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A creative attempt with HDR and selective colour taken at The Circus, Bath, UK.
Processed in Lightroom 6
Used by thousands of commuters between the provincial city of Ballarat and Victoria’s capital city, Melbourne, the Ballarat railway station on Lydiard Street, is of great historical and architectural value. A notable design in the conservative Classical manner, the building is distinguished by its elevated pedimented portico, clock tower and arcade, and by the enclosed platform shed, which is very uncommon and is distinctively detailed. This wonderful example of Ballarat’s early great architecture is a prime example of late Nineteenth Century railway systems built to the best of British design, standards and construction.
The station was constructed when the railway line first began servicing the city in 1862. The railway station acted as a catalyst for the development of the northern part of Lydiard Street throughout the Nineteenth Century. As Ballarat was founded on the wealth produced by gold mining activity, it played a crucial part in the city’s development.
The Ballarat railway station is a stuccoed brick complex comprising the initial platform shed built in 1862 which served as the original station, and the entrance building built some twenty-six years later between 1877 and 1889. The platform shed features broken pedimented gables with Tuscan pilasters about the elliptical arched train entrance. The railways station tower makes it one of the grandest buildings in Ballarat and features gabled pavilions, an arcaded main facade, faced Tuscan pilasters and entablature. It has a beautiful domed roof which still features its original slate tiles, and the tower still has a working clock.
Antique architectural details: a pair of corbels carved with stylized acanthus leaves, from a 19th century structure. Molave / mulawin hardwood, 10" x 5.5" x 4.5" each.
In classical architecture, a corbel is a type of bracket used to hold up a protruding wall detail such as a window sill or decorative moulding.
According to John Colclough from whynotireland.com...
"George Moore lived next to Oliver St John Gogarty in Ely Place off Stephens white. Both were famous writers and both rather eccentric. All the doors of Ely Place were then painted white. Moore painted his door green so that the drunken Gogarty would not come knocking on it, thinking it to be his own door. Gogarty then painted his door red so that the drunken Moore would not come knocking on his door! So started the fashion."
Some more scenes from Dublin, a trip we took with some very good friends in the fall of 2007. So, please bear with me as I finish the set. We visited some great sites including the fair city of Dublin.
This is one of the doors of the Georgian period houses around the Fitzwilliam Square area of Dublin City - built in the late 1700s.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
This building in Camp Street in the centre of Ballarat was Ballarat's first Freemason's Hall, and originally featured an elaborate porch. To this day its original purpose can still be identified by the weather-faded masonic symbol in the apex of the hall's gable, and in similar symbols that appear discreetly in the design of the original ornate fence which surrounds the hall.
Erected between 1872 and 1874, the Freemason's Hall has been constructed in Greek Revival style and looks like a Grecian temple. Its restrained textured cement rendering has sadly weathered over time, obscuring some of the building's finer detailing. The imposing building features huge columns on either side of the entrance and an original ornate fence which encircles the building.
The former Freemason's Hall has housed various organisations throughout the years. It was purchased by the State Electricity Commission in the 1920s and became the social club premises for employees. During this period it was renamed "Electra Hall". In more recent times, the building was used as an antiques and gift store.
Today it is part of Ballarat's vibrant art scene and is used as an art space for exhibitions of modern art.
The Old Supreme Court Building is an imposing classical architecture at Singapore's beautiful colonial district. Beautiful colonial and modern buildings surround the Padang, which is the open field at the heart of Singapore.
The International Tennis Hall of Fame (1881)
One of the classics of Shingle-Style architecture
Designed by McKim, Mead, and White
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
A favorite Providence house I drive by around once a week or every other week.
I always admired this because it seems to combine elements of the shingle, federal, and victorian styles and do it really well!
I noticed it was recently repainted and they also chose some of my favorite shades of green! :)
The morning light catches the curves of the King's Circus, Bath.
The King’s Circus was designed by John Wood and built by his son John Wood the Young after his father died the year he began construction.
The Circus is made up of 30 houses in the Palladian architectural style, divided into three smaller crescents – the first of which stood alone for seven years while funds were sought to complete the construction work, which took place between 1754 and 1767.
Britain’s first circular street, its colonnaded design and shape took obvious inspiration from the Colosseum in Rome, linking the modern Georgian city of Bath with its ancient Roman history.
There was also a link to Bath’s mystical history as he designed it to be the same size as Stonehenge – though his measurements were a little off. The stone acorns which adorn the houses represent the legend of Prince Bladud and how he discovered the hot springs in the city.
A carved frieze runs around the entire circle, while there are three styles of column on the exterior – Doric, Ionic and Corintian.
Among the former residents of the Circus are the artist Thomas Gainsborough and Prime Minister William Pitt.
Wayne State University, Architect Minoru Yamasaki, McGregor Memorial Conference Center, Detroit, Michigan
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
Budapest is the capital city of Hungary. With green filled parks full of charming pleasures, museums that will inspire, and a pulsating nightlife that is on par with its European counterparts, Budapest is one of Europe's most delightful and enjoyable cities. Thanks to the perfect location, inhabitants' hospitality and memorable monuments is it mentioned as "Little Paris of Central Europe" and "Pearl of Danube".
Although Budapest is administratively divided into 23 numbered districts which are always written in Roman numerals, it can most simply be divided into the two cities of which it is comprised (Buda and Pest) and one historic district:
* Buda - The hilly West side of the Danube (Districts I-III, XI-XII, XXII).
* Castle Hill - District I of Buda, the oldest part of the city containing the eponymous Castle and many of Budapest's best-known attractions (Fishermen’s Bastion, Labyrinth and Mathias Church)
* Pest - The flat East side of the Danube, covering the modern commercial core of the city(Districts IV-IX).
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Wohn- und Geschäftshaus, 1910–1911, Bruno Taut und Arthur Vogdt, Umbau 1977–1982, Hinrich Baller und Inken Baller
Dhruva Mistry's fountain stands illuminated in front of the Birmingham Council House, in Victoria Square.
The fountain features the large figure of a woman, known as the Floozy in a Jacuzzi by the locals, while the classical council house dates to 1879.
St.-Michael-Kirche, Michaelkirchplatz, Berlin-Mitte, Entwurf 1846–1850, Ausführung 1851–1856, August Soller
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
Federal Hall, built in 1700 as New York's City Hall, later served as the first capitol building of the United States of America under the Constitution, and was the site of George Washington's inauguration as the first President of the United States. It was also where the United States Bill of Rights was introduced in the First Congress. The building was demolished in 1812.
Federal Hall National Memorial on Wall Street was built in 1842 as the New York Customs House, on the site of the old Federal Hall. It later served as a sub-Treasury building and is now operated by the National Park Service as a museum commemorating the historic events that happened there.
After the American Revolution, the City Hall served as the meeting place for the Congress of the United States under the Articles of Confederation, from 1785 until 1789. Acts adopted here included the Northwest Ordinance, which set up what would later become the states of Ohio, Indiana, Illinois, Michigan and Wisconsin, but more fundamentally prohibited slavery in these future states.
The current structure, one of the best surviving examples of classical architecture in New York, was built as the country's first Customs House, opened in 1842.
In 1862, Customs moved to 55 Wall Street and the building served as one of six United States Sub-Treasury locations. Millions of dollars of gold and silver were kept in the basement vaults until the Federal Reserve Bank replaced the Sub-Treasury system in 1920.
Two prominent American ideals are reflected in the building's architecture: The Doric columns of the facade, designed by Ithiel Town and Alexander Jackson Davis, resemble those of the Parthenon and serve as a tribute to Greek democracy; the domed ceiling inside, designed by John Frazee, echoes the Pantheon and the economic might of the Romans.
The site is one of the most important in the history of the United States and, particularly, the foundation of the United States Government and its democratic institutions.
The current building is well known for John Quincy Adams Ward's 1882 bronze statue of George Washington on its front steps, marking the approximate site where he was inaugurated as President in the former structure.
The building was designated as Federal Hall Memorial National Historic Site on May 26, 1939, and redesignated a national memorial on August 11, 1955.
The National Park Services operates Federal Hall as a museum.
Portal of the Last Judgement ~ The three west portals of the Notre-Dame Cathedral in Paris are magnificent examples of early Gothic art. The central west portal was sculpted last of the three, in the 1220s and 1230s, and its theme is the Last Judgment.
The portal has had a bit of turbulent history in the last few centuries. In 1771, the trumeau (post between the doors) and the central section of the two lintels of the tympanum were removed in order to make room for the canopy over the Holy Sacrament that was carried through the central portal during processions. At the same time, the original 13th-century doors were replaced by new ones with sculptures of Christ carrying His cross and a sorrowful Virgin.
Two decades later, in 1792, revolutionaries destroyed the large jamb statues of the apostles. During the major restoration campaign in the mid-1800s, Viollet-le-Duc restored the portal to its original state by replacing the wise and foolish virgins, the trumeau and the jamb statues.
For more details on the portals - www.sacred-destinations.com/france/paris-notre-dame-last-...
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Notre Dame de Paris ('Our Lady of Paris' in French) is a Gothic cathedral on the eastern half of the Île de la Cité in Paris, France, with its main entrance to the west. It is the cathedral of Paris and the seat of the Archbishop of Paris. Notre Dame de Paris is widely considered one of the finest examples of French Gothic architecture. It was restored and saved from destruction by Viollet-le-Duc, one of France's most famous architects. The name Notre Dame means "Our Lady" in French. Notre Dame de Paris was one of the first Gothic cathedrals, and its construction spanned the Gothic period. Its sculptures and stained glass show the heavy influence of naturalism, unlike that of earlier Romanesque architecture.
Notre Dame de Paris was among the first buildings in the world to use the flying buttress [arched exterior supports]. The building was not originally designed to include the flying buttresses around the choir and nave. After the construction began and the thinner walls (popularized in the Gothic style) grew ever higher, stress fractures began to occur as the walls pushed outward. In response, the cathedral's architects built supports around the outside walls, and later additions continued as such.
The cathedral suffered desecration during the radical phase of the French Revolution in the 1790s, when much of its religious imagery was damaged or destroyed. During the 19th century, an extensive restoration project was completed, returning the cathedral to its previous state.
The morning light catches the curves of the King's Circus, Bath.
The King’s Circus was designed by John Wood and built by his son John Wood the Young after his father died the year he began construction.
The Circus is made up of 30 houses in the Palladian architectural style, divided into three smaller crescents – the first of which stood alone for seven years while funds were sought to complete the construction work, which took place between 1754 and 1767.
Britain’s first circular street, its colonnaded design and shape took obvious inspiration from the Colosseum in Rome, linking the modern Georgian city of Bath with its ancient Roman history.
There was also a link to Bath’s mystical history as he designed it to be the same size as Stonehenge – though his measurements were a little off. The stone acorns which adorn the houses represent the legend of Prince Bladud and how he discovered the hot springs in the city.
A carved frieze runs around the entire circle, while there are three styles of column on the exterior – Doric, Ionic and Corintian.
Among the former residents of the Circus are the artist Thomas Gainsborough and Prime Minister William Pitt.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Parthenon (ancient Greek: Παρθενών) is a temple built for the Greek goddess Athena in the 5th century BC on the Acropolis of Athens. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered one of the high points of Greek art. The Parthenon is regarded as an enduring symbol of ancient Greece and of Athenian democracy, and is one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of restoration and reconstruction.
National Gallery of Art, West Building, 1936–1941, John Russell Pope, National Mall, Washington, D.C.
Bunratty Castle (Irish: Caisleán Bhun Raithe, meaning Castle at the Mouth of the Ratty) is a large tower house in County Clare, Ireland. It lies in the centre of Bunratty village (Irish: Bun Ráite), by the N18 road between Limerick and Ennis, near Shannon Town and its airport. The name Bunratty, Bun Raite (or possibly, Bun na Raite) in Irish, means the 'bottom' or end of the 'Ratty' river. This river, alongside the castle, flows into the nearby Shannon estuary. From the top of the castle, one can look over to the estuary and the airport.
The castle and the adjoining folk park are run by Shannon Heritage.
For more info on the castle - en.wikipedia.org/wiki/Bunratty_Castle