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The ceiling frescoes in the Freising cathedral.
The cathedral of Freising was built in Romanesque style from 1159 to 1205. First change to the interior was the replacement of the flat Romanesque wooden ceiling by a Gothic vault ceiling during 1481 to 1483. In a further change during the Baroque period the Gothic vault ribs were removed, the final change was the Rococo decoration created around 1724 by the brothers Cosmas Damian Asam and Egid Quirin Asam.
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The panels of the honeycomb glass ceiling Reykjavik's Harpa Concert Hall offer multitude of abstracts.
ⓒRebecca Bugge, All Rights Reserved
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In the abbey church of Mondaye, dedicated to Martin of Tours. The abbey has medieval roots, but the church was (re)built in the early 18th century, under the supervision of the architect Eustache Restout - who was also a prior at the abbey.
ⓒRebecca Bugge, All Rights Reserved
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The stone work in this church is quite amazing.
In the church Santa Maria del Popolo in Rome - this one was built in 1472-1477, replacing a medieval church (said to have been built on the spot where the wicked emperor Nero had been buried - though this is now very much doubted and that founding history is more to be viewed as a myth). It was originally a pure Renaissance church, but got some remodelling done in the 17th century which gives the church a touch of Baroque too. The biggest claim to fame for the church is, probably, the two paintings by Caravaggio in a chapel to the left of the high altar.
Backlit autumn leaves of Acer palmatum (‘Iroha-momiji’ in Japanese) against the light cloudy sky. They were forming a beautiful mosaic ceiling of nature.
ⓒRebecca Bugge, All Rights Reserved
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The church is mostly known as Bath abbey - but the full name is the Abbey Church of Saint Peter and Saint Paul. It is now an Anglican church, but it started out as an abbey church to a Benedictine monastery. A church was first built on this spot in the 7th century - but the current building dates from the 12th to the 16th century (with some major restorations made in the 1860s, including to the ceiling and finishing the vaulting that had been partly abandoned back in the day - probably for financial reasons) and one of the better examples of the Gothic perpendicular style.