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en.wikipedia.org/wiki/Side,_Turkey
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.[1]
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
History[edit]
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.[citation needed]
Next to no information exists concerning Side under Lydian and Persian sovereignty.
Alexander the Great[edit]
Vespasian Gate
Temple of Apollo
Alexander the Great occupied Side without a struggle in 333 BC. Alexander left only a single garrison behind to occupy the city. This occupation, in turn, introduced the people of Side to Hellenistic culture, which flourished from the 4th to the 1st century BC. After Alexander's death, Side fell under the control of one of Alexander's generals, Ptolemy I Soter, who declared himself king of Egypt in 305 BC. The Ptolemaic dynasty controlled Side until it was captured by the Seleucid Empire in the 2nd century BC. Yet, despite these occupations, Side managed to preserve some autonomy, grew prosperous, and became an important cultural centre.
Walls of the ancient theatre of Side
In 190 BC a fleet from the Greek island city-state of Rhodes, supported by Rome and Pergamum, defeated the Seleucid King Antiochus the Great's fleet, which was under the command of the fugitive Carthaginian general Hannibal. The defeat of Hannibal and Antiochus the Great meant that Side freed itself from the overlord-ship of the Seleucid Empire. The Treaty of Apamea (188 BC) forced Antiochus to abandon all European territories and to cede all of Asia Minor north of the Taurus Mountains to Pergamum. However, the dominion of Pergamum only reached de facto as far as Perga, leaving Eastern Pamphylia in a state of uncertain freedom. This led Attalus II Philadelphus to construct a new harbour in the city of Attalia (the present Antalya), although Side already possessed an important harbour of its own. Between 188 and 36 BC Side minted its own money, tetradrachms showing Nike and a laurel wreath (the sign of victory).
In the 1st century BC, Side reached a peak when the Cilician pirates established their chief naval base and a centre for their slave-trade.
Romans[edit]
The consul Servilius Vatia defeated these brigands in 78 BC and later the Roman general Pompey in 67 BC, bringing Side under the control of Rome and beginning its second period of ascendancy, when it established and maintained a good working relationship with the Roman Empire.[2]
Emperor Augustus reformed the state administration and placed Pamphylia and Side in the Roman province of Galatia in 25 BC, after the short reign of Amyntas of Galatia between 36 and 25 BC. Side began another prosperous period as a commercial centre in Asia Minor through its trade in olive oil. Its population grew to 60,000 inhabitants. This period would last well into the 3rd century AD. Side also established itself as a slave-trading centre in the Mediterranean. Its large commercial fleet engaged in acts of piracy, while wealthy merchants paid for such tributes as public works, monuments, and competitions as well as the games and gladiator fights. Most of the extant ruins at Side date from this period of prosperity.
One of the maps (portolani) of Piri Reis, taken from the Kitab-i Bahriye, which Piri produced in several editions, supplementing in 1520, but integrating it into subsequent editions.
Side was the home of Eustathius of Antioch, of the philosopher Troilus, of the fifth-century ecclesiastical writer Philip; of the famous lawyer Tribonian.[3]
Decline[edit]
Side began a steady decline from the 4th century on. Even defensive walls could not stop successive invasions of highlanders from the Taurus Mountains. During the 5th and 6th centuries, Side experienced a revival, and became the seat of the Bishopric of Eastern Pamphylia. Arab fleets, nevertheless, raided and burned Side during the 7th century, contributing to its decline. The combination of earthquakes, Christian zealots and Arab raids, left the site abandoned by the 10th century, its citizens having emigrated to nearby Antalya.[2]
In the 12th century, Side temporarily established itself once more as a large city. An inscription found on the site of the former ancient city shows a considerable Jewish population in early Byzantine times. However, Side was abandoned again after being sacked. Its population moved to Antalya, and Side became known as Eski Adalia 'Old Antalya' and was buried.
A hospital dating back to the 6th century.
This portion of the main street in Side is lined with the ruins of homes or shops, many of which feature their original mosaic tile flooring.
Ecclesiastical history[edit]
As capital of the Roman province of Pamphylia Prima, Side was ecclesiastically the metropolitan see. The earliest known bishop was Epidaurus, presiding at the Synod of Ancyra, 314. Others are John, fourth century; Eustathius, 381; Amphilochius, 426-458, who played an important part in the history of the time; Conon, 536; Peter, 553; John, 680-692; Mark, 879; Theodore, 1027-1028; Anthimus, present at the synod held at Constantinople in 1054; John, then counsellor to the Emperor Michael VII Ducas, presided at a council on the worship of images, 1082; Theodosius and his successor Nicetas, twelfth century. John, present at a synod at Constantinople in 1156. The Notitiae Episcopatuum continued to mention Side as a metropolis of Pamphylia until the thirteenth century. It does not appear in the "Notitia" of Andronicus III. From other documents we learn that in 1315 and for some time previous to that, Sidon had bishops of its own — the Bishop of Sinope was called to the position, but was unable to leave his own diocese; this call was repeated in 1338 and 1345. In 1397 the diocese was united with that of Attalia; in 1400 the Metropolitan of Perge and Attalia was at the same time the administrator of Side.[4][citation needed]
No longer a residential see, Side is today included in the Catholic Church's list of titular sees.[5]
Ruins[edit]
The great ruins are among the most notable in Asia Minor. They cover a large promontory where a wall and a moat separate it from the mainland. During medieval times, the wall and moat were repaired and the promontory houses a wealth of structures.
There are colossal ruins of a theatre complex, the largest of Pamphylia, built much like a Roman amphitheatre that relies on arches to support the sheer verticals. The Roman style was adopted because Side lacked a convenient hillside that could be hollowed out in the usual Greek fashion more typical of Asia Minor. The theatre is less preserved than the theatre at Aspendos, but it is almost as large, seating 15,000–20,000 people. With time and the shifting of the earth, the scena wall has collapsed over the stage and the proscenium is in a cataract of loose blocks. It was converted into an open-air sanctuary with two chapels during Byzantine times (5th or 6th century).
The well-preserved city walls provide an entrance to the site through the Hellenistic main gate (Megale Pyle) of the ancient city, although this gate from the 2nd century BC is badly damaged. Next comes the colonnaded street, whose marble columns are no longer extant; all that remains are a few broken stubs near the old Roman baths. The street leads to the public bath, restored as a museum displaying statues and sarcophagi from the Roman period. Next is the square agora with the remains of the round Tyche and Fortuna temple (2nd century BC), a periptery with twelve columns, in the middle. In later times it was used as a trading centre where pirates sold slaves. The remains of the theatre, which was used for gladiator fights and later as a church, and the monumental gate date back to the 2nd century. The early Roman Temple of Dionysus is near the theatre. The fountain gracing the entrance is restored. At the left side are the remains of a Byzantine Basilica. A public bath has also been restored.[2]
The remaining ruins of Side include three temples, an aqueduct, and a nymphaeum. Side's nymphaeum – a grotto with a natural water supply dedicated to the nymphs – was an artificial grotto or fountain building of elaborate design.
There is also a virtually unknown, but expansive site, up in the Taurus foothills, several miles inland, known locally as Seleucia. Virtually unknown to the outside world and not represented on the internet at all, it is the Roman garrison, built by Marc Anthony, to support the city of Side. It covers at least a couple of square miles and is almost completely unexcavated, apart from two weeks in 1975, when the Turkish government funded two weeks of excavations. The site was, apparently, finally abandoned in the 7th century, when an earthquake caused the spring which fed the site with water to dry up completely. Many of the buildings are in remarkably good shape, particularly since, due to the lack of available stone, a significant quantity of the sites stonework contains egg and gravel based concrete blocks.[citation needed]
Turkish archaeologists have been excavating Side since 1947 and intermittently continue to do so
A classical ballet tutu I've made for my daughter, hyacinth blue satin backed dupion, Swarovski crystal and white lace and net.
Pretty Venus Ballerina Dancing Classical Ballet at the Los Angeles LACMA Urban Lights & Levitated Mass! Nikon D810 & Sigma 50mm f/1.4 EX DG HSM Lens for Nikon! Gorgeous Athletic Talented Ballerinas Dancing Classical Ballet in Pointe Shoes Ballet Slippers & Leotard!
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DANCEUSE - GOPIKA VARMA
MOHINIATTAM is highly evolved dance where the emotions and expressions play a pivotal role
1. Nahid Siddiqui, 2. PAKISTAN-WEATHER-MONSOON-BEACH, 3. Punjab Culture, 4. PAKISTAN-WEATHER-MONSOON-BEACH, 5. PAKISTAN-WEATHER-MONSOON-BEACH, 6. Classical Dance, 7. Pakistani Pop Singer, 8. Folk Dance, 9. Altiti Fort, 10. Kaferistan Girls, 11. Kaferistan Girls, 12. DANDIA2, 13. Drumers, 14. Folk Singers, 15. kashmiri, 16. KATHAK, 17. KATHAK2, 18. KATHAK3JPG, 19. Kathak4, 20. Kathak5, 21. Lahore, 22. mehfil, 23. mystic Soul Night3, 24. Music Confference, 25. Dholak, 26. nahid siddqui1, 27. naid 2, 28. rajistan, 29. rajistan 2, 30. rajistan3
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My favorite model, Lindi. She was a natural and posed for many of my illustration jobs. Lindi, where are you?
LA Beautiful Ballerina Dancing Ballet Levitated Mass LACMA Los Angeles County Museum of Art! Nikon D810 70-200mm VR2 F2.8! Fine Art Classical Ballet in Pointe Shoes Slippers Leotard Tutu Photography! High Res Model Portraits Professional Arabesque!
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The Leongatha Memorial Hall and Shire Offices were opened and dedicated by Brigadier General
Elliot and Chaplain Colonel Cookston on 24 May, 1926. Chaplain Cookson dedicated the Hall with a prayer that concluded with "In the Name of the Town and Residents of the District, I Dedicate this Hall". It was designed by local architect, T. E. Molloy, and was constructed by Raymond V. Ritchie for £14,000.
The interior decoration included 12 panels depicting scenes from the leading "purely Australian" battles of World War I, with the proscenium being flanked by scenes depicting Gallipoli, and the battle between HMAS Sydney and the Emden. These were painted by Mr. J. Broche of Inverloch.
The need for a new Memorial Hall and Shire Offices to replace the original buildings constructed in 1890 and 1891 respectively was recognised from the early 1920s, and a resolution was passed at a public meeting held on 13 August 1923 that Council be approached in relation to this matter. The issue came to a head when the old Mechanics Hall and adjoining Shire Offices were destroyed by
fire on 19 February, 1924. A committee was formed after the fire and after several meetings it was decided to advertise for suitable designs. On 22 July 1924, the plans of T. E. Molloy were chosen and following this a loan to finance the project was made, while the Leongatha Branch of the RSSAILA donated £1,000 on the condition that a suitable room was placed in the building "for the exclusive use of members". Tenders were called and on 15 April 1925, the offer of Mr. Raymond V. Ritchie was accepted.
The Leongatha Memorial Hall and former Shire Offices is a large brick, hip roofed public hall fronted by a two storey Free Classical facade and single storey wings to either side, terminating at the corner with an engaged colonnaded rotunda and returning north along Michael Place in a single storey classical facade which fronted the shire offices. A notable element is the symmetrical central façade. This is constructed of clinker brick at the ground floor with paired double hung windows on either side of a battered and coursed render arched entry surround connecting through a wide rendered band with the words “In Remembrance” in raised letters to the piano nobile above. The clinker bricks are tuck pointed in blocks, rather than as individual bricks. The whole of the piano nobile is rendered, with windows between alternating single and paired detached Tuscan columns carrying a wide architrave with triglyphs and bosses, cornice and a parapet with a central pediment containing the sunburst coat of arms of the Australian armed forces. It climaxes with a statue of the “Winged Victory” carrying a palm frond and sword and flanked by bronze lamp standards now missing their opal spheres. Pedimented render plaques commemorating the fallen are mounted at the sides of the entry element. The side wings are single storey and are almost symmetrical in form. They have paired and single detached columns supporting an architrave with triglyphs and bosses, cornice and solid balustrade, dividing each side into two brick bays with central windows. The columns sit on short pedestals to the window sill height. Perhaps its most notable and dominating feature is the corner rotunda. This has a matching pattern but slightly higher columns and architrave capped with an octagonal metal clad dome. This rotunda serves as an entry and separates the McCartin Street facade from the Michael Place front. The slightly lower Michael Place front is designed as a separate composition of three bays divided by paired piers with the central element projecting slightly and capped with a pediment. There is a small granite obelisk at the curb opposite the hall entry which commemorates later war dead.
The Australian Federation period represented an important phase in the development of Leongatha. The new butter factory, which was erected in 1905, led to increased prosperity in the town and agitation for better public facilities. The new Post Office in 1906 was the first of a number of new buildings added over the next ten years including the Railway Station (1910), Mechanics Institute Library (1911), Court House (1912) and Agricultural High School (1914). After the interruption caused by the Great War (1914 – 1918), this civic building program finally reached its zenith with the construction of the new Memorial Hall and Shire Offices between 1925 and 1926.
Leongatha is a town in the foothills of the Strzelecki Ranges, South Gippsland Shire, Victoria, Australia, located 135 kilometres south-east of Melbourne. The town is the civic, commercial, industrial, religious, educational and sporting centre of the region. The Murray Goulburn Co-operative Co. Limited, is a farmers' co-operative which trades in Australia under the Devondale label, and has a dairy processing plant just north of the town producing milk-based products for Australian and overseas markets. First settlement of the area by Europeans occurred in 1845. The Post Office opened as Koorooman on 1 October 1887 and renamed Leongatha in 1891 when a township was established on the arrival of the railway. The Daffodil Festival is held annually in September. Competitions are held and many daffodil varieties are on display. A garden competition is also held and there are many beautiful examples throughout the provincial town. The South Gippsland Railway runs historical diesel locomotives and railcars between the market and dairy towns of Nyora and Leongatha, passing through Korumburra.
a woman playing a violin in a church during a wedding. This was in an old chuch in downtown Columbus that had a few of it's stain glassed windows removed to be repaired so there was some clear glass that allowed these wonderful rays of light into the church... one of them landed on the violin player.
The shot was taken at 200mm from much further away than it would appear...
Peloponnesian?
Without apparent provenance (ancient or modern)
Late 6th c. BCE (Late Archaic/Early Classical)
For more photos and information, see the CMA site.
Cleveland Museum of Art, Cleveland, Ohio, USA
John L. Severance Fund 2000.6
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Community School of Davidson receiver catches a stop route during the game with Thomas Jefferson Classical Academy.
Overview of Charters Towers History.
Until around 1900 this was the second largest city in QLD! It called itself “The World” and with good reason. The gold finds here lasted a good 40 years. The town had a long period of wealth and growth. And the town took itself to the world which was a first for any mining centre in Australia and for any city apart from the state capital cities. Because of the wealth in the town share brokers started businesses there in the early 1880s. They agreed in 1885 to form a group and establish a stock exchange – the only one in Australia that has ever existed outside of a capital city. Then in 1886 they took the city to the world- at the 1886 Colonial and Indian Exhibition in London. The set up a display of mining and ore crushing and they accepted £1 shares in various mining companies that operated in the town. It was a great success. One company is an example- Day Dawn Block and Wyndham- they received almost £500,000 in paid up shares to finance their future mining work! This exhibition put Charters Towers on the world map and was the first time London investors invested directly in Australian mines rather than through a London based share broking company or finance company. Some of the companies were duds but most were not. The peak gold yields from Charters Towers did not come until 1899 but these yields would not have occurred without the London finance for the deep shafts that were needed to reach to gold. The influx of money into the town transformed the place. The wooden structures, many dating from 1872 the time of the original gold finds were replaced with lavish and imposing stone and brick structures. The main street was rebuilt. Grand houses were built by the successful miners and the period from 1886-1893 was a boom building period. Prosperity was assisted by the development of the new cyanide gold processing works which produced even more gold for the miners and investors. The new cyanide works opened in Charters Towers in 1892. Fortunately we can still see some of this faded glory in Charters Towers today. But in the 1890s it was the best place to live in QLD outside of Brisbane. Thus it was not surprising that the Northern Mining Register newspaper wrote in 1897 that:
Most mining in Charters Towers ceased around 1912.
Discovery and Early Establishment of Charters Towers.
Hugh Mosman, whom we have heard of before on this tour, George Clarke, John Fraser and their Aboriginal horse boy called Jupiter Mosman were prospecting near Ravenswood in December 1871 when they found the first gold in the region. They registered their find as Charters Towers after Mr Charters the Gold Commissioner of the day and Towers because of the conical shaped stone hills (tors) near the site which looked like towers. A gold rushed quickly followed in 1872 with the birth of the town. Mosman and his mates discovered 10 gold reefs. Early finds were of alluvial gold but soon deep shafts were needed to extract the ore and companies were formed with money and capital to undertake this work. British investment led to the transformation of the canvas and wooden town into a fine stone metropolis occurred after 1886 as explained above. The gold at Charters Towers was the major find in QLD and an important find for Australia. By the end of 1878 there were 12 mills processing ore in the town. The Venus Battery works which started operations in 1872 operated right through until 1972. For most of the period from the mid 1870s up to 1906 gold exports from QLD exceeded those of the other major QLD export - wool. QLD certainly had much more gold than NSW but much less than Victoria although not all QLD gold came from Charters Towers. During its peak years over 200,000 ounces of gold a year were mined in Charters Towers. Although the mining companies closed down operations in 1912 individual miners continued working the field right up to World War Two and the old cyanide ore dumps from the battery works have been reworked since then.
To recognise the importance of his find the main street of Charters Towers was named Mosman Street. In 1882 the town was linked to Townsville by rail improving communication with the outside world. The two day trip to Townsville now took a few hours. In the boom period of the 1890s Charters Towers saw the erection of some of its major structures such as:
•the Stock Exchange Arcade ( 76 Mosman street)
•the amazing classical structure for the former Australian Bank of Commerce (86 Mosman Street)
•Ayot House that we visit ( 63 Hodgkinson Street)
•the Court House ( 32 Hodgkinson Street)
•the former School of Mines building ( 24 Hodgkinson Street)
•the classical revival Post Office with tower ( 17 Gill street) built in 1892
•the historic Civic Club for the well-to-do miners ( 117 Gill Street)
•the old Police Station and barracks ( 51 Gill Street)
•the wooden tower bell of the former Anglican church and rectory ( 134 Gill Street).
•the impressive Masonic Temple ( 18 Ryan Street)
•the Thornburgh House and later college buildings ( 57 King street) - this was originally a grand home for a wealthy town businessman, later becoming a college after 1919.
All of the above buildings and more are on the Register of the National Estate and others are on the QLD register. Most survived because when the gold did peter out the town remained a major agricultural service centre and education centre. It never lost the bulk of its town population. Lissner Park with its charming rotunda and bandstand complex at Deane Street (on corner with Bridge Street) is one of many reminders of the heyday of the town. The structure opened in 1910 as a memorial to those who served in the Boer War. The wrought iron was forged in Charter Towers itself in a local foundry. The original marble benches have been vandalised or broken but the bandstand is still charming and picturesque with some good historical details. Quite a few hectares around Mosman and Gill streets are on the Register of the National Estate as the area contains so many 19th century buildings, many with original features and details despite their current commercial usage.
Charters Towers Today.
The city has 8,000 inhabitants down from the 19th century 20,000 and then 1915 population of the 15,000. But some gold mining was re-activated in the 1980s and again after 2001. Mining is still a significant employer of townspeople and Citigold Corporation Ltd announced in 2006 that they would work four mines beneath the current township. They are excavating 250,000 ounces of gold a year. Tourism is not a major employer but education is still important. The city still has private boarding schools for the children of the outback pastoralists and a total of four secondary schools. There are still 8 hotels in the town and tourist attractions do employ some locals in some of the old restored building such as the former Stock Exchange which is now a museum and the Venus Gold Battery.
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Ballerina Dancer Dancing Classical Ballet Seascape Landscape Photography!
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Ballerina Dancer Dancing Classical Ballet Seascape Landscape Photography!
White leotard and flowy dress!
Dancing for Dynamic Dimensions Theory dx4/dt=ic: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c!
New ballet & landscape instagrams!
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Nikon D810 Epic Fine Art Ballerina Goddess Dancing Ballet! Dr. Elliot McGucken Fine Art Ballet!
Marrying epic landscape, nature, and urban photography to ballet!
Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Goddess! Captured with the AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon, and the Sigma 50mm f/1.4 DG HSM Art Lens for Nikon! Love them both!
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A pretty goddess straight out of Homer's Iliad & Odyssey!
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The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!
I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)
"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)
Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
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"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"