View allAll Photos Tagged binders
PictionID:41551953 - Title:Launcher--'Launcher binder; 9-2-59; Launcher-2WAFB; Quad 1-2 new air ducting[?] - Catalog:14_001487 - Filename:14_001487.tif - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
File name: 10_03_001538a
Binder label: Sewing Machines
Title: Albania. (front)
Created/Published: N. Y. : J. Ottmann Lith Co.
Copyrightdate: 1894
Physical description: 1 print : chromolithograph ; 14 x 8 cm.
Subject: Adults; Sewing machines
Notes: Title from item.
Statement of responsibility: The Singer Manufacturing Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
PictionID:41901908 - Title:Environmental chamber--'Pt. Loma binder; 3-10-59; Pt. Loma; Missile trailer in environmental chamber - Catalog:14_001753 - Filename:14_001753.tif - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
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photo binder john peggy.jpg
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from mother's binder
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from mother's binder
A clarification to this image. This is the kind of binder I used for the cut out articles (mostly about music making and sound engineering).
Vienna Baroque
Doris Binder
The center of Baroque art was undisputable Vienna, as a special promoter appeared the Emperor Charles VI., under whose reign not only the Karlskirche was built, but also numerous buildings have been newly planned or built. The passion for building of the High Baroque is not only founded by the destructions of the Turks, but also has its causes in the backward economic structure and its lack of production plants. Whether nobleman, cleric or commoner, all those with sufficient capital put it rather in construction funds into practice than not make use of it. Responsible for this was a deep distrust to the imperial fiscal policy and concern about the currency and a possible bankruptcy.
The Baroque emerged within the civil peace (*) Burgfrieden) of the city of Vienna, had at the beginning of the High Baroque era still dominated religious buildings, so the cityscape changed in just four decades. Vienna was transformed into a "palace city", by the year 1740, the number of pleasure palaces, gardens and belvederes had doubled. The Baroque style, which by crown, church and nobility was forced upon the citizens, is considered of Felix Czeike as "authority art". The existing social gap should be camouflaged by the rubberneck culture in festivities, receptions and parades.
*) Burgfrieden (The term truce or Castle peace referred to a jurisdiction in the Middle Ages around a castle, in which feuds, so hostilities of private individuals among themselves, under penalty of ostracism were banned. Today the term is mainly used in a figurative sense.
Due to the return of Fischer von Erlach to Vienna in 1686 and a decade later, Lukas von Hildebrandt, the primacy of the Italians in architecture was broken and the victory parade of Austrian Baroque began. The connection between the spiritual and secular powers found its mode of expression in the Baroque, which the appearance of the city of Vienna should characterize in a decisive manner.
Construction of Charles Church
The Karlskirche was built by Emperor Charles VI. commemorating the plague saint, Charles Borromeo. In 1713 the plague raged in Vienna and claimed about 8,000 human lives, in February 1714 the plague disappeared and as a sign of gratitude was began with the construction of the church, this should become the most important religious building of Vienna in the 18th century.
In a contest was decided on the builder - participants were Johann Bernhard Fischer von Erlach, Johann Lukas von Hildebrandt and Ferdinando Galli-Bibienas. As winner emerged the famous architect Johann Bernhard Fischer von Erlach, he died in 1723 and did not live to the achievement of the Church. The supervision was transferred to the imperial court architect Anton Erhard Martinelli, as Fischer von Erlach died, his son, Joseph Emmanuel, finished his work. On 28 October 1737 St. Charles Church was solemnly by the Archbishop of Vienna, Cardinal Sigismund Count Kollowitz, inaugurated. The spiritual care ceded Emperor Karl VI. to the chivalric Order of the Cross with the Red Star, since 1783 is the Karlskirche imperial patronage parish.
The church at that time lay still behind the regulated river Wien (Wienfluss) and in the open field. The directed towards the city face side of the Charles Church, which stood on the edge of the suburb of Wieden, was target point of a line of sight the Hofburg and St. Charles Church in the sense of a "via triumphalis" connecting. On the temple-like front building of the Karlskirche the dedication inscription is clearly visible "Vota mea Reddam in conspectu timentium Deum" - "I will fulfill my vow before those who fear God."
Already during the construction by Fischer von Erlach (senior), there were several project phases, three of which have been preserved:
1. Medaillon by Daniel Warou for the groundbreaking ceremony
2. Fore stitches in Fischer's draft of a historical architecture 1721
3. Viennese view of work by Klein and Pfeffel 1722 (1724)
Due to the death of Fischer von Erlach, occured recent changes made by his son, Joseph Emmanuel most of all being concerned the dome (much higher and steeper), the priest choir (omitted) and the interior (simpler). The entire project took a total of 21 years and the costs amounted to 304 045 guilders and 22 ¼ cruisers. The construction costs were shouldered by all crown lands of the Empire, but also Spain, Milan and the Netherlands had to make a contribution.
The Karlskirche is the most important Baroque building of the city and represents the most convincing the so-called Empire style in which for the last time an empire awareness in the architecture of the capital of the Holy Roman Empire after the victorious ended wars against the Turks and the French was expressed.
Symbolism of the Karlskirche
The Karlskirche consists of a central rotunda with a dome, preceded by a column structure like a Greek temple, of two high pillars illustrated on the model of Trajan's Column in Rome and of two lateral gate pavilions. The illustrated columns represent Charles VI. as a wise and strong secular ruler, the two great pillars were created by Marder and Matielli. The columns are crowned by golden eagles, symbolizing the two virtues of the Emperor - fortitudo (bravery) and constantia (resistance). The two pillars are evocative of the two pillars before the temple in Jerusalem - Jachin and Boaz. However, the illustration of the two columns does not match the model of the Trajan columns in Rome, portraying war deeds, but these tell the life story of St. Borromeo. In the front view of the Karlskirche a wide range of different symbols become one whole - the Roman emperors Trajan and Augustus, the Temple of Solomon, St. Peter's Church in Rome, Hagia Sophia, Charlemagne and the Empire of Charles V. - through the skillfully used symbols should be shown the claim of the house of Habsburg to the European domination.
The plan view of the church is, as in baroque typical, ellipsoid. In the interior of the Karlskirche the great Baroque sculpture is immediately noticeable, representing St. Borromeo. At the base the four Latin Fathers of the Church are depicted. The interior of the Karlskirche is dominated by the tremendous fresco in the oval dome room, it was created by the eminent Baroque painter Johann Michael Rottmayr between 1725-1730. The fresco shows the Mother of God representing the intercession of the patron Saint of the Church to help head off the plague, surrounded is the scene by the cardinal virtues (faith, hope and love). In the left entrance wing is situated the tomb for the Austrian poet Heinrich Joseph von Collin (17771-1811).
Inside the St. Charles Church, there is a museum where the most valuable pieces are exhibited.
These include: the vestments of St. Borromeo, a reliquary of gold and silver - a donation of Emperor Charles VI. and a rococo monstrance (1760) containing a drop of blood of the saint. Thomas Aquinas.
Even the image of the architect Fischer von Erlach, painted by Jacob von Schuppen, is one of the church treasures.
The iconographic program of the Charles Church was written by Carl Gustav Haerus, by this the Saint Charles Borromeo should be connected to the imperial founder.
www.univie.ac.at/hypertextcreator/ferstel/site/browse.php...
i found these great mini binders at my local staples for $2 each. they are a little too big for scale but not bad and you can't beat the price! they came in pink turquoise and white, so of course we got one of each :o) this shows the outside
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from mother's binder
File name: 10_03_003261a
Binder label: Stock Cards
Title: Compliments of Longfellow & Co., White's Cor. Drug Store, Haverhill, Mass. [front]
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 12 x 8 cm.
Genre: Advertising cards
Subject: Boys; Butterflies; Butterfly nets; Drugstores
Notes: Title from item. Item verso is blank.
Statement of responsibility: Longfellow & Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
File name: 10_03_003121a
Binder label: Stock Cards
Title: Five boys, four sitting and looking upwards at a boy in the basket of a hot air balloon blowing a horn. [front]
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 8 x 12 cm.
Genre: Advertising cards
Subject: Boys; Balloons (Aircraft); Rifles; Wind instruments
Notes: Title supplied by cataloger. Item verso is blank.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
binder
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Images of BERNINA Single-Fold Binder C22 and BERNINA Double-Fold Binder C21 for BERNINA overlock machines. For more information please visit www.bernina.com
Images of sewing, embroidery and quilting projects made with BERNINA accessories. For more information please visit www.bernina.com
as you can see, i utilize a lot of binders. plus another floor-to-ceiling shelf in the hallway between my office & the med onc regulatory people's office. the emptiness on those shelves is temporary -- the missing binders are in an office on the fourth floor being prepped for the NCI audit in three weeks. eight studies, minimum of two binders each (though one weighs in at six), well, shit, it's no wonder filing's a bitch.
now to be fair, only the white binders with colored inserts are mine (& the ones vomited onto the floor, & the ones in the hall, & the ones on the fourth floor) -- the rest belong to my officemates, who both have more studies than me yet somehow fewer binders, mostly owing to the fact that phase I trials seem to generate a metric ton of paperwork in the correspondence & serious adverse event (aka side effect requiring hospitalization) categories.
now, ok. i'm really fine with being a paper-pusher, but i'm damn tired of three-hole-punching every piece of paper that comes my way b/c god forbid we not capture every single solitary event in the life of a study.
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from mother's binder
File name: 10_03_002323b
Binder label: Thread
Title: Ye Knight of ye silver thimble challenges ye world, the best thread for sewing machines [back]
Created/Published: New York : The Hatch Lith. Co.
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 12 x 8 cm.
Genre: Advertising cards
Subject: Children; Sewing equipment & supplies; Feathers; Thread; Cotton
Notes: Title from item.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Featured Model: Guillermo275 Crazyboi
Chest Binder, Bandeau, Tube Top, all in one, just depends on how you texture it. UV Map included to create your own textures, which you may sell if you like.
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from mother's binder
File name: 10_03_000071b
Binder label: Food
Title: The Alden Fruit Vinegar - Priscilla [back]
Created/Published: N. Y. : Donaldson Brothers
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 14 x 9 cm.
Genre: Advertising cards
Subject: Women; Winter; Condiments
Notes: Title from item. Retailer: Baum & Mentzer, Garrison, Benton County, Ia.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
The 8mm. Campagnolo bolt set [No. 1072] was first seen in the Supplement to their Catalog No. 16 published in November 1971. This similar Simplex version was formally introduced in the 1974 Simplex catalog. __ This bolt accepts a 5mm hex-key while the flats of the "nut" portion of this unit is held with a 10mm. open end wrench. Each side of the Campagnolo model was held with a 5mm hex-key. The ends of the Campagnolo parts are clearly more finely finished and beautifully stamped beneath the flawless chrome plating. Not that it matters in terms of function, but in comparison, these seem crudely stamped with the heads rather coarsely milled. On the other hand, I have had Campagnolo bolts break off inside the nuts while (admittedly with far less experience with the Simplex bolts) I have never seen that failure with these. The difference may be due to users over-tightening the Campagnolo parts when trying to close the bolts beyond its intended closure range of just under 21mm. without adding a washer. The bolts of these binders will pass completely through the nuts to close them at just under 19mm beneath the heads. Without an extensive collection of Allen wrenches, perhaps the need for only a single 5mm, wrench might be seen as an advantage for the Simplex part. However, the obvious damage seen on the head of this particular nut may have resulted from a poorly chosen available tool which might have slipped during use. I would never depend on the serrations beneath the head of either Campagnolo or Simplex nuts to adequately hold the part in place while tightening - seatlug openings were never perfectly sized and the teeth could easily damage frame enamel.
A sample cover from my collection of LEGO Instruction Booklet Binders. I got tired of searching for Instruction Booklets so I put them in page protectors in binders. Then I couldn't remember which binder held which theme so I created covers for the front of the binders like this as well as labels for the spines that tell me which theme is in the book.
Helps a great deal with organization and care of instructions. I think they look great on a shelf above my LEGO desk/work area as well.
PictionID:41902200 - Title:Centaur Manufacturing--'Centaur Assembly binder; 11-28-60; Centaur guidance sep. - Catalog:14_001730 - Filename:14_001730.tif - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Fifty-five percent of dried kenaf stalks will be used to make paper. Waste products from the process can be made into fertilizer and feed binder. USDA photo by Keith Weller.
This is where I stuff all my papers for class. Yes, it says "New York University." Somehow I managed to keep this binder even though I haven't been in college for about 5 years.
Seen here at Magpie Travel's base at Binders Yard, Cryers Hill on 1st February 2004 are three different examples of Mercedes Chassis. On the left is Mercedes 814 / Plaxton P430 MFS that had been new to Russell, Strathaven and later worked for Lefferty of Glenboig, subsequently being converted to a caravan. In the middle is very late registered Mercedes 814 / Plaxton R738 EGD which had been new to White Ribbon of East Kilbride and later worked for Blue Bus of Preston after sale by Magpie. On the right is Reeve Burgess bodied Mercedes 609 E38 KNH which had been new to Country Lion of Northampton.
Binder clips from small to large come in handy when setting up scenes for toy photography. I sometimes use binder clips instead of sticky notes to attach a backdrop to a foamboard backing, particularly if the backdrop is very heavy. I've also used them to hold small flashlights in place.
If you're curious, check out more of my Gear.
--
Purchase this image and learn more about it at the source.
Source: photos.jdhancock.com/photo/2010-09-05-233126-binder-clips...
A little abstract for today 365. A view through the hole in my ring binder.
I laid the binder on its side and popped the little Lume Cube light into the folder and pointed slightly towards the hole. It was set to continuous light mode and set to 1/4 power. The colours have came from the room lights and decoration.
Shot with S120. Cropped, slight curves and levels adjustment. Saturation tweak and sharpening in PS.
File name: 10_03_001830a
Binder label: Home Furnishings
Title: Clarence Brooks & Co, manufacturers of fine coach varnishes. 'Now then young feller! You get out of here' 'All right old man you've no cause to be afeard, I wouldn't her yer.' (front)
Created/Published: Five Points, N. Y. : Donaldson Brothers
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 8 x 13 cm.
Genre: Advertising cards
Subject: Boys; Men; Paints & varnishes
Notes: Title from item. Item verso is blank.
Statement of responsibility: Clarence Brooks & Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Binder is shown with a mouth full of captured excess iron. This image depicts the action of chelation.