View allAll Photos Tagged c1912
Looking south along Broadway Market from Westgate Street/Lansdowne Road junction;showing Cat and Mutton P.H. Postcard by D.Kingston,Jr.& Co., London Fields, n.d.c1912. [Newsagent and tobacconist, No.85. The Broadway, 1911-12].
1 Cent Mills Novelty "The Premium Gum Machine" Coin Drop Skill Trade Stimulator c1912, cast-iron case, works, in great original condition w/ original paper - 12"w x 7"d x 16"h
Alexandra Exter
Oil on canvas
From the exhibition
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s
(June - October 2024)
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ recreates the multiplicity of artistic approaches and identities that existed in Ukraine in the early twentieth century. The exhibition tells the story of modernist artists and the visual experiments through which they sought to renew Ukraine’s culture and autonomy.
The territory of Ukraine had been divided between various empires for centuries, but periods of sovereignty in the country’s history contributed to the development of a distinct identity which, in the nineteenth century, became consolidated into a national consciousness advocated by artists and thinkers.
Such a complex history produced a particular cultural profile, born from the fusion of Ukrainian, Polish, Russian and Jewish communities.
Modernism in Ukraine unfolded against a complicated sociopolitical backdrop: the First World War, the collapse of the Russian and Austro-Hungarian empires, the revolutions of 1917, the independence of the Ukrainian People’s Republic (1918–21) and the subsequent absorption of the Ukrainian lands by the Soviet Union. Yet despite such political turmoil, this became a period of true flourishing in the Ukrainian arts.
This exhibition brings together 65 artworks, primarily from the collections of the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine.
While recognising the complex identities of artists from the period and area, this exhibition discusses these figures within the context of Ukrainian art history. We have therefore favoured the Ukrainian spellings of artists’ names.
Marvel at the groundbreaking modernist art made in Ukraine between 1900 and the 1930s.
The modernist movement in Ukraine unfolded against a backdrop of collapsing empires, the First World War, the fight for independence, and the eventual establishment of Soviet Ukraine. Despite such profound upheaval, this became a period of bold artistic experimentation, and true flourishing of art, literature and theatre in Ukraine.
Highlighting the range of artistic styles and cultural identities that existed in Ukraine during this period, this is the most comprehensive UK exhibition to date about modern art in Ukraine. Explore 65 works, from oil paintings and sketches to collage and theatre design. Many are on loan from the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine in Kyiv.
In the Eye of the Storm brings together the work of such artists as Kazymyr Malevych, Sonia Delaunay, Alexandra Exter and El Lissitzky, as well as lesser-known figures like Oleksandr Bohomazov and Mykhailo Boichuk, each of whom left an indelible mark on the country’s art and culture.
[*Royal Academy]
Taken in the Royal Academy
Alexandra Exter
Oil on canvas
From the exhibition
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s
(June - October 2024)
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ recreates the multiplicity of artistic approaches and identities that existed in Ukraine in the early twentieth century. The exhibition tells the story of modernist artists and the visual experiments through which they sought to renew Ukraine’s culture and autonomy.
The territory of Ukraine had been divided between various empires for centuries, but periods of sovereignty in the country’s history contributed to the development of a distinct identity which, in the nineteenth century, became consolidated into a national consciousness advocated by artists and thinkers.
Such a complex history produced a particular cultural profile, born from the fusion of Ukrainian, Polish, Russian and Jewish communities.
Modernism in Ukraine unfolded against a complicated sociopolitical backdrop: the First World War, the collapse of the Russian and Austro-Hungarian empires, the revolutions of 1917, the independence of the Ukrainian People’s Republic (1918–21) and the subsequent absorption of the Ukrainian lands by the Soviet Union. Yet despite such political turmoil, this became a period of true flourishing in the Ukrainian arts.
This exhibition brings together 65 artworks, primarily from the collections of the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine.
While recognising the complex identities of artists from the period and area, this exhibition discusses these figures within the context of Ukrainian art history. We have therefore favoured the Ukrainian spellings of artists’ names.
Marvel at the groundbreaking modernist art made in Ukraine between 1900 and the 1930s.
The modernist movement in Ukraine unfolded against a backdrop of collapsing empires, the First World War, the fight for independence, and the eventual establishment of Soviet Ukraine. Despite such profound upheaval, this became a period of bold artistic experimentation, and true flourishing of art, literature and theatre in Ukraine.
Highlighting the range of artistic styles and cultural identities that existed in Ukraine during this period, this is the most comprehensive UK exhibition to date about modern art in Ukraine. Explore 65 works, from oil paintings and sketches to collage and theatre design. Many are on loan from the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine in Kyiv.
In the Eye of the Storm brings together the work of such artists as Kazymyr Malevych, Sonia Delaunay, Alexandra Exter and El Lissitzky, as well as lesser-known figures like Oleksandr Bohomazov and Mykhailo Boichuk, each of whom left an indelible mark on the country’s art and culture.
[*Royal Academy]
Taken in the Royal Academy
18 x 13 cm. Displayed in the exhibition titled "Drawings for American stained glass" held at the Rakow Research Library, Corning Museum of Glass, from May 17-December 31, 2010. Probably the same as "Villa at Laurelton Hall". Likely to be based on LCT's painting, "Shoreside Villa, Laurelton Hall LCT oil on canvas"
Casey at the Turf Club on closing day at Bay Meadows. The Greater Bay Area Costumers Guild (GBACG) held an event called "A Day at the Races" and members came clothed in costumes from the 1890s to 1920s. This was a vintage gown c1912 that had been her grandmother's. We made the hat.
Estate Cottages, Croome Road, Sledmere, East Yorkshire, c1912.
For Sir Tatton Sykes, 5th Baronet (1826-1913).
Unlisted.
this is aparently one of the few remaining old style furnaces in vancouver, its an IDEAL , made by the AMERICAN RADIATOR COMPANY, CHICAGO, # 48-6 , STEAM HEATER, in a 1912 catalog of mine, this beast cost about $1250- , the full construction price of the average house here in vancouver , c1912
Interior of Post Office & employees (H00755) [Photograph]. (c1912-1914). The Archive at Fort Collins Museum of Discovery. fchc.contentdm.oclc.org/digital/collection/ph/id/13906/rec/1 Edith Peggy Bair, Fanny Tenney Dowdell, Frank Slayton, Roy Inmann and Marshall Moore. Marshall Moore was postmaster.
Lefevre-Utile Biscuits c1912 (reproduction of their advertising portraits by famous artists) ~ artist signed by A Piot ~ Etienne Adolphe Piot 1850-1910
Alexandra Exter
Oil on canvas
From the exhibition
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s
(June - October 2024)
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ recreates the multiplicity of artistic approaches and identities that existed in Ukraine in the early twentieth century. The exhibition tells the story of modernist artists and the visual experiments through which they sought to renew Ukraine’s culture and autonomy.
The territory of Ukraine had been divided between various empires for centuries, but periods of sovereignty in the country’s history contributed to the development of a distinct identity which, in the nineteenth century, became consolidated into a national consciousness advocated by artists and thinkers.
Such a complex history produced a particular cultural profile, born from the fusion of Ukrainian, Polish, Russian and Jewish communities.
Modernism in Ukraine unfolded against a complicated sociopolitical backdrop: the First World War, the collapse of the Russian and Austro-Hungarian empires, the revolutions of 1917, the independence of the Ukrainian People’s Republic (1918–21) and the subsequent absorption of the Ukrainian lands by the Soviet Union. Yet despite such political turmoil, this became a period of true flourishing in the Ukrainian arts.
This exhibition brings together 65 artworks, primarily from the collections of the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine.
While recognising the complex identities of artists from the period and area, this exhibition discusses these figures within the context of Ukrainian art history. We have therefore favoured the Ukrainian spellings of artists’ names.
Marvel at the groundbreaking modernist art made in Ukraine between 1900 and the 1930s.
The modernist movement in Ukraine unfolded against a backdrop of collapsing empires, the First World War, the fight for independence, and the eventual establishment of Soviet Ukraine. Despite such profound upheaval, this became a period of bold artistic experimentation, and true flourishing of art, literature and theatre in Ukraine.
Highlighting the range of artistic styles and cultural identities that existed in Ukraine during this period, this is the most comprehensive UK exhibition to date about modern art in Ukraine. Explore 65 works, from oil paintings and sketches to collage and theatre design. Many are on loan from the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine in Kyiv.
In the Eye of the Storm brings together the work of such artists as Kazymyr Malevych, Sonia Delaunay, Alexandra Exter and El Lissitzky, as well as lesser-known figures like Oleksandr Bohomazov and Mykhailo Boichuk, each of whom left an indelible mark on the country’s art and culture.
[*Royal Academy]
Taken in the Royal Academy
Imagen 82.
John Singer Sargent. Fuentes del Generalife. c1912
Dos apuntes a la acuarela del mismo tema vistos en el sentido opuesto de sus ejes transversales.
Se trata de la fuentecita central de los Jardines Altos del Generalife.
This is the blank reverse of the postcard. Note the prices according to the destination and what is written, also the place of manufacture.
Imagen 85.
Sargent. Fuente del Generalife. c1912
La segunda de las dos acuarelas del mismo tema pintadas por Sargent sobre esta fuentecita situada en el centro del mayor de los Jardines Altos del Generalife.
Debajo una fotografía actual nos la muestra conforme a la perspectiva de la obra aunque sin las cuatro macetas que la rodean.
La imagen de la postal de la derecha, con tres de estos macetones, también muestra la fuente citada aunque con un punto de vista perpendicular al de Sargent y que he querido representar con una flecha roja dieccional.
Al fondo las escaleras dobles que llevan a otras terrazas y jardines superiores de los que sobresale la "Torre del Príncipe Amed" actualmente llamado el "mirador romántico".
Construction of the Munns St. Bridge, Millers Point (Observatory Hill in distance) c1912 & 2017. Photo: K.Sundgren #sydney #history fat.ly/26v2d