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Changing lenses on the Leica M6 under the influence of a particularly potent short cocktail in a Tokyo bar.
FORT GILLEM, Ga. May 6, 2017 – Command Sgt. Major Donald Madden hands the colors of the 221st Expeditionary Military Intelligence Battalion to outgoing battalion commander Lt. Col. Patrick Watson during the 221st EMIB change of command ceremony at Fort Gillem as incoming commander, Maj. John Fuchko looks on.
Georgia Army National Guard photo by Capt. William Carraway / released
LTZ1109/ LT109 is seen at Great Titchfield Street/ Photographers' Gallery on New Oxford Street on the second day of route 390's conversion to Borismaster Operation. It is seen on route 390 to Notting Hill Gate.
Our baby turned 4 today, and I could not think of a better moment to use for this week's theme!
See more of Rebecca's Madeline birthday here!
Italian postcard by B.F.F. Edit., no. 2705. Photo: Paramount. Claudette Colbert in Cleopatra (Cecil B. DeMille, 1934).
With her round apple face, big eyes and charm, French-born Hollywood star Claudette Colbert (1903-1996) was the epitome of chic sophistication. Her comedies It Happened One Night (1934) - for which she won the Oscar, Midnight (1939) and The Palm Beach Story (1942) are among Hollywood's greatest ever. After more than 60 films, she returned with great success to the theatre and was 84 years old when she won a Golden Globe for the TV mini-series The Two Mrs. Grenvilles (1987).
Claudette Colbert was born Emilie ‘Lily’ Claudette Chauchoin in 1903 in Saint-Mandé, an eastern suburb of Paris, where her father owned a bakery. Her parents were Georges Claude Chauchoin and Jeanne Marie née Loew. In 1906 her family emigrated to New York. Though she did some acting in college, her primary interest was fashion design. She studied fashion when she met the writer Anne Morrison at a party who offered the 20-year-old student a small role in her play The Wild Westcotts (1923) on Broadway. She started to use the stage name, Claudette Colbert. After signing a five-year contract with the producer Al Woods, Colbert played ingénue roles on Broadway from 1925 through 1929. British actor Leslie Howard, with whom she had a brief relationship in 1924, encouraged her and persuaded his friend the producer Al Woods to put her under contract but, despite personally good notices, she did not get into a major hit until The Barker (1927) with Walter Huston and Norman Foster. In The Barker, she played a duplicitous snake charmer. She and Foster, later a Hollywood actor and director, were married the following year during the play's London run. Their marriage remained a secret for many years while they lived in separate homes. In Los Angeles, Colbert shared a home with her mother Jeanne Chauchoin, but her domineering mother disliked Foster and did not allow him into their home. Colbert and Foster divorced in 1935 in Mexico. Colbert's first film, For the Love of Mike (Frank Capra, 1927), was made during The Barker's Broadway run. The silent film is now believed to be lost. She was concerned that silent cinema failed to utilise her melodious voice, one of her greatest assets. The advent of talkies changed her attitude, and in 1929 she signed a Paramount contract. Only two of her first 15 films - The Big Pond (Hobart Henley, 1930) and The Smiling Lieutenant (Ernst Lubitsch, 1931), both co-starring Maurice Chevalier - were better than mediocre. Then Cecil B. De Mille asked her to play Nero (Charles Laughton)'s unscrupulous wife Poppaea in the Biblical epic The Sign of the Cross (1932). Her performance was acclaimed, while her bath in asses' milk received immense publicity and has become a famous scene in Hollywood history. Columbia offered her the role of a spoiled heiress in It Happened One Night (Frank Capra, 1934). Colbert was initially reluctant to appear in the screwball comedy and demanded to be paid $50,000 - twice her usual pay - and that filming was to be completed within four weeks to allow her to take a planned vacation. Tom Valance at The Independent: “The role gave her the chance to work with Clark Gable, who had been forced by his studio, MGM, to do the film. Neither star initially expected much of the low-budget comedy which won five Oscars. Colbert was in fact boarding a train for New York on the night of the ceremony when she was stopped and rushed back to accept her Best Actress award from Shirley Temple.” The madcap comedy was a mega-hit all across the country. Two more big hits consolidated her status. She played the title role in the lavish but inaccurate Cleopatra (Cecil B. De Mille, 1934), then starred in Imitation of Life (John Stahl, 1934), a trenchant study of racial intolerance. It was based on Fannie Hurst's novel about a young widow who becomes a millionairess marketing the pancake recipe of her black friend (Louise Beavers). While the widow and her daughter move into society, the friend insists on keeping in the background, and when her light-skinned daughter, who faces exclusion and prejudice where her counterpart has privilege and opportunity, tries to pass for white and disowns her mother tragedy follows.
In 1935, Claudette Colbert was named one of the top 10 money-making stars, a position she was to hold again in 1936 and 1947. Fred MacMurray had his first major role in her next film, The Gilded Lily (Wesley Ruggles, 1935), and the two would go on to co-star in six more films. Charles Boyer, co-star of Colbert's next film, Private Worlds (Gregory La Cava, 1935), and not yet fully conversant with the English language, would also acknowledge the support he received from the actress, who won a second Oscar nomination for her performance as a psychiatrist in this grim story of mental illness. Wikipedia: “Colbert was a stickler for perfection regarding the way she appeared on screen. She believed that her face was difficult to light and photograph, and was obsessed with not showing the right side of her face to the camera, because of a small bump resulting from a childhood broken nose. She often refused to be filmed from the right side of her face, and this sometimes necessitated redesigning movie sets.” Colbert's first marriage ended in 1935 while she was making She Married Her Boss (Gregory La Cava, 1935). The same year she married Joel Pressman, a throat specialist and surgeon at UCLA, who remained her husband until he died in 1968. Colbert's role in Under Two Flags (Frank Lloyd, 1936), based on Ouida's tale of the Foreign Legion, was an unusual one for her, that of the tempestuous camp-follower "Cigarette" who sacrifices herself for the love of a soldier (Ronald Colman). For the same director, she starred in Maid of Salem (Frank Lloyd, 1937), an account of the 1692 witch-hunts in Massachusetts. Colbert never seemed entirely comfortable in period pieces, and both audiences and critics were happy when she returned to modern comedy with I Met Him In Paris (Wesley Ruggles, 1937) and Tovarich (Anatole Litvak, 1937), in which she and Charles Boyer were impoverished Russian nobility working as maid and butler in a Parisian household. Bluebeard's Eighth Wife (Ernst Lubitsch, 1938), with a screenplay by Billy Wilder and Charles Brackett, based on a 1923 Gloria Swanson silent film, was a disappointment. After a promising start in which Colbert meets Gary Cooper in a Riviera store where she is trying to buy pyjama bottoms while he is trying to purchase just the tops, it becomes contrived and frantic rather than funny. Zaza (George Cukor, 1939), in which Colbert sang several songs as a French music-hall star, was another failure. Then followed one of her greatest films, the Cinderella-inspired screwball comedy Midnight (1939), directed by Mitchell Leisen and brilliantly written by Brackett and Wilder. Colbert next appeared with Henry Fonda in the Western Drums Along the Mohawk (John Ford, 1939), her first film in colour, as a farmer's wife coping with rugged conditions and hostile Indians. Boom Town (Jack Conway, 1940) was one of her most popular films, due to its star-power of Gable, Colbert, Spencer Tracy and Hedy Lamarr.
Claudette Colbert cited as her favourite film Arise My Love (Mitchell Leisen, 1940), set just after the Spanish Civil War. Tom Valance in The Independent: “It has some splendidly romantic, dramatic and comic moments as Colbert, playing a reporter, pretends to be the wife of a condemned soldier of fortune (Ray Milland) to save him from a Spanish firing squad, then inevitably falls in love with him. Brackett and Wilder's screenplay tried to keep pace with changing events in Europe (the story ends after the invasion of France) which resulted in some uneasy shifts of mood in an otherwise impressive work.” Better still was Henry King's warmly charming piece of Americana Remember The Day (Henry King, 1941), in which Colbert gave a glowing performance as a school teacher who while visiting a now-famous former pupil recalls the past and her sweetheart who was killed in the First World War. Preston Sturges' The Palm Beach Story (1942) is one of the screen's greatest screwball comedies and contains the sequence Colbert later cited as her favourite comic scene. Having left her husband to find a millionaire to finance his inventions, she is climbing into a train's upper berth when she steps on the face and glasses of a rich passenger (Rudy Vallee). During the Second World War Colbert's husband, Joel Pressman, became a Navy lieutenant and she spent much time selling war bonds and working for the war effort. Two of her major films were effective wartime propaganda: So Proudly We Hail (Mark Sandrich, 1943), a tribute to the nurses in Bataan and Since You Went Away (John Cromwell, 1944), producer David O. Selznick's ambitious three-hour tribute to the families at home. Colbert considered hard before taking the role of the mother to two teenage girls, but it became one of her finest, most deeply felt performances, representing the women left to raise families while their husbands are at war. In one remarkably touching scene Colbert, who has taken a job at a munitions factory, converses with a refugee, now a naturalised American (Alla Nazimova). For the part, she received her third Academy Award nomination but lost to Ingrid Bergman in Gaslight. She appeared in such mild comedies as Practically Yours (Mitchell Leisen, 1944), and tepid dramas as Tomorrow is Forever (Irving Pichel, 1946) with Orson Welles. Colbert and Fred MacMurray had an enormous box-office hit with The Egg and I (Chester Erskine, 1947) as a city couple trying to run a farm, but the slapstick (lots of falling about in the mud) was far from the sophistication Colbert purveyed so expertly. Three Came Home (Jean Negulesco, 1950) gave her a strong dramatic role as Agnes Newton Keith, a true-life American author captured when the Japanese invaded Borneo in 1941. Her scenes with Sessue Hayakawa (as the cultured prison camp commander) were memorable in a gripping film which was too grim to be a major hit. Colbert had appeared on radio regularly throughout her career, and in 1951 she made her television debut on The Jack Benny Show. Other appearances included The Royal Family of Broadway (1954), The Guardsman (1955) and Blithe Spirit (1956), with Noel Coward and Lauren Bacall. In 1951 she also returned to the stage, with a tour of Noel Coward's Island Fling (later known as South Sea Bubble). She went to Britain to star with Jack Hawkins in The Planter's Wife (Ken Annakin, 1952) based on the native terrorism being faced by rubber planters. The film was a hit in Britain. The following year Colbert went to France to play a mistress of Louis XIV in Sacha Guitry's lavish Si Versailles m'etait conte/Royal Affairs in Versailles (1953). She returned to Broadway in 1955, replacing Margaret Sullavan in Janus, then in 1958 starred in a new play, Leslie Stevens's The Marriage-Go-Round. The play was a hit and Colbert won a Tony nomination. Her last film was Parrish (Delmer Daves, 1961), a soap opera in which Colbert played the mother of Troy Donahue. She continued to make Broadway appearances, among them The Irregular Verb To Love (1963), The Kingfisher (1978) and A Talent For Murder (1981), and she returned to the London stage in Frederick Lonsdale's Aren't We All? (1984) opposite Rex Harrison. For her television work in the mini-series The Two Mrs. Grenvilles (John Erman, 1987) she received a Golden Globe and a nomination for an Emmy Award. Claudette Colbert spent much of her time at the 200-year-old plantation house she and her husband had bought long ago in Barbados, and she also had a flat in Paris and an apartment on the East Side of New York. After three strokes, she died in Barbados in 1996 at the age of 92.
Tom Vallance in The Independent: “It is no accident, surely, that she flourished at that most European of studios, Paramount, home of Lubitsch and Chevalier, Mamoulian, Von Sternberg and Wilder. Her distinctive high-cheekboned beauty and the throaty individuality of her voice were complemented by superb comic timing and fine technical skill honed by an extensive apprenticeship in the theatre. She could be warmly compassionate in romantic drama but was unsurpassable in sophisticated comedy.”
Sources: Tom Vallance (The Independent), Hal Erickson (AllMovie), Denny Jackson (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
bonjour à tous,
notre projet a été de ramasser les déchets( bouteilles, papiers, plastiques, mouchoirs...) le parcours suivait le fleuve de l'Elbe sur environ 3 km, ce chemin traversait la forêt de notre village, lauenbourg en Allemagne,,, nous étions un petit groupe , et beaucoup de passages étaient peu accessibles pour cause de la monter de l'eau, mais cela nous a pas empêcher de récupérer plus de 15 sacs-poubelles de 270 l ...
même si ce pays a + de 10 ans d'avance au niveau écologique sur les autres pays européens cela n'empêche toujours pas à beaucoup de personnes de tirer les ordures dans la foret, c'est bien une preuve de non-respect pour notre planète ainsi que pour notre futur... voici donc quelques photos de notre action,,, en espérant qu'il y aura beaucoup d'autre pour les prochaines années....
cordialement un amoureux de la planète terre....
franck Hoffmann elbstrasse ,18 21481 Lauenbourg Allemagne
On the 29th January 2020 the 'Steven B' (1971) passes Westminster pushing a flat bed barge used for the movement of tunnel segments for the Thames Tideway project. The tug was built by Barkmeyer Stroobos at Vierverlaten for Dutch owners and came to the Thames in 2001.
Zenit E +Helios 44 2/58mm -- Ilford Fp4, D76 1+1 8,5min.
More shots with this lens: www.flickr.com/photos/mattiacam/sets/72157630972243744
F-86F#02-7960
,Blue Impulse,Japan air self defence force
,13 Aug.2014 Air park HAMAMATSU,JAPAN
,Nikon D7100
,AF-S Nikkor ED17-55mmF2.8G
My dear Sir---Yours of the 6th is received. I answer it only because I fear you would misconstrue my silence. What is our present condition?
We have just carried an election on principles fairly stated to the people. Now we are told in advance, the government shall be broken up, unless we surrender to those we have beaten, before we take the offices. In this they are either attempting to play upon us, or they are in dead earnest. Either way, if we surrender, it is the end of us, and of the government. They will repeat the experiment upon us ad libitum. A year will not pass, till we shall have to take Cuba as a condition upon which they will stay in the Union.
They now have the Constitution, under which we have lived over seventy years, and acts of Congress of their own framing, with no prospect of their being changed; and they can never have a more shallow pretext for breaking up the government, or extorting a compromise, than now. There is, in my judgment, but one compromise which would really settle the slavery question, and that would be a prohibition against acquiring any more territory.
Yours very truly,
A. LINCOLN.
~ Letter to James T. Hale from Abraham Lincoln, January 11, 1861
i'm going to try and sell the d700… i'm going all-in with the fuji (at least as far as digital is concerned). shoot me a flickrmail if you're interested.
SOLD!
In "my day" this was a full width two-way road, with a separate, walled-off pathway to the left: but sometime in the early 1980s, the left side (which had contained factory buildings) was all scooped out to form a large expanse of ground - used originally for newly-assembled tractors. Change came again at the end of the 1990s, when Tesco built a supermarket on the site. At least the right hand side of this view hasn't changed much: true, those factory walls now shield "Marshalls' Yard" retail park rather than Marshalls engineering works, but the look is much the same as it was in, say, the 1970s.
To have an idea what this same area used to look
like (albeit looking the other way) see here:
Camera: Nikon F5
Lens: Nikkor 28-80mm Zoom
Film: Kodak TMax 100 Developed in D-76
Epson V600 scan
When our modest town hall was built in 1785 the ground floor was home to 37 different market stall holders. It must have been an incredibly busy, noisy and probably smelly place to be! But for many years now there has just been one butcher, and all the rest of the space is taken up by public toilets (so some things are still the same!)
They have now decided that this year it is time to make the space more interesting and attractive for the town and visitors, so they are getting rid of the toilets and putting in a new, bright visitor centre and opening all the grand court rooms upstairs to the public.
While the building work goes on behind it over summer, dozens of young artists have created this huge mural which I think shows how the town might have looked in 1785, and is definitely more pleasing to look at than the builders' bums or the public toilets.
BERLIN, GERMANY - NOVEMBER 18: Kayla "flowerful" Horton of Shopify Rebellion competes at the VALORANT Game Changers Championship Knockouts Stage on November 18, 2022 in Berlin, Germany. (Photo by Michal Konkol/Riot Games)
Color-Change Garnet (Voi, Kenya). 1.49ct, 6.18x6.19x4.42mm. Simply Brilliant Square, Crown 2 (GarCC683) Blue under fluorescent light, red under incandescent. Very rare blue (violet) to red (purple) color change garnet. Voi produces several varieties of color change garnets. The most frequently seen are the classic brown to red variety. Blue to red like this are very difficult to obtain. They almost never occur clean. (You can see the inclusions near the bottom of the purplish red aspect image). A stone of this size is considered large for the variety, though I have seen larger in images.
Another of the casualties of the June changes was the 388, which lost its fairly short lived extension to Elephant.
It was curtained from the east at Liverpool Street though will gain a short extension to London Bridge in the autumn.
This is CT Plus 2526 at Elephant on one of its last trips this far south. 9.6.19.
A few photos from our rally on Tuesday
The banner was hung from the Science and Engineering Centre while the
Chancellor was hosting an event inside the building.
File name: 08_06_027117
Title: Changing room
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white ; 4 x 5 in.
Genre: Film negatives
Subject: Locker rooms; Athletes
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Copyright City of Philadelphia. Photograph by Samantha Madera.
This Mayor's Office photograph is being made available only for publication by news organizations and for noncommercial personal use. The photograph may not be manipulated in any way and may not be used in advertisements, emails, products, or promotions that in any way suggests approval or endorsement of the Mayor or his Administration. Reproduction of this photograph requires attribution of ownership to the City of Philadelphia.
Tobyhanna Army Depot
June 17, 2019
Reviewing Officer: Maj. Gen. Randy S. Taylor, U.S. Army CECOM Commanding General
Outgoing Commander: Col. Nathan M. Swartz
Incoming Commander: Col. John W. McDonald
Photographer: Thomas Robbins
Tobyhanna Army Depot
June 17, 2019
Reviewing Officer: Maj. Gen. Randy S. Taylor, U.S. Army CECOM Commanding General
Outgoing Commander: Col. Nathan M. Swartz
Incoming Commander: Col. John W. McDonald
Photographer: Thomas Robbins
New Zealand
I have just changed my license to creative commons, non commercial.
you are welcome to use my photos for non commerical purposes as long as you 1) link back to me on flickr or at my website www.exploretravelphotograhy.com AND 2) give credit to Giovanna Tucker
For commerical purposes please contact me on travelphotography@yahoo.com or go to my website to contact me
www.climatedeltaconference2014.org/
For your website
Regards, Fokke
Webmanager Earth System Science Chair Group - Climate Change and Adaptive Land and Water Management Research Team, Alterra, Wageningen UR
(www.wageningenur.nl/ess & www.wageningenur.nl/calm)
PO Box 47, 6700 AA Wageningen, the Netherlands
T: +31 317 48 1434
M: +31 6 2950 1992
F: +31 317 42 6101
Skype: fokke16
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