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Photo taken by Event Photos UK on behalf of Beyond Events. Feel free to download and share. All non-commercial use is allowed. If you would like a print of this image or anything else then please email David Kennedy at mail@eventphotos.uk or text
View of Ottawa from the newly renovated Museum of Nature. December 2010.
Photo by M. Rehemtulla for QUOI Media Group.
Polskie uczestniczki konferencji (od lewej): Magda (Trashki), Ania (Clean Clothes Polska), Malwina (Plants & Rags), Ola (Wearso), Gabrysia (UNDP).
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I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.
artgallery.calpoly.edu/2020/beyond-the-surface
As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.
In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”
Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”
Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.
Beyond the Gate. ..
- ' 40 Acre Field ' - Hanger Hill Farm -
- above Clandon village, nr Guildford, Surrey
Several animals attended Beyond Hunger as well.
2015 Beyond Hunger: A Place at the Table
September 18, 2015
Photo by Louella Allen, courtesy of Heifer International
Sangat Ji, check out these amazing photographs taken at the recent Basics & Beyond Camp, which took place at the stunning Miracle Valley site in BC Canada in August 2019.
during Beyond the Bluff event at W Hotel in San Francisco, Thursday, Nov. 17, 2022. (Photo by Jim Gensheimer)
On 16 December 2010, the Free Word Centre was transformed for the launch of 'Beyond Bars: 50 Years of the PEN Writers in Prison Committee', a special issue of Index on Censorship (04/2010) to mark the 50th anniversary of the WiPC
Photo: English PEN/Saskia Schmidt (What Is It Production Ltd)
Sufjan Stevens performing the original score of Beyond This Place at the Vista Theatre on November 8, 2011. This was during the early screening of the movie.
The railway walk from Alloa to Dollar along the Devon Valley Line ends a short distance beyond Dollar station. Here the course of the railway can be seen to snake along an embankment towards a bridge over the River Devon towards the next station at Rumbling Bridge.
An air vent decorated as a star sits in the midst of the Umbracle in Valencia's City of Arts and Sciences.
L'Umbracle is a large promenade and garden area in Valencia's City of Arts and Sciences.
Sitting on top of a giant underground car park - and disguising its true nature with architectural whimsy as vents are decorated in tile and lifts disguised as fancy cones - it is also home to plants and trees from the region.
The promenade which provides views down over the rest of the complex is also home to art exhibits through the year, while the gardens house programmes themselves, such as one with giant animatronic dinosaurs.
Breakers & Beyond winner Karen Gudiksen pictured in front of the Sugar Loaf Mountain in Rio de Janeiro.
Beyond Shotz April 2006 Issue features stories from our society. Visit http://www.beyondshotz.com for more details. You can also check out our previous issues.