View allAll Photos Tagged c1911

Lawla Learmonth, Lucy Richardson (her mother), Charlotte Pornitz (sister of Lawla and daughter of Lucy) Unknown woman perhaps Hazel Goodridge, Muriel Pornitz. Probably c1911 in Hamilton.

The boat building workshop where c1911 steam launch 'Emma' is being restored

York Art Gallery.

BLOOM.

Special Exhibition.

23 June – 8 October 2023.

 

Arum Lilies.

Auguste Herbin (1882-1960).

Oil on canvas, c1911.

 

Flowers, plant life and gardens have fascinated and inspired generations of artists. York Art Gallery’s exhibition ‘Bloom’ brings together more than 100 botanical artworks from its collection, alongside key loans, to explore the importance of nature and green spaces for enjoyment, creativity and wellbeing.

 

‘Bloom’ showcases flora through paintings, works on paper, ceramics and contemporary installations. The exhibition highlights the story of the Museum Gardens in York through art, from its early beginnings through to its activities today, before exploring a wonderful range of still life paintings from the Gallery’s own collection as well as a series of loans. In the final space, featured works show how gardens and flowers are able to reflect and draw on themes of identity. The exhibition encourages visitors to think about the significance of our natural world and how best to enjoy, cherish and protect it.

  

   

Photographed in the Donald W. Reynolds Center for American Art and Portraiture. A Smithsonian Institution gallery in Washington DC, USA.

John Reynolds Nelson ancestors

Millennium Gallery, Arundel Gate, Sheffield.

Metalwork Collection - The Sykes Gallery.

 

Fruit Spoon.

George Ellis, Sheffield.

Elecrtroplated nickel sillver, gilt, c1911.

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Sheffield is known throughout the world foremost for its association with steel and cutlery: in the 1800s primarily for its pioneer steelmakers and innovation, and more recently for processing and finishing. While Sheffield's worldwide renown as a producer may have been eclipsed during the 1900s, its metalwork trades continued and flourish. Museums Sheffield is custodian of a collection of finished metalwork, awarded Designated Status in 1999 in recognition of its outstanding national and historical significance.

 

The collection is made up of some 13,000 items including what is probably the most extensive grouping of Sheffield-made cutlery, flatware (forks and spoons) and holloware (eg bowls, teapots, containers) in existence. It represents the light metals trades of Sheffield's long manufacturing and craft history. Most importantly the collections reflect the stories of generations of families who worked in the city and whose labour and skill contributed to its enormous success.

 

The collection mostly comprises items for domestic use, such as cutlery and tableware. This includes table knives and flatware, and material for the export trade such as Bowie knives in common use during the expansion of the American west. The collection also includes domestic equipment such as razors and scissors as well as material related to the cutlery trades such as horn, pearl and ivory knife handles. In addition it contains comparative items drawn from the cultures of Europe, Africa and Asia and range from flint knives dating from 2500BC to high quality silverware and stainless steel made today.

 

The collection of holloware is an intrinsic part of the Designated Metalwork Collection. It includes small collections of silver and electroplate, but most importantly two significant collections of Britannia metal and Old Sheffield Plate. These two metals, developed in Sheffield from the mid 1700s, include items made for the home such as teapots, candlesticks, tankards and snuff boxes, manufactured by well known local firms.

  

Pickering, North Yorkshire.

Market Cross, Smiddy Hill, c1911.

Unlisted.

St Peter & St Paul, Salle, Norfolk.

North Transept Window - detail.

By Herbert William Bryans (1855-1925), c1911.

 

Bryans was a pupil of Clayton & Bell and later worked for Charles Eamer Kempe who was a great influence. So much so that his work is often mistaken for that of Kempe. He started his own business in 1897.

   

Family piece. Seth Thomas c1911 in working condition. It was service less than 5 years ago. 13" h x 12" w x 7" deep.

Yoshio Markino

Colour woodcut

 

This woodcut shows Buckingham Palace in faint outline at dusk. The artist, Yoshio Markino, arrived in London in 1897 and quickly grew to love the city, writing that ‘Age and the fogs have made the buildings so beautiful’. The scene is presented with the simplicity of a Japanese print, but the colours are muted and the winding path through Green Park introduces a strong sense of perspective.

[The Queen's Gallery]

 

Taken in the exhibition

  

Japan: Courts and Culture

(April 2022 - February 2023)

 

The Royal Collection holds some of the most significant examples of Japanese art and design in the western world. For the first time, highlights from this outstanding collection are brought together to tell the story of 300 years of diplomatic, artistic and cultural exchange between the British and Japanese royal and imperial families. The exhibition includes rare pieces of porcelain and lacquer, samurai armour, embroidered screens and diplomatic gifts from the reigns of James I to Queen Elizabeth II. Together, they offer a unique insight into the worlds of ritual, honour and artistry linking the courts and cultures of Britain and Japan.

[The Queen's Gallery]

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