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Straight lines and open spaces of Chandigarh.

 

A camera allows you to dream. It allows you to focus on the things you like about the time and space you inhabit. In my recent work on Chandigarh, I have sought to capture the essence of the city for future generations who will live or pass through it. When I migrated here in the late seventies, Chandigarh was a relaxed, laid back town. Time moved languidly and slowly during those days. It is now a bustling, energetic city, which has fortunately retained the charm and beauty of its early years. There are very few cities in India, which can be compared with Chandigarh, because there are very few cities, which were entirely built according to a master plan by an architect of the stature of Le Corbusier. The complex interplay of shadows and light in Le Corbusier's architecture is particularly enthralling to me as a photographer. I view a camera as a receptacle of light. But imagining a great architect conceiving and building a city as a receptacle of light is an exhilarating vision for me. Presently I am working on documenting this light as it falls on the stirring straight lines and open spaces of Chandigarh.

 

Chandigarh has retained the rigid design and beauty of Corbusier's art. Human habitation and nature exists in harmony in the city. In the future this city, like every other city, will change in ways we cannot fathom at the moment. In my work I have sought to follow Leo Tolstoy's dictum: "In the name of God, stop a moment, cease your work, look around you". I have stopped for a moment. I have ceased my work. I am looking around. I would like to share what I see through the viewfinder of my camera. The human eye has a 50mm angle of view. But photography offers multiple angles of view stretching from ultra wide to ultra telephoto. I view these photographs as my homage to the beautiful city, which has given me shelter for over three decades.

 

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High Court, by Le Corbusier (1955).

 

Chandigarh, India.

 

© Roberto Conte (2019)

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Sector 17 | The heart of the city

 

A camera allows you to dream. It allows you to focus on the things you like about the time and space you inhabit. In my recent work on Chandigarh, I have sought to capture the essence of the city for future generations who will live or pass through it. When I migrated here in the late seventies, Chandigarh was a relaxed, laid back town. Time moved languidly and slowly during those days. It is now a bustling, energetic city, which has fortunately retained the charm and beauty of its early years. There are very few cities in India, which can be compared with Chandigarh, because there are very few cities, which were entirely built according to a master plan by an architect of the stature of Le Corbusier. The complex interplay of shadows and light in Le Corbusier's architecture is particularly enthralling to me as a photographer. I view a camera as a receptacle of light. But imagining a great architect conceiving and building a city as a receptacle of light is an exhilarating vision for me. Presently I am working on documenting this light as it falls on the stirring straight lines and open spaces of Chandigarh.

 

Chandigarh has retained the rigid design and beauty of Corbusier's art. Human habitation and nature exists in harmony in the city. In the future this city, like every other city, will change in ways we cannot fathom at the moment. In my work I have sought to follow Leo Tolstoy's dictum: "In the name of God, stop a moment, cease your work, look around you". I have stopped for a moment. I have ceased my work. I am looking around. I would like to share what I see through the viewfinder of my camera. The human eye has a 50mm angle of view. But photography offers multiple angles of view stretching from ultra wide to ultra telephoto. I view these photographs as my homage to the beautiful city, which has given me shelter for over three decades.

  

The Open Hand and Pit of Contemplation designed by Le Corbusier as the symbol of a new city and a new architecture.

 

A camera allows you to dream. It allows you to focus on the things you like about the time and space you inhabit. In my recent work on Chandigarh, I have sought to capture the essence of the city for future generations who will live or pass through it. When I migrated here in the late seventies, Chandigarh was a relaxed, laid back town. Time moved languidly and slowly during those days. It is now a bustling, energetic city, which has fortunately retained the charm and beauty of its early years. There are very few cities in India, which can be compared with Chandigarh, because there are very few cities, which were entirely built according to a master plan by an architect of the stature of Le Corbusier. The complex interplay of shadows and light in Le Corbusier's architecture is particularly enthralling to me as a photographer. I view a camera as a receptacle of light. But imagining a great architect conceiving and building a city as a receptacle of light is an exhilarating vision for me. Presently I am working on documenting this light as it falls on the stirring straight lines and open spaces of Chandigarh.

 

Chandigarh has retained the rigid design and beauty of Corbusier's art. Human habitation and nature exists in harmony in the city. In the future this city, like every other city, will change in ways we cannot fathom at the moment. In my work I have sought to follow Leo Tolstoy's dictum: "In the name of God, stop a moment, cease your work, look around you". I have stopped for a moment. I have ceased my work. I am looking around. I would like to share what I see through the viewfinder of my camera. The human eye has a 50mm angle of view. But photography offers multiple angles of view stretching from ultra wide to ultra telephoto. I view these photographs as my homage to the beautiful city, which has given me shelter for over three decades.

 

ALL RIGHTS RESERVED

i really cant explain the happiness you feel when surrounded by 5 cute stray puppies.....=]

Panjab University Student Center, by Shri B. P. Mathur (1975).

 

Chandigarh, India.

 

© Roberto Conte (2019)

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Panjab University, by Pierre Jeanneret (1966).

 

Chandigarh, India.

 

© Roberto Conte (2019)

___

 

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The city of Chandigarh was the first planned city in India post independence in 1947 and is known internationally for its architecture and urban design. The city has projects designed by architects such as Le Corbusier, Pierre Jeanneret, Jane Drew and Maxwell Fry. The city tops the list of Indian States and Union Territories with the highest per capita income in the country.

 

Source Wikipedia

September 2015

With Due Respect Dedicated to another Master of Masterpieces PHOEBUSIENNE ( www.flickr.com/photos/cl-cl/ ) Believe me or not she is made of fire and I worship fire.

Baisakhi Celebration in Chandigarh 2025

 

"Baisakhi is a harvest festival celebrated by Hindus and Sikhs, primarily in Punjab. It marks the start of the new year in the Sikh calendar and the spring harvest season. It is also a significant religious observance for Sikhs, commemorating the founding of the Khalsa Panth in 1699. "

Student Centre of Panjab University, designed by B.P. Mathur, Chandigarh

Clicked at Chandigarh Carnival, Chandigarh

Architect: Le Corbusier & Shiv Dutt Sharma

Year: 1997

Location: Sector-10, Chandigarh, India

Style: Brutalist

PC: The Indian Express

Saturday 9th November - Chandigarh

Chandigarh's Capitol Complex, designed by Le Corbusier.

A girl on a swing in the Nek Chand Rock Garden in Chandigarh. She was from the nearby city of Patiala, and when I told her I was from there she ran away.

 

The 'Open Hand' monument in Chandigarh.

CFC during fotowalk at Heritage Fest (Pinjore)

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH ---_0003

Taken from Hometel in Chandigarh

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