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Several animals attended Beyond Hunger as well.
2015 Beyond Hunger: A Place at the Table
September 18, 2015
Photo by Louella Allen, courtesy of Heifer International
during Beyond the Bluff event at W Hotel in San Francisco, Thursday, Nov. 17, 2022. (Photo by Jim Gensheimer)
On 16 December 2010, the Free Word Centre was transformed for the launch of 'Beyond Bars: 50 Years of the PEN Writers in Prison Committee', a special issue of Index on Censorship (04/2010) to mark the 50th anniversary of the WiPC
Photo: English PEN/Saskia Schmidt (What Is It Production Ltd)
the building housing bed bath & beyond on 6th avenue between 18th and 19th streets. far more architecturally pleasing than one would expect.
Left to right: Simon Pegg plays Scotty, Sofia Boutella plays Jaylah and Chris Pine plays Kirk in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment
The railway walk from Alloa to Dollar along the Devon Valley Line ends a short distance beyond Dollar station. Here the course of the railway can be seen to snake along an embankment towards a bridge over the River Devon towards the next station at Rumbling Bridge.
Are you in this photo? Find & Tag yourself in the facebook photoset: Above & Beyond @ Barcode, Sacramento, CA, USA 24/05/2011
An air vent decorated as a star sits in the midst of the Umbracle in Valencia's City of Arts and Sciences.
L'Umbracle is a large promenade and garden area in Valencia's City of Arts and Sciences.
Sitting on top of a giant underground car park - and disguising its true nature with architectural whimsy as vents are decorated in tile and lifts disguised as fancy cones - it is also home to plants and trees from the region.
The promenade which provides views down over the rest of the complex is also home to art exhibits through the year, while the gardens house programmes themselves, such as one with giant animatronic dinosaurs.
“The-Eye-of-the-Moment-Photos-by-Nolan-H.-Rhodes”
www.flickr.com/photos/the_eye_of_the_moment
nrhodesphotos@yahoo.com
Please don't use this image without my explicit permission. © All rights reserved
3rd-11th January 2015
Over the mountains and across the seas, and we are yet to be there.
This beautiful culture and lovely people, their peaceful smiles that decorate this Golden Land, are far beyond you can imagine. It's something that you can't see much in this century. This Land, she is called Myanmar, She will rise again and she will sing again. .
壯觀的江山 美麗的文化 如此可愛的名族 在這科技的時代 很難看到了 深信他們將會再次強壯起來 ~~
This image portrays me by showing all the things I do and all the sides of me. I see myself in this picture because of this. To make this image I took 4 pictures of me in a tree with different clothing for each one. I then used photoshop to take out the background of three of me and put those on top of the fourth background. It was hard to take the pictures because I didn't have a tripod but luckily there was a table to put the camera on. I had some trouble with lining up the pictures to make it not look like one of me was floating.
On the green carpet: Jennifer Cox, Celebrity Engagement and Special Projects Manager at Heifer International, and Michael Braun, ID
2015 Beyond Hunger: A Place at the Table
September 18, 2015
Photo by Louella Allen, courtesy of Heifer International
Beyond Shotz April 2006 Issue features stories from our society. Visit http://www.beyondshotz.com for more details. You can also check out our previous issues.
2015 Beyond Hunger: A Place at the Table
September 18, 2015
Photo Credit: Lacey West, courtesy of Heifer International
I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.
artgallery.calpoly.edu/2020/beyond-the-surface
As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.
In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”
Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”
Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.