender Equality and Women’s Empowerment: A Commitment to Action” to personally commit to ending discrimination against women by 2030 and announce concrete and measurable actions to kick-start rapid change in their countries.
Read More: www.unwomen.org/en/news/stories/2015/9/press-release-glob...
Read every country's committment from the event: beijing20.unwomen.org/en/step-it-up/commitments
Photo: UN Women/Ryan Brown
05 November 2013: Mr. Nicola Bonucci, Director, Legal Directorate, Her Excellency Maria Ubach.
Photo: Herve Cortinat/OECD
This evening, on 7 December 2020, over 400 delegates, including high-level dignitaries, diplomats, political leaders and women organizations and peacebuilding practitioners from around the world, attended the High-level Opening of the International Conference on Women, Peace and Security entitled Strengthening Women’s Role in Building and Sustaining Peace: from Commitments to Results.
Photo: UN Women/Nguyen Minh Duc
This artwork is featured in the exhibition Art of the State: Pennsylvania 2019 at The State Museum of Pennsylvania, Harrisburg. This exhibition runs from Sunday, June 23, 2019 to Sunday, September 8, 2019. www.statemuseumpa.org
Linda Benzon lives in Carlisle, Cumberland County.
more at www.facebook.com/album.php?aid=283458&id=227433525829
Same sex marriage is not yet recognised in Australia by the law but that does not stop Vic (in black) and Amy from exchanging their vows of love and commitment to each other in the shores of Narrabeen, Sydney in the company of their closest friends and relatives.
The couple bears matching tattoos on their left arm. "Never is a promise, and you can't afford to Lie" and "Be the change you want to see".
Photography by www.josephineki.com.au
Wolfheze memorial paratrooper dropping.
On september 17, 1944 the first droppings began near Renkum, Wolfheze and Ginkel to support the attempt get hold of the city of Arnhem. The first paratroopers were pathfinders, whose job it was to clear and hold this spot for later landings. The next landings were on september 18 and 19, and from that moment the "Battle of Arnhem" really took off.
The whole project failed for numerous reasons, and cost many lives of soldiers and civilians. Many people in the area cooperated with the liberators. Up till now the people around here massively join the Polish, British, Canadian and American veterans who visit the area around Wolfheze every year in september.
These pictures are made during the first memorial day in 2010, september 17, 65 years after the initial droppings.
I had the pleasure and honour of meeting Ian Martin, whose father was one of these first pathfinders. Dad Martin survived not only this landing but even survived the war, but lost many of his friends. His son was here on his own to commemorate his father's commitment to our liberation, by visiting all the spots his father had left his footprints on.
LAFW - Style Fashion Week - 2015 - Coco Johnsen Collection
The commitment of the Coco Johnsen brand is to consistently introduce luxurious and stylish collections of clothing and accessories to the marketplace.
Inspired by such powerful iconography as Diana Ross inMahogany and the well proportioned aesthetic of Oscar de Renta, Coco has centered her designs around her personal ideology of inner strength and outward beauty, which should never be considered mutually exclusive. Having traveled the world from Stockholm to Toyko as a model, actress and now designer, Coco Johnsen has acquired a distinctive take on how the modern woman dresses. Her love of powerful feminity, with more than a generous nod to Romanticism, is evident in the timelessly elegant gowns, cocktail dresses and suits that comprise her signature and ready to wear lines. Coco Johnsen’s collections are designed downtown in her Los Angeles atelier, and then expertly produced in Brazil and Los Angeles utilizing only the finest fabric, trims, and materials.
Coco Johnsen debuted her signature line at Mercedes benz Los Angeles Fashion week Spring / Summer 2008 to rave reviews. Her collection has appeared on the pages of
GQ Mexico, WWD, Apparel News, Geniux, Femme, Game, Pacific , In touch Weekly to name a few.
Coco Johnsen’s Spring summer 09 collection debuted at the Audis Husar Gallery in a collaborative effort to benefit the C.A.S.A foundation which is an organization benefiting Foster children by providing a court appointed advocate. Coco Johnsen is a designer who has evolved from orphan, model, actress into a sophisticated couturier and philanthropist.
The LennonOno Grant for Peace was created by Yoko Ono Lennon to honour her late husband John Lennon’s dedication to peace and commitment to the preservation of human rights.
Created in 2002, this biennial award has always been given to two recipients.
To mark this special anniversary year, Yoko Ono presented this award to four recipients who have been selected based on their courage and commitment to peace, truth and human rights.
The recipients are:
Filmmaker Josh Fox wrote and directed the documentary feature film Gasland in 2010. Josh’s work is known for its mix of gripping narrative, heightened imagery and its commitment to socially conscious themes and subjects.
Barbara Kowalcyk was propelled into food safety advocacy in 2001, when her two-year-old son, Kevin, died after suffering an E.coli infection from tainted food. Barbara and her mother Patricia Buck created the Center for Foodborne Illness & Prevention (CFI) a national non-profit organization committed to improving public health by preventing foodborne illness through research, education, advocacy and service.
Author Michael Pollan has been writing books and articles about the places where nature and culture intersect: on our plates, in our farms and gardens, and in the built environment. He is the author of numerous best sellers, most recently Food Rules: An Eater’s Manual.
Author, poet, and activist Alice Walker is known for her brave stance against racism, sexism, and human rights issues. In 2009, she traveled to Gaza along with a group of 60 other female activists from the anti-war group Code Pink to oppose the controversial blockade and violence against Gaza by Israel and Egypt. Her book Overcoming Speechlessness documents her experiences in Gaza and abroad.
KABUL, 5 March 2014 – The Afghan Government reiterated its commitment today to strengthen and build upon the women’s rights achievements made during the past 13 years. In the event, organized by the Afghan Ministry of Women’s Affairs in collaboration the United Nations, President Ghani said the Afghan Government is committed to bringing fundamental and sustainable change for Afghan women. He said the Afghan Constitution gives due rights to women. The Government, he said, will fulfil its commitments concerning women’s rights by ensuring full implementation of the constitution.
Photo: Fardin Waezi / UNAMA