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Oil on canvas; 54 x 64 cm.
Józef Pankiewicz (November 29, 1866 - July 4, 1940) was a Polish painter, graphic artist, and pedagogue.
Pankiewicz was born at Lublin. He studied under Wojciech Gerson and Alexander Kamiński. He travelled to Saint Petersburg with Władysław Podkowiński after winning a scholarship to the Imperial Academy of Arts there. In 1889, both artists left for Paris.
Founder of Polish Colorism deriving from postimpressionism. In France he was a friend of Pierre Bonnard and strongly influenced by his art. Then he dropped this course for experimenting with fauvism during stay in Spain.
Kapists or KPists (Polish: Kapiści, from KP, the Polish acronym for the Paris Committee), also known as the Colorists, were a group of Polish painters of 1930s who dominated the Polish artistic landscape of the epoch. Contrary to Polish romanticist traditions, the Kapists underlined the independence of art from any historical tradition, symbolism or influences of literature and history. They were formed around Józef Pankiewicz and were under strong influence of the French Post-Impressionists.
The name of the movement was derived from the full name of the so-called Paris Committee, or Paris Committee of Relief for Students Leaving for Artistic Studies in France. Apart from Pankiewicz, among the best-known Kapists were Jan Cybis, Józef Czapski, Józef Jarema, Artur Nacht-Samborski, Piotr Potworowski, Hanna Rudzka and Zygmunt Waliszewski.
Fabric. The way it lies across a figure, transforming personal traits into a canvas of neutrality simply amazes me. Playing with the body as a neutral art surface is something I want to push further in my work. Thanks to Carl York for his time and patience with this shot, the final result left me quite satisfied.
Quantity Available: Yardage
Description:
100% Cotton - 44" Wide
To Order:
Copy and paste the fabric name and send it in an email to me, along with the quantity desired
My own sentiment (well, someone had probably thought of it before... but you know?).
The fourth painting nspired by Christy Tomlinson's amazing She Art-class! A small mishap with the new pens made it a bit different that I'd originally planned - but hey... I guess this was the way it was meant to look? ;)
TFL! :)
...Using Vickie Howell's wonderful Cotton-ish yarn!
Get the tutorial here: www.craftypod.com/2013/07/30/how-to-make-a-stitch-marker-...
CANVAS Wedding Issue 2013
cover model : Shuvo & Shokh
makeover : Persona
wardrobe : Lereve (shuvo) & Warah (shokh)
Jewellery : Abrar's designer jewellery
Facebook : www.facebook.com/mortuzaalamphotography
© "All rights are reserved" worldwide by Mortuza Alam. Please do not use the picture without permission
A really old / 5 years or more/ canvas I made at occasion we hangaround in belgium in a tee time at DJ tweet place. So it's just quick work for fun :) / I really smoke a lot doing this and for sure it was one of my first not wall graffiti. Thanks to Unco for getting this photos from the darknes deeps :) Peace!
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Oil on canvas; 114.3 by 146.3 cm.
Roberto Sebastian Antonio Matta Echaurren was born in Santiago, Chile in 1911. He studied architecture at the Universidad Catolica in Santiago. In 1933 Matta traveled to Paris and worked for two years as a draftsman in the Paris studio of famed architect Le Corbusier. While visiting his aunt in Madrid, he met Federico Garcia Lorca and Pablo Neruda. Neruda introduced Matta to Salvador Dali and Andre Breton. Impressed by Matta's drawings, Breton invited him to join the Surrealist group in 1937. Influenced by his association with the Surrealists and by Marcel Duchamp's theories of movement and process, Matta began to explore the realm of the subconscious and to develop an imagery of cosmic creation and destruction. His early works, the Psychological Morphologies and the Inscape series, were organic in style and content. By 1939 the war in Europe drove Matta to exile in New York, where he was an important influence on the young New York School artists, especially in his use of automatist techniques.
In 1940 he held his first solo exhibition at the Julien Levy Gallery in New York City. A 1941 trip to Mexico with his wife and his friend Robert Motherwell intensified his interest in the pre-Columbian heritage of Latin America. In 1942 Matta was included in the New York exhibitions Artists in Exile at the Pierre Matisse Gallery and The First Papers of Surrealism at the Whitelaw-Reid Mansion. In the mid-1940s his early abstractions gave way to paintings in which mechanical and insect-like shapes float and collide in a cosmic space charged with dynamic tension. In 1948, Matta returned to Europe and broke with the Surrealist movement. He settled in Paris in 1954. During the 1960s and 1970s Matta traveled to Cuba, South America, Egypt, and Africa. Although known primarily as a painter, Matta has also explored the media of sculpture, ceramics, and tapestry.
id-iom
Title: Who's a pretty boy then?
Media: Hand cut stencils, spraypaint, embroidery, acrylic, little flowers, all things stitchable...
Size: 50 x 50 cm canvas
FOR SALE - please contact if interested
A collaboration with the most excellent Miss MimiLove forever.
"Dawn Break"©, an Impressionist art painting by Ed Passi, hanging on wall of a California med center.
Pittura intitolato "Dawn Break" di Ed Passi in mostra in una sala medica nel sud della California