View allAll Photos Tagged cladding
This is leo from Proconstruction Intudstry Co.ltd specialized in ACP panel producing and exporting for years. Now, my factory is authorized by alucbond and itz only one who get the Japan FR certification in China.
Now, We hope to develop the cooperation with you. And you will have your target products and absolute price here.
Pls check the weblink below. you can get more information from my web.
ACP panels tells you something in my blogger
ACP panels show themselves in my facebook photo ablum
Pls check my offer and kindly give me a feedback. Thanks
Your sincerely
leo Li
--------------------------------------------------------------------------------
Email:liqiangt10@hotmail.com
Yahoo Messager: proconstruction_leoli
Gtalk: liqiangt10@gmail.com
Skype: lswlq034130217
Tel:008613732187105
found a few more shots of Frank Gehry's Disney Hall in LA
This one shows the little jackets they had to use to cover up some of the facets. They were reflecting too strongly into the windows of an adjacent office building!
Dendrograms of relationships among Holcoglossum.A. Cladogram from Bayesian inference, B: Corresponding patrocladogram with equal weight.
Una de mis bandas favorita, con buena musica y contenido... Fue un gusto hacer la ilustración para la banda, simplemente por amor al arte y darle mi respaldo a esta banda emergente.
Saludos para Stone Clad, y para los que me visitan.
Arreglos de la imagen a manos de Ignacio MatÃnez.
The timber from the old washback from Glenrothes Distillery, gets a couple of coats of preservative. The black marks are from the iron hoops used to hold the washback together.
ALBERTINI: Windows, doors, sliders in wood and bronze clad
The Albertini family began building wood windows, doors and shutters in a small workshop in the outskirts of Verona, Italy in 1954. Half a century later Albertini windows and doors are recognized the world over for their sophisticated design and timeless beauty. Albertini's entire product line is available in a variety of wood species, and can be clad in aluminum or solid architectural bronze. With over two thousand European competitors, Albertini stands out as an industry leader, known for standard-setting quality, cutting edge technology, and unparalleled custom capabilities.
To learn more please visit WWW.ITALIANWINDOWS.COM
Or visit our Youtube channel:
#upvc #soffits #fascias # white fascia #cladding #guttering #upvc houselift #upvc doors #upvc guttering www.upvchouselift.co.uk #fascia soffits
The offside rear door cladding has come adrift from the door, and whenever the front rear is opens a collision of plastic occurs!
Luckily there is YouTube video showing how to remove the trim and re-fit. Very useful.
I needed to purchase a rubber wheel specifically for removing the remnants of the very strong self-adhesive foam tape.
New lower clips were fitted (the originals broke) along with new automotive grade self-adhesive foam tape.
Presses into place and held for a short time with clamps. All complete and has stayed in place since.
Note there is no corrosion whatsoever.
Built in 1904, this massive limestone-clad Beaux Arts-style building was funded by Andrew Carnegie, and was home to the Covington Public Library. The building features two porticoes on the facades facing Scott Boulevard and Robbins Street, with the primary portico being taller and topped with a pediment, featuring an ornate frieze crafted by local artist J. C. Meyerberg, ionic columns, cartouches, and a cornice featuring large dentils. Other features of the building include a raised semi-rusticated base, a curved pediment with a smaller frieze and a large cartouche over the side entrance, and simple window trim. The building, supposedly one of the first racially integrated facilities in the American South (disputed), served as the city's public library until 1974. The building housed spacious reading rooms, library stacks, and a large and ornately decorated Auditorium inside. The auditorium, which originally was used as a community gathering space, gradually fell into decline during the building's usage as a library due to municipal budgeting woes, leading to it becoming disused after 1958. The building was listed on the National Register of Historic Places in 1971 due to its architectural and historical significance, but languished for decades following the departure of the public library, despite being occupied by the Northern Kentucky Arts Council, now the Carnegie Visual and Performing Arts Center, a non-profit community arts center, which prevented the building's demolition. Between 1999 and 2003, the building underwent a massive renovation, and received a large addition on the south (righthand) facade, which connected the art galleries in the old library space with the theater in the rear of the building. The addition of the Eva G. Farris Education Center on the rear (east) facade of the building in 2004 added additional space for programming. The building's interior stained glass dome was restored in 2005, with the theater being refurbished and reopened as the Otto M. Budig Theatre in 2006. The building today is a vibrant arts and culture hub for Covington and the rest of Northern Kentucky, as well as the Greater Cincinnati Metropolitan Area.
Inside the engine room
From the Behind-the-Scenes Tour around Tower Bridge: Towers, high-level Walkways and Victorian Engine Rooms down to its hidden depths, normally out of bounds to the public...views from the Glass Floor and high-level Walkway, then the original steam engines, accumulators and boilers in the Victorian Engine Rooms...the Bridge’s operational areas including the Control Cabin, Machinery Room and the immense Bascule Chambers, which house the 422-ton counterweights.
Built between 1886 and 1894, the Bridge has spent more than a century as London's defining landmark, an icon of London and the United Kingdom.
A huge challenge faced the City of London Corporation - how to build a bridge downstream from London Bridge without disrupting river traffic activities. To generate ideas, the Special Bridge or Subway Committee was formed in 1876, and a public competition was launched to find a design for the new crossing.
Over 50 designs were submitted to the Committee for consideration, some of which are on display at Tower Bridge. It wasn't until October 1884 however, that Sir Horace Jones, the City Architect, in collaboration with John Wolfe Barry, offered the chosen design for Tower Bridge as a solution.
It took eight years, five major contractors and the relentless labour of 432 construction workers each day to build Tower Bridge under the watchful eye of Sir John Wolfe Barry.
Two massive piers were built on foundations sunk into the riverbed to support the construction, and over 11,000 tons of steel provided the framework for the Towers and Walkways. This framework was clad in Cornish Granite and Portland Stone to protect the underlying steelwork and to give the Bridge a more pleasing appearance.
When it was built, Tower Bridge was the largest and most sophisticated bascule bridge ever completed ('bascule' comes from the French word for 'seesaw'). These bascules were operated by hydraulics, using steam to power the enormous pumping engines. The energy created was stored in six massive accumulators, meaning that as soon as power was required to lift the Bridge, it was always readily available. The accumulators fed the driving engines, which drove the bascules up and down. Despite the complexity of the system, the bascules only took about a minute to raise to their maximum angle of 86 degrees. Find out more about this process.
Today, the bascules are still operated by hydraulic power, but since 1976 they have been driven by oil and electricity rather than steam. The original pumping engines, accumulators and boilers are now on display within Tower Bridge’s Engine Rooms.
[TowerBridge.org.uk]
Dendrogram created from serological typing strains using the E. faecalis MLST database efaecalis.mlst.net.Multi-locus sequence typing (MLST) of E. faecalis isolates was based on sequences of internal gene fragments for 7 housekeeping genes. Each gene variation (for each of the seven genes) is assigned a unique allele number. The combination of the 7 allele numbers (allelic profile) for each strain defines the multi-locus sequence type, or ST. The relatedness of isolates based on sequence type is shown as an unrooted cladogram, determined by (UPGMA) analysis of the allelic profiles. Boxed isolates represent the most common serotypes found in human populations in previous studies [25], [40].
Du 1er au 6 novembre 2018 l'Atelier Tsuyoshi Tane Architects installe un Furoshiki géant sur le parvis de l'Hôtel de Ville à Paris. Cette oeuvre éphémère, ouverte au public présente plusieurs interpretations de Furoshikis par des artistes contemporains et des créateurs de mode. L'installation est présentée dans le cadre du Tandem Paris-Tokyo et Japonismes 2018.
—
© CLAD / THE FARM
Octobre 2018
—
[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]
—
CLIENT : japonismes.org/fr
AGENCE : www.thefarmcom.io
Vues de la Fondation Carmignac. Les Jardins Nord et Sud présentent des sculptures In Situ d'artistes tels Ed Ruscha, Olaf Breuning, NILS-UDO. L'exposition inaugurale présente des oeuvres de la Collection Carmignac
L'exposition SEA OF DESIRE est présentée du 2 juin - 4 novembre 2018
—
© CLAD / THE FARM
Août 2018
—
[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]
—
CLIENT : www.fondationcarmignac.com
AGENCE : www.thefarmcom.io
Carrying on the whole copper theme, the copper clading ont he side of the Information Commons at the Univeristy of Sheffield, UK. Got nice and close for this one and it helped very much that we had SUNSHINE!
Unrooted ML cladogram of vertebrate MyoD amino acid sequences produced in PhyML [28] with an imposed ‘correct’ topology.The amino acid alignment was the same as used in Fig. 1. The imposed ‘correct’ starting tree topology supported the teleost WGD event (Acanthopterygii MyoD2 branching internally to tetrapod MyoD sequences, but externally to teleost MyoD1 sequences) and PhyML was used to refine branch lengths only. The ‘correct’ topology for other MyoD duplication events (in X. Laevis and Atlantic salmon) was as observed in trees in Fig. 1a–d. Branch lengths (substitutions per site) are shown above each branch.
Built in 1904, this massive limestone-clad Beaux Arts-style building was funded by Andrew Carnegie, and was home to the Covington Public Library. The building features two porticoes on the facades facing Scott Boulevard and Robbins Street, with the primary portico being taller and topped with a pediment, featuring an ornate frieze crafted by local artist J. C. Meyerberg, ionic columns, cartouches, and a cornice featuring large dentils. Other features of the building include a raised semi-rusticated base, a curved pediment with a smaller frieze and a large cartouche over the side entrance, and simple window trim. The building, supposedly one of the first racially integrated facilities in the American South (disputed), served as the city's public library until 1974. The building housed spacious reading rooms, library stacks, and a large and ornately decorated Auditorium inside. The auditorium, which originally was used as a community gathering space, gradually fell into decline during the building's usage as a library due to municipal budgeting woes, leading to it becoming disused after 1958. The building was listed on the National Register of Historic Places in 1971 due to its architectural and historical significance, but languished for decades following the departure of the public library, despite being occupied by the Northern Kentucky Arts Council, now the Carnegie Visual and Performing Arts Center, a non-profit community arts center, which prevented the building's demolition. Between 1999 and 2003, the building underwent a massive renovation, and received a large addition on the south (righthand) facade, which connected the art galleries in the old library space with the theater in the rear of the building. The addition of the Eva G. Farris Education Center on the rear (east) facade of the building in 2004 added additional space for programming. The building's interior stained glass dome was restored in 2005, with the theater being refurbished and reopened as the Otto M. Budig Theatre in 2006. The building today is a vibrant arts and culture hub for Covington and the rest of Northern Kentucky, as well as the Greater Cincinnati Metropolitan Area.
Built in 1812, this Federal-style house was constructed for James Park, and is one of the oldest remaining buildings in Downtown Knoxville. The house’s construction began in the 1790s when the land was owned by Governor John Sevier, but it was never completed due to financial difficulties, and the land subsequently was sold to George Washington Sevier in 1801 and then to James Dunlap in 1807. In 1812, the lot was sold to James Park, a merchant whom immigrated to Tennessee from Ireland, whom finally resumed construction of the house and completed it later that year, and was originally rectangular, with an ell added sometime before 1820, which gave the house its present distinctive shape. While living at the house, Park served as mayor of Knoxville from 1818-1821, and 1824-26, and the house was where President Andrew Jackson stayed while visiting Knoxville in 1830. The house remained in the Park family until 1912, when James Park’s son, Presbyterian Reverend James Park, Jr., died, with the house becoming office space, with medical organizations and clinics occupying the building during most of the 20th Century. The house had a major renovation circa 1968, adding a Colonial Revival-style side wing with an auditorium, with another renovation carried out removing the victorian-era porch from the house. In 2002, the building was purchased to become the headquarters of the Gulf and Ohio Railroads, which saw the house restored to its circa 1912 appearance with a small addition housing an elevator and staircase on the rear facade being the only exterior change from the house’s original appearance, with interior and exterior features including the house’s former picket fence, victorian porch, and chimneys being reconstructed or restored to their former appearance.
The house features a painted brick exterior with a side-gable roof on the main wing and a gabled front ell, with a standing seam metal roof, twelve-over-twelve and six-over-six double-hung windows, chimneys at the gable ends, a front door with a transom in the central bay of the original five-bay front facade, a one-story porch with a hipped roof on the front facade of the house and side of the front ell, which features a sawn balustrade, open pier foundation with latticework, columns with stick brackets, decorative trim, and decorative brackets, and a bracketed cornice at the base of the roofline of the house. The contemporary addition features a gabled roof with a narrow connector that attaches to the side of the house, and is clad in fiber cement siding and features a two-story glass curtain wall at a recessed central bay, which allows ample light into the first and second floor hallways inside the wing.
The house was listed on the National Register of Historic Places in 1972.