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Morris Commercial J-type
The Morris Commercial J-type is a 10 cwt (0.5 ton) van launched by the Morris Commercial subsidiary of Morris Motors in 1949 and produced until 1961. After the formation, by the merger of Morris' parent company, the Nuffield Organisation, and Austin, of the British Motor Corporation in 1952[clarification needed] Commercial was dropped and the van was marketed as the Morris J-type.
The van followed the emerging trend of having forward controls and sliding doors on each side. It was made in both left and right hand drive versions. As well as complete vehicles, the J-type was also supplied in chassis form to external body makers and it appeared, amongst other uses, as a pick-up, tipper truck, ice cream van and milk float. Many were bought by the British Post Office and these differed from standard in having rubber front and rear wings.
The J type is fitted with a 1476 cc four-cylinder side-valve engine based on the one used in the contemporary Morris Oxford car. Drive to the rear wheels is through a three-speed gearbox and initially a spiral bevel type rear axle, later replaced by a hypoid type.
The van was updated to the JB in 1957 when an overhead valve 1489 cc, BMC B-Series engine was fitted along with a four-speed gearbox.
An Austin version of the van appeared in 1957 known as the Austin 101 and differed from the Morris only in badging and radiator grille styling.
Production ceased early in 1961 after over 48,600 had been made. It was replaced by the Morris J4.
When your latest material wont play ball just go for the full frame multi colours.
Single lensless exposure
Another abstract using a photo of some soap film. Again creating a reflection and then adapting the colours with Topaz Labs. These vivid colours remind me of ink when it is dripped into water creating those swirls.
This is a poem I put together a few years ago (back when I was still a hopeless romantic who dreamed of love). Of the few I've written this is one of my favourites:
Droplets of colour splash the canvas, in vibrant synergy
A rainbow bursting into life, cascading imagery
That swirls then rises in a haze
Engulfing all that's in its way
Intricate patterns form my name
The lucid world begins to fade
Then slips away.
Bubbles protect me from the fall, they float down to the ground
A place that I have never seen, but know each sight and sound
A halcyon lost paradise
Bathed in late afternoon sunshine
Heraldic trumpets faintly cry
Confetti drifts down past my eyes
Kisses the path
I see against the pale blue something begins to stir
Written in smoke across the sky 'A Heart That Beats For Her'
I'm led through streets across the town
Aureate splendour my surround
A grand piazza forms the crown
Its jewel stands waiting in a gown
Upon the steps
She guides my hand, I feel the beat cradled inside her chest
And only then do I realise I'm at its manifest
That which exists intrinsically
Within the chambers that she keeps
Protected under lock and key
Here has been given unto me
In all its glory
And now I stand amongst the essence of her elegance
I understand my presence here and all its relevance
Because this opulence and grace
Signifies feelings she embraced
And the Warmth she radiates
Has its foundations in the faith
She puts in me
The colours blend then dissipate and I'm returned alone
Eyes opened wide to who you are through that which I've been shown
So If you I someday forsake
Through wrong decisions that I make
Or roads I feel forced to take
I hope that I will never break
That piece of you.
Dedicated to Passion Pit for the stylistic influence, and to the girl who created the emotional inspiration.
Australia on Collins shopping centre, located in Collins Street Melbourne, is currently having a "spring colour splash" display featuring colourful umbrellas, in their atrium.
After moving to California in 1994, Saint Phalle began to paint less, increasingly working with sculpture and mosaic techniques. As shown in Buddha, she used mirror, glass and stone to create vivacious, glittering sculptures on a monumental scale.
I've never actually displayed a picture of me in flickr so yeah, here you go.
Just got a haircut, a bit unshaved and I was hungry enough to eat an apple.
B&W& some Colour.
Image taken during a fabulous holiday in Whistler, British Columbia, Canada. This particular shot taken in Whistler village, just outside the wonderful Whistler Brew House (amazing beer!), and at the end of a lovely walk through some woodland, February 5th, 2011.
This chair was just begging to be photographed. Thought I'd have a little experimentation with this scene.
Image shot with a Panasonic Lumix G1, 14-45mm lens. Processing carried out in CS5 and Nik Software's Silver Efex Pro.
Much better when viewed in large.
This photo was taken at in New York in August 2012. I had been told that the Flatiron has very interesting architecture and I set out to try to capture this. As the yellow taxis are so iconic of New York, it was perfect that there were a few passing whilst I took the photo. I wanted to emphasize this in this photo and so I removed the colour from the rest of the image.
The camera used was a Nikon D7000, with its kit lens. The photo was taken in aperture priority mode to f/14 and ISO 400. The camera operated the shutter speed at 200th of a second.