View allAll Photos Tagged bones
The Bone Caves are a series of natural caves set into a high limestone cliff called Creag nan Uamh (Crag of the Caves). The caves are named for the large numbers of animal bones found during excavations.
There are four main cave openings in the cliffs, formed before the last ice age by water dissolving limestone in cracks in the surrounding rock. Subsequent glacial action and erosion of the glen by water left the caves hundreds of feet above the valley floor.
There is no indication that the caves were ever used as human habitat, but two separate human burials have been discovered within the caves.
In total, over 1000 pieces of reindeer antler have been found in the Bone Caves, with dates ranging from 47,000 to 8,300 years ago.
One rare find was the skull of a Northern lynx, dated to 1,770 years ago. This is the only Northern lynx ever found in Scotland. Other intriguing remains include a possible polar bear, arctic fox, wolf, and brown bear.
Finds from the caves are kept at the Royal Museum of Scotland in Edinburgh. (Above Information Off Google)
T Bone Burnett on the yellow carpet at the World Premiere of Wizard of Oz at Sphere at the Sphere in Las Vegas, Nevada.
Please attribute to Gage Skidmore if used elsewhere.
The Bone Caves are a series of natural caves set into a high limestone cliff called Creag nan Uamh (Crag of the Caves). The caves are named for the large numbers of animal bones found during excavations.
There are four main cave openings in the cliffs, formed before the last ice age by water dissolving limestone in cracks in the surrounding rock. Subsequent glacial action and erosion of the glen by water left the caves hundreds of feet above the valley floor.
There is no indication that the caves were ever used as human habitat, but two separate human burials have been discovered within the caves.
In total, over 1000 pieces of reindeer antler have been found in the Bone Caves, with dates ranging from 47,000 to 8,300 years ago.
One rare find was the skull of a Northern lynx, dated to 1,770 years ago. This is the only Northern lynx ever found in Scotland. Other intriguing remains include a possible polar bear, arctic fox, wolf, and brown bear.
Finds from the caves are kept at the Royal Museum of Scotland in Edinburgh. (Above Information Off Google)
... D-lish and Nutrish! with a couple of TBS of Heavy Cream and a dash or three of black pepper. :)
Post on Bone Broth Soup
www.diabetes-warrior.net/2011/04/27/primal-egg-drop-soup-...
www.diabetes-warrior.net/2010/12/12/bone-broth-delish-nut...
kristin.eonline.com - Comic-Con 2009 - "Bones" panel - Emily Deschanel and Hart Hanson - San Diego, Calif. - July 24, 2009
Just spent about 10 minutes playing with Bone Idol a fun little flash toy where you can make things out of bones. Above is my interpretation of the Nut Sack Squirrel a frequent cliche' on www.fark.com.
A bone speaker, or bone conduction speaker, is a tiny, portable device that turns solid surfaces (like a table, glass, or box) into a sound source by vibrating them. my new toy and its awesome technology
source: google Ai
BONES: Brennan (Emily Deschanel, L) and Booth (David Boreanaz, R) enlist the help of Walter Sherman (guest star Geoff Stults), a professional locator, in the "Finder" episode of BONES airing Thursday, April 21 (9:00-10:00 PM ET/PT) on FOX. ©2011 Fox Broadcasting Co. Cr: Glenn Watson/FOX
Our Great Pyrenean enjoying a decent sized bone. Flash gun with low setting off to the left and level with dogs eyes.
x.com/i/grok/share/5aDCxIVw18RI85PFaXAae0KIc
(Description below by Grok AI):
Jamieson Bone Road in Belleville, Ontario, Canada, is named after Jamieson Bone (1887–1958), a Scottish immigrant who became a prominent local figure and public servant in the city.
Key Details on Jamieson Bone:
Early Life and Immigration: Born on January 27, 1887, in Dalry, Ayrshire, Scotland, to parents Thomas Bone and Catherine Jane Thomson. He immigrated to Canada, arriving in Quebec on June 16, 1906.
Career: Initially worked as a bank manager in Swift Current, Saskatchewan, and later in Belleville, Ontario. By the 1920s, he transitioned to being an insurance broker and was active in community organizations, including serving as president of the Rotary Club (1934–1935) and the Ontario Property Owners' Association.
Public Service: Elected as an alderman for Belleville in 1919 and 1920, and later served as mayor in 1938 and 1939.
Family: Married Florence Eliza "Flossie" Graham on December 25, 1912, in Belleville. They had three daughters: Grace Graham Bone (1913–1990), Eleanor Roblin Bone (1915–1997), and Florence Jamieson Bone (1921–1977). In the 1921 census, the family lived at 160 Bridge Street in Belleville.
Death: Passed away on March 12, 1958, in Belleville.
The road, located in Belleville's industrial park, honors his civic contributions. Genealogical discussions note a possible link to his business interests, as the area now hosts steel fabrication and manufacturing firms, potentially tying into family or professional ties (though unconfirmed). For further verification, contacting the City of Belleville's archives is recommended.
I've always thought that 'Jamieson Bone' would make a great name for a bourbon. :)
Belleville, Ontario.
Therefore, personality, human and divine, is marked by a complex unity of opposing forces, the dark ground and the light of reason that keeps the dark ground chastened. " Personality is the perpetual actualization of selfhood; it is the conscious and purposive control of the irrational underlying potentialities."
-Jennifer Newsome Martin, Hans Urs Von Balthasar and the Critical Appropriation of Russian Religious Thought (pg. 93)
Found this on the beach at Mingulay. Just submitted it to London NHM Identification service, who think it's a porpoise or dolphin humerus, not a human toe.
The bone church is located in Kutna Hora, a few miles outside of Prague, in the Czech Republic. Officially called the Sedlec Ossuary, it is often just referred to as “the bone church” and contains over 40,000 bones arranged to decorate this Roman Catholic Church.
40,000 dead form morbidly fascinating sculptures and artwork; skeletons meticulously fashioned in 1870 by a wood carver. This is Sedlec’s Church; All Saints ossuary in the Czech Republic
Pile upon pile of bones carefully stacked with a hollowed centre
This is from the upcoming film The Lovely Bones, directed by Peter Jackson and shot by long time Jackson collaborator Andrew Lesnie. Andrew Lesnie is one the best cinematographers out there now, and is the go to cinematographer for large, expansive, green screen incorporated films. I love these four shots here. The one in the top left, with Stanley Tucci in his car is a beautiful shot. The problem that I can't stand with looking at still screencaptures for films is that it completely destroys the purpose of the moving image. For example, with the still shot here of Tucci in the car, you can see the beauty of the lighting, but the real beauty of the shot comes from the camera focusing from the background, on the character of Lindsay, to Tucci, sitting in the car. The framing is beautiful and the focus is pulled off perfectly; you can see it in the trailer. The shot in the upper right, of Saoirse Ronan and Tucci, is lit beautifully; Lesnie frequently uses beams of light defined by mist, like he has done in The Lord of the RIngs films, especially The Fellowship of the Ring. The shot in the lower left hand corner, of Saoirse again, is classical Lesnie with the beam of lights and mist again. I'm assuming that everyone knows the plot of this film, so I'll say that this sequence here is part of the transition to Heaven Saoirse's character Susie goes through after her death, so it was vital to give these scenes a characteristic of their own (the upper right scene is also part of the transition she goes through to Heaven). It's cool too, because with both these shots, especially the one in the lower left, you can really get a sense of creepiness, darkness and an overall unfamiliarity. The shot in the lower right, of Mark Wahlberg, demonstrates great practical lighting with the lamps on the work desk and the lamp in the background, through the doorway; this shot actually looks to be lit only with these two lights.
This film will be very different for Lesnie, but it will be greatly different for Peter Jackson. Jackson has always been a director who uses CG in his films, or some kind of special effects sequences and these sequences have always had unique shots that are expansive and capture so much. The thing that's different about The Lovely Bones is that it has these types of sequences, which are in Heaven, but this film also has sequences that don't require CG, which are the sequences on Earth. The Earthly sequences are with Susie's family, Tucci's character and the police investigation into the case. These sequences are shot in a way that is so uncharacteristic of Jackson. I'm not talking about the lighting, rather the camera movement and shot capturings. There is a ton of steadicam work, tons and tons of it, as well as handheld work, which is very different for Jackson as well. If you watch the trailer, just compare the Heavenly shots with the shots of the Earthly sequences; you can see a huge difference. If anything, the Earthly shots are more visually interesting and diverse than the grandeur, wide Heavenly shots.
One shot seems like a return to Jackson's crazy, visual style of his earlier films, like Heavenly Creatures: it is of Stanley Tucci rushing through his house, trying to apprehend Susie's sister Lindsey after she has broken into his home. The camera is right in his face, even to the point where it seems Tucci is actually somehow rigged to it and holding it. There are also numerous shots in the Earthly sequences that are static, medium zoomed in, and over the shoulder of an actor (I'll put these shots below). One example is when Lindsey is confronting the detective when she tells him "Why won't you listen to him (her father)?"; the camera is looking over Wahlberg's shoulder. Another such shot is when Lindsey is talking with Tucci, and he says "You're the Salmon girl"; the camera is over Lindsey's shoulder. The steadicam work in the Earthly sequences are also unique. One example is the shot in the lower right hand corner here, of Wahlberg. The angle choice, as well as the lens used, gives there shots a very beautiful look. Another such example is when Wahlberg smashes a glass bottle in the trailer--it's a steadicam, with a certain lens (I'll add this shot below). These types of shots are, if this makes any sense, short feeling, small, and condensed. There are also beautiful handheld shots, which are zoomed in, and erratic, which are two great words that give handheld shots there emotional drive, and it's interesting to see Jackson using these shots. There are also beautiful dolly shots into actors (I'll put two below also). One is of Wahlberg, that's a very zoomed in shot and another is when the detective is confronting Wahlberg, and the camera dollies from behind Wahlberg, to his right and up to the detective. The Earthly shots in this film give a sense of claustrophobia, franticness, and chaos. The Heavenly shots give a sense of freedom, expansiveness and are beautiful. This visual diversity, characterizing two plot lines in the film, demonstrates the genius that Peter Jackson used when creating this film's atmosphere; an atmosphere that Andrew Lesnie has beautifully captured as well. I've been waiting for this film for 2 1/2 years, ever since Jackson signed on and I made a promise that I am going to see this film when it comes out at midnight, even if that means going on Christmas Day. I still think that Jackson is going to be a frontrunner for director and he could even win it; this film will definitely be up for everything, including Lesnie scoring another nod for cinematography. I can't wait for this beautiful film.
we've added 6 new cuff bracelets designs to our Cell Cycle collection of 3d-printed jewelry
blog post: n-e-r-v-o-u-s.com/blog/?p=1512
The bone church is located in Kutna Hora, a few miles outside of Prague, in the Czech Republic. Officially called the Sedlec Ossuary, it is often just referred to as “the bone church” and contains over 40,000 bones arranged to decorate this Roman Catholic Church.
40,000 dead form morbidly fascinating sculptures and artwork; skeletons meticulously fashioned in 1870 by a wood carver. This is Sedlec’s Church; All Saints ossuary in the Czech Republic
Pile upon pile of bones carefully stacked with a hollowed centre