3D Central: 3D and CGI imagery
View allAll Photos Tagged cgi
From Wikipedia, the free encyclopedia.Computer-generated imagery (CGI for short) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, commercials, videos, and simulators. The visual scenes may be dynamic or static, and may be two-dimensional (2D), though the term "CGI" is most commonly used to refer to 3D computer graphics used for creating scenes or special effects in films and television...
Thanks for the favs and comments folks....
I really appreciate the visits. I look forward to visiting many of yours.
Not an AI-generated image.
Made in Substance Painter and 3ds Max.
3D models are made from scratch. Textures are manually added.
©2021 Laurence G.R. | CC BY-NC-ND 4.0
John and I just managed to finish another collab before traveling for Christmas. This small chapel is an entry for the Religious Building category of the Colossal Castle Contest.
The chapel is lit and you can see a fun night shot
President Clinton announcing IntraHealth’s CGI Commitment: Next-Generation Technology for Frontline Health Workers.
Source: Clinton Global Initiative 2012 Meeting webcast
We enjoy the activities from this Letter of the Week book. Today was the letter H.
Kylie colored a paper picture of a hat with her washable markers. And then we played hide-and-seek with these other H words. She was supposed to decorate her hat with these tags. She decided to decorate herself instead. She's such a little goofball.
The registered area represents the well-preserved garden designed in and around the village of Portmeirion by Clough Williams-Ellis (1883-1978) where conditions permit the growing of many half-hardy and tender plants, which enhance the exotic character of the site. Attached is the older Gwyllt garden containing an outstanding rhododendron collection of the early twentieth century. The registered area has important group value with the numerous listed buildings and structures at Portmeirion. Portmeirion is situated on the north side of the Traeth Bach estuary, near Porthmadog; the Gwyllt gardens to the west of it occupy the southern part of the peninsula between this and the Traeth Mawr. The site is almost hidden from the landward side and is sheltered from this direction by the shape of the land, as is the village area from the west and south-west by the Gwyllt. The only exposed direction is the south-east and in this direction lie spectacular views, over the sands of the estuary towards Harlech. Portmeirion is a deliberately created village set in a garden. The village, built in and around a small valley opening on to the shore, consists of a hotel and cottages, with shops and public buildings, arranged around a central open square which is laid out as a public garden. The buildings are a collection of architectural fantasies created by Clough Williams-Ellis. It is stylistically diverse, incorporating architectural elements from a wide range of periods and from several countries. The garden area occupies most of the flat ground available and due to the steeply-sloping nature of the rest of the site most of the buildings are displayed to advantage on the hillside. For this reason the village is best viewed from the sea, from which the site was first seen by Williams-Ellis. When Clough Williams-Ellis bought the site in 1925, he also acquired the mansion of Aber-Ia (LB: 4853) and its informal pleasure grounds on the Gwyllt peninsula to the west. The Gwyllt garden was probably laid out when the house was first built in the middle of the nineteenth century. The first additions were trees, especially pines and other conifers, some of which survive, and rhododendrons such as R. nobleanum and 'Cornish Red'. The second phase of planting was in the early twentieth century. This was the heyday of the collection, when the owner, Caton Haigh, deliberately collected half-hardy and exotic varieties, some recently introduced from China. Planting survives from both periods and the age range of the trees suggests that some were also planted by Clough Williams-Ellis. After Clough acquired the site there were two main periods of building; from 1925 until the Second World War, and from 1954 until about 1970. The first period saw conversion of the mid-nineteenth century house, Aber-Ia, to a hotel and the 'Cloughing-up' of the former gardener's cottage, now the Mermaid (LB: 4860); the former stable building (LB: 4886) was also converted. The first new cottages were the Angel (LB: 4856) and Neptune (LB: 4858), on the west side of the valley, opposite the Mermaid. Most of the buildings in the Citadel, the higher part of the village on the north-eastern edge of the valley, were also completed, including the Campanile (LB: 4868). During the later period more buildings were added to the Citadel and around the central public garden, part of which was now known as the Piazza (LB: 4885). These include the Pantheon (LB: 4879), with its dome complementing the Campanile, the Unicorn (LB: 4882) and Bridge House (LB: 4875), on an arch over one of the streets. Significant Views: there are fine views from the seafront hotel and from the balustraded viewing area over the estuary to Harlech and the mountains beyond. The hotel at Portmeirion was originally the mansion of Aber Iâ and the site of the present village, together with its dramatic wooded setting, formed a small estate around the house. It was built c1850 and was described in 1861 as:` one of the most picturesque of all the summer residences to be found on the sea-coast of Wales.' The house and estate were bought by Sir Clough Williams-Ellis in 1925 and formed the focus of the Portmeirion village, conceived and designed by him between 1925 and his death in 1978. The newly restored hotel was opened in 1926, and included a new 3-storey wing added to the W, one of the first of CWE's designs to be executed on this site. In 1930 a new single-storey dining room addition was erected, with later additions of 1935. In June 1981 the hotel was tragically gutted by fire. Its subsequent restoration, however, has successfully recreated the hotel in the spirit of its pre-fire days; it reopened in 1988. Amongst the many of CWE's celebrated guests at the hotel and its associated village structures were Noel Coward, Kenneth Clark, George Bernard Shaw, Bertrand Russell and Frank Lloyd Wright.