View allAll Photos Tagged c1911
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery
North Aisle Window - Resurrection and Ascension, with above, cinquefoil with winged angel holding crown with winged cherubs' heads. Jones and Willis, c1911 - detail
North transept window by H Bryans of London placed during the c1911 restoration by Sir Alfred Jodrell
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Cleophas and her children
St George Window
Window by Frederick Charles Eden (1864-1944), c1911.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
c1911
plaster slip over plaster
The Making of Rodin
Tate Modern
London, UK
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St George Window
Window by Frederick Charles Eden (1864-1944), c1911.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Source: Scan of Original Postcard.
Date:c.1911
Postmark: None
Publisher:Unknown
Photographer:Unknown
Inscription: No
Repository: Swindon Museum and Art Gallery
FS0445
North Aisle Window - Resurrection and Ascension, with above, cinquefoil with winged angel holding crown with winged cherubs' heads. Jones and Willis, c1911 - detail
Lot Of 3 Small Round Tin Advertising Tip Trays: 1 - Tivoli "A Select Lager" Aug. Lang & Co. S.F. featuring lady in pink w/ beer glass, 1 - Drink Davenport Malting Co.'s Unexcelled Bottle Beer "30" c1911 The American Art Works, Coshocton, Ohio featuring lady w/ roses & beer & 1 - Resinol Soap And Ointment For All Skin Diseases At All Drug Stores "A" featuring lady w/ flowers, gold detail - each 4"d
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Cleophas and her children
North Aisle Window - Resurrection and Ascension, with above, cinquefoil with winged angel holding crown with winged cherubs' heads. Jones and Willis, c1911 - detail
Liverpool Cathedral.
North Choir Aisle - Rose Window, c1911.
Designed by John William Brown (1842-1928).
Made by James Powell & Sons, Whitefriars.
Detail.
The images in the rose window relate to "journeys across the sea and undertaken in faith", namely Moses crossing the Red Sea, Saint Paul's journey to Rome, Saint Columba planting a cross on Iona, and missionaries of the Melanesian Mission landing on the Solomon Islands.
John William Brown was born in Newcastle upon Tyne and trained as an artist under William Bell Scott, a friend of William Morris. He was employed by Morris & Co and later by James Powell & Sons before he became a freelance designer. He continued to undertake commissions for Powell's up to 1923, but in the later part of his career most of his work was carried out for Henry Holiday.
James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.
Liverpool Cathedral is orientated north-south, and the cardinal directions given here refer to the liturgical orientation.
To Sam & Jessica - I wonder if the Spirit of Great Great Grandad George Mullington still walks the line .......... disappearing into the mist of dawn each morning.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Angle with crown of thorns
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Magdalene
NW panel is painted with image of Christ crucified with sunburst and skull. Sunburst is moulded “INRI” above. SW panel is painted with two angels holding the instruments of the Passion “ihc” in sunburst relief work. SE panel painted with gold lettering “ihc” (five sets) — no linen fold panelling on this side. [ihc is an alternative form of IHS = the first three letters of the name Jesus in Greek (ΙΗΣΟΥΣ), often used as a Christian emblem.]
BriefDescriptionWooden pulpit resting on stone plinth with three stone steps. Pulpit has two wooden steps. Square plan with 3 sides plus one for access. Each side is a large painted panel. Tracery work at top of two panels is painted gold over. Two sides have linen fold panelling at base. Mounted on NW side is an adjustable book rest decorated on the underside with gilded tracery on a red background.
Temple Moore (designer) Messrs Holloway Bros (woodwork) c1911.
Object History Note -“Drawings by Mr Temple Moore of proposed new pulpit and reading desk were submitted. It was decided to ask for estimates including painted panels.” [Churchwardens' Minutes 13/04/1911]
“The following resolution proposed by Mr Walker and seconded by Mr Fairlam was carried unanimously, viz:— That a new pulpit be provided at a cost of £96, a new reading desk for £18, also four painted panels for two bays in the triforia of the choir at a cost of £103; a total of £217, to be paid out of the Abbey fund.” [Churchwardens' Minutes 16/05/1911]
2000: “The floor to the pulpit was repaired.” [Churchwardens Record HEXAB9535 p82]
DimensionsH 1530 | W each side 790
CurrentLocNoteSE crossing pier
CurrentLocationTower Crossing
from
Both Holtzapffel & Haymarket neighbours ZigZag launched shaped jigsaws in 1910-1912 - including both selling the identical looking Bluebird design. There must have been some industrial espionage going on.
David presented two examples of Zig-Zag’s own earliest version, which was called the “New Figure Zig-Zag”. See Jigasaurus:
thejigasaurus.com/index.php/zig_zag/figure_zig_zag
Left: ZigZag 150pc The Lovers, solid wood, c1912 8.3x14.5in.
Stunning example beautifully outline-cut around the subjects and including several drop-outs. The backing board is of 1/4(6mm) thick mahogany. A message on the box-base reads To Mother & Father-Easter 1912. The box address on this example is: Carlton Street, LONDON SW.
Right: ZigZag 150pc Quite English, solid wood, c1911.
Very well made solid mahogany puzzle, accurately outline cut around the main subject area. The address on the box for this example is 8, Norris Street London SW and the puzzle is understood to have featured in a c1911 company catalogue.
Later several other British manufacturers of the era tried some shaped jigsaws, including AVN Jones, Studio, Frederick Warne, particularly with their Beatrix Potter puzzles, and Chad Valley.
North transept window by H Bryans of London placed during the c1911 restoration by Sir Alfred Jodrell
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
North transept chapel window, by Noyes and Green, Salisbury, c1911 - Good Shepherd, and Feeding the 5,000
All Saints, Kedleston, Derbyshire.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911 - detail.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Mary Magdalene
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
St George Window
Window by Frederick Charles Eden (1864-1944), c1911.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
The Memorial Chapel.
Window by Frederick Charles Eden (1864-1944).
The Three Marias, c1911.
Three windows in the Curzon Chapel feature saints named Maria (or Mary). They were inspired by Lady Curzon’s Christian name.
Frederick Charles Eden was an architect and a pupil of William Butterfield and of George Frederick Bodley. He often designed the glass and other fittings for his own buildings and in 1910 began making his own windows.
Detail: Tracery