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Agli amici siciliani e di Flickr, dal 15 al 31 maggio ai Magazzini dell'Arte Contemporanea di Trapani si terrà la mostra Ecologica/Mente dove verranno esposte tre mie foto.

Tra qualche giorno maggiori info su: www.magazziniartproject.com/

 

Il y a toujours une troisième goutte qui arrive. Enervant.

Final in the series from the other night. I love the variation in the shapes of the three.

Just plain ol water and a few mil of window cleaner dropped into brownie tray of red dyed water. Experimenting with 2no. 285HV Vivitar flashes. Triggered by Stop Shot Module from behind frosted glass

 

Lighting inspired from the book Light: Science & Magic by Phil Hunter, Steven Biver & Paul Fuqua

 

Front Page. Explore 4. 19/10/09

CAMERA NIKON D7000

EXPOSURE 80

APERTURE 10

ISO 100

LENS NIKKOR 105 mm

No injuries here according to the Police officer who was blocking the road to traffic at this end. Both cars obviously damaged & the traffic lights knocked over in Seymour Place.

Hardly anyone out walking on Easter Sunday morning, which was a blessing!

BEST on Black--click image or press L.

82/365

  

details

  

everybody misses somebody

   

bytheway you should seriously watch ^^that^^ video

                

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This is the start of a series dealing with damage in urban environments.

 

(32/52)

 

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500px

A drop of milk into a small cup.

 

Made with the Schmitt Photogate-Delay kit from http://hiviz.com/

Have a great week friends and thanks for looking at my work!

Practicing layers and textures

Paris, carrosserie de voiture - bodycar. iPhone.

Didier du Castel

 

Taken using my new set up with the SplashArt kit

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As the drop recoiled upwards it thinned and collided with the second falling drop.

 

Loving the results with the new set up.

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Taken using a Sigma 105mm macro.

Homemade gradient backdrop.

Lit with two off camera flashes.

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Best seen Large on black - Press L

CAMERA NIKON D7000

EXPOSURE 5

APERTURE 11

ISO 100

LENS NIKKOR 105 mm

Ostmole, Warnemünde Rostock Germany

Kathy Toth || Toronto Graffiti Archive || Instagram

 

I remember going with someone over to the Wellington Destructor near this spot to check out the building as word online was it was accessible. It wasn't, but we saw Stan who lived in the incinerator and his cats. We walked around and found this old garage under demolition. It was the first active demolition site I checked out with a freshly reassembled shit fish eye, a Zenit 16 that sheared apart at another location the week before.

 

This spot wasn't super interesting, but I'm still a sucker for a building with no roof 17 years later.

Skûtsjesilen Langwar 2019 is the first regatta of the sailing season of Skûtsjes. Held in April, the weather is always different and challenging. This weekend we have seen nice clear skies, lots of wind, rain, snow, and sun.

These are the last four for my 2023 Creative 100x project, and they are a more mixed bunch. Here are some notes:

 

#97 Village Quake. This was taken in March while watching an RPS talk on creative photography. I was just messing around with a camera and what I could see from where I was watching (the study/library/filing room/junk room/wine store). It's a three-capture in-camera multiple-exposure of the house that is directly opposite, twisting the camera between shots. The white-painted window surrounds make interesting oblongs and the effect was quite intriguing. The house is quite old though not one of the richer ones in the village. Most of those are listed (protected from change under planning laws) but this one isn’t except, curiously, for the roof over the front door, which suggests to me that it’s of some architectural interest and value.

 

#98 It Takes Two To Tangle. This one was also taken in March, while on a walk in a local field. It’s of a telegraph pole - I often wonder why we call them that as telegraphs died out almost a century ago; it’s really a three-phase electricity distribution pole (a mouthful that probably explains why we don’t use the term). A tip here: if you are going to invert the camera for one of the shots do that one first - it’s much easier lining a multiple exposure up with the camera the right way up!

 

#99 Bling. This is the lovely Kate who was bravely modelling for a group of local photographers that I belong to way back in January last year. I wasn’t really doing much portrait photography as I was surrounded by a lot of folk who were very good at it, but I was playing with ICM and multiple exposures just to see what worked. Not much was the conclusion. The trouble with mixing ICMs and MExs with portraits is that you mess up people's faces and we are very sensitive to that. Also, I wanted to respect the models and not produce something that was ghastly! This is a three-ICM in-camera multiple exposure using very smal wiggle movements…

 

#100 Hadron Collision. This is a three ICM in-camera multiple exposure, probably of light through trees taken in July. One of the ICMs was a zoom one. This technique is very hit-and-miss (this was one of perhaps twenty or thirty captures), but the results can be interesting. It was almost monochrome, but I processed it in Silver Efex anyway. Hadrons are sub-atomic particles like protons and neutrons and are what the Large Hadron Collider is about though I don’t think the Higgs Boson is a hadron… So there you go.

 

Thanks for bearing with me during this project. I hope you have found something enjoyable to look at along the way! Happy 100 :)

Project 365 // Day 279

There's not much I can say about this shot, hopefully it's pretty self-explanatory. I did a shot similar to this a month ago with some milk and cookies that had a more elaborate setup, so I wanted to try something different – isolating the splash effect. I have to thank my wife for helping me make this shot, having another person makes things much easier. Though as much fun as it to make this shot, it sure does get messy. :)

 

To see the complete Project 365 photo gallery, click here.

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Looked like a collision course but magically they always get into line at the last minute

This is a three drop water collision.

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 14

ISO 100

LENS NIKKOR 105 mm

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