Nice pictures
View allAll Photos Tagged binary
Wicca's Originals - Binary Implant @ The Warehouse Sale
Tableau Vivant for LeLutka Evo X Hairbase 28
Let's do it again
CC: youtu.be/oRlT8ZoExGU?si=zZeWsaB4YYNdya8Y
Back when One's were One's and Zero's were Zero's
this is my contribution for Max Kuiper's latest publication, Nuit & Noirs 3, Sacred Language.
For this issue, the contributors were asked to respond on this quote of Antonin Artaud:
“I am adding another language to the spoken language,
and I am trying to restore to the language of speech its old magic,
its essential spellbinding power,
for its mysterious possibilities have been forgotten.”
Tattoo: Rusty Tattoo by +ABYSSAL+ www.flickr.com/photos/136517308@N04/
LM to the Tokyo Zero event: maps.secondlife.com/secondlife/TOKYO%20ZERO/131/127/2500
Bottoms: SuperBAD by SEKA www.flickr.com/photos/niveax/
Pasties: Sport Street Pasties Ora by SEKA www.flickr.com/photos/niveax/
Hair: Doxy Hair (Pride edition) by [Yomi] *This item is part of the Pride at home event!* www.flickr.com/photos/cryingmilk/
Smile on Saturday theme Time pieces. This is a Binary clock, Rusty and Cookie. Smile it's Saturday HSoS the old photographer. 😛
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
I will need to explain this one as none of this looks like a number nine and neither is there nine items in the photo.
I got into computers quite a few years ago just for fun and learnt a bit of COBOL/Machine code programming and how to use them. So for this theme I had the idea of representing the number nine in a binary way.
For this I didn't really want to photograph writing on a piece of paper and after a while I came up with the idea of showing the binary 1's and 0's using nuts.
As a basic explanation computers understand only 1's and 0's, on and off. The more of these that are grouped together the more powerful the computer. There are 8 nuts in the photo and each nut represents a bit. The whole setup represents a byte.
Starting from the very right the value of the bit is 1. If the bit is turned on then this is added to the whole value of the byte. The next one to the left would be a value of 2. The one to the left of that is a value of 4. Each bit has a value of double the one to the right of it. So the value of bits in a byte are from the left - 128, 64, 32, 16, 8, 4, 2 and 1.
In the photo the nuts that are facing the camera are representing a 0 and the ones turned sideways are representing 1.
So from the left 128 = 0, 64 = 0, 32 = 0, 16 = 0, 8 = 1, 4 = 0, 2 = 0 and 1 = 1. So here 8 plus 1 is equal to 9.
I used the smallest nuts that would fit in the photo and the whole setup is 7cm across.
I did do a version with an extra nut in the frame just in case this is not deemed valid.
Converted to Black and White as there was no colour in the photo anyway.
I couldn't resist and used f/9 as the aperture.
Le'eaf Forest Retreat
maps.secondlife.com/secondlife/Itame/55/22/82
Binary views collide,
Two worlds, entwined, yet apart,
One heart beats, longing.
From ABYSSAL at Fetish Fair
Dec 8 - 22
Electra Catsuit
- Exclusively PBR Materials
- BLACK LATEX
- BLACK LEATHER
- BLACK PLASTIC
- SNAKE
- HOLO
- Metal HUD
- HIDE SPIKES LEFT or RIGHT, FRONT & BACK SIDES
- Optional Chest Wounds (tintable)
- Rigged for Legacy, Perky, eBody Reborn, Waifu, Lara X, Petite X
- Materials/Copy
Stormi Ankle Boots
- Exclusively PBR Materials
- BLACK LATEX
- BLACK LEATHER
- BLACK PLASTIC
- SNAKE
- HOLO
- Metal HUD
- HIDE CHAIN OR SPIKES
- Rigged for Legacy, eBody Reborn, Lara X
- Materials/Copy
Also from the ABYSSAL Mainstore
"Cyberia" Body and Head Tech with 3D shine
- Body Tech 100% - 70% - 40% Tintable
- scar separated 2 opacities Tintable
- Wear Full or Separately
- Body Add-ons 100% Cyborg, Cyber Being, Smarter Than you
- Body shine appliers: (Maitreya - LaraX , Legacy Male/Female,
Inithum Kario, Khara, Kupra, Belleza Gen X)
- Head applier: Lelutka EvoX
- Includes body lights
- Materials/Mod/Copy
From TREVOR available at their Mainstore
Spiritual Sphere
Interactive item
Features
• 9 Different Sphere Colours
- 1 Fatpack Exclusive
• Includes 2 different styles - compact and expanded, both with unique animations
TREVOR - Mainstore
TREVOR - Marketplace
From ATROPHIA available at their Mainstore
"Lockne" Cyber earrings for Evox Human ears
- Supports male and female
- Includes HUD with multiple colours and textures for each piece
- Materials/Copy
ATROPHIA Mainstore
Amadeus Mainstore
Effervescence Mainstore
Other stuff:-
NEO KITSCH - Sosumi Daydream implant, Matsumoto Omni Eyes
2faces - DUAL CONNECTION - face tattoo
2faces - 2F - K6 lines
2faces - 2F - K6 - face tattoo - red
2faces - 2F - K6 collar red - Legacy
2faces - DUAL CONNECTION - head wires
ALT3 - Thyri - 00
Lumen - Metallic Ear Fade - Red 14
Klubb - Immaterial Girl's Cyber Hands
LELUTKA - RAVEN 4.0
MXS - spinae doloris legacy female
ATROPHIA - Lockne Female
MESHBODY - Legacy Female (1.7.1)
[Chevron V1] "Decoware" Face Implants [ALL-IN-ONE] Emissive
[CX] Strigoi's Fangs - Silver Type.2 ( Lelutka 3.1 )
[CX] x -TWC- // Tritium Slave Collar - Red (Onyx)
First stop on Chihuly installation at Fairchild Gardens in Miami, FL.
Binary stars are rarities in the universe (relatively speaking), and the communication of light from our Sun to this glass vision, this 'sole del citron', suggested this cosmological interlinking, at least as far as I'm concerned. You can almost sense the response from this fantastic glass sun-that-fell-to-Earth with its counterpart in the heavens.
I could have spent my day with this piece, but there was so much more to witness!
More to come …
sol del citron, 2014. glasswork by dale chihuly.
littletinperson
p.s. this is one of those images that remind me that photography really is an art. if i had to categorize this particular image, i would call it a study. if i get the opportunity to return (before the installation is removed at the end of may,) i'll shoot this much differently i think. same angle … just much differently. ltp
Sunrise in Banff. Every single time I have to drag myself out of bed and into the cold (not being a morning person} I make the resolution that I will switch to studio work. And when I get to the location and witness a scene such as this, that resolve disappears like the mist on the water.
Best viewed in LARGE (Contacts only, sorry).
Usage
All my images are copyrighted.
If you intend to use any of my pictures, for any usage, you need to contact me first.
Thank you.
About
Binary space.
As part of a paid assignment I was experimenting a bit with my e-fxg program to create a binary space.
The result lets me thing of the famous Gieger art that you might know from the Alien movies, if you never seen Alien before : SHAME ON YOU !-))
If you're gonna watch it, be sure to be alone and dim all the lights ;))
Effect applied : Holomorphic transform
The formula of the holomorphic transform :
Pixel defined by x,y :
Complex number z = x+iy;
z=z+ (0.01 -.1i ) / z;
New pixel value taken from 'pixel' :
x = real part of z
y = imaginary part of z
The effect was applied over 3 frames ( applied 3 times, on the result of the previous ).
Photoshop
° Copied the layer and applied a Chrome effect on it and changed blending mode to 'lightness' and the opacity to 50%
° Added a layer of brighteness and contrast.
° Added a layer of hue/saturation/lightness with a gradient mask to add a small blue tint to it.
° A small adjument with levels.
Music
With this weird kind of graphics we need a weird kind of song, I still love this to bits ( pun intended !! ) :
You
All comments, criticism and tips for improvements are ( as always ) welcome.
Decimal number "9" is written as Binary number "1001"
For Flickr group "MACRO MONDAYS", topic: "Nine"
For Flickr group "Mittwochsmakro - Wednesday Macro"
09.09.2019 252/365
Green Park is one of several stations on the London Underground with a distinctive look and feel, and this particular tunnel, which connects the Piccadilly Line and Jubilee Lines, was a location I'd been looking forward to visiting for a while. I was fascinated by its space-age tones and the intricate detail of the tiles along its walls, which gradually transition in colour as the tunnel leads from one underground line to the other, fading from blue and silver towards grey and white.
As with most of the city's underground stations, particularly those so close to the city centre, the main challenge was finding an opportunity to capture it empty. This was my second early-morning visit, both of them a few minutes after the station had opened. On the first occasion I was shooting multiple exposures at a high ISO and with a wide aperture, with the camera resting on the blue railing at the centre of the tunnel. Although the shots were workable, I knew I would later be aiming for a clean, high-key finish and would place most of the emphasis on the longer and brighter exposures. For this reason, I revisited the station a few weeks later and reshot the same spot with a tripod, which allowed me to step back and reframe the image to include more of the railing and ensure steadier exposures.
The other significant challenge was the lighting along the tunnel, as the roof panel slopes very slightly on the left. Realigning this at the editing stage was straightforward enough, but the asymmetrical angle -- coupled with the fact that several of the strip lights along the tunnel had blown out -- meant the light from the roof was hitting the two sides of the tunnel at different heights and with different intensity. This was more difficult to correct, and required a number of Curves and Levels adjustments in Photoshop to carefully rebalance the overall exposure along the tunnel.
With these challenges out of the way, the rest of the process was fairly straightforward. I blended multiple exposures, preserving the highlights along the tunnel while placing most of the emphasis on the midtones and shadow detail in the brighter exposures. I then isolated several portions of the tunnel with the Pen Tool, creating selections for the railing, the walls, the roof and the ground. After this, I colour-graded the image, shifting most of the balance towards cooler tones, but leaving a hint of warmth along the ground and in the lights overhead as I felt this complemented the various shades of blue and helped draw attention to the lines leading into the distance.
The stage I spent the most time working on was the tunnel walls, as it was important to me to find the right level of contrast and colour to bring out the detail in the tiles. To achieve this, I used a combination of low-opacity Colour Lookups set to Soft Light, which helped to clearly distinguish the contrast between the blue and silver tiles from the white tiles, and then a Gradient Map targeted to the walls, which allowed me to inject a gentle amount of blue back into the shadows of the white tiles so the tones in the wall would match the tones across the rest of the image.
The final stage was some minor vignetting, which was largely achieved using Curves adjustments and radial Gradient Masks. This last stage was again intended to guide the viewer's eye to the light at the end of the tunnel, but I felt this also brought out the drama in the station's unique design and architecture, which can be so easy to miss but which can sometimes help to turn a tedious London commute into an inspiring one.
You can also connect with me on Facebook, 500px, Google+ and Instagram.