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Rather than spend money on fancy binders for school for Trevor this year, I just used a silver sharpie. The sketches were based on some pics I found on google.
German postcard by Photochemie, Berlin, no. K. 1905. Photo: Alex Binder, Berlin.
Lu L'Arronge was a German film actress and producer, who between 1917 and 1920 mostly starred in her own productions, impersonating the type of the Backfisch.
Though IMDB gives the life dates of 1901-1991 for Lu L'Arronge, the site Steffi-Line remarks this is an error and is linked to another actress Lia L'Arronge (originally Lia Fricke, married to Gerhart L'Arronge). Lu L'Arronge was born into a Jewish family of actors, directors and playwrights. She was a distant relative to the playwright, critic and theatre manager Adolf L'Arronge (1838-1908), although the exact family ties are unclear. Adolf L'Arronge's father, the actor and theatre director Theodor Eberhard, (1812-1878) changed his name from Aaronsohn to L'Arronge. According to IMDb's trivia section: "The actress Lu L'Arronge cherished early the wish to become a stage actress. Not least because her grandfather belonged to the founders of the Bühnengenossenschaft and her father's cousin was the well-known stage writer Adolf L'Arronge." This is based on L'Arronge's own words in the volume Frauen im Film (c. 1919), a series of short interviews with German actresses of that time.
Her mother didn't accept that her daughter would become an actress and Lu L'Arronge came down a peg with her ambition. When the German film industry became 'modern' during World War I and conquered a huge public, Lu's wish to become an actress returned and she knew to convince her mother. What is true about this could not be verified, but for sure between 1917 and 1920 L'Arronge had a serious film career with her own company, possibly alternated with a stage career.
IMDb lists 15 titles between 1917 and 1920 for Lu L'Arronge, mainly produced by Franz Schmelter, who also was her regular director, starting with Die Schlange der Kleopatra (1917) and Lu'chens Verlobung am Gartentor (1917), or produced by her own company L'Arronge Film GmbH, starting with Lu's Backfischzeit (1917) and 's Lieserl vom Loisachtal (1917). In addition to L'Arronge and Schmelter himself, also Anna Müller-Lincke was a regular performer in these 'Backfisch' (teenager) comedies. In 1918-1919 L'Arronge continued to perform in her own productions but without Schmelter directing, apart from Kitty (1919). Often the films were based on scripts by Leonhard Haskel, such as Die weiße Maus (N.N, 1919). Occasionally, L'Arronge did a film elsewhere, at Luna she acted in Kain. II. Im Goldrausch (Bruno Rahn, Walter Schmidthässler, 1918) or at Georg Alexander's company Neue Berliner Film she played in Die Geisterbraut (Herbert Gerdes, 1920). Her last film was the Friedrich Zelnik film Anna Karenina (Friedrich Zelnik, 1920), starring Lya Mara and adapted from Tolstoy's novel. L'Arronge did only a supporting part, which may have signaled the end of her career.
Sources: www.filmportal.de, IMDB, www.cyranos.ch/smarro-e.htm, www.steffi-line.de/archiv_text/nost_film20b40/372_l_arron...
The Quantum Jumper
Wanted to do a Celtic creaturesique mecha, and as it turns out I designed the FAIRY Mecha! The long long binders on the side are meant to look like wings on an angels anyway! I learnt a new technique where by this hand can 'hold' the laser sword blade in digital design phrase(unlike previously rendered mecha)
So kudos to something new!
And I gotten the 'Comic book' like effect of rendering! YAY!
Shining in the darkness
Explored!!
Ok here it is...this is just a spiral notebook binder, my wrist watch belt is that black thing over it.
Johan Vaaler was born at Aurskog-Høland in Akershus, Norway. Vaaler worked from 1892 until his death in 1910 as a patent examiner and manager at the patent office of Alfred Jørgen Bryn (Alfred J. Bryns Patentkontor) in Kristiania (now Oslo).
In 1899, Vaaler designed a kind of binding to hold paper together paper consisting of a thread of steel wire. He applied for a German patent on November 12 of that year. It was granted on June 6, 1901 (DE 121067). He also filed an application for a United States patent on January 9, 1901. The U.S. patent was granted on June 4, 1901.
Vaaler's alleged invention of the paper clip became known in Norway after World War II and found its way into some encyclopaedias. Events of that war contributed greatly to the mythical status of the paper clip as a national symbol. During the resistance to the German occupation during World War II, after pins or badges bearing national symbols or the initials of exiled King Haakon VII were banned, Norwegians began to wear paper clips in their lapels as a symbol of resistance to the occupiers and local Nazi authorities. The clips were meant to denote solidarity and unity ("we are bound together"). Their symbolism was even more obvious because paper clips are called "binders" in Norwegian. Their presumed Norwegian origin was not generally known at that time, but when that widely believed story was added to the war-time experience of many patriots, it strengthened their status as national symbols.
I found this neat vintage three-ring binder with awesome cowboy graphics at the Vendor Show at the 2010 Paper Cowgirl Art Retreat.
I tried scanning the cover but that didn't work, so I photographed it. The texture and warping on the binding makes it hard to appreciate the lovely retro style of the images. Click on the larger sizes to see it at its best.
The reaper-binder, or binder, is a farm implement that improved upon the simple reaper. The binder was invented in 1872 by Charles Baxter Withington (September 10, 1830 (Akron, Ohio) – December 12, 1909 (Janesville, Wisconsin)), a jeweler from Janesville, Wisconsin. In addition to cutting the small-grain crop, a binder also 'binds' the stems into bundles or sheaves. These sheaves are usually then 'shocked' into A-shaped conical stooks, resembling small tipis, to allow the grain to dry for several days before being picked up and threshed.
Withington's original binder used wire to tie the bundles. There were problems with using wire and it was not long before William Deering invented a binder that successfully used twine and a knotter (invented in 1858 by John Appleby).
Early binders were horse-drawn, their cutting and tying-mechanisms powered by a bull-wheel.
These LEGO Instruction Booklet Binders are filled with...LEGO Instruction Booklets! They are divided by theme (which is on the spines of these binders). Each instruction booklet is in a page protector. I designed the spines and covers as well. I could never tell which binder was for what so now I know.
PictionID:41903328 - Title:Atlas 55D on Pad--'Missiles on Pads binder; Atlas 55D; 10-21-60; prelaunch; AMR LC-12; double exposure - Catalog:14_001643 - Filename:14_001643.tif - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Chassis n° 11899002R
The first car completed
On June 20th, 1967 Porsche Race Department managers, Spannagel, Weber, Knoll, Binder and Schroder were assigned individual duties supervising the construction of a 911 prototype race car. Porsche's records for the 20 Porsche 911 R production variants identify that 19 of these were completed with type 901/22 (210/220 bhp) engines.
Porsche's construction records, record that chassis 11899002 would be a "non-conforming" prototype race car and similar in design and construction to the additional 19 examples. Sequentially this was the 2nd in production series but according to Porsche's records the first completed.
It did serve as back-up for the Monza record run on October 31st 1967. In December 1967, this particular car was driven by Vic Elford at the Hockenheim Press Day.
Recently, this car was sent to the Porsche Museum to be presented at the "50 year 911" exhibition. 2016 is also the year where the new 991 R is presented at the Geneva Car Show. This car was the car used in the 911 R brochure as well as the video to promote the "old and new".
Zoute Concours d'Elegance
The Royal Zoute Golf Club
Zoute Grand Prix 2016
Knokke - Belgium
Oktober 2016
Westbound UP heritage unit 1989, "Rio Grande", sits just shy of the Ste. Rte. 84 on the Geneva sub. The conductor is on the ground performing a roll by of an eastbound combine train. He inspects the chain binders on the corn "binders" and tells them "tractor train looks good".
Winder Binder Gallery & Bookstore: A very funky and hip used bookstore and folk art gallery in North Chattanooga. There were two dogs running around the store when I was there...that should speak volumes about its hipness.
Nikon D80, Nikon AF-S DX Nikkor 35mm f/1.8 lens, tweaked in Lightroom from RAW by upping the vibrance, saturation, and clarity.
June 2012; Chattanooga, TN
✨💖✨[Kottr] Trevor Binder✨💖✨
✨👀✨ Fitted to Reborn Vtech/Pebbles,Legacy M/Athletic and Anatomy Fit/Soft✨👀✨
✨🌈✨Binder will only be available for the month of pride✨🌈✨
✨All proceeds will be going to The Trevor Project✨
File name: 10_03_003612a
Binder label: Special Cards: Food
Title: Compliments of Mellin's Food - 'Our baby' [front]
Date issued:
Copyright date: 1897
Physical description: 1 print : chromolithograph ; irreg. image of a sitting child 14 x 8 cm.
Genre: Advertising cards; Cut-paper works
Subject: Infants; Food
Notes: Title from item.
Statement of responsibility: Mellin's Food Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.