View allAll Photos Tagged coexist
Kingsburg, Ca.
We've had a cat door for many years, and have had many cats over those years. We've let them come and go as they please and that pleases them. Every now and then some feral cat, or a domestic belonging to a neighbor figures out how to come in. They'll partake of the food and usually depart without incident. This fellow has pretty much made our home his. Sleeps here most nights on that sofa back where this shot is taken. I have managed to catch him (while distracted at the food bowl) on several occasions, and petted him. He doesn't hiss or try to scratch. But he is extremely skittish and if I get within six or seven feet of him, he takes off. He's a nice enough fellow and we just coexist.
The wife says we should name him, but I have decreed that he shall be known as "Grey Cat" until such time as he cozies up to us and earns a real name. I don't think he gives a damn.
I see very few of these birds in Central Oklahoma anymore. Their population has declined sharply in the East due to the house finch. Most of the time, when these two species coexist, the house finch outcompetes the purple finch. This bird has also been displaced from some habitat by the introduced house sparrow. Our beautiful world, pass it on.
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
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This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
Those are wildflowers in the field coexisting with the stalks from last year's cotton crop. Thanks for the look. Have a great evening.
The museum of Santa Clara del Cobre will take you back to the Purepecha world, which magically coexists with masterpieces that modern artisans make nowadays in their workshops, from which you can take home beautiful souvenirs. In some workshops, you can even see the people molding and hammering the copper.
MONTENEGRO
La città dei gatti e la città degli uomini coesistono una dentro l’altra, ma non sono la stessa città. (Italo Calvino)
The city of cats and the city of men coexist one inside the other, but they are not the same city. (Italo Calvino)
Italo Calvino è stato uno scrittore e paroliere italiano. Intellettuale di grande impegno politico, civile e culturale, è stato uno dei narratori italiani più importanti del secondo Novecento. Nasce il 15 ottobre 1923 a, Santiago de las Vegas, L'Avana, Cuba.
Muore il 19 settembre 1985 a Santa Maria della Scala, Siena
Italo Calvino was an Italian writer and lyricist. An intellectual of great political, civil and cultural commitment, he was one of the most important Italian narrators of the second half of the twentieth century. Born on October 15, 1923, Santiago de las Vegas, Havana, Cuba.
He died on 19 September 1985 in Santa Maria della Scala, Siena
La Ciudadela de Hue (Kinh thành Huế), es una gran fortaleza construida en el siglo XVII (año 1805) por mandato del Emperador Gia Long en la ciudad de Hue, en el centro de Vietnam. Este enorme y magnífico monumento ha sido diseñado combinando los conceptos de la geomancia china (el mejor ejemplo es la Ciudad Prohibida de Pekín) y los principios militares del arquitecto francés Sebastien de Vauban. El conjunto final resultante son preciosos palacios, hermosos templos fundidos entre murallas, bastiones y fosos, que coexisten en total armonía.
Fuente: www.vietnamitasenmadrid.com/2011/07/ciudadela-de-hue.html
La imagen es el resultado de tres tomas con diferentes exposiciones. La escena presentaba una gama dinámica muy amplia.
An incredible sinergy between nature and men.
Lentil seedlings coexist with an incredible amount of wild plants.
Zebras and Wildebeest grazing together on the plains on the floor of the Ngorongoro Crater in Tanzania. So amazing to have the chance to see them all roam freely and coexist without issues.
On the left of the photo you can barely make out the outline of the wall of the crater. This is huge! The crater floor covers 100 square miles.
More photos to come! Here is my African safari album link
Zorro is a Sarplaninac livestock guardian dog (LGD).
www.wildtransylvania.com/2021/10/lgd-care-ownership-train...
😄
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
akilalparslan.blogspot.com/2023/01/an-analytical-perspect...
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This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
I took this photo yesterday morning. One of the biggest bears that I have encountered in a long time. There was no wind but the tree was swaying under the weight, then this big head appeared chewing on nuts I believe. Very heavy because the branches (as you can see) couldn't hold the weight. About 4 metres off the ground. Not sure if male or female but we named it 'One Eye' because the right eye was missing.
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
professionalphoto.online/ai-artificial-intelligence/ai-in...
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This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
😄
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
akilalparslan.blogspot.com/2023/01/an-analytical-perspect...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
As I watch Camille and Gracie Jo learn to coexist on our property, I see scenes like this.
I was photographing Camille, and Gracie Jo was across the street where she used to live. GJ started to move toward me, but she had not noticed that Camille was with me. When she reached the top of the slope Gracie Jo saw Camille; instead of going back or forward, she changed her path and went straight to the tree--like she meant to do that all along. Then she executed a long, leisurely stretch on the trunk of the pecan tree, while Camille watched.
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
"Amidst the stillness of the lake, where mountains and trees dance in reflection, a lone fishing boat drifts—a gentle reminder that tranquility and life coexist in perfect harmony."
Excerpt from www.gardinermuseum.on.ca/event/linda-rotua-sormin-uncerta...:
Linda Rotua Sormin: Uncertain Ground is the culmination of over 20 years of remarkable exploration and innovation, bringing together clay, sculpture, video, sound, hand-cut watercolour painting, and digital fabrication in a multi-sensory environment that asks how life in the modern, cosmopolitan city can coexist with memories and experiences of our ancestral traditions.
Raised in Canada and Thailand, artist Linda Rotua Sormin has emerged as a leading voice in sculpture with her fearless, monumental structures. Continually pushing clay beyond its limits, Sormin’s web-like forms burst through the boundaries of the medium, literally breaking apart and re-convening in new forms. Colonial artifacts, everyday kitsch, and fragments from the artist’s studio floor dangle and nestle within the latticework.
In her first solo museum exhibition and largest project to date, Sormin delves into her lineage among the Batak people of Sumatra in the Indonesian archipelago, exploring how images and ideas of her ancestors have, sometimes unwittingly, infused her artistic practice. She studied traditional Batak divination books, available to her only in European museum collections, with access strictly controlled, as well as the script and spoken language of her ancestors. Building on her research, Sormin weaves a rich family history of shamanic and other spiritual practices fragmented by colonialism, Christianization, and diaspora.
The exhibition unfolds on three levels: a central raised platform evokes a volcanic lake with an underworld of mythical beasts and coded divination texts; a tangle of precarious ceramic sculptures suggests an earthly middle ground inhabited by humans; and a suspended projection screen references a celestial realm of spirits and birds. The result is an environment that feels alive and in motion, offering audiences an encounter that is both visceral and contemplative.
A group of five drakes and one hen all seemed to be coexisting just fine when a massive altercation broke out between 2 of the drakes. It lasted a little over a minute and was very lively.
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
😊 no humans were involved in the process
------------------
Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
professionalphoto.online/ai-artificial-intelligence/ai-in...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
Lo moderno y lo antiguo. Eterna discusión.
Pueden convivir? si, por supuesto
The modern and ancient. Endless discussion.
Can coexist? yes, of course
We decorated our tree late, just today on Christmas day. On a relaxing day you can take out the toys, in this case an Elgeet 2 Inch (50mm) f1.5 Cine-Navitar vintage lens that creates a distinct swirly bokeh.
I processed a balanced HDR photo from a RAW exposure, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- ƒ/1.5, 50 mm, 1/80 sec, ISO 400, Sony A6000, Elgeet 2 Inch f1.5 Cine-Navitar, HDR, 1 RAW exposure, _DSC9212_hdr1bal1i.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
For my video; youtu.be/n5ctzWjiaqg,
Energy forms coexist,
Oil pump,
Wind turbine,
Hindman, Texas, United States
The camera position is off 😄
---
Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
akilalparslan.blogspot.com/2023/01/an-analytical-perspect...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
A snowy Owl takes a defensive posture as a Peregrine falcon descends towards it for a confrontation. As much as they harass the owls they do coexist together in the NE.
Casa de la Memoria. Milán. Milano
Porta Nuova Via Confalonieri 14 cv Via de Castillia
Arquitectos baukuh: Pier Paolo Tamburelli y Andrea Zanderig 2012-15
Descripción de los arquitectos en Plataforma de Arquitectura:
La Casa de la Memoria es una casa colectiva en la que los ciudadanos milaneses esperan encontrar protección para los recuerdos que quieren preservar. Nadie habita esta casa, y en este caso la palabra casa se entiende como una envolvente, un espacio protegido, o un refugio que cristaliza la memoria dentro del flujo de la metrópoli. Así que la casa se convierte en un objeto a ser protegido o exhibido, un tesoro que se rodeó de una envolvente que defiende y expone su contenido.
La relación entre la memoria y la Casa de la Memoria no es una de traducción directa. La ciudad de Milán contemporánea no posee una memoria compartida del todo estable, lista para ser tallada en piedra sin más interrogatorios. En lugar de considerar la Casa de la Memoria como una expresión de la memoria compartida, preferimos considerarla como una herramienta para la discusión de los diferentes elementos que coexisten dentro de la memoria colectiva de la ciudad.
La Casa de la Memoria trata de proporcionar un refugio para los diversos y variados recuerdos que se tejen, no sólo en la sociedad contemporánea, sino también en la mente de las personas. Recuerdos a largo plazo coexisten dentro de todos nosotros con nuestros propios recuerdos delicados fugaces; recuerdos públicos van de la mano con los privados; los recuerdos explícitos no se pueden separar de los inconscientes. Diferentes estilos de memoria coinciden en un objeto que está dispuesto a establecer un diálogo con los diferentes públicos sin renunciar a la posibilidad de proporcionar una representación unificada. Por lo tanto aparece un escenario permanente junto a un paisaje cambiante, produciendo de esta manera una máquina de memoria que es a la vez compleja y unívoca, lenta y mutando, múltiple e inamovible.
La Casa de la Memoria está totalmente cubierta con grandes imágenes que muestran la historia reciente de Milán. La cáscara del nuevo edificio se entiende como un políptico contemporáneo: esta colección de imágenes trata de sugerir con gran inmediatez tanto la complejidad como la unidad ideal de la memoria colectiva de Milán. La fachada decorada, más que la definición de una memoria compartida, expone la necesidad de tal intercambio. Por esta razón, las imágenes recogidas en la envolvente de la Casa de la Memoria son a la vez de forma explícita monumental y deliberadamente frágil. De hecho, dada su construcción, las imágenes aparecen más claramente de lejos y luego pierden claridad cada vez más cerca. Se disuelven en una especie de polvo que flota, como si finalmente estuviesen inseguras acerca de la misma verdad que tan orgullosamente aceptaron exponer.
El programa iconográfico, cuidadosamente definido por un Comité Científico, se compone de diecinueve retratos de ciudadanos milaneses anónimos, que sugieren la multiplicidad de las poblaciones que animaron la ciudad en el período posterior a la guerra, y de ocho imágenes históricas que registran ocho momentos en el historia reciente de la ciudad, como la deportación a campos de concentración, la Liberación del nazi-fascismo, el atentado en la piazza Fontana del 12 de diciembre de 1969. Esta decoración exterior en ladrillo policromado establece una relación directa con la tradición lombarda de edificios como el Ospedale Maggiore y Santa Maria delle Grazie.
Las fachadas de la Casa de la Memoria son totalmente realizadas en ladrillos y combinan un marco hecho de pilastras y arquitrabes en ligero relieve con grandes campos empotrados enteramente ocupados por imágenes: diecinueve plazas con retratos (4,6 x 4,6 m) y ocho grandes rectángulos con escenas históricas (9,6m de altura y con un ancho variable). Los ladrillos policromos, en una gama de seis colores diferentes, se han producido en dimensiones específicas (5,5 x 5,5 x 12 cm) por SanMarco SRL.
Las imágenes que se muestran en la fachada son el producto de una serie de elaboraciones a base a fotografías de archivo. El resultado de este proceso fue una matriz con los números de 1 a 6 (correspondiente a los diferentes colores de los ladrillos). La matriz ha sido luego impresa y aplicada in situ (en escala 1: 1) con el fin de guiar con precisión la disposición de los ladrillos. La Casa de la Memoria es un edificio muy simple: se trata de una caja con una base rectangular de 20 por 35 y 17,5 metros de altura.
El edificio se divide en tres partes que están conectadas una a otra por un planta baja totalmente abierta. Dos capas finas a lo largo de los extremos más cortos del edificio albergan el archivo (sur), los baños y las instalaciones técnicas (norte), y la circulación vertical. El espacio abierto en la planta baja se divide en tres partes por dos columnas octogonales. Un tercio de esta área alcanza la altura completa del edificio e incluye una escalera de caracol. El resto está ocupado por espacios de exposición y oficinas dispuestas en tres niveles. Esta organización interna - con la enorme escalera amarilla insertada entre los tres niveles de oficinas y espacios de exposición y los cinco niveles de archivo - introduce una escala mayor en el edificio. El contraste entre los niveles reducidos de archivo y la dimensión colosal de la escalera permite que los espacios de oficina y de exposición adquieran amplitud; el visitante percibe un ambiente más generoso y más vasto.
La escalera amarilla no es sólo el elemento principal distributivo del edificio, sino también el dispositivo que establece una relación entre los visitantes y la colección. Teniendo en cuenta que la preciosidad del archivo no permite a los visitantes acceder directamente a los documentos, la relación entre los ciudadanos y la colección se establece a través del movimiento de rotación creado por la escalera. El visitante está en repetidas ocasiones más cerca y luego se aleja de la colección, experimentando con ello una compleja secuencia de puntos de vista de los documentos y, detrás de ellos, del parque exterior.
La Casa de la Memoria es un edificio extremadamente compacto. Esta forma implica una reducción significativa de los costes de construcción y mantenimiento, limitando la cantidad de superficies externas con respecto al volumen total del edificio. La compacidad y la extrema sencillez de las soluciones constructivas elegidas en todo el edificio (pilares de hormigón en bruto, instalaciones expuestas) permite mantener los costos extremadamente bajos de la construcción (en torno a 1.400 € / m²).
Nominado para el Premio Mies van der Rohe 2017.
www.plataformaarquitectura.cl/cl/768502/casa-de-la-memori...
www.metalocus.es/es/noticias/casa-de-la-memoria-por-baukuh
www.domusweb.it/it/notizie/2015/04/24/la_casa_della_memor...
divisare.com/projects/291545-baukuh-stefano-graziani-hous...
As I walk through the historic district of Lyon, known as Vieux Lyon, my camera captures the mesmerizing beauty of its doors and windows. The architectural marvels that adorn this area are a testament to the city's rich history and cultural heritage.
As I wander deeper into Vieux Lyon, I come across a hidden alleyway with cobblestone pavements. The irregular stones beneath my feet seem to whisper stories of the past, transporting me back to a time when horse-drawn carriages roamed these narrow streets. The sunlight filtering through the buildings casts a warm glow on the ancient stones, creating a magical atmosphere.
One particular photograph captures my attention—a balcony adorned with delicate wrought iron railings. The years have bestowed upon it a graceful decay, where peeling paint reveals the raw beauty of weathered wood. It serves as a testament to the passage of time and the resilience of Lyon's architectural heritage.
As I conclude my photographic journey through Vieux Lyon, I can't help but be drawn to the tantalizing aromas emanating from the nearby Bouchons Lyonnaisse. These traditional Lyon eateries offer culinary delights that perfectly complement the visual feast I have captured through my lens. The fusion of decadent constructions, ancient walls, rustic pavements, and weathered wood with the culinary delights of Lyon's Bouchons creates a harmonious blend of sensory experiences.
Lyon's historic district is truly a treasure trove of architectural wonders, where the delicate beauty of doors and windows harmoniously coexists with the gastronomic pleasures of the city. With my camera as my guide, I have had the privilege to capture a glimpse of Lyon's captivating past and present, forever preserving the allure of this enchanting city.
20220529_RX_03971_LYON
Many elements of beauty found on this Humboldt County hillside living in perfect harmony. The sights, smells and sound combined with a perfect calmness was something I won't soon forget.
An iconic species, monarchs need mild weed to lay their eggs, they are an iconic pollinator species famous for their migration.
Most are now unfortunately restricted to suburbs and small pockets of milkweeds, so scenes like these are fairly common now.
Your comments and likes are always appreciated.
A reference shot, not something I would normally post but I thought some of you may be interested in seeing some of the variety of waterfowl that I've been photographing lately along this river. In this group there are common mergansers, American black ducks, mallards, a Canada goose and a northern shoveler. Just outside the frame were gadwalls and hooded mergansers.
I've seen some good shots on Flickr of the recent herds of Elephants in Green Park for the CoExistance Art Installation. And although I'd got some shots in passing under overcast skies I wanted to go back and try and get some more. I left it late though and returned on the last day before they disappeared. Children had just broken up from School which didn't help either and the park was filled with families getting one last look of them. Talking to one of the 'guardians' of the elephants the best time to visit was at 7.30am! So I waited at this spot for over an hour and managed to click off a few shots every now and then that were almost people free.
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography