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Augustinus, Aurelius [pseudo-]: De cognitione verae vitae. [Mainz]: Peter Schoeffer, [ca. 1475?]. Opening page (leaf 1v) with corrections of misprints in the words "aquílino" (line 1) and "meōris" (line 8), probably made by the printer. Sp Coll Hunterian Bx.3.34.
Yvonne is Doctor in Philology and Linguistics (Sorbonne), Doctor in Government (Federal university of Rio de Janeiro, Doctor in Human Rights (Loyola Chicago University). Children Activist since the 80s, Yvonne has worked with street children in Rio de Janeiro and founded a school in one of the most violent slums of Rio specialized in children with learning problems due to constant violence. She also created an alternative teaching method, Uere-Mello pedagogy, to improve cognition and learning. This pedagogy is public policy in the public school network of Rio de Janeiro municipality. Doctor Yvonne Bezerra de Mello has received in the last 30 years many national and international awards for her work.
The basic structure of human cognition according to the computational theory of mind. Although grossly simplified, it captures the essential features of the standard model.
Anderson, Stephen P.; Fast, Karl, 2020. Figure It Out: Getting From Information to Understanding. New York: Rosenfeld Media. rosenfeldmedia.com/books/figure-it-out//
23 May 2019; Jordan Fisher, Standard Cognition, on Centre Stage during day three of Collision 2019 at Enercare Center in Toronto, Canada. Photo by Cody Glenn/Collision via Sportsfile
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Our online Master’s programme is offered by the University of Liverpool’s world renowned School of Psychology. The School itself is home to the Centre for Critical & Major Incident Psychology (CAMI), making it one of Europe’s leading institutions for forensic psychology.
Director of CAMI, Professor Laurence Alison, was instrumental in designing the curriculum and was intimately involved in the development of the module content, lecture notes and case studies for many of the modules in the programme.
Biography - Professor Laurence Alison
Professor Laurence Alison is a Chartered Forensic Psychologist and Academic Director of the Centre for Critical and Major Incident Psychology at the University of Liverpool.
He has a track record of publishing on the subject of policing and investigation in several leading internationally recognised journals and has lectured nationally and internationally, with his work attracting attention from many police forces in the UK and abroad.
His core area of interest is social cognition and the processes by which individuals make sense of ambiguous, complex or contradictory information. This has led to involvement of evaluations of expert reports prepared for the police and courts, so called 'offender profilers' advice and credibility assessments of significant witnesses and victims.
He has contributed to over 100 major police enquiries, particularly complex and controversial investigations, and has been key psychological advisor in over 50 major debriefs including the London Bombings, the poisoning of Alexander Valterovich Litvinenko, hostage negotiations in Iraq, contingency planning for the Beijing Olympics and the 2012 games in London.
Aurum Christi is a concept created by Riccardo Cofanelli, translated into Latin:
the gold of christ
Gold is not material but transcendental.
The musical instruments used were a 432 Hz tuning than the traditional standard tuning of 440 Hz
* 8Hz is the beat of the fundamental planet global electromagnetic resonances, excited by electrical discharges of lightning in the cavity formed by the earth's surface and the ionosphere. In musical terms, the frequency of 8 Hz corresponds to a note "C".
Going up to five octaves, that is five times along the seven notes of the scale, we arrive at a "C" of 256Hz, the scale in which "A" has a frequency of 432Hz not 44oHz.
Every subatomic particle, atom, molecular structure, cell and organ of the body vibrate at a certain frequency.
With its music, using transcendental principles and consistent as the aurum ratio, not only would create a new sound experience in the listener, but would also have effects on the nervous system, health, welfare, and increase the inspiration / creative cognition . "
history fact:
the Nazi propaganda minister Joseph Goebbels imposed in 1939, the 440Hz tuning fork, bypassing a referendum on the contrary, promoted in France by 25,000 musicians.
Giuseppe Verdi in 1884 wrote a letter to the Commission's Music of the Italian government, without obtaining the desired result, when asked to formalize the use of the chorus (pitch) at 432Hz and writing about it in one sentence: "The necessity for Mathematics."
Listen, sing and play music, the harmonized frequency of 432 Hz, giving benefit to the entire planet and its inhabitants.
Aurum Christi is in the concept and test digital electronics tuned to this frequency
trying to give a soul to a reality too much material and too far from the meaning of human life
Bayes theorem gives a mathematical way to evaluate the likelihood of a hypothesis on the basis of particular evidence. More precisely, the probability of A given B equals the probability of B given A multiplied by the probability of A divided by the probability of B. Bayesian apparatus seems to account for behaviour from implicit animal cognition all the way to reflective knowledge. Thus, a bayesian approach may help explain the iterative nature of metacognition. But, can Bayesian models do all the work of human understanding and higher thought? Bayesian operations seem incommensurate with some metacognitive functions. If so, what else is there?
(Staff Photos by Rob Mattson/Amherst College, Office of Public Affairs) Howard Gardner, an Amherst College Trustee and John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the Harvard Graduate School of Education, gives the keynote address "Educating in the Liberal Arts and Sciences: Glancing Backward, Imagining Forward," at Amherst College's Buckley Recital Hall, in Amherst, Mass., Friday afternoon, September 20, 2013. Gardner's keynote address is part of the series of events to celebrate the completion and success of Amherst College's "Lives of Consequence" fundraising campaign. To read more about the campaign and weekend of events, visit www.amherst.edu/campaign.
The New York Aquarium is the oldest continually operating aquarium in the United States, having opened in Castle Garden in Battery Park, Manhattan in 1896. Since 1957, it has been located on the boardwalk in Coney Island, Brooklyn. The aquarium is managed by the Wildlife Conservation Society (WCS) as part of its integrated system of four zoos and one aquarium, most notably the Bronx Zoo. It is accredited by the Association of Zoos and Aquariums (AZA).
The facility occupies 14 acres and boasts over 350 species of aquatic wildlife. Its mission is to raise public awareness about issues facing the ocean and its inhabitants with special exhibits, public events and research. At the Aquarium’s Osborn Laboratories of Marine Sciences (OLMS), several studies were conducted investigating such topics as dolphin cognition, satellite tagging of sharks, and coral reefs.
The New York Aquarium opened on December 10, 1896, at Castle Garden in Battery Park. Its first director was the respected fish expert, Dr. Tarleton Hoffman Bean (1895–1898). On October 31, 1902, the Aquarium was adopted into the care of what was then the New York Zoological Society. At the time, the Aquarium housed only 150 specimens of wildlife. Over time, its most famous director, the distinguished zoologist Charles Haskins Townsend, enlarged the collections considerably, and the Aquarium attracted hundreds of thousands of visitors each year.
Early in October 1941, the Aquarium at Battery Park was controversially closed based on claims of NYC Parks Commissioner Robert Moses that the proposed construction of a tunnel from Lower Manhattan to Brooklyn might undermine Castle Clinton's foundation. Many of the Aquarium’s sea creatures were temporarily housed at the Bronx Zoo until the new aquarium was built after World War II. On June 6, 1957, the Aquarium opened its doors at its new location in Coney Island, Brooklyn.
New York Aquarium Coney Island NY
Time with the Moon is an engagement with subtle threads that weave a mystic fabric and fashion a stupendous spell to create our conscience ready for experience of the sense of the past, of the supposed potential of the present and of the possibilities available in some of our futures.
This is a picture of the Moon in Midlothian Scotland. It has been edited in Adobe Photoshop 2020 CC and Lightroom.
When light barely records on the sensor the results often create pictures that we bring to life even as we view them. We search for clues in the shades and tones and if the clues lead on we opening ways for the picture to relate to us . We use our memory of scenes that we have seen to make a magical connection to what might have been. Something from almost nothing begins to bloom into everything suddenly the whole experience of creating is set on illuminating.
PHH Sykes copyright 2019
phhsykes@gmail.com
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Hearing Loss in the Elderly: Cognition, Social Isolation, Depression, Hearing Aids, and Cochlear Implants (437078)
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ACRM SCI-ISIG Early Career Poster Award
"Challenges to Understanding the Role of Cognition in the Assessment of Activities of Daily Living in Patients with Spinal Cord Injury: A Narrative Literature Review"
Primary Author: Amanda Wisinger, MS SCI/D Psychology Extern Analyst Edward Hines, Jr. VA Hospital
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ELEPHANTS PART 2
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Bulls engage in a behaviour known as mate-guarding, where they follow oestrous females and defend them from other males. Most mate-guarding is done by musth males, and females actively seek to be guarded by them, particularly older ones. Thus these bulls have more reproductive success. Musth appears to signal to females the condition of the male, as weak or injured males do not have normal musths. For young females, the approach of an older bull can be intimidating, so her relatives stay nearby to provide support and reassurance. During copulation, the male lays his trunk over the female's back. The penis is very mobile, being able to move independently of the pelvis. Prior to mounting, it curves forward and upward. Copulation lasts about 45 seconds and does not involve pelvic thrusting or ejaculatory pause. Elephant sperm must swim close to 2 m to reach the egg. By comparison, human sperm has to swim around only 76.2 mm.
Homosexual behaviour is frequent in both sexes. As in heterosexual interactions, this involves mounting. Male elephants sometimes stimulate each other by playfighting and "championships" may form between old bulls and younger males. Female same-sex behaviours have been documented only in captivity where they are known to masturbate one another with their trunks.
BIRTHING AND CALVES
Gestation in elephants typically lasts around two years with interbirth intervals usually lasting four to five years. Births tend to take place during the wet season. Calves are born 85 cm tall and weigh around 120 kg). Typically, only a single young is born, but twins sometimes occur. The relatively long pregnancy is maintained by five corpus luteums (as opposed to one in most mammals) and gives the foetus more time to develop, particularly the brain and trunk. As such, newborn elephants are precocial and quickly stand and walk to follow their mother and family herd. A new calf is usually the centre of attention for herd members. Adults and most of the other young will gather around the newborn, touching and caressing it with their trunks. For the first few days, the mother is intolerant of other herd members near her young. Alloparenting – where a calf is cared for by someone other than its mother – takes place in some family groups. Allomothers are typically two to twelve years old. When a predator is near, the family group gathers together with the calves in the centre.
For the first few days, the newborn is unsteady on its feet, and needs the support of its mother. It relies on touch, smell, and hearing, as its eyesight is poor. It has little precise control over its trunk, which wiggles around and may cause it to trip. By its second week of life, the calf can walk more firmly and has more control over its trunk. After its first month, a calf can pick up, hold, and put objects in its mouth, but cannot suck water through the trunk and must drink directly through the mouth. It is still dependent on its mother and keeps close to her.
For its first three months, a calf relies entirely on milk from its mother for nutrition, after which it begins to forage for vegetation and can use its trunk to collect water. At the same time, improvements in lip and leg coordination occur. Calves continue to suckle at the same rate as before until their sixth month, after which they become more independent when feeding. By nine months, mouth, trunk and foot coordination is perfected. After a year, a calf's abilities to groom, drink, and feed itself are fully developed. It still needs its mother for nutrition and protection from predators for at least another year. Suckling bouts tend to last 2–4 min/hr for a calf younger than a year and it continues to suckle until it reaches three years of age or older. Suckling after two years may serve to maintain growth rate, body condition and reproductive ability.
Play behaviour in calves differs between the sexes; females run or chase each other while males play-fight. The former are sexually mature by the age of nine years while the latter become mature around 14–15 years. Adulthood starts at about 18 years of age in both sexes. Elephants have long lifespans, reaching 60–70 years of age. Lin Wang, a captive male Asian elephant, lived for 86 years.
COMMUNICATION
Touching is an important form of communication among elephants. Individuals greet each other by stroking or wrapping their trunks; the latter also occurs during mild competition. Older elephants use trunk-slaps, kicks, and shoves to discipline younger ones. Individuals of any age and sex will touch each other's mouths, temporal glands, and genitals, particularly during meetings or when excited. This allows individuals to pick up chemical cues. Touching is especially important for mother–calf communication. When moving, elephant mothers will touch their calves with their trunks or feet when side-by-side or with their tails if the calf is behind them. If a calf wants to rest, it will press against its mother's front legs and when it wants to suckle, it will touch her breast or leg.
Visual displays mostly occur in agonistic situations. Elephants will try to appear more threatening by raising their heads and spreading their ears. They may add to the display by shaking their heads and snapping their ears, as well as throwing dust and vegetation. They are usually bluffing when performing these actions. Excited elephants may raise their trunks. Submissive ones will lower their heads and trunks, as well as flatten their ears against their necks, while those that accept a challenge will position their ears in a V shape.
Elephants produce several sounds, usually through the larynx, though some may be modified by the trunk. Perhaps the most well known call is the trumpet which is made by blowing through the trunk. Trumpeting is made during excitement, distress or aggression. Fighting elephants may roar or squeal, and wounded ones may bellow. Rumbles are produced during mild arousal and some appear to be infrasonic. Infrasonic calls are important, particularly for long-distance communication, in both Asian and African elephants. For Asian elephants, these calls have a frequency of 14–24 Hz, with sound pressure levels of 85–90 dB and last 10–15 seconds. For African elephants, calls range from 15–35 Hz with sound pressure levels as high as 117 dB, allowing communication for many kilometres, with a possible maximum range of around 10 km.
At Amboseli, several different infrasonic calls have been identified. A greeting rumble is emitted by members of a family group after having been separated for several hours. Contact calls are soft, unmodulated sounds made by individuals that have been separated from their group and may be responded to with a "contact answer" call that starts out loud, but becomes softer. A "let's go" soft rumble is emitted by the matriarch to signal to the other herd members that it is time to move to another spot. Bulls in musth emit a distinctive, low-frequency pulsated rumble nicknamed the "motorcycle". Musth rumbles may be answered by the "female chorus", a low-frequency, modulated chorus produced by several cows. A loud postcopulatory call may be made by an oestrous cow after mating. When a cow has mated, her family may produce calls of excitement known as the "mating pandemonium".
Elephants are known to communicate with seismics, vibrations produced by impacts on the earth's surface or acoustical waves that travel through it. They appear to rely on their leg and shoulder bones to transmit the signals to the middle ear. When detecting seismic signals, the animals lean forward and put more weight on their larger front feet; this is known as the "freezing behaviour". Elephants possess several adaptations suited for seismic communication. The cushion pads of the feet contain cartilaginous nodes and have similarities to the acoustic fat found in marine mammals like toothed whales and sirenians. A unique sphincter-like muscle around the ear canal constricts the passageway, thereby dampening acoustic signals and allowing the animal to hear more seismic signals. Elephants appear to use seismics for a number of purposes. An individual running or mock charging can create seismic signals that can be heard at great distances. When detecting the seismics of an alarm call signalling danger from predators, elephants enter a defensive posture and family groups will pack together. Seismic waveforms produced by locomotion appear to travel distances of up to 32 km while those from vocalisations travel 16 km.
INTELLIGENCE AND COGNITION
Elephants exhibit mirror self-recognition, an indication of self-awareness and cognition that has also been demonstrated in some apes and dolphins. One study of a captive female Asian elephant suggested the animal was capable of learning and distinguishing between several visual and some acoustic discrimination pairs. This individual was even able to score a high accuracy rating when re-tested with the same visual pairs a year later. Elephants are among the species known to use tools. An Asian elephant has been observed modifying branches and using them as flyswatters. Tool modification by these animals is not as advanced as that of chimpanzees. Elephants are popularly thought of as having an excellent memory. This could have a factual basis; they possibly have cognitive maps to allow them to remember large-scale spaces over long periods of time. Individuals appear to be able to keep track of the current location of their family members.
Scientists debate the extent to which elephants feel emotion. They appear to show interest in the bones of their own kind, regardless of whether they are related. As with chimps and dolphins, a dying or dead elephant may elicit attention and aid from others, including those from other groups. This has been interpreted as expressing "concern"; however, others would dispute such an interpretation as being anthropomorphic; the Oxford Companion to Animal Behaviour (1987) advised that "one is well advised to study the behaviour rather than attempting to get at any underlying emotion".
CONSERVATION
STATUS
African elephants were listed as vulnerable by the International Union for Conservation of Nature (IUCN) in 2008, with no independent assessment of the conservation status of the two forms. In 1979, Africa had an estimated minimum population of 1.3 million elephants, with a possible upper limit of 3.0 million. By 1989, the population was estimated to be 609,000; with 277,000 in Central Africa, 110,000 in eastern Africa, 204,000 in southern Africa, and 19,000 in western Africa. About 214,000 elephants were estimated to live in the rainforests, fewer than had previously been thought. From 1977 to 1989, elephant populations declined by 74% in East Africa. After 1987, losses in elephant numbers accelerated, and savannah populations from Cameroon to Somalia experienced a decline of 80%. African forest elephants had a total loss of 43%. Population trends in southern Africa were mixed, with anecdotal reports of losses in Zambia, Mozambique and Angola while populations grew in Botswana and Zimbabwe and were stable in South Africa. Conversely, studies in 2005 and 2007 found populations in eastern and southern Africa were increasing by an average annual rate of 4.0%. Due to the vast areas involved, assessing the total African elephant population remains difficult and involves an element of guesswork. The IUCN estimates a total of around 440,000 individuals for 2012.
African elephants receive at least some legal protection in every country where they are found, but 70% of their range exists outside protected areas. Successful conservation efforts in certain areas have led to high population densities. As of 2008, local numbers were controlled by contraception or translocation. Large-scale cullings ceased in 1988, when Zimbabwe abandoned the practice. In 1989, the African elephant was listed under Appendix I by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), making trade illegal. Appendix II status (which allows restricted trade) was given to elephants in Botswana, Namibia, and Zimbabwe in 1997 and South Africa in 2000. In some countries, sport hunting of the animals is legal; Botswana, Cameroon, Gabon, Mozambique, Namibia, South Africa, Tanzania, Zambia, and Zimbabwe have CITES export quotas for elephant trophies. In June 2016, the First Lady of Kenya, Margaret Kenyatta, helped launch the East Africa Grass-Root Elephant Education Campaign Walk, organised by elephant conservationist Jim Nyamu. The event was conducted to raise awareness of the value of elephants and rhinos, to help mitigate human-elephant conflicts, and to promote anti-poaching activities.
In 2008, the IUCN listed the Asian elephant as endangered due to a 50% population decline over the past 60–75 years while CITES lists the species under Appendix I. Asian elephants once ranged from Syria and Iraq (the subspecies Elephas maximus asurus), to China (up to the Yellow River) and Java. It is now extinct in these areas, and the current range of Asian elephants is highly fragmented. The total population of Asian elephants is estimated to be around 40,000–50,000, although this may be a loose estimate. It is likely that around half of the population is in India. Although Asian elephants are declining in numbers overall, particularly in Southeast Asia, the population in the Western Ghats appears to be increasing.
THREATS
The poaching of elephants for their ivory, meat and hides has been one of the major threats to their existence. Historically, numerous cultures made ornaments and other works of art from elephant ivory, and its use rivalled that of gold. The ivory trade contributed to the African elephant population decline in the late 20th century. This prompted international bans on ivory imports, starting with the United States in June 1989, and followed by bans in other North American countries, western European countries, and Japan. Around the same time, Kenya destroyed all its ivory stocks. CITES approved an international ban on ivory that went into effect in January 1990. Following the bans, unemployment rose in India and China, where the ivory industry was important economically. By contrast, Japan and Hong Kong, which were also part of the industry, were able to adapt and were not badly affected. Zimbabwe, Botswana, Namibia, Zambia, and Malawi wanted to continue the ivory trade and were allowed to, since their local elephant populations were healthy, but only if their supplies were from elephants that had been culled or died of natural causes.
The ban allowed the elephant to recover in parts of Africa. In January 2012, 650 elephants in Bouba Njida National Park, Cameroon, were killed by Chadian raiders. This has been called "one of the worst concentrated killings" since the ivory ban. Asian elephants are potentially less vulnerable to the ivory trade, as females usually lack tusks. Still, members of the species have been killed for their ivory in some areas, such as Periyar National Park in India. China was the biggest market for poached ivory but announced they would phase out the legal domestic manufacture and sale of ivory products in May 2015, and in September 2015, China and the United States said "they would enact a nearly complete ban on the import and export of ivory" due to causes of extinction.
Other threats to elephants include habitat destruction and fragmentation. The Asian elephant lives in areas with some of the highest human populations. Because they need larger amounts of land than other sympatric terrestrial mammals, they are the first to be affected by human encroachment. In extreme cases, elephants may be confined to small islands of forest among human-dominated landscapes. Elephants cannot coexist with humans in agricultural areas due to their size and food requirements. Elephants commonly trample and consume crops, which contributes to conflicts with humans, and both elephants and humans have died by the hundreds as a result. Mitigating these conflicts is important for conservation. One proposed solution is the provision of ‘urban corridors’ which allow the animals access to key areas.
ELEPHANT AND HUMANS
WORKING ANIMAL
Elephants have been working animals since at least the Indus Valley Civilization and continue to be used in modern times. There were 13,000–16,500 working elephants employed in Asia in 2000. These animals are typically captured from the wild when they are 10–20 years old when they can be trained quickly and easily, and will have a longer working life. They were traditionally captured with traps and lassos, but since 1950, tranquillisers have been used.
Individuals of the Asian species have been often trained as working animals. Asian elephants perform tasks such as hauling loads into remote areas, moving logs to rivers and roads, transporting tourists around national parks, pulling wagons, and leading religious processions. In northern Thailand, the animals are used to digest coffee beans for Black Ivory coffee. They are valued over mechanised tools because they can work in relatively deep water, require relatively little maintenance, need only vegetation and water as fuel and can be trained to memorise specific tasks. Elephants can be trained to respond to over 30 commands. Musth bulls can be difficult and dangerous to work with and are chained and semi-starved until the condition passes. In India, many working elephants are alleged to have been subject to abuse. They and other captive elephants are thus protected under The Prevention of Cruelty to Animals Act of 1960.
In both Myanmar and Thailand, deforestation and other economic factors have resulted in sizable populations of unemployed elephants resulting in health problems for the elephants themselves as well as economic and safety problems for the people amongst whom they live.
The practice of working elephants has also been attempted in Africa. The taming of African elephants in the Belgian Congo began by decree of Leopold II of Belgium during the 19th century and continues to the present with the Api Elephant Domestication Centre.
WARFARE
Historically, elephants were considered formidable instruments of war. They were equipped with armour to protect their sides, and their tusks were given sharp points of iron or brass if they were large enough. War elephants were trained to grasp an enemy soldier and toss him to the person riding on them or to pin the soldier to the ground and impale him.
One of the earliest references to war elephants is in the Indian epic Mahabharata (written in the 4th century BC, but said to describe events between the 11th and 8th centuries BC). They were not used as much as horse-drawn chariots by either the Pandavas or Kauravas. During the Magadha Kingdom (which began in the 6th century BC), elephants began to achieve greater cultural importance than horses, and later Indian kingdoms used war elephants extensively; 3,000 of them were used in the Nandas (5th and 4th centuries BC) army while 9,000 may have been used in the Mauryan army (between the 4th and 2nd centuries BC). The Arthashastra (written around 300 BC) advised the Mauryan government to reserve some forests for wild elephants for use in the army, and to execute anyone who killed them. From South Asia, the use of elephants in warfare spread west to Persia and east to Southeast Asia. The Persians used them during the Achaemenid Empire (between the 6th and 4th centuries BC) while Southeast Asian states first used war elephants possibly as early as the 5th century BC and continued to the 20th century.
Alexander the Great trained his foot soldiers to injure the animals and cause them to panic during wars with both the Persians and Indians. Ptolemy, who was one of Alexander's generals, used corps of Asian elephants during his reign as the ruler of Egypt (which began in 323 BC). His son and successor Ptolemy II (who began his rule in 285 BC) obtained his supply of elephants further south in Nubia. From then on, war elephants were employed in the Mediterranean and North Africa throughout the classical period. The Greek king Pyrrhus used elephants in his attempted invasion of Rome in 280 BC. While they frightened the Roman horses, they were not decisive and Pyrrhus ultimately lost the battle. The Carthaginian general Hannibal took elephants across the Alps during his war with the Romans and reached the Po Valley in 217 BC with all of them alive, but they later succumbed to disease.
ZOOS AND CIRCUSES
Elephants were historically kept for display in the menageries of Ancient Egypt, China, Greece, and Rome. The Romans in particular pitted them against humans and other animals in gladiator events. In the modern era, elephants have traditionally been a major part of zoos and circuses around the world. In circuses, they are trained to perform tricks. The most famous circus elephant was probably Jumbo (1861 – 15 September 1885), who was a major attraction in the Barnum & Bailey Circus. These animals do not reproduce well in captivity, due to the difficulty of handling musth bulls and limited understanding of female oestrous cycles. Asian elephants were always more common than their African counterparts in modern zoos and circuses. After CITES listed the Asian elephant under Appendix I in 1975, the number of African elephants in zoos increased in the 1980s, although the import of Asians continued. Subsequently, the US received many of its captive African elephants from Zimbabwe, which had an overabundance of the animals. As of 2000, around 1,200 Asian and 700 African elephants were kept in zoos and circuses. The largest captive population is in North America, which has an estimated 370 Asian and 350 African elephants. About 380 Asians and 190 Africans are known to exist in Europe, and Japan has around 70 Asians and 67 Africans.
Keeping elephants in zoos has met with some controversy. Proponents of zoos argue that they offer researchers easy access to the animals and provide money and expertise for preserving their natural habitats, as well as safekeeping for the species. Critics claim that the animals in zoos are under physical and mental stress. Elephants have been recorded displaying stereotypical behaviours in the form of swaying back and forth, trunk swaying, or route tracing. This has been observed in 54% of individuals in UK zoos. Elephants in European zoos appear to have shorter lifespans than their wild counterparts at only 17 years, although other studies suggest that zoo elephants live as long those in the wild.
The use of elephants in circuses has also been controversial; the Humane Society of the United States has accused circuses of mistreating and distressing their animals. In testimony to a US federal court in 2009, Barnum & Bailey Circus CEO Kenneth Feld acknowledged that circus elephants are struck behind their ears, under their chins and on their legs with metal-tipped prods, called bull hooks or ankus. Feld stated that these practices are necessary to protect circus workers and acknowledged that an elephant trainer was reprimanded for using an electric shock device, known as a hot shot or electric prod, on an elephant. Despite this, he denied that any of these practices harm elephants. Some trainers have tried to train elephants without the use of physical punishment. Ralph Helfer is known to have relied on gentleness and reward when training his animals, including elephants and lions. Ringling Bros. and Barnum and Bailey circus retired its touring elephants in May 2016.
DISEASE TRANSMISSION
Like many mammals, elephants can contract and transmit diseases to humans, one of which is tuberculosis. As of 2015, tuberculosis appears to be widespread among captive elephants in the US, and because the disease can spread through the air to infect both humans and other animals, it is a public health concern affecting circuses and zoos. In 2012, two elephants in Tete d'Or zoo, Lyon were diagnosed with the disease. Due to the threat of transmitting tuberculosis to other animals or visitors to the zoo, their euthanasia was initially ordered by city authorities but a court later overturned this decision. At an elephant sanctuary in Tennessee, a 54-year-old African elephant was considered to be the source of tuberculosis infections among eight workers.
ATTACKS
Elephants can exhibit bouts of aggressive behaviour and engage in destructive actions against humans. In Africa, groups of adolescent elephants damaged homes in villages after cullings in the 1970s and 1980s. Because of the timing, these attacks have been interpreted as vindictive. In parts of India, male elephants regularly enter villages at night, destroying homes and killing people. Elephants killed around 300 people between 2000 and 2004 in Jharkhand while in Assam, 239 people were reportedly killed between 2001 and 2006. Local people have reported their belief that some elephants were drunk during their attacks, although officials have disputed this explanation. Purportedly drunk elephants attacked an Indian village a second time in December 2002, killing six people, which led to the killing of about 200 elephants by locals.
CULTURAL DEPICTIONS
In many cultures, elephants represent strength, power, wisdom, longevity, stamina, leadership, sociability, nurturance and loyalty. Several cultural references emphasise the elephant's size and exotic uniqueness. For instance, a "white elephant" is a byword for something expensive, useless, and bizarre. The expression "elephant in the room" refers to an obvious truth that is ignored or otherwise unaddressed. The story of the blind men and an elephant teaches that reality may be viewed by different perspectives.
Elephants have been represented in art since Paleolithic times. Africa, in particular, contains many rock paintings and engravings of the animals, especially in the Sahara and southern Africa. In Asia, the animals are depicted as motifs in Hindu and Buddhist shrines and temples. Elephants were often difficult to portray by people with no first-hand experience with them. The ancient Romans, who kept the animals in captivity, depicted anatomically accurate elephants on mosaics in Tunisia and Sicily. At the beginning of the Middle Ages when Europeans had little to no access to the animals, elephants were portrayed more like fantasy creatures. They were often depicted with horse- or bovine-like bodies with trumpet-like trunks and tusks like a boar; some were even given hooves. Elephants were commonly featured in motifs by the stonemasons of the Gothic churches. As more elephants began to be sent to European kings as gifts during the 15th century, depictions of them became more accurate, including one made by Leonardo da Vinci. Despite this, some Europeans continued to portray them in a more stylised fashion. Max Ernst's 1921 surrealist painting, The Elephant Celebes, depicts an elephant as a silo with a trunk-like hose protruding from it.
Elephants have been the subject of religious beliefs. The Mbuti people of central Africa believe that the souls of their dead ancestors resided in elephants. Similar ideas existed among other African tribes, who believed that their chiefs would be reincarnated as elephants. During the 10th century AD, the people of Igbo-Ukwu, near the Niger Delta, buried their leaders with elephant tusks. The animals' religious importance is only totemic in Africa but is much more significant in Asia. In Sumatra, elephants have been associated with lightning. Likewise in Hinduism, they are linked with thunderstorms as Airavata, the father of all elephants, represents both lightning and rainbows. One of the most important Hindu deities, the elephant-headed Ganesha, is ranked equal with the supreme gods Shiva, Vishnu, and Brahma. Ganesha is associated with writers and merchants and it is believed that he can give people success as well as grant them their desires. In Buddhism, Buddha is said to have been a white elephant reincarnated as a human. In Islamic tradition, the year 570 when Muhammad was born is known as the Year of the Elephant. Elephants were thought to be religious themselves by the Romans, who believed that they worshipped the sun and stars.
Elephants are ubiquitous in Western popular culture as emblems of the exotic, especially since – as with the giraffe, hippopotamus and rhinoceros – there are no similar animals familiar to Western audiences. The use of the elephant as a symbol of the US Republican Party began with an 1874 cartoon by Thomas Nast. As characters, elephants are most common in children's stories, in which they are generally cast as models of exemplary behaviour. They are typically surrogates for humans with ideal human values. Many stories tell of isolated young elephants returning to a close-knit community, such as "The Elephant's Child" from Rudyard Kipling's Just So Stories, Disney's Dumbo, and Kathryn and Byron Jackson's The Saggy Baggy Elephant. Other elephant heroes given human qualities include Jean de Brunhoff's Babar, David McKee's Elmer, and Dr. Seuss's Horton.
WIKIPEDIA
Getting ready, one day before the worldpremiere of "Sampling the Man of Memory" at the vernissage of Patterns for (Re)cognition:
“Sampling the Man of Memory” is a surround sound installation for 4 Nagra III tape recorders and 2 Nagra III speakers created in close collaboration with Vincent Meessen for the exhibition ‘Patterns for (Re) cognition’, Kunsthalle Basel, Switzerland.
12.02.2015 - 25.05.2015
all info www.kunsthallebasel.ch
photo Philippe Vandendriessche
Brazilian artist Vik Muniz radically transforms understanding of image-making by using shifts in scale, photographic manipulation and unexpected materials — from dust and chocolate to grains of sand and industrial garbage — to explore the nature of visual cognition.
While at MIT, Vik Muniz pursued his interests in image production and visual literacy, working with researchers in biology, optics and engineering.
In collaboration with Marcelo Coelho, a PhD candidate in the Fluid Interfaces Group, and Rehmi Post, a research scientist at the Center for Bits and Atoms, Muniz developed a process to machine microscopic images onto millimeter-wide grains of sand, which later become large, high-resolution prints.
For more information: artsm.it/18aNOOt
All Images ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Dirk Adams
the sensation of moving slowly back in time
Dirk Adams creates work in a variety of media including performance, sound, installation, and video. His work is concerned with language, memory, and culture, and frequently investigates current events, popular culture, and politics.
the sensation of moving slowly back in time is a presentation of objects, materials, and tools that have been created over the past four years in his yarden (yard/garden). The installation and performances in this show represent a point in his explorations of physical processes of materials and investigations into human consciousness, the slow mutative processes of evolution, and notions of meaning-making as they relate to cultural production and the idea of humans as brains in bodies in environments, which comes out of the field of embodied cognition.
artist's websites
March 6 - April 8, 2017
Opening Performance: Friday, March 10, 7PM
Closing Performance: Saturday, April 1, 3PM
Photo Credit: Vela Oma
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(Staff Photos by Rob Mattson/Amherst College, Office of Public Affairs) Howard Gardner, an Amherst College Trustee and John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the Harvard Graduate School of Education, gives the keynote address "Educating in the Liberal Arts and Sciences: Glancing Backward, Imagining Forward," at Amherst College's Buckley Recital Hall, in Amherst, Mass., Friday afternoon, September 20, 2013. Gardner's keynote address is part of the series of events to celebrate the completion and success of Amherst College's "Lives of Consequence" fundraising campaign. To read more about the campaign and weekend of events, visit www.amherst.edu/campaign.
These little guys are great at darting into hotel rooms and snatching up sugar packets and flying off with them. Barbados has been a major sugar producer for nearly four centuries, but now most of its sugar production goes into making the island's famous rums, including the celebrated Mount Gay Extra Old Rum, and muscovado sugar. So the Barbados bullfinch with a taste for sugar is a nice connection with the product that created Barbados's wealth as early as the seventeenth century. Their correct name is Barbados Bullfinch (formerly Lesser Antillean Bullfinch) (Loxigilla noctis).
You can read about this behaviour in the online journal, Animal Cognition, February 2013, in S. Ducatez, J.N. Audet & L. Lefebvre, 'Independent appearance of an innovative feeding behaviour in Antillean bullfinches', which cites this photo as evidence of this behaviour outside the study area.
flying can be a transcendant experience.. weaving perception, cognition, dreams and desires all into a compellingly magical spell, so difficult to define, so fleeting yet so deeply satisfying when for a moment you feel resonance with all that is around you..
For most of us, synesthesia—the attachment of colors to sounds and other such cross-sensory cognition—is more concept than lived experience. But “nerd artist researcher hacker” Zachary Lieberman could change that. His work uses technology in a playful way to break down the fragile boundary between the visible and the invisible.
October 11-15, 2014
SSIR Technology, Cognition and Behavior fall break trip to San Francisco, Palo Alto, and Mountain View, California
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Brazilian artist Vik Muniz radically transforms understanding of image-making by using shifts in scale, photographic manipulation and unexpected materials — from dust and chocolate to grains of sand and industrial garbage — to explore the nature of visual cognition.
While at MIT, Vik Muniz pursued his interests in image production and visual literacy, working with researchers in biology, optics and engineering.
In collaboration with Marcelo Coelho, a PhD candidate in the Fluid Interfaces Group, and Rehmi Post, a research scientist at the Center for Bits and Atoms, Muniz developed a process to machine microscopic images onto millimeter-wide grains of sand, which later become large, high-resolution prints.
For more information: artsm.it/18aNOOt
All Images ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Charles' setup for Cognition 2. Laptop is running effects in Logic, loops in Live and live audio to midi control in Pd.
info:
cmpercussion.blogspot.com/2008/10/cognition-part-2-this-w...
A Wallpaper Collage / Remix from different sources
FanArt
Created with support by www.remove.bg
XNViewMP
bigjpg.com
The brain is evolution's solution to the dual problem of limited data and limited computation.
Le cerveau est la solution de l'évolution au double problème des données limitées et du calcul limité.
Brazilian artist Vik Muniz radically transforms understanding of image-making by using shifts in scale, photographic manipulation and unexpected materials — from dust and chocolate to grains of sand and industrial garbage — to explore the nature of visual cognition.
While at MIT, Vik Muniz pursued his interests in image production and visual literacy, working with researchers in biology, optics and engineering.
In collaboration with Marcelo Coelho, a PhD candidate in the Fluid Interfaces Group, and Rehmi Post, a research scientist at the Center for Bits and Atoms, Muniz developed a process to machine microscopic images onto millimeter-wide grains of sand, which later become large, high-resolution prints.
For more information: artsm.it/18aNOOt
All Images ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
Better Service Through Promise Theory
Disclaimer: some of this seems too simple to be useful. That's sort of the point.
Intention + Expression = Benefit
BUT
may or may not come to pass
Microservices as an organisational pattern
Service is:
* an experience
* a relationship
* co-creation
eg AirBnB – 'The product is the trip'; not booking somewhere to stay
Promises come with trust (X has made a promise, how likely is it to be fulfilled?)
Trust varies over time. Some technology examples:
* auto-scaling
* circuit breaker
* Continuous Integration
* designing from failure
Promise Theory helps span boundaries. It can be used to write stories / acceptance criteria.
References:
* Mark Burgess – In Search of Certainty
* Bergstra / Burgess – Promise Theory
* Winograd / Flores – Understanding Computers and Cognition
Famous visual thesaurus for cognition inovation
Website Evaluation
1 = initial 2 = beginning 3 = developing 4 = adequate 5 = fluent
supported various resources - *****
Interaction ?
Feedback - ****
User control - ****
Use of Hypertext - ****
Navigation - ****
Graphic decoration - **
Sound ?
Instructions ****
Menus and Icons **
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
La final de la primera edició de la competició Rin4', un exercici de divulgació científica adreçat a un públic no especialitzat a càrrec de joves científics doctorands d'aquest curs acadèmic, va tenir lloc ahir 8 de juny a la Sala Polivalent de l'edifici Mercè Rodoreda del campus de la Ciutadella de la UPF. Prèviament, del 2 al 7 de juny, es van dur a terme les fases classificatòries entre els 70 aspirants dels més de 100 inscrits, de les que en van sortir els nou finalistes que van competir pel 1r, 2n i 3r premis, a més d'un premi especial atorgat pel públic assistent, dotats de 900, 600, 300, i 200 euros, respectivament.
En un acte conduït per David Comas, investigador del Departament de Ciències Experimentals i de la Salut (CEXS), cadascun dels nou candidats, vuit del Doctorat de Biomedicina i un del Doctorat en Tecnologies de la Informació i les Comunicacions, van fer l'exposició del seu projecte de recerca en el temps rècord de quatre minuts com a màxim. En aquesta edició, les ponències finalistes van estar relacionades amb els àmbits de ciències de la salut i de la vida i de ciències cognitives i del llenguatge.
Jaume Casals, rector de la UPF va lliurar els premis. El primer premi va ser per a Cristina Galusca, que està fent la seva recerca en el Grup de Recerca Reasoning and Infant Cognition (RICO) del Centre de Cognició i Cervell (CBC) del Departament de Tecnologies de la Informació i les Comunicacions (DTIC), amb la ponència " Ull recorda això!".
El segon premi va ser per a Álvaro Castells, investigador del Centre de Regulació Genòmica (CRG), amb " Dinàmica del RNA emprant la microscopia d'alta definició"; el tercer premi va ser per a Mònica Domínguez i " El discurs prosòdic en la interacció home-màquina", recerca que està duent a terme al Grup de Recerca sobre el Tractament Automàtic del Llenguatge Natural (TALN) al DTIC. Finalment, el premi especial del públic va ser per a Carlota Rubio per " Buscant les forces que mouen el càncer", part de la recerca que fa dins del Grup de Recerca en Genòmica Biomèdica del Departament de Ciències Experimentals i de la Salut (CEXS).
Van formar part del jurat Núria Sebastián, directora de l' Escola de Doctorat de la UPF, Emma Rodero, professora del Departament de Comunicació de la UPF i Mónica López-Ferrado, periodista científica del diari Ara, guardonada en diverses ocasions per la seva tasca professional. Com van afirmar els membres del jurat: "La gran qualitat de les presentacions va fer molt difícil la decisió final".
I forgot to take the setting off manual so I took the picture and then set the camera down. I liked the effect and kept it. This is my worksheet from tonight's 15 minutes of study while trying to learn Chinese.
You can learn more about the experiment at 15minaday.com/cognition.html.
“Sampling the Man of Memory” is a surround sound installation for 4 Nagra III tape recorders and 2 Nagra III speakers created in close collaboration with Vincent Meessen for the exhibition ‘Patterns for (Re) cognition’, Kunsthalle Basel, Switzerland.
12.02.2015 - 25.05.2015
all info www.kunsthallebasel.ch
photo Zlatko Mićić
Author: Platina
Title: Historia delle vite de i sommi pontefici, dal Salvator Nostro sino a Paolo V. / scritta già da Battista Platina Cremonese, dal P.F. Onofrio Panvinio da Verona, & da Antonio Cicarelli da Foligno: et hora ampliata da D. Gio. Stringa Veneto delle vite di Clemente VIII. di Leone XI. & di Paolo V. Illustrata con le annotationi del Panvinio, nelle vite descritte dal Platina, & con la Cronologia ecclesiastica dell'istesso, tradotta in lingua Italiana, & ampliata dal R.M. Bartolomeo Dionigi da Fano, e da D. Lavro Testa. Ornata nvovamente di bellissimi ritratti di tutti essi pontefici dal naturale. Arrichita co i nomi, cognomi, patrie, e titoli di tutti quei cardinali, de i quali se n'ha potuto hauer cognitione, raccolti per il sodetto Dionigi dall'opere del Panvinio, e da gli atti della Cancellaria Apostolica. Et in questa vltima impressione reuista, & ricorretta dal sodetto D. Lauro Testa...
Date: 1613
Location & Publisher: Venetia: Appresso i Givnti
Dimensions: 25 cm
Language: Latin
Click here to see the book in the Loyola online catalogue.
Click here to see all images from this book.
This image was photographed and uploaded as part of the Jesuit Libraries Provenance Project (Loyola University Chicago)