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winter time, waterfalls and streams freeze. It is not entirely risk free to climb around and take photos down in a frozen waterfall but I think it's funny.
A golden retriever resting calmly between people, grounded by familiarity while the crowd flows past. Sometimes the safest place is right in the middle.
Arguably the finest mountain walk in Connemara and one of the finest in Ireland, the Glencoaghan Horseshoe takes in the southerly six of the Twelve Bens of Connemara. Although not high, these hills are rugged, rocky and steep-sided with steep descents and re-ascent in between them. A clear day is essential not just to take in the extensive views but to avoid navigational error, since there are relatively few safe escape routes. Allow eight and a half hours minimum from road to road (plus an hour's road walk if you don't have two cars), longer if like me you happen to take a camera with you :-)
"The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely." (Daniel Libeskind, 1998)
I found myself mesmerized by the small white clouds that seemed to be floating on their own. To the right, there were rain and sleet storms that had passed earlier. To the left is a snow storm coming. You can see snow-capped mountains in the background.
The back highways, somewhere near the Colorado and Arizona borders.
Photo # K04_5516-39bw.
(c) Kelly Shipp
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Concerned about her beau, Selwyn Spencely’s, true affections for her, and worried about the threat his cousin and 1923 debutante, Pamela Fox-Chavers, posed to her own potential romantic plans with Selwyn, Lettice concocted a ruse to spy on Pamela and Selwyn at the Royal Horticultural Society’s 1923 Great Spring Show*. As luck would have it, Lettice ran into Pamela and Selwyn, quite literally in the latter’s case, and they ended up having tea together. Whilst not the appropriate place to talk about Selwyn’s mother, Lady Zinnia, whom Lettice suspects of arranging a match between Selwyn and Pamela, who are cousins, Selwyn has agreed to organise a dinner with Lettice where they can talk openly about the future of their relationship and the interference of Lady Zinnia. However, whilst Lettice waits for the dinner to be arranged, she has a wonderful distraction to take her mind off things.
That is why today we are far from London, returning to Wiltshire, where Lettice grew up at Glynes, the grand Georgian family seat of the Chetwynds, and the home of Lettice’s parents, the presiding Viscount and Countess of Wrexham and the heir, their eldest son Leslie and his new wife Arabella. However, we are not at Glynes, but rather in Glynes Village at the local village hall where a much loved annual tradition is taking place. Every year the village have a summer fête, run by the local women and overseen by Lettice’s mother, Lady Sadie, to help raise money for a worthy cause in the village. The summer fête is one of the highlights of the village and country calendar as it always includes a flower show, a cake stand, stalls run by local famers’ wives selling homemade produce, games of hoopla, a coconut shy, a tombola and a jumble sale, a white elephant stall and a fortune teller – who is always local haberdasher Mrs. Maginot who has a theatrical bent and manages the Glynes theatrical players as well as her shop in the village high street. All the stalls and entertainments are held either in the village hall or the grounds surrounding it. Not only do the citizens of the village involve themselves in the fête, but also the gentry, and there is always much excitement when matriarch of the Brutons, Lady Gwyneth – Gerald’s mother, and Lady Isobel Tyrwhitt – Arabella’s mother, attend. Neither lady have been well over the last few years with Lady Gwyneth suffering a spate of bronchial infections and Lady Isobel receiving treatment for cancer, so it is a rare treat to have both in attendance. This year’s summer fête is a special one for Arabella in particular, for as the newly minted Mrs. Leslie Chetwynd, she now joins the effort to help run the Glynes summer fête for the first time and has been given the second-hand clothing stall to run as part of the jumble sale.
The Glynes village hall is a hive of activity, and the cavernous space resounds with running footsteps, voluble chatter from the mostly female gathering, hammering and children’s laughter and tears as they run riot around the adults as they set up their stalls. Mr. Lovegrove, who runs the village shop, climbs a ladder which is held by the elderly church verger Mr. Lewis and affixes the brightly coloured Union Jacks and bunting that have been used every year since the King’s Coronation in 1911 around the walls. Lady Sadie casts a critical eye over the white elephant stall, rearranging items to put what she considers the best quality items on more prominent display, whilst removing a select few pieces which she thinks unsuitable for sale, which she passes to Newman, her ladies maid, to dispose of. Bramley, the Chetwynd’s butler arranges and categorises books for the second-hand book stall, perhaps spending a little too much time perusing some of the titles. Mrs. Elliott who runs the Women’s Institute manages the influx of local women bringing in cakes with regimental efficiency. And amongst all the noise, activity and excitement, Arabella busies herself unpacking boxes of old clothes and tries her best to make her trestle an attractive addition to the summer fête. Lettice perches on an old bentwood chair, offering suggestions to her sister-in-law whilst pulling faces as she lifts up various donations before depositing them in disgust where they had been beforehand.
“Here we are then,” Gerald announces as he walks across the busy floor of the hall bearing a wooden tray containing several teacups and a plate of cupcakes from the refreshments stand, narrowly avoiding Mrs. Lovegrove’s two youngest children as they chase one another around his legs. The sound of his jolly call and his footsteps joining all the other cacophony of setting up going on around him. “Refreshments for the hard workers,” he looks at Arabella. “And the not-so-hard-workers.” he looks at Lettice.
“Don’t be cheeky!” Lettice says to him with a hard stare, letting a limp stocking fall from her hand and collapse into a wrinkled pool on the trestle table’s surface.
Gerald puts the three tea cups down where he can find a surface on Arabella’s trestle table, followed by a long blue and gilt edged platter on which sit three very festive cupcakes featuring Union Jacks made of marzipan sticking out of white clouds of icing.
“Mrs. Casterton’s special cupcakes.” he announces proudly with a beaming smile.
“How on earth did you get those, Gerald?” gasps Lettice in surprise, eyeing the dainty cakes greedily. “Mrs. Casterton hasn’t let me take food from her kitchen since I started dining at the table with the rest of the family, never mind pinch anything from her stall for the fundraiser!”
“It helps when you aren’t her employer’s indulged youngest child.” Gerald says, tapping his nose knowingly.
“I was not an indulged child!” Lettice defends, raising her hand to the boat neckline of her frock and grasping her single strand of creamy white pearls hanging about her neck. “You were more indulged by Aunt Gwen than I ever was by Mater or Pater.”
“Oh, just ignore him, Tice!” laughs Arabella from her place behind the trestle. “You know Gerald has always had the ability to charm anything from anyone when he wants to.”
“That’s true,” Lettice replies, eyeing Gerald with a cocked eyebrow and a bemused smile as she picks up her magenta and gilt rimmed cup and sips her tea. “I had forgotten that.”
“What can I say?” laughs Gerald proudly with a shrug of his shoulders.
“It’s not so much what you can say as what you can do, Gerald.” mutters Arabella with a frustrated sigh.
“I am at your service, my lady?” Gerald replies, making a sweeping bow before Arabella and Lettice, who both laugh at his jester like action.
“Be careful what you promise, Gerald.” giggles Lettice.
“Bella would never expect too much from me, Lettice.” Gerald retorts with a smile. “She’s known me all her life and she knows what my limitations are.”
“Well, I was hoping you could help me by working some magic on my second hand clothing stall.” Arabella remarks with another frustrated sigh as she tugs at the old fashioned shirtwaister** blouse with yellowing lace about the collar. “I’ve tried and tried all morning, but nothing I seem to do helps make anything look more modern and more attractive to buy.”
Lettice and Gerald look around at Arabella’s stall. The shirtwaister outfit with its pretty, albeit slightly marked, lace, tweed skirt and leather belt with a smart, yet old fashioned Art Nouveau buckle really is the most attractive piece that she has on display. Around it on the surface of her trestle are a jumble of yellowing linen napkins complete with tarnished napkin rings, a selection of embroidered, tatted*** and crocheted doilies, mismatched pairs of leather and lace gloves and several rather worn looking hats that are really only suitable for gardening now, rather than being worn to church services on Sunday.
“I warned you Gerald.” Lettice says with a knowing wink.
“Don’t you remember how much we all felt sorry for whomever ran the second-hand clothing stall at the fête each year as children, Bella?” Gerald asks.
“It was always the short straw.” Lettice adds.
“Yes, being stuck under the piercing stare of His Majesty.” Gerald indicates to the portrait of King George V, dating back to the pre-war years when the King still had colour in his hair.
“The worst stall to have because none of the villagers ever seem to have anything nice or remotely fashionable to donate, even for a good cause like new books for the village school.” Lettice picks up a pretty primrose yellow napkin. “These are nice at least.”
“Except there are only three of them.” points out Arabella with a disappointed air. “I can’t seem to find a fourth.” She picks up a red dyed straw hat in the vain hope that it will be there, even though she has searched beneath it three times already. “And I’ve looked everywhere.”
“Tea for two, perhaps?” Gerald suggests hopefully as he picks up his own teacup and takes a sip of tea.
“Oh, you two are no help!” scoffs Arabella. “I’ve a right mind to stick you both with these!” She grasps a pair of knitting needles complete with some rather dreadfully made rows of incomplete knitting and a ball of wool and thrusts them through the air between she, Lettice, and Gerald. “They’ll get you working.”
“Even if they do, Bella, we aren’t miracle workers.” remarks Gerald.
All three of them laugh good heartedly.
“Oh I must make the best of it,” Arabella sighs resignedly as she tugs at the left leg-of-mutton sleeve**** of the shirtwaister. “After all, this is my first year as Leslie’s wife, and the first jumble sale I am actively helping to run to help raise funds for the village. I must make this stall a success no matter what.” The steely determination in her voice surprises her as she speaks. “I’m a Chetwynd now, and I can’t disappoint the villagers with a poor show.”
“Nor Mater.” adds Lettice, taking another sip of tea.
“No indeed!” agrees Gerald. “Lady Sadie will be judging you from afar, Bella, rest assured. If your stall isn’t a great success, you’ll hear about it.”
“In a dozen little quips.” Lettice adds.
“More like a hundred.” corrects Gerald.
“Tearing delicately phrased strips off you.” agrees Lettice.
“Inflicting as much pain for as long as possible.” adds Gerald with seriousness.
“Oh stop, Gerald!” laughs Arabella. “She isn’t anywhere near as much of a dragon as you and Tice paint her to be.”
“You’ve only been married to the family for a little while now,” Lettice counters, looking at her sister-in-law over the magenta and gilt painted rim of her cup. “And you and Leslie have your own lives and are left pretty much to your own devices down in the Glynes Dower House from what I can gather. We’ll give you a little while longer to find out the truth about your wicked mother-in-law.” She smiles cheekily.
“I have grown up alongside you, going in and out of your house, Tice,” Arabella replies with a dismissive wave of her hand. “So it’s not like Sadie is an unknown quantity to me.”
“But you’ve never been a recipient of her acerbic tongue either, I’ll wager.” adds Gerald dourly. “You’re far too sweet and compliant a young daughter-in-law for that, but both Lettice and I have.”
“I still don’t know,” Lettice queries, turning her attention to Gerald. “What was it you said to Mater that night of Hunt Ball that set her so against you, Gerald? I’ve never known her to take against anyone so vehemently, except perhaps poor Aunt Egg who can never do any right in her eyes.”
Gerald blushes, remembering the altercation he had with Lettice’s mother, Lady Sadie, at the ball. In a slightly inebriated state he told her that neither she nor Lettice had any sway over Selwyn Spencely’s choice of a wife, any more than Selwyn did himself, explaining that it was his mother, the Duchess of Mumford, Lady Zinnia, who would choose a wife for him. “I keep telling you, darling girl. I really don’t remember,” he replies awkwardly, covering his tracks as best as he can. “If you remember, I was rather tight***** that night on your father’s champagne.”
“Well,” Arabella says with a sigh. “I’m determined not to incur her wrath, even though I’m sure it’s nowhere near as awful as you two suggest.”
“Oh-oh!” Gerald mutters under his breath to Lettice. “In coming.”
“Oh no.” moans Lettice quietly in return behind the painted smile she places on her face as she, Gerald and Arabella are suddenly set upon by the Miss Evanses, the two spinster sisters who live in Holland House, a Seventeenth Century manor house in the village.
The trio smile benignly as the two sisters twitter to one another in crackling voices that sound like crisp autumn leaves underfoot as they approach them.
“Well, twice in as many weeks, Miss Chetwynd!” exclaims the younger of the Miss Evanses in delight, a joyous smile spreading across her dry, unpainted lips. “Last week at the Royal Horticultural Society’s Great Spring Show, and now here! How very blessed we are to see you again.”
“How do you do, Miss Evans, Miss Evans,” Lettice acknowledges them both with a curt nod from her seat. She glances at the two old women, who must be in their seventies at least, both dressed in a similar style to when she saw them last week at the Royal Horticultural Society’s Great Spring Show, in floral gowns of pre-war Edwardian era length, their equally old fashioned whale bone S-bend corsets****** forcing their breasts into giant monobosoms down which sautoirs******* of glittering Edwardian style beads on gold chains cascade. Wearing toques with feather aigrettes jutting out of them atop their waved white hair they look like older versions of Queen Mary.
“I’m afraid you are a little early for the jumble sale, Miss Evans and Miss Evans,” Arabella remarks sweetly. “We are still setting up.”
“Oh, thank you! We know, Mrs. Chetwynd.” twitters the elder of the Miss Evanses, surprising Arabella a little as she still gets used to being referred to by her new married name. “I was just remarking to Henrietta this very morning over breakfast that we do so much look forward to the village fête every year.”
“Yes, it’s a nice way for us to be able to support the local community in our own small way, isn’t that right Geraldine?” enthuses her sister, raising her white lace glove clad hand to her wrinkled and dry mouth as she giggles in a rather unseemly girlish way.
“Indeed yes, Henrietta. It is to aid the school this year, is it not?”
“It is Miss Evans.” Arabella confirms. “To help buy new books for the children.”
“A very fine cause, I must say,” the younger of the Miss Evanses remarks indulgently. “Helping the young ones to read and develop their fertile minds. Rather like gardening, wouldn’t you say?”
“It is not even remotely like gardening!” quips her sister. “Stop talking such nonsense Henrietta.”
“We shall of course be glad of your patronage when the jumble sale opens in an hour.” Arabella quickly says in an effort to diffuse any unpleasantness between the two spinster sisters, at the same time emphasising the time the sale begins.
“Well,” adds the elder of the Miss Evanses seriously. “We shall of course come and spend a few shillings and pence when it opens officially, but…”
“Oh!” interrupts the younger of the Miss Evanses. “Is your frock designed by Master Bruton, Miss Chetwynd?” She addresses Gerald in the old fashioned deference of the village and county folk when addressing the children of the bigger aristocratic houses.
“Yes, Miss Evans. Mr. Bruton,” Lettice applies gravatas to the correct reference to Gerald’s name now that he is of age. “Did design my frock.”
“Oh it’s ever so smart!” the younger of the sisters enthuses.
“Thank you, Miss Evans.” Gerald acknowledges her.
“And your hat?” Miss Evans points to the yellow straw hat. “Didn’t I see you wearing that at Master Leslie’s wedding to Miss Arabella?”
“Mrs. Chetwynd, I think you mean, Henrietta.” corrects her sister with a sharpness to her remark.
“Oh yes!” bristles the younger Miss Evans at her sister’s harsh correction, raising her hand to her mouth again. “Yes of course! Mrs. Chetwynd, I do apologise.”
“It’s quite alright, Miss Evans.” Arabella assures her. “I am still getting used to being Mrs. Chetwynd myself.”
“How very observant of you, Miss Evans.” Lettice addresses the younger of the siblings. “I did indeed have my hat made for Leslie and Bella’s wedding. It was made by a friend of Mr. Bruton’s, Miss Harriet Milford.”
“Yes, well thinking of hats, I…” begins the elder Miss Evans.
“Oh it’s most becoming, Miss Chetwynd.” the younger Miss Evans interrupts her sister again as she compliments Lettice in an obsequious manner, followed by another twittering giggle.
“I can send someone down to Holland House this afternoon after the fête with her details if you like.” Lettice replies. “The next time you’re in London, you might pay her a call.”
The two sisters give one another a sour look at the idea, their lips thinning and their eyes lowering as they nod to one another in unison before turning back to Lettice and Gerald.
“Aside from the Great Spring Show, we don’t have much call to go up to London these days, do we Henrietta?”
“Indeed no, Geraldine.” agrees the younger Miss Evans between pursed lips, a tinge of regret in her statement.
“Besides we find the services of Mrs. Maginot’s in the high street to be quite adequate.”
“Good lord!” gasps Gerald, causing the two spinster sisters to blush at his strong language. “Is old Mrs. Maginot still going?” He chuckles. “Fancy that!”
The elder Miss Evans clears her dry and raspy throat awkwardly before continuing. “For our more bucolic, and doubtlessly simple tastes, Master Bruton, we find Mrs. Maginot to be quite satisfactory.” Both sisters raise their lace gloved hands to their toques in unison, patting the runched floral cotton lovingly. “We aren’t quite as fashionable as you smart and select London folk down here in sleepy little Glynes, Master Bruton, Miss Chetwynd, but we manage to keep up appearances.”
“On indeed yes, Miss Evans.” Lettice replies with an amused smile. “No-one could fault you on maintaining your standards.”
“I imagine you will soon be designing Miss Chetwnd’s own wedding frock, Master Bruton.” the younger of the Miss Evanses announces rather vulgarly.
“That’s only if I let her get married, Miss Evans,” Gerald teases her indulgently. “I might like to whisk her away and lock her in a tower so that I can keep her all to myself.”
“After what we all saw with our own eyes at the Hunt Ball, I’m sorry Master Bruton, but I don’t think you are in the running for Miss Chetwynd’s affections!” the younger Miss Evans twittering giggle escapes her throat yet again as her eyes sparkle with delight at the very faintest whiff of any gossip.
“How is Mr. Spencely, Miss Chetwynd?” the elder Miss Evans asks pointedly, her scrutinising gaze studying Lettice’s face.
Lettice blushes at the directness of both Miss Evans’ question and her steely gaze. “Oh, he’s quite well, as far as I know, Miss Evans.” she replies awkwardly.
“As far as you know?” the older woman’s outraged tone betrays her surprise as she looks quizzically into Lettice’s flushed face.
“Well, I haven’t seen Selw… err, Mr. Spencely just as of late.”
“Oh?” the elder Miss Evans queries. “I thought we saw you leave the tent we were in at the Great Spring Show, on the arm of Mr. Spencely.”
“Yes, I’m sure it was him, Miss Chetwynd.” adds the younger Miss Evans as she raises a lace clad finger in thought. “He’s very striking and hard to mistake for someone else.”
Silently Lettice curses the beady eyed observation the two spinster sisters are known for. Of course, they of all people at the bustling and crowded Chelsea flower show, noticed her inadvertent stumble into Selwyn and then her departure with him. Although perfectly innocent, and accompanied by her married friend Margot Channon, and Selwyn’s cousin, Pamela Fox-Chavers, she can see how easily the Miss Evanses can construe the situation to their own advantage of spreading salacious London gossip about Lettice, as daughter of the local squire, around the citizenry of Glynes village.
“I believe you were here for a purpose, Miss Evans.” Gerald pipes up, quickly defending his best friend from any more uncomfortable cross examination.
“Oh,” the elder Miss Evans replies, the disappointment at the curtailing of her attempt to gather gossip clear in both her tone of voice and the fall of her thin and pale face. “Yes.” She turns to Arabella. “I have actually come early today to see you on business, Mrs. Chetwynd.”
“Me, Miss Evans?” Arabella raises her hand to the scalloped collar of her blouse and toys with the arrow and heart gold and diamond broach there – a wedding gift from her husband.
“Yes.” replies the elder of the two sisters. “You see, when I heard that you were running the second-hand stall this year, I did feel sorry for you.”
“Sorry for me, Miss Evans?”
“Yes,” she replies, screwing up her eyes. “For as you know, there is always a poor offering of donated goods by the other villagers, and it makes for a rather sad and depressing sight amidst all this gaiety.” She gesticulates over Arabella’s trestle with a lace glove clad hand, sending forth the whiff of lavender, cloves and camphor in the process.
“Unless you are donating one of your lovely frocks to the sale, Master Bruton?” the younger of the Miss Evanses adds with a hopeful lilt in her voice. “I should buy it, even if it didn’t fit me.”
Gerald splutters and chokes on the gulp of tea he has just taken as the question is posed of him. Coughing, he deposits his cup quickly and withdraws a large white handkerchief which he uses to cover his mouth and muffle his coughs.
“Oh, poor Master Bruton!” exclaims the younger of the Miss Evanses as she reaches out and gently, but pointlessly, taps Gerald on the shoulder in an effort to help him. “Did you tea go down the wrong way?”
“I arrest my case.” her elder sister snaps giving Gerald a steely, knowing look.
“Now be fair, Miss Evans,” Lettice defends her friend, filled with a sudden burst of anger towards the hypocritical old woman, who despite having plenty of money of her own, only spends a few shillings at the fundraiser every year. “Gerald is still establishing himself in London! He cannot afford to give one of his frocks away when he has to pour what little profit he currently makes back into supporting and promoting his atelier.”
“As you like, Miss Chetwynd.” Miss Evans replies dismissively. “It is a pity though that neither Master Bruton, nor yourself could cast something Mrs. Chetwynd’s way, to help make her stall more,” She pauses momentarily as she considers the correct word. “Appealing.”
Lettice feels the harshness of the old woman’s rebuke, but she says nothing as she feels a flush of shame rise up her neck and fill her face.
“Geraldine!” her younger sister scolds her. “That’s most uncharitable of you.”
“Charity, my dear Henrietta, begins at home.” She looks critically at the knotted half completed knitting, the yellow and age stained linen and the mismatched gloves. “And Mrs, Chetwynd, I see that try as you might, you cannot disguise the usually dispirited efforts of the village used clothing drive this year.”
“Oh, well I haven’t really finished setting up yet, Miss Evans.” Arabella defends herself. “There are still some things to unpack from the boxes behind me.” She indicates to several large wooden crates stacked up behind her against the wall under the watchful gaze of the King.
“Which are items that doubtlessly didn’t sell last year, or the year before that have been shuffled away, only to make their annual reappearance.”
“Perhaps you have something appealing,” Lettice emphasises her re-use of the elder Miss Evans’ word as she tries to regain some moral standing against the older woman. “To offer at this year’s second-hand clothing stall, Miss Evans.”
“As a matter of fact,” the elder Miss Evans replies with a self-satisfied smile and sigh. “That is exactly why I am here.”
With a groaning heave, she foists the wicker basket, the handle of which she has been grasping in her bony right hand, up onto the trestle table’s surface. She opens one of the floral painted flaps and withdraws a large caramel felt Edwardian style picture hat of voluminous pre-war proportions from within the basket’s interior. The brim of the hat is trimmed with coffee and gold braid, woven into an ornate pattern whilst the crown is smothered in a magnificent display of feathers in curlicues and the brim decorated with sprigs or ornate autumnal shaded foliage and fruit.
“As I said, charity begins at home, so I thought I would add some style and panache to your stall, Mrs. Chetwynd, with the addition of this beautiful hat.”
“Oh, thank you, Miss Evans.” Arabella says with a sweet, yet slightly forced smile as the older woman tears off a smaller blue stiffed lace hat from a wooden hatstand and replaces it with her enormous millinery confection.
“I know it is only a hat from Mrs. Maginot, and not a London milliner,” she looks pointedly at Lettice. “But I dare say it will be more than suitable for our modest little country jumble sale.”
“Oh I’m sure it will be,” Arabella lies politely as she looks in dismay at the old fashioned headwear.
“Geraldine!” gasps her sister in disbelief. “You love that hat! I remember you had Mrs. Maginot make it for the King’s Coronation celebrations at great expense!”
“That’s true, Henrietta, but it just sits in a box at home these days and never gets worn anymore. It seems a shame to hide it away when it could look fetching on another’s head in church on Sunday. No-one will have anything to rival it. Not even you, Miss Chetwynd.”
“I agree with that,” whispers Lettice discreetly into Gerald’s ear, unnoticed by either of the spinster sisters. “I’d rather die than be caught in that ghastly thing. It looks every minute of it’s age.”
“Just a touch Miss Havisham, don’t you think?” Gerald whispers back, causing both he and Lettice to quietly snort and stifle their giggles.
“Well, that really is most kind of you, Miss Evans.” Arabella says loudly and brightly with a polite nod of acknowledgement, anxious to cover up the mischievous titters from her friend and sister-in-law.
“It’s my pleasure.” she replies with a beatific smile. “Well, we shan’t hold you up any longer from doing your setting up of the clothes, Mrs. Chetwynd. Come along Henrietta. Let’s go and make sure Mr. Beatty has my floral arrangement in a suitably advantageous place. I’m not having it shunted to the back like last year.”
“Oh, yes Geraldine.” her sister replies obsequiously.
Lettice, Gerald and Arabella watch as the two old ladies slowly retreat and heave a shared sigh of relief.
Gerald deposits his cup on the trestle’s surface and walks up to the grand Edwardian hat and snatches it off the wooden stand before placing it atop his own head with a sweeping gesture. “Do you think it suits me?” he laughs.
Lettice and Arabella laugh so much they cannot answer.
“Well,” Gerald sighs, returning the hat to the stand. “Even if Hattie could make hats a hundred times more fashionable than this, maybe some local lady who is a bit behind the times will want to take this beauty home.” He arranges it carefully on the rounded block so that it shows off the autumnal themed fruit garland pinned to the wide felt brim.
“That’s the spirit I need, Gerald.” Arabella manages to say as she recovers from laughing at her friend’s theatrical modelling of the hat, and quietly she hopes that someone will buy the hat and everything else she has in her remit to sell, to help raise money for schoolbooks for the local village and country children that attend the Glynes Village School.
*May 20 1913 saw the first Royal Horticultural Society flower show at Chelsea. What we know today as the Chelsea Flower Show was originally known as the Great Spring Show. The first shows were three day events held within a single marquee. The King and Queen did not attend in 1913, but the King's Mother, Queen Alexandra, attended with two of her children. The only garden to win a gold medal before the war was also in 1913 and was awarded to a rock garden created by John Wood of Boston Spa. In 1919, the Government demanded that the Royal Horticultural Society pay an entertainment tax for the show – with resources already strained, it threatened the future of the Chelsea Flower Show. Thankfully, this was wavered once the Royal Horticultural Society convinced the Government that the show had educational benefit and in 1920 a special tent was erected to house scientific exhibits. Whilst the original shows were housed within one tent, the provision of tents increased after the Great War ended. A tent for roses appeared and between 1920 and 1934, there was a tent for pictures, scientific exhibits and displays of garden design. Society garden parties began to be held, and soon the Royal Horticultural Society’s Great Spring Show became a fixture of the London social calendar in May, attended by society ladies and their debutante daughters, the occasion used to parade the latter by the former. The Chelsea Flower Show, though not so exclusive today, is still a part of the London Season.
**A shirtwaister is a woman's dress with a seam at the waist, its bodice incorporating a collar and button fastening in the style of a shirt which gained popularity with women entering the workforce to do clerical work in the late Nineteenth and early Twentieth Centuries.
***Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings and necklaces, and other decorative pieces.
****A leg of mutton sleeve is a sleeve that has a lot of fullness around the shoulder-bicep area but is fitted around the forearm and wrist. Also known as a gigot sleeve, they were popular throughout different periods of history, but in particular the first few years of the Twentieth Century.
*****’Tight’ is an old fashioned upper-class euphemism for drunk.
******Created by a specific style of corset popular between the turn of the Twentieth Century and the outbreak of the Great War, the S-bend is characterized by a rounded, forward leaning torso with hips pushed back. This shape earned the silhouette its name; in profile, it looks similar to a tilted letter S.
*******A Sautoir is a long necklace consisting of a fine gold chain and typically set with jewels, a style typically fashionable in the late Nineteenth and early Twentieth Centuries.
Whilst this charming village fête scene may appear real to you, it is in fact part of my 1:12 miniatures collection, including items from my own childhood.
Fun things to look for in this tableau include:
Perhaps the main focus of our image, the elder Miss Evans’ camel coloured wide brimmed Edwardian picture hat is made of brown felt and is trimmed with miniature coffee coloured braid. The brim is decorated with hand curled feathers, dyed to match the shade of the hat, as well as a spray of golden “grapes” and dyed flowers. Acquired from an American miniatures collector who was divesting herself of some of her collection, I am unsure who the maker was, other than it was made by an American miniature artisan. 1:12 size miniature hats made to such exacting standards of quality and realism such as these are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable.
The shirtwaister dummy, complete with lace blouse, tweed skirt and Art Nouveau belt attached to a lacquered wooden base, is an artisan miniature as well, once again by an unknown person. It came from Kathleen Knight’s Doll House Shop in the United Kingdom.
The divine little patriotic cupcakes, each with a Union Jack on the top, has been made in England by hand from clay by former chef turned miniature artisan, Frances Knight. Her work is incredibly detailed and realistic, and she says that she draws her inspiration from her years as a chef and her imagination. Each cupcake is only five millimetres in diameter and eight millimetres in height! The plate on which they stand and the teacups on the table are made by the Dolls House Emporium and are part of a larger sets including plates, tureens and gravy boats.
Miss Evans’ wicker picnic basket that can be seen peeping out near the right-hand side of the picture was made by an unknown miniature artisan in America. The floral patterns on the top have been hand painted. The hinged lids lift, just like a real hamper, so things can be put inside. When I bought it, it arrived containing the little yellow napkins folded into triangles and the hand embroidered placemats that you see on the table in the foreground.
The knitting needles and tiny 1:12 miniature knitting, the red woven straw hat, the doilies, the stockings and the napkins in their round metal rings all came from Kathleen Knight’s Doll House Shop in the United Kingdom. The elbow length grey ttravelling gloves on the table are artisan pieces made of kid leather. I acquired these from a high street dolls house specialist when I was a teenager. Amazingly, they have never been lost in any of the moves that they have made over the years are still pristinely clean.
The wooden boxes in the background with their Edwardian advertising labels have been purposely aged and came from The Dolls’ House Supplier in the United Kingdom.
The Portrait of King George V in the gilt frame in the background was created by me using a portrait of him done just before the Great War of 1914 – 1918. I also created the Union Jack bunting that is draped across the wall in the background.
Between Here and Gone
Mary Chapin Carpenter
I created Abstract: Between Here and Gone
using Photoshop Elements 8.
I hope that the image nurtures your souls
as much as it does mine.
Please receive my deep gratitude
for sharing your wonderful photographs
and for stopping by to appreciate mine.
May you all have a peaceful day.
A shot I have been after for a while at Godrevy, shame I missed the red light on the rocks by a few minutes, it was there when I set up, but the sun vanished behind some clouds time I was ready. They were very slippery rocks too, had to take great care where I walked.
My website - & - Facebook page
Something about these layerings of people that make this type of pic both extremely hard and quite satisfying ;)
Clivia is a genus of monocot flowering plants native to southern Africa. They are from the family Amaryllidaceae. Common name is Bush lily.
They are non-woody evergreen plants, with dark green, strap-like leaves which produce clusters of bell-shaped flowers on a stalk above the foliage. The flowers somewhat resemble those of certain varieties of Lilium or Amaryllis. Orange is the most common colour but there are also Peach, Near White, Apricot, Red and Yellow varieties.
I took this picture within under 3 seconds as I was walking up my hostesses driveway, as she was already walking towards me to welcome me !
Scarborough is a seaside town in the district and county of North Yorkshire, England. It is located on the North Sea coastline. Historically in the North Riding of Yorkshire, the town lies between 10 and 230 feet (3–70 m) above sea level, from the harbour rising steeply north and west towards limestone cliffs. The older part of the town lies around the harbour and is protected by a rocky headland.
With a population of 61,749, Scarborough is the largest holiday resort on the Yorkshire Coast and largest seaside town in North Yorkshire. The town has fishing and service industries, including a growing digital and creative economy, as well as being a tourist destination. Residents of the town are known as Scarborians.
The town is claimed to have been founded around 966 AD as Skarðaborg by Thorgils Skarthi, a Viking raider. There is no archaeological evidence to support this claim, which was made during the 1960s as part of a pageant of Scarborough events. The claim is based on a fragment of an Icelandic Saga. In the 4th century, there was briefly a Roman signal station on Scarborough headland, and there is evidence of earlier settlements, during the Stone Age and Bronze Age. Any settlement between the fifth and ninth centuries would have been burned to the ground by a band of Vikings under Tostig Godwinson (a rival of Thorgils Skarthi), Lord of Falsgrave, or Harald III of Norway. These periodic episodes of destruction and massacre means that very little evidence of settlement during this period remained to be recorded in the Domesday survey of 1085. (The original inland village of Falsgrave was Anglo-Saxon rather than Viking.)
A Roman signal station was built on a cliff-top location overlooking the North Sea. It was one of a chain of signal stations, built to warn of sea-raiders. Coins found at the site show that it was occupied from c. AD 370 until the early fifth century.
In 2021 an excavation at a housing development in Eastfield, Scarborough, revealed a Roman luxury villa, religious sanctuary, or combination of both. The building layout is unique in Britain and extends over an area of about the size of two tennis courts. It included a bathhouse and a cylindrical tower with rooms radiating from it. The buildings were “designed by the highest-quality architects in northern Europe in the era and constructed by the finest craftsmen.” Historic England described the finds as “one of the most important Roman discoveries in the past decade.” There are plans to revise the housing development layout, recover the remains and incorporate them in a public green area. Historic England is to recommend the remains be protected as a scheduled monument.
Scarborough recovered under King Henry II, who built an Angevin stone castle on the headland and granted the town charters in 1155 and 1163, permitting a market on the sands and establishing rule by burgesses.
Edward II granted Scarborough Castle to his favourite, Piers Gaveston. The castle was subsequently besieged by forces led by the barons Percy, Warenne, Clifford and Pembroke. Gaveston was captured and taken to Oxford and thence to Warwick Castle for execution.
In 1318, the town was burnt by the Scots, under Sir James Douglas following the Capture of Berwick upon Tweed.
In the Middle Ages, Scarborough Fair, permitted in a royal charter of 1253, held a six-week trading festival attracting merchants from all over Europe. It ran from Assumption Day, 15 August, until Michaelmas Day, 29 September. The fair continued to be held for 500 years, from the 13th to the 18th century, and is commemorated in the song Scarborough Fair:
Are you going to Scarborough Fair?
—parsley, sage, rosemary and thyme...
Scarborough and its castle changed hands seven times between Royalists and Parliamentarians during the English Civil War of the 1640s, enduring two lengthy and violent sieges. Following the civil war, much of the town lay in ruins.
In 1626, Mrs Thomasin Farrer discovered a stream of acidic water running from one of the cliffs to the south of the town. This gave birth to Scarborough Spa, and Dr Robert Wittie's book about the spa waters published in 1660 attracted a flood of visitors to the town. Scarborough Spa became Britain's first seaside resort, though the first rolling bathing machines were not reported on the sands until 1735. It was a popular getaway destination for the wealthy of London, such as the bookseller Andrew Millar and his family. Their son Andrew junior died there in 1750.
The coming of the Scarborough–York railway in 1845 increased the tide of visitors. Scarborough railway station claims a record for the world's longest platform seat. From the 1880s until the First World War, Scarborough was one of the regular destinations for The Bass Excursions, when fifteen trains would take between 8,000 and 9,000 employees of Bass's Burton brewery on an annual trip to the seaside.
During the First World War, the town was bombarded by German warships of the High Seas Fleet, an act which shocked the British (see Raid on Scarborough, Hartlepool and Whitby). Scarborough Pier Lighthouse, built in 1806, was damaged in the attack. A U-boat assault on the town, on 25 September 1916 saw three people killed and a further five injured. Eleven of Scarborough's trawler fleet were sunk at sea in another U-boat attack, on 4 September 1917.
In 1929, the steam drifter Ascendent caught a 560 lb (250 kg) tunny (Atlantic bluefin tuna) and a Scarborough showman awarded the crew 50 shillings so he could exhibit it as a tourist attraction. Big-game tunny fishing off Scarborough effectively started in 1930 when Lorenzo "Lawrie" Mitchell–Henry, landed a tunny caught on rod and line weighing 560 lb (250 kg). A gentlemen's club, the British Tunny Club, was founded in 1933 and set up its headquarters in the town at the place which is now a restaurant with the same name. Scarborough became a resort for high society. A women's world tuna challenge cup was held for many years.
Colonel (and, later, Sir) Edward Peel landed a world-record tunny of 798 lb (362 kg), capturing the record by 40 lb (18.1 kg) from one caught off Nova Scotia by American champion Zane Grey. The British record which still stands is for a fish weighing 851 lb (386 kg) caught off Scarborough in 1933 by Laurie Mitchell-Henry.
On 5 June 1993, Scarborough made international headlines when a landslip caused part of the Holbeck Hall Hotel, along with its gardens, to fall into the sea. Although the slip was shored up with rocks and the land has long since grassed over, evidence of the cliff's collapse remains clearly visible from The Esplanade, near Shuttleworth Gardens.
Scarborough has been affiliated with a number of Royal Navy vessels, including HMS Apollo, HMS Fearless and HMS Duncan.
The town has an Anglican church, St Martin-on-the-Hill, built in 1862–63 as the parish church of South Cliff. It contains works by Dante Gabriel Rossetti, William Morris, Edward Burne-Jones and Ford Madox Brown. A young Malton architect, John Gibson, designed the Crown Spa Hotel, Scarborough's first purpose-built hotel. Notable Georgian structures include the Rotunda Museum, Cliff Bridge and Scarborough Pier Lighthouse. Victorian buildings include the Classical Public Library and Market Hall, the Town Hall, Scarborough Spa, the Art Gallery, the South Cliff Methodist Church, and Scarborough railway station. The architecture of Scarborough generally consists of small, low, orange pantile-roofed buildings in the historic old town, and larger Classical and late Victorian buildings reflecting the time during the 19th century as it expanded away from its historic centre into a coastal spa resort.
A notable landmark in the town is the Grand Hotel on St Nicholas Cliff. Designed by Cuthbert Brodrick of Hull, it was completed in 1867; at the time of its opening, it was the largest hotel and the largest brick structure in Europe. It uses local yellow brickwork with red detailing and is based around a theme of time: four towers represent the seasons, 12 floors the months, 52 chimneys the weeks and the original 365 bedrooms represented the days of the year. A blue plaque outside the hotel marks where the novelist Anne Brontë died in 1849. She was buried in the graveyard of St Mary's Church by the castle.
An amount of 20th century architecture exists within the main shopping district and in the form of surrounding suburbs. Buildings from this century include the Futurist Theatre (1914), Stephen Joseph Theatre, Brunswick Shopping Centre (1990), and GCHQ Scarborough, a satellite station on the outskirts of the town.
The Clock Tower was built between 1403 and 1412, probably finished in 1405. It was built in the market place, then much larger and triangular in shape, its outline still clear in the street plan. The tower was built close to the Eleanor Cross. Twelve Eleanor crosses were constructed throughout eastern England under the orders of King Edward I between 1291 and 1294 in memory of his wife Eleanor of Castile. The site of each cross marks the nightly resting place of Eleanor's funeral procession.
The people of St Albans built the tower as a symbol of their resistance against the power of the abbot of St Albans. By deciding their own times in which to trade and ring curfew they could achieve independence from the dictates of the Abbey.
The Clock Tower contains two bells, one familiarly known as Gabriel and the Market bell. Gabriel is the larger and much older of the two and is so named as result of the inscription on the bell "Missi De Celis Habeo Nomen Gabrielis" ("I am Heaven sent, in Gabriel's name"). Although the date of its construction is unknown, John Harris of the British Archaeological Association believed that it was cast c.1335. Gabriels diameter is approximately 3 ft 10 in and it weighs roughly one ton. Gabriel would have been rung at approximately 4 am in the morning to mark the Angelus, and again at 8–9 pm at night for the curfew. In addition, the bells could also be run in the event of emergencies, this could be something as simple as a fire, or as historic as the First Battle of St Albans, seen as the first battle of the War of the Roses on 22 May, 1455.
Taken during a fair called the "Blind School Mela" in Delhi, which raises money for blind children during the festive season of Diwali. This man was one of the vendors who was selling 'chaat' at this fair.
This shot was very deliberate. When I saw him through these pre-prepared packs (in which they were serving some types of chaat), I thought it would make a great contrast to the portrait I wanted to shoot. He had to blend in perfectly as a part of the background. I waited for him to turn around and look at the camera. I knew I had only one shot because after he got conscious of the fact that he was being shot, he would start smiling - which I didn't want. As things turned out, he looked, I snapped and got what I wanted.
Delhi, India
2005
| Arjun Purkayastha • travel & fine art photography • | Facebook page |
Between the viewing platform and bridge #3 a male Annas Hummingbird is resident most of the year at Willband Creek Park.
Silent screams echo in the silence.
Broken wings have forgotten how to fly.
I’ve lost myself somewhere between your blue eyes and the ocean,
are they not the same?
-Kyla Krause
this is another picture inspired by my lovely friend Kyla’s Poetry!
you can view more of her AMAZING poetry here!
I realize it’s almost the same thing as my last picture, but I thought of the idea for her poem at the same time I did for my songspiration and I thought it would be perfect for both…soooo yeah. Whatever, I don’t care, I like them both.
Press L!
oh and thank you soooo much chocoholic123 for the testimony! She is a really great photographer, you guys should check her out!!
I’m in-between Lives
Up to now, it is kinda disappointing
So I need some re-inventing
For my Life is in-between
In-between
All those in-betweens…
Read the rest in -
"Adventure in the Land of the Ancient Gods"
LADAKH : Day 5
The wonderful part of driving through these hills is that there is always a surprise awaiting you around a bend in the road. As we approach closer to the Nior Nis Village, we took a brief halt for photo stop where we found another small monastery standing on hillside. The entire valley of Ladakh is dotted with monasteries of all kinds with the famous names by location and the histories, but unfortunately it’s hard to find the name for this monastery.
Thanks for your kind visit and support.
All comments, criticism and tips for improvements are welcome.
© Sayid Budi ~ All rights reserved 2011
This is in no way real or genuine. A lot of post-processing is involved. The reflections in the water were post-processed. I flipped the upper part of the image, then motion blurred it and made it 40% transparent so that we can see more texture of the water to make it more realistic.
It is a total of 7 photos combined.
I intended to do a time-slice photography. But when doing post-processing, I found it difficult to make the transition between the brighter part and the darker part of the photo smooth or natural. Thus, I did a pano of blue hour instead.
This amazing photo was taken from: @Bo Liao. You can find this picture here: 500px.com/photo/100489365/between-the-bridges-by-bo-liao?...
It's still Winter, but the first flowers are in bloom...These are 'snowbells', about a month too early in bloom, cause we're getting some cold weather this weekend!!
I finshed my first hat this year, lol! Especially made for girls with big hair, like mohair and alpaca!
Adaw 4/52
Who can really explain the connection between soul and sea? It is something that must be experienced. Just watching the vast expanse of nature, the rhythmic motions and sounds of the sea, the going in and coming out of the tide -- all are miracles and cause a stir within the heart and soul of mankind. When you are feeling overwhelmed with problems and cares of the world, remember that we are part of a bigger picture....we are part of this infinite creation, and we can find peace within by experiencing the calm assurance that natures provides. Throw your cares to the sea for today and decide to enjoy every minute of this beautiful, wonderful day!
EXPLORE: August 7, 2009 -- #197 - Thank you so much!
NOTE: Thanks so very much for your kind comments, visits, and invites. Take some time out today to enjoy the blessings of nature, friendships, and love! :-)
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A World Between ~ Paris ~ MjYj
Please don't use this image on websites, blogs or other
media without my explicit permission.
MjYj© All rights reserved
Thanks everyone, thanks for all the votes,comments,
visits, support, critics, invites, awards, etc ...
52 weeks of 2019
Week #32 ~ Deconstructed Landscape
you sure can take a lot of photos in 30 minutes!!
nice fun way to get a different view of somewhere.
Built between 1868 and 1888, this Second Empire and Renaissance Revival-style building was designed by Alfred H. Piquenard of the Chicago-based architecture firm Cochrane and Garnsey to serve as the Illinois State Capitol, replacing the then-31 year old former state capitol in the middle of Downtown Springfield, which had become inadequately sized for the rapidly growing population of the state. The 361 foot (110 meter) tall building, the tallest non-skyscraper legislative building in the United States, is the sixth building to serve as the Illinois State House. The capitol stands on the tallest natural point of land within the city of Springfield, and is the most prominent feature of the skyline of the city. The building features limestone exterior walls, with mansard and gabled roofs and a dome clad in zinc, a tall drum with arched and oxeye window bays, a lantern atop the dome, corinthian columns and pilasters, rustication at the base of the building, double-hung windows, two-story porticoes at the eastern and northern facade of the building, porticoes at the lower level of the drum below the dome, stone balustrades, and dormers at the mansard roofs. The building was listed on the National Register of Historic Places in 1985. The building was restored and had its systems updated during a renovation in 2011, and as of 2023, is undergoing a major renovation to its north wing, which will restore this portion of the building and further update the building’s internal systems.