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I was fortunate enough to get a Classical Alice Dal about two years ago, what an incredible girl! Her name is Lavender.
An angsty heir. A carefree girl in the working class. You'd think they'd never speak to each other. But they each hold a secret. It's what binds them together. Keeps them sane. And saves both thier lives.
Victor Cromwell is stuck in an arranged marriage with a girl that drives him insane. He would honestly rather die than marry her. With a stroke of what seems to be luck, Alexis comes along. A simple girl who has quite the talent for the Craft, she shows him how to live how the 'other half' does. Along the way, they find that they are connected. But how will Bridgette, Victor's fiancee, take being rejected? By the Prince of the richest family on Arbor's Island, no less.
Dallmeyer Super-Six 3" F1.9 + Schneider 100mm F2.0 + Nikon 80-200mm F2.8 + Canon 35mm F1.4L + Sony E 16mm F2.8 + Canon 5D + Sony NEX-3
our signature self-contained Musical Fountain. Everything is concealed under the classical octagonal pool, just 2.1m. in diameter, and moulded in FRP. Marble effect finish is available. In the pool only the nozzle tips and light apertures are seen. The fountain works in auto-sensing mode with the additional refinement of a three position switch to suit different styles of music. Fantasia™ is perfect for gardens, discotheques, malls and lobbies and is portable thus broadening its range of use.
Model: Saint Alkaline
Photographer: Bailey Northcott
www.facebook.com/throughtheglassphotos
Stylist/MUA: Taeden Hall
Clothing by www.gloomth.com
Dallmeyer Super-Six 3" F1.9 + Schneider 100mm F2.0 + Nikon 80-200mm F2.8 + Canon 35mm F1.4L + Sony E 16mm F2.8 + Canon 5D + Sony NEX-3
I went to see Ludovico Einaudi last night as a birthday gift from my boyfriend. I have always been an avid listener of classical musical from as early as I can remember, and Ludo is one of my favourite pianists/composers. Both himself and his orchestra were simply sublime - few feelings can surpass hearing classical live. I was moved in so many ways: some pieces were heart-wrenchingly sad, others as dramatic as a rumbling stampede of bulls.
What really caught my eye before the music began, though, was the setting. It was based at Bridgewater Hall in Manchester, and the interior was decorated so that it looked like a boat. From the ceiling hung a canopy of lights in a sort of web. Of course, I had to shoot a bokeh.
Oh…. and I filmed a few of Ludovico’s songs. Without my camera microphone being switched on. I am a moron.
Drinking cup (kylix) depicting Herakles rescuing Deianera from Nessos
Greek, Classical Period, about 420–410 B.C.
Painter: Aristophanes
Potter: Erginos
Place of Manufacture: Athens, Attica, Greece
Ceramic, Red Figure
The same shape and size as every other classical guitar on the planet.
This one recovered from the dump, bought for a couple of quid, oiled and cleaned and is perfectly playable.
Dallmeyer Super-Six 3" F1.9 + Schneider 100mm F2.0 + Nikon 80-200mm F2.8 + Canon 35mm F1.4L + Sony E 16mm F2.8 + Canon 5D + Sony NEX-3
The above Famous Classical Oil Paintings can be reproduced on canvas by DayDayPaint.com. 100% handmade, Museum Quality and Affordable Price. Please contact us at email: daydaypaint@gmail.com for details.
Was lucky enough to have beautiful natural light during yesterdays visit to the little known Museum of Classical Archaelogy in Cambridge
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DOWNLOAD [PDF] Classical Piano Solos - Fourth Grade: John Thompson s Modern Course Compiled and edited by Philip Low, Sonya Schumann Charmaine Siagian For Ipad
Photos by Natasha Marco
"Classical Jam" artist residency presented by The Forum for their 2012-2013 Season in St. Thomas, US Virgin Islands
"Classical Jam" is a unique ensemble innovative for bringing together performances of the highest caliber in combination with engaging presentations.
MEMBERS:
Cyrus Beroukhim, violin/viola
Wendy Law, cello
Marco Granados, flute
Justin Hines, percussion
Guest Artist: Kyle Ambrust
"Classical Jam" perform regularly with “Musicians from Marlboro”, Chamber Music Society of Lincoln Center, and Fireworks. Individually, they have soloed with the Boston Symphony Orchestra, the New York Philharmonic, the Singapore Symphony, the Juilliard Orchestra, the Oregon Symphony, and the Virginia Symphony, among others. They have performed in venues throughout Europe, Asia, the Americas, and the Middle East. Along with their dedication to highly coveted individual musical careers, members of Classical Jam are teaching artists at such leading organizations as the Lincoln Center Institute, the New York Philharmonic, the 92nd St. Y, and Young Audiences.
"Classical Jam" members have won awards such as the Pablo Casals award for Educational Outreach, Grand Prize at the Fischoff Chamber Music Competition, the McGraw-Hill Company’s Robert Sherman Award for Music Education and Community Outreach, as well as recognition from the National Society of Arts and Letters. CJ was recently selected by Concert Artists Guild to receive the Cary Trust Fund for Contemporary Music Projects, in commissioning composer Randall Woolf for a new work for the ensemble. "Classical Jam" musicians are graduates of the Juilliard School, the Oberlin Conservatory of Music, the New England Conservatory, and Indiana University.
"Classical Jam" was created because they saw the need to reach out to diverse audience in terms of age, cultural and social backgrounds. They are interested in developing a deeper and more personal relationship between seasoned concertgoers and classical music. They are also interested in promoting Classical Music to people who feel that they cannot relate to it, or for one reason or another, are not exposed to it.
They truly believe that Classical Music is something that anyone can relate to, and enjoy. They believe that the success of "Classical Jam" is that they are able to engage any audience, and also be able to connect at a very personal level. They do so by adding some fun to our concerts while retaining the integrity of their art. On an even more personal level, sharing the process of discovery with listeners is an incredibly moving experience for everyone.
Their diverse backgrounds reflect the very audience that they are trying to reach. The chemistry of the group produces a result appealing to music connoisseur and new audiences alike. They really enjoy performing together, and the listeners can hear that love, dedication...creativity really is the language that we are all speaking. "Classical Jam" connects, inspires, and uplifts.
I was in Boracay again this tail-end of summer for a full-production on-location fashion pictorial. This is one of the outtakes from that photo shoot. Model: Lenard Bolivar. Fashion Designer: Dong Omaga-Diaz. Hair & Makeup Artist: Victor Ortega. Venue: Paradise Garden Resort Hotel (Boracay). Event Organizer: Bess Tonel. Thanks to Mr. Jochen Buskowitz of Paradise Garden Resort Hotel, Mr. Esteban S.F. Madrona Jr. of MBRS Lines, Mr. Niño Libosada of Philippine Beverage Partners Inc., and, Ms. Annie Convocar of Boracay Tropics. [Photographed by Dominique James of The Dominique James Photography Studio. Copyright © 2007. All rights reserved. For authorized use only. For more information, visit the official blog of The Dominique James Photography Studio at www.dominiquejames.com or email studio@dominiquejames.com for inquiries and bookings.]
Mount Auburn Cemetery is the first rural cemetery in the United States, located on the line between Cambridge and Watertown in Middlesex County, Massachusetts, 4 miles (6.4 km) west of Boston.
With classical monuments set in a rolling landscaped terrain,[2] it marked a distinct break with Colonial-era burying grounds and church-affiliated graveyards. The appearance of this type of landscape coincides with the rising popularity of the term "cemetery", derived from the Greek for "a sleeping place." This language and outlook eclipsed the previous harsh view of death and the afterlife embodied by old graveyards and church burial plots.[3]
The 174-acre (70 ha) cemetery is important both for its historical aspects and for its role as an arboretum. It is Watertown’s largest contiguous open space and extends into Cambridge to the east, adjacent to the Cambridge City Cemetery and Sand Banks Cemetery. It was designated a National Historic Landmark District in 2003 for its pioneering role in 19th-century cemetery development.
Wikipedia