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The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The bridge connects the courthouse to the Alhambra Theater building.
In the Hopkinsville Commercial Historic District, National Register #79003633.
Ehemaliges Schauspielhaus, Gendarmenmarkt, Berlin-Mitte, Entwurf 1817, Ausführung 1818–1821, Karl Friedrich Schinkel, Wiederaufbau und Umbau zum Konzerthaus 1979–1984, Projekt der Sondervorhaben der Hauptstadt Berlin, Leitung Erhardt Gißke, Planung Architekten Manfred Prasser und Klaus Just, Schiller-Denkmal 1801, Reinhold Begas
Senior Combination Room.
Architects; Howell Killick Partridge & Amis, 1966-70.
It was a brave move to appoint these young architects at this stronghold of neo-classicism but my gut feeling is that they got it because the project was small and in the remotest part of the site. The modern reinterpretation of neoclassical elements is utter delight to people like me who admittedly are not literate in the classical language.
This bank building built in Colac's premier thoroughfare, Murray Street, used to be the State Savings Bank of Victoria.
The State Savings Bank of Victoria has been built in the Classical Revival style which is derived from Italian palazzo design. The two storey building's ground floor is detailed in smooth rustication with voussoirs. The plain first floor is enlivened by aedicules using prominent pillar detailing and triangular pediments.
The State Savings Bank of Victoria has long since ceased operation, however the building is still used as a bank in Twenty-First Century Colac. Today it serves as the town's branch of the Rabobank.
The State Savings Bank of Victoria was established in 1842 and existed until 1990. A government controlled savings bank had been founded on 1 January 1842 as the Savings Bank of Port Philip. The independent Savings Banks developed over time from this original banking establishment and this development was recognised formerly in 1912. The bank was established as the State Savings Bank of Victoria. In 1980 its name was changed to the State Bank until its eventual sale and subsequent dissolution in 1990 when it was taken over by the Commonwealth Bank.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
... is like a million years"
Title taken from Alan Price's 1974 album "Between Today and Yesterday"
en.wikipedia.org/wiki/Between_Today_and_Yesterday
Photograph of the new east window of the church of St.Martin-in-The Fields designed by artist Shirazeh Houshiary of which Frances Golding recently said in Time Out, "an opening that allows light to come down and thought to ascend beyond the everyday".
www.lissongallery.com/#/artists/shirazeh-houshiary/
The window has been installed as part of the restoration of the church which was designed by architect James Gibbs and built 1721 - 1726. It has a grid of steelwork which is regular at the periphery but distorted nearer the centre by a turning elliptical form. The panes are of mouth blown glass etched with ripples.
Of her work the artist says: "I set out to capture my breath ... to find the essence of my own existence transcending name, nationality, cultures."
Rathaus Spandau, Carl-Schurz-Straße, Spandau-Altstadt, 1910–1913, Heinrich Reinhardt und Georg Süßenguth
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
looks rigorously classical from here - these are unique views from the windows of Priory House, recently decanted and deserted by BHCC for the new world of Smartspace in Bartholomew House
A woman sunbather enjoying the afternoon sun on the Royal Crescent in Bath.
The 18th century Royal Crescent was the work of architect John Wood the Younger, to the design of his father.
Dating from the Georgian period and built between 1767 and 1774, it was the first crescent in Bath – and England – with its giant Ionic columns marking it out as Palladian in style.
The shape of the street is believed to have been inspired by either the Colosseum in Rome or by the New Moon, complimenting the sun-like shape of the King’s Circus, which was built a decade earlier.
As was typical at the time, the architects only designed and oversaw construction of the front of the houses, with the rear built by those who bought the properties and thus lacking the same uniformity.
The crescent was laid out to embrace the open landscape on the slopes below.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Korumburra State Bank of Victoria branch used to be located on Radovick Street, one of Korumburra's main commercial streets. Built in 1902 in Federation Free Classical style, the branch building represented the strength and stability the bank wished to portray.
The State Bank of Victoria branch has a very stylish facade with typical indicators of Federation Free Classical architecture including a symmetrical facade, a pedimented parapet to conceal the roof, a simple entablature, and classical pilasters. All of this combines to provide a very classically designed and proportioned building which catches the eye, even from a distance.
The State Savings bank of Victoria was a bank that existed from 1842 until 1990 when it was taken over by the Commonwealth Bank. It was owned by the State of Victoria. A government-controlled savings bank had been founded on 1 January 1842 as the Savings Bank of Port Philip. The independent Savings Banks merged over time and this development was recognized by legislation in 1912, whereupon the bank was established as the State Savings Bank of Victoria. In 1980 its name was changed to the State Bank until its sale and subsequent dissolution in 1990. The bank collapsed due to the weight of the bad loans made in the 1980s, in particular by its merchant banking arm Tricontinental, after deregulation of the banking industry in the mid-1980s by the government.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
© Andy Brandl (2014) // PhotonMix Photography
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Painted elegantly in cream, this Victorian era building stands on Ballarat's Sturt Street. The upper floor is used today as it was when it was built; as a residence.
The building features classical motifs and detailing around its French doors and quoining along the edges of the facade. Today its balcony of cast iron contains an ornamental garden of creepers and connifers.
Plate 1 from "The Five Orders of Architecture", a book on architecture by Giacomo Barozzi da Vignola from 1562. It is considered "one of the most successful architectural textbooks ever written", despite having no text apart from the notes and the introduction.
A classical order is one of the ancient styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. Three ancient orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece. To these the Romans added the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian.
This polychrome terra cotta frieze is derived from the Temple of Antoninus and Faustina in the Roman Forum according to "Buildings of Michigan" by Kathryn Bishop Eckert.
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
The future National Art Gallery of Singapore, consisting of the Old Supreme Court Building and the City Hall, will be opening its doors in 2012.
Part of the Modern Art of Galleries. The building (Thomas Hamilton, 1833) which is in neo-classical and baroque styles, used to be an orphanage. The architect also designed the Royal High School on Calton Hill.
I'm never sure which, of the three, is more brutal. This view is commanding. However, it's a tiny detail and lost in the scheme of things so is irrelevant. Except when photographed. Even then it has little significance. I love this detail though. I love these columns and the view of our beautiful South Downs beyond. I'd wish for a utopia of arcadian and elysian classicism. Can you arrange this for me, please, someone?
The St Louis Art Museum in Forest Park was constructed as the Palace of Fine Arts for the Lousiana Purchase Exposition. It was designed by Cass Gilbert and based upon the Baths of Caracalla in Rome. It was constructed out of concrete and limestone instead of staff (plaster of Paris and hemp fibers). It is one of two buildings left from the World's Fair, plus the Grand Lagoon.
This building is NOT on the National Register.
Balboa Park is named after the Spanish explorer who first set eyes on the Pacific Ocean in 1513. The park was founded in 1868 and was the site of the Panama-Pacific Exposition in 1915, a world's fair celebrating the opening of the Panama Canal. The park is now home to many museums such as the San Diego Museum of Man. Several of the Spanish Colonial-style pavilions built in that year survive along El Prado(the park's main street.) The famous San DIego Zoo lies to the north of this park.
La vue sur St Petersbourg depuis le haut de l'hôtel Azimut, où se tenait le congrès européen de go 2016.
Dhruva Mistry's fountain stands illuminated in front of the Birmingham Council House, in Victoria Square.
The fountain features the large figure of a woman, known as the Floozy in a Jacuzzi by the locals, while the classical council house dates to 1879.
This mausoleum is dedicated to members of the Du Charme family, some of whom were involved in the stove industry. Frederick Du Charme had a mansion in Indian Village.
The mausoleum is a Greek Revival structure with fluted Doric columns.
St. Paul's Cathedral was designed by Sir Christopher Wren and was completed in 1677.
The cathedral is a grade I listed building.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.