View allAll Photos Tagged c1911
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Angle with crown of thorns
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Magdalene
NW panel is painted with image of Christ crucified with sunburst and skull. Sunburst is moulded “INRI” above. SW panel is painted with two angels holding the instruments of the Passion “ihc” in sunburst relief work. SE panel painted with gold lettering “ihc” (five sets) — no linen fold panelling on this side. [ihc is an alternative form of IHS = the first three letters of the name Jesus in Greek (ΙΗΣΟΥΣ), often used as a Christian emblem.]
BriefDescriptionWooden pulpit resting on stone plinth with three stone steps. Pulpit has two wooden steps. Square plan with 3 sides plus one for access. Each side is a large painted panel. Tracery work at top of two panels is painted gold over. Two sides have linen fold panelling at base. Mounted on NW side is an adjustable book rest decorated on the underside with gilded tracery on a red background.
Temple Moore (designer) Messrs Holloway Bros (woodwork) c1911.
Object History Note -“Drawings by Mr Temple Moore of proposed new pulpit and reading desk were submitted. It was decided to ask for estimates including painted panels.” [Churchwardens' Minutes 13/04/1911]
“The following resolution proposed by Mr Walker and seconded by Mr Fairlam was carried unanimously, viz:— That a new pulpit be provided at a cost of £96, a new reading desk for £18, also four painted panels for two bays in the triforia of the choir at a cost of £103; a total of £217, to be paid out of the Abbey fund.” [Churchwardens' Minutes 16/05/1911]
2000: “The floor to the pulpit was repaired.” [Churchwardens Record HEXAB9535 p82]
DimensionsH 1530 | W each side 790
CurrentLocNoteSE crossing pier
CurrentLocationTower Crossing
from
North transept window by H Bryans of London placed during the c1911 restoration by Sir Alfred Jodrell
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
North transept chapel window, by Noyes and Green, Salisbury, c1911 - Good Shepherd, and Feeding the 5,000
All Saints, Kedleston, Derbyshire.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911 - detail.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Magdalene
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery
"Yniol's Rusted Arms - Princelike His Bearing Shone", a book illustration by Eleanor Fortescue-Brickdale, from Tennyson's Idylls of the King, c1911.
Parramatta, c1911. View east down the Parramatta River to the Rydalmere Hospital for the Insane. This institution was built in 1813 as the Protestant Girls School to a design inspired by Elizabeth Macquarie's childhood home "Airds" in Scotland. In the 1860s it became an orphanage for both boys and girls. In 1888 it was converted into a wing of the Parramatta Lunatic Asylum and was gazetted as a standalone institution in 1892. Today it is the Parramatta Campus of Western Sydney University.
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#sydney #parramattariver #parramatta #history fat.ly/26v0Z
NW panel is painted with image of Christ crucified with sunburst and skull. Sunburst is moulded “INRI” above. SW panel is painted with two angels holding the instruments of the Passion “ihc” in sunburst relief work. SE panel painted with gold lettering “ihc” (five sets) — no linen fold panelling on this side. [ihc is an alternative form of IHS = the first three letters of the name Jesus in Greek (ΙΗΣΟΥΣ), often used as a Christian emblem.]
BriefDescriptionWooden pulpit resting on stone plinth with three stone steps. Pulpit has two wooden steps. Square plan with 3 sides plus one for access. Each side is a large painted panel. Tracery work at top of two panels is painted gold over. Two sides have linen fold panelling at base. Mounted on NW side is an adjustable book rest decorated on the underside with gilded tracery on a red background.
Temple Moore (designer) Messrs Holloway Bros (woodwork) c1911.
Object History Note -“Drawings by Mr Temple Moore of proposed new pulpit and reading desk were submitted. It was decided to ask for estimates including painted panels.” [Churchwardens' Minutes 13/04/1911]
“The following resolution proposed by Mr Walker and seconded by Mr Fairlam was carried unanimously, viz:— That a new pulpit be provided at a cost of £96, a new reading desk for £18, also four painted panels for two bays in the triforia of the choir at a cost of £103; a total of £217, to be paid out of the Abbey fund.” [Churchwardens' Minutes 16/05/1911]
2000: “The floor to the pulpit was repaired.” [Churchwardens Record HEXAB9535 p82]
DimensionsH 1530 | W each side 790
CurrentLocNoteSE crossing pier
CurrentLocationTower Crossing
from
Bradford Cathedral.
South Ambulatory.
Memorial Window to Elizabeth Mitchell, c1911 - detail.
By Archibald Keightley Nicholson (1871-1937).
In memory of Elizabeth Mitchell and other loved ones.
AK Nicholson was the brother of Sir Charles Nicholson and a pupil of Henry Wilson. He was thus initially skilled in crafts, including metalwork, and was largely self-taught as a glassmaker. After his death his studio continued under GER Smith and HL Pawle.
Passe family photo taken in 1911. Back row, l to r: Henry George Passe, Henrietta Mathlida Passe, Carl Henry Passe; front row, l to r: Charles (Karl Diedrich Heinrich Wilhelm) Passe, Sophia Marie Passe, Anna Marie Guhe Passe
North Aisle Window - Resurrection and Ascension, with above, cinquefoil with winged angel holding crown with winged cherubs' heads. Jones and Willis, c1911 - detail
Bradford Cathedral.
South Ambulatory.
Memorial Window to Elizabeth Mitchell, c1911 - detail.
By Archibald Keightley Nicholson (1871-1937).
In memory of Elizabeth Mitchell and other loved ones.
AK Nicholson was the brother of Sir Charles Nicholson and a pupil of Henry Wilson. He was thus initially skilled in crafts, including metalwork, and was largely self-taught as a glassmaker. After his death his studio continued under GER Smith and HL Pawle.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Salome with her children
Bradford Cathedral.
South Ambulatory.
Memorial Window to Elizabeth Mitchell, c1911 - detail.
By Archibald Keightley Nicholson (1871-1937).
In memory of Elizabeth Mitchell and other loved ones.
AK Nicholson was the brother of Sir Charles Nicholson and a pupil of Henry Wilson. He was thus initially skilled in crafts, including metalwork, and was largely self-taught as a glassmaker. After his death his studio continued under GER Smith and HL Pawle.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery - Virgin Mary (part of an Annunciation).
Bradford Cathedral.
South Ambulatory.
Memorial Window to Elizabeth Mitchell, c1911 - detail.
By Archibald Keightley Nicholson (1871-1937).
In memory of Elizabeth Mitchell and other loved ones.
St Elizabeth of Hungary.
AK Nicholson was the brother of Sir Charles Nicholson and a pupil of Henry Wilson. He was thus initially skilled in crafts, including metalwork, and was largely self-taught as a glassmaker. After his death his studio continued under GER Smith and HL Pawle.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery
Bradford Cathedral.
South Ambulatory.
Memorial Window to Elizabeth Mitchell, c1911 - detail.
By Archibald Keightley Nicholson (1871-1937).
In memory of Elizabeth Mitchell and other loved ones.
St Elizabeth of Hungary.
AK Nicholson was the brother of Sir Charles Nicholson and a pupil of Henry Wilson. He was thus initially skilled in crafts, including metalwork, and was largely self-taught as a glassmaker. After his death his studio continued under GER Smith and HL Pawle.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Angle with crown of thorns
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery