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The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
Stockholm Public Library (Stockholms stadsbibliotek or Stadsbiblioteket) (1924 - 28, 1932) by Erik Gunnar Asplund in Stockholm, Sweden.
Eingangsgebäude U-Bahnhof Wittenbergplatz, Berlin-Schöneberg, 1911–1913, Alfred Grenander, Wiederaufbau 1951, denkmalgerechte Sanierung 1981–1983, Wolf-Rüdiger Borchardt
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
This building in Dawson Street in the south of Ballarat was once a Freemason's Hall. To this day its original purpose can still be identified by the masonic symbol in the apex of the hall's gable.
Today the building, located close to the Ballarat Base Hospital, serves as medical consulting suites.
Ted Smith's Lions of Communication in the Circus, Bath.
It was one of the many lions which were part of the Lions of Bath public art exhibition.
The 100-strong pride of lions - with the tag-line 'Pride in our City' - were individually painted and decorated and spread about the city.
The lions were displayed throughout 2010, before being gathered for one weekend at the Royal Crescent and then auctioned off.
The lion was chosen because it is both the symbol of royal England and because it is on the Bath coat of arms, recognising the King Edgar - first king of all England - in Bath in 973AD.
The King’s Circus was designed by John Wood and built by his son John Wood the Young after his father died the year he began construction.
The Circus is made up of 30 houses in the Palladian architectural style, divided into three smaller crescents – the first of which stood alone for seven years while funds were sought to complete the construction work, which took place between 1754 and 1767.
Britain’s first circular street, its colonnaded design and shape took obvious inspiration from the Colosseum in Rome, linking the modern Georgian city of Bath with its ancient Roman history.
There was also a link to Bath’s mystical history as he designed it to be the same size as Stonehenge – though his measurements were a little off. The stone acorns which adorn the houses represent the legend of Prince Bladud and how he discovered the hot springs in the city.
A carved frieze runs around the entire circle, while there are three styles of column on the exterior – Doric, Ionic and Corintian.
Among the former residents of the Circus are the artist Thomas Gainsborough and Prime Minister William Pitt.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Odeon of Herodes Atticus is a stone theatre structure located on the south slope of the Acropolis of Athens. It was built in 161 AD by Herodes Atticus in memory of his wife, Aspasia Annia Regilla. It was originally a steep-sloped amphitheater with a three-story stone front wall and a wooden roof, and was used as a venue for music concerts with a capacity of 5,000.
The audience stands and the 'orchestra' (stage) were restored using marble in the 1950s. Since then it has been hosting the theatrical, musical, and dance components of the Athens Festival, which runs from June through September each year. It also hosted Yanni's Live at the Acropolis performance in September of 1993.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
Erweiterungsbau des Hauptgebäudes der Technischen Universität Berlin, 1899–1902, Hermann Eggert & Robert Leibnitz, Straße des 17. Juni, Berlin-Charlottenburg
One of my most favourite places to visit in all of Ireland.
Lismore Castle has been the Irish home of the Dukes of Devonshire since 1753 and is possibly the most spectacular castle in Ireland. Situated in a panoramic position overlooking the Blackwater Valley it has views over rolling, wooded hills to the Knockmealdown Mountains beyond. Whilst being totally private, the Castle is on the outskirts of the Heritage Town of Lismore and a mere 200 yard walk to all its amenities.
Lismore Castle is located in the town of Lismore, in County Waterford in the Republic of Ireland. It was largely re-built in the Gothic style during the mid-nineteenth century by William Cavendish, 6th Duke of Devonshire.
The castle site was originally occupied by Lismore Abbey, an important monastery and seat of learning established in the early 7th century. It was still an ecclesiastical centre when Henry II, King of England stayed here in 1171, and except for a brief period after 1185 when his son King John of England built a 'castellum' here, it served as the episcopal residence of the local bishop. In 1589 Lismore, was leased and later acquired by Sir Walter Raleigh, who sold the property during his imprisonment for High Treason in 1602 to another famous adventurer, Richard Boyle, later 1st Earl of Cork.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
.A detailed description of this structure is given by F.S. Mackenna in the Kist, vol. 22, 1981. with an Appendix in Vol. 24. According to Mackenna Its design is attributed to William Adam c 1747 and the building dates from 1749.
It is built over a large boulder in the hillside from which a natural spring issues. The stream from the rock is collected in an oval rock-cut basin at the foot. A notch in the front rock wall of the basin permits an overflow into a small shallow basin cut into the flagged floor, from which it is conducted by a narrow winding channel in the floor to the outside edge of the pavement. The overflow now falls into a small hole in the channel before it reaches the edge.
It is a beautifully built classical structure. The interior has an arched roof and the floor is paved. The blocks, apart from the keystone, surrounding the arched doorway and above it, are decorated with vermiculation. The roof has stone slabs and is curved at the rear. Carved graffiti are present on some roof blocks and on at least one side wall. The finer graffiti have been suggested by Mackenna to have been the work of the stonemasons.
Visited by David Dorren and Nina Henry on 20 February 2018.
Sony Alpha A6000 with Sigma 19mm f2.8
Ehemalige 5. und 6. Gemeindedoppelschule, Ernst-Wiechert-Schule, heute Universität der Künste Berlin, Mierendorffstraße, Berlin-Charlottenburg, 1893 August Peters, Umbau 1980–1982
Evangelisch-methodistische Christus-Kirche und Diakonissenhaus Bethesda zu Elberfeld, Dieffenbachstraße Ecke Schönleinstraße, Kirche 1905–1906, Diakonissenhaus 1908, George Pourroy
Some Medieval atmosphere at the FIshermans' Bastion ... two falconers were charging money to people who wanted their photo taken holding a falcon on their arm.
The Halászbástya or Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.
It was featured as a Pit Stop on the sixth season of The Amazing Race.
For more info and photos - en.wikipedia.org/wiki/Fisherman%27s_Bastion
The statue of Galen, in one of the crescent ponds of the Studley Royal formal water garden, stands in front of the Temple of Piety.
The Temple of Piety is a classical building designed as a cool garden house, it was renamed and had the stucco decoration added in the 1740s.
The water gardens of the Studley Royal estate date back to the start of the 18th century and were created to take advantage of the proximity of Fountains Abbey, which lay within the estate.
The area around the River Skell flowing away from the abbey was landscaped, with a series of views of the abbey, as well as several follies and statues standing along the banks of the river.
A formal water garden, built in front of the Temple of Piety, can be found halfway along the route from the abbey to a small lake, while the river has several cascades built into it to make its flow more picturesque.
There are statues of Neptune, Bacchus and Hercules and Antaeus among others, either by the riverside or in the Moon Pond, which makes up the formal water garden, with the view from Anne Boleyn’s Seat providing a look down the river towards the abbey.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
September 2013.
Open House is the annual opportunity to explore hundreds of buildings in London for free and see the architecture. Many of the buildings are not normally open to the public.
The main Foreign Office building in King Charles Street was built by George Gilbert Scott in partnership with Matthew Digby Wyatt. George Gilbert Scott was responsible for the overall classical design of these offices, but Matthew Digby Wyatt, the India Office’s Surveyor, designed and built the interior of the India Office. It was built with rich decoration to impress foreign visitors.
#Temple of #Hephaistos in central Athens, Greece, is the best-preserved ancient #Greektemple in the world, but is far less well-known than its illustrious neighbour, the Parthenon.
It was dedicated to Hephaestus, the god of smiths and metal-workers.
Hephaestus
#Godoffire , #volcanoes , #metalworking , #artisans , #metallurgy , #carpenters , #forges #sculpting , and #blacksmiths
A bronze statue of George Washington welcomes visitors to historic Federal Hall on Wall Street. It is located on the site of Washington's swearing in to the United States presidency in 1789. The present building was erected in 1834-1842 to house the United States Custom House and went under extensive renovation in 2004. It is one of the best examples of classical architecture surviving in the city. Today, it holds an interactive exhibition relating to the United States Constitution. A copy of the Bill of Rights is also on display
Matthias Church (Hungarian: Mátyás-templom) is a church located in Budapest, Hungary, at the heart of Buda's Castle District. According to church tradition, it was originally built in Romanesque style in 1015. The current building was constructed in the florid late Gothic style in the second half of the 14th century and was extensively restored in the late 19th century. It was the second largest church of medieval Buda and the seventh largest church of medieval Hungarian Kingdom.
For more info - en.wikipedia.org/wiki/Matthias_Church
NO INVITES with BIG SPARKLY GRAPHICS. PLEASE, TRY TO RESPECT MY WISHES.
I prefer simple honest comments, rather then a copy & paste of an award code.
Many thanks!
I helped my daughter with supervision of her Grade 5 class on June 1st to a trip to the ROM (Royal Ontario Museum) and to Queen's Park, home of the Legislative Assembly of Ontario.
My daughter has a friend who is the personal assistant to the Speaker of the House, the Honourable Steve Peters, and through his assistant, we were able to have a personally conducted tour of his personal apartment in the 115 year old building and a guided tour of the Assembly Hall. The Assembly Hall was vacant as we toured it, but the Ontario Legislature is currently in session.
Queen's Park is an urban park in the Downtown area of Toronto, Ontario, Canada. Opened in 1860 by Edward, Prince of Wales, it was named in honour of Queen Victoria. The park is the site of the Ontario Legislative Building, which houses the Legislative Assembly of Ontario, and so the phrase Queen's Park is also frequently used as a metonym to refer to the Government of Ontario. The property is technically owned by the University of Toronto, but was leased to the Government of Ontario in 1859 for a period of 999 years, set to expire in 2858. Queen's Park is also the name of a street and a subway station.
Please see the official site of the Legislative Assembly of Ontario.
History of the architecture and construction of the Legislative Assembly - en.wikipedia.org/wiki/Ontario_Legislative_Building
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Palladian Bridge at Stowe was built in 1736 to enable the family and guests to enjoy a circular carriage drive around the gardens. Attribution of the design is uncertain but it was probably designed by James Gibbs following the work of Roger Morris who designed the prototype at Wilton House in Wiltshire. It is one of three similar bridges to be found in in English country house gardens in the C18. The third example is at Prior Park in Bath (see Prior Park set).
One highlight we visited in the palace was the spacious airy ballroom, the "Grand Hall" or the "Hall of Lights", with a spectacular painted ceiling.
The Great Hall (also known as the Grand Ballroom) is Rastrelli's centerpiece room at Catherine Palace. The Great Hall is almost 56 feet wide and over 154 feet long. The Great Hall is on the second floor and occupies the entire width of the palace. The two tiers of windows enhance the impression of grandness and size. The area between the windows are covered with gilded mirrors. The ceiling is elaborately painted, and the inlaid parquet floor magnificent. Each of the numerous gilded carvings that cover the walls is a masterpiece in itself.
A great live tour - www.youtube.com/watch?v=6JvmUL6DqFY
For more info - en.wikipedia.org/wiki/Catherine_Palace
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.