View allAll Photos Tagged beta
pencil and ink pen drawing with water colour
drawn onto Robin Page's page in "Ever since I was a young boy I've been drawing cars in my sketch book"
Ross is one of my best mates and i spend a lot of time with him. One of his dj names is beta another is mausr. He is the resident dj along with matthew at subclub on a tuesday. Some of their music, which i love can be heard here soundcloud.com/iamclub. I've known Ross for while now and what always impresses me is how he always does everything to perfection. I've seen him dj, make music videos, make posters, arrange nights and even when taking photos, everything is done to the key. So i can't wait for a night he's arranged in the arches www.facebook.com/events/304831686223038/. This isn't pr, I just genuinely can't wait. It's going to be amazing.
via KrakyLand.net BeamNGDRIVE Download Pc Game www.krakyland.net/2015/12/beamngdrive-download-pc-game.html
via KrakyLand.net 10 Years After Download Pc Game beta www.krakyland.net/2016/01/10-years-after-download-pc-game...
via KrakyLand.net Space Engineers Download Pc Game www.krakyland.net/2016/01/space-engineers-download-pc-gam...
View On Black Photo © 2009, 2010 Angela A. Stanton, All rights reserved. Contact: angela@stantonphotostudios.com for further information.
Title may be funny but then it is real... at the beaches of Southern California. this summer we had no sun. In fact. my home, which is about 15 miles inland, had no summer this year either and it is fall time already! So this picture is in memoriam to our summer sun of this year.
I had the original version of this picture posted to flickr here: www.flickr.com/photos/angela_a_stanton/4541665893/ which was the unaltered version. Here I tested a new software's beta release called Oloneo PhotoEngine. It is pretty cool! The beta is a free download (google the name and you will find it). Supposedly it works until November 1st, when the final release should come--which includes a variety of things, including HDR processing.
Here I used some tone mapping akin of HDR and then played with the controls left and right.. this is a really cool result from that gloomy picture. =)
470 ways to know you are addicted to Minecraft.
You continually refresh Notch's blog for the latest post about the next compatability-breaking update.
You wear a diaper to increase time between bathroom breaks.
You begin to panic when you black screen for more than 10 seconds.
You go to bed in minecraft when you're tired in real life.
You haven't eaten or slept in 24 hours.
You just sit down to mine a few blocks and look up to realize its already been 4 hours.
If you've completed the 404 challenge more than once.
You refresh the mod page hoping for a new mod update to reflect Notch's latest update.
You google "Minecraft addiction".
The only time you see your friends is in-game.
You worry about server griefing while you're offline.
You get excited when Notch releases a demo video about the next update.
You begin dreaming about blocks.
You see a dark area in the kitchen and have the urge to put a torch there.
You smack snow with a shovel and half-expect snowballs to pop out.
You make a website about Minecraft addictions.
You see fog and think about hitting "F"
You look at every building in real life and start seeing it as blocks and measuring it.
You get coal as a gift and think its a good thing.
You are referred by people in real life by your Minecraft nickname.
When you're in public and you hear "ssssss" and you yell "CREEPER!!!"
When you watch too many "Let's Play's" and you begin commentating every move you make.
You are afraid of the dark because you think mobs will spawn.
Your body parts start getting blocky.
You forget to feed your real dog, because you were too busy feeding your pack of virtual dogs...
You hate it when people ask you to eat while playing Minecraft
When it's dark, you try to place a torch.
You re-create your town in Minecraft and live your life in there.
You break all the bones in your hand due to attempting to open doors by punching them.
You see some pesky trees in your yard and think, "I really wish I at least had my wooden axe right now."
You see a stray dog and think, "Dangitt why didn't I bring my bones with me!"
You use Minecraft as a model maker for your dream home/city. (We all have dreams you know)
You hear someone go Uggghh, and you tell your friend, "I think that guy over there is a zombie. Do you have your sword on you?"
You see a beautiful landmark and think, "I bet I could make a cool version of that in Minecraft." And later that night you put a scale replica in you town and say,"Yep, that is as cool as the real Washington Monument."
You see one of those commercial where you sell your used gold for cash, and think, "No way! I'm saving my gold for power rails!"
You're hungry and you think, "Man, I wish I could find a pig right now."
You tested 99% positive for minecraft addiction.
You have submitted over 11 Minecraft addiction jokes to this website. (To whom I thank very much. --Drise)
You try to punch your way through a tree.
You start wondering who people on a server really are.
You begin to view the world as Minecraft.
You punch a tree 5 times hoping it yields some wood.
You try to start a new world IRL because you fell.
You walk into a jewelry store in think "Dang, whish I had a workbench, and a pickaxe".
You hear creeper or zombie noises when you wake up in the middle of the night.
You wonder why a thing doesn't break as easy as in minecraft and why real life is harder.
You start drawing creeper faces everywhere.
You know more about minecraft, than you do in your classes
You suffer from the tetris effect.
You watch Ultimate Survival and Think "I could do alot better"
You start planning what you are going to build the next day, IN YOUR DREAMS.
While fishing you're hoping a fish pops out of the water.
You make cake, but leave the bottle of milk in the mix.
At night you go to bed, lie there five seconds and get up thinking it's day.
You have arachnophobia and begin to see skeletons riding spiders.
You punch pigs when you're hungry.
You punch pigs when you get hurt.
You think Notch is your god and Mojang your church.
You have more then ten Minecraft-related YouTube subscriptions...
You always think with blocks.
You mod your night lights into torches and place them in your house.
When you don't know what to build, you look up famous monuments
You make your own house in Minecraft
You cut part of the bottom of a tree trunk thinking the rest will stay up.
You look at a birch tree in real life and see it as blocks.
When the cat hisses, you run away and come back in 2 minutes looking for the crater.
You give your dog 5 bones just so you can take him for a walk and slap him on the head once to make him sit.
You get arrested for punching sheep.
Your biological clock adapts to Minecraft's 10 minute days and nights.
You see a circle and think "wait, that's not right."
You stay home all day isolated in your room
You start driving minecarts instead of cars
You notice perfectly square brick columns IRL and think, "man, where'd that guy find all that clay?"
Your desktop, mouse cursor, screensaver, and homepage all relate to Minecraft
You start swinging your arms like the minecraft character when you walk.
You are in history class and you imagine the building as if they were built in minecraft
When you bookmark this page.
You walk by sugarcanes and attempt to make a bookcase
You see the sun as a square.
When the server you play on is down you immediately curl up in a corner and cry while playing single player on your laptop with a creeper skin to prevent theft.
When you don't have bread, you align 3 wheats together.
You start eating raw pork.
You try to make friends with wild wolves.
When you stay up late at night starring at your computer trying to find redstone somewhere
You check your backyard mob grinder every ten minutes hopping to find bones and gunpowder.
You jump off a 50 ft tower and hope you land in that 3 ft deep water
You think apples made of pure gold taste delicious
You recreate your real life house in MC, and make better things inside.
You break your head attempting to place a big stone block above you...
You try to organise things in multiples of 4.
You mutter /time day in your sleep.
You attempt to put fires out with your bare hands, then eat cookies until you stop burn ing.
When you say "In Notch's name" instead of "In God's name"
You don't go near obsidian for months because your afraid if you light it on fire it will send you to the nether
When you see a person wearing diamond jewelry IRL, you think, "How the nether did that guy find that much diamonds??!!!" And proceed to ask that person what kind of mining technique they use.
You throw an egg hoping for a chicken to pop out.
You are afraid that your cup of water may flood the kitchen.
You feel strange whenever you see something taller than 64 meters.
You think of the world from a blocky perspective
If you are tired but you can not sleep because it's a day
You fear to go to the woods because you think there are a lot of wolves.
When you will die, you look forward to finally meeting this "re spawn" Button!
You think you can carry 10 billion pounds of stuff in your pockets.
You see a creeper and you piss yourself
You punch the grass on your lawn, and when someone asks you what you're doing, you tell them you're going mining.
The ONLY vehicles you know of, are minecarts and boats. Wooden boats.
You walk on stuff lying around your room, hoping you automatically pick them up.
You listen to minecraft-parodied songs rather than the original.
You Play Minecraft(FULLSTOP)
When diving, you think that you can evade drowning by eating pork really fast.
You dig Diamonds
When you want to make a book stack 3 papers and wait...
You make weapon,and hurt tree!
You start digging a hole and look for caves in real life.
When you see something white in the dark, you think it's a Skeleton.
It gets dark out and you think: "must find coal...)
Your friends make hissing sounds just to makeyou jump.
In math class, your using the calculator to find out just how many cobble you'll need for your next castle.
You always get scared around wooden structures because you think they'll be greifed.
You start finding crafting recipes for common things: Tv:two glass by eight cobble and redstone Pencil: coal and stick Fish tank: two water plus four glass
You try to change pictures on the wall by punching them
You always check your basement for slimes
You walk down the street, saying "THIS TEXTURE PACK IS AMAZING"
You try to hit right click when your real life dog is bothering you.
You picture redstone running through your walls when you turn a light on.
You do research to find out how real life mining compares to Minecraft mining.
You think when you sprinkle ground up bones on to a tree sapling and expect it to suddenly grow into a tree.
You validate 'creeper' as a real animal.
The only animals you've ever known of are cows, sheep, chickens and pigs
You are suprised you get hurt when you make a belly dive from the highest diving platform.
You wonder why the real world is so small and doesn't have snow next to the desert.
You see someone with a checkered shirt and think: Dont tell me you haven't added a HD texturepack.
You think outside the blocks.
Your friend finds you in the garden, in a 5 metre deep hole trying to find iron.
You connect your electrical devices using reddish-black dust.
You place 3 diamonds and two sticks on a workbench and think, "Dang it, why isn't this turning into a diamond pickaxe?!"
You think smashing a saddle on a pig and riding it will make you epic. But the farmer just screams at you.
You go to sleep with your lights on, and wait for everything to get progressively dark before you close your eyes.
You start to make cartoon characters in minecraft.
You think you're dead when you fall 6 feet.
Your "downloads" folder is Full Off Minecraft stuff
You try to attach a stone to your wall and wonder why it falls down.
I Play Minecraft until i can't focus on the screen.
You run away and jump for cover everytime you hear a "Ssssssss" sound, expecting a explosion.
You stuff porkchops and coal into the furnace and hope that 10 secs later a cooked porkchop pops out.
You try to ride a pig on a regular basis
you throw a wooden plank in front of a door and step on it to open it
You can only count up to 64 and then start over at one
Putting a lump of coal on top of a stick you found outside and thinking "Where is my torch?"
You think of redstone instead of wires and minecarts instead of cars.
How many creepers does it take to screw in a lightbulb? None cause they dont have any arms.
You sit your dog down and expect it to stay there until you stand it up, no matter how far away you go.
You sprint away from your dog as fast as you can just so you can see it teleport to you.
You plant a seed in the ground, thinking it will be fully grown in an hour.
you try to make bread by mashing up wheat on a work bench
you try to do the /fly command and then brake your face trying to fly
You start to see creepers appearing as flowers in your garden...
You look up at the sky to see which way the clouds are moving in order to determine which way is north.
When you hear a dog bark, you quickly climb over the nearest hill/mountain hoping to find a wolf pack.
Your in geometry and you have to find the area of a square, but you already know it because tis the same parameter as the temple your building.
When you pick up steel tools, you think its iron and and if you have one, whack your diamond ring with it.
You're setting up a minecart track and say, "Mom, can i have some redstone?... or maybe just some stone?"
you ride the mono-rail and think "I wonder where the boosters are?"
You go door to door asking for your neighbors to let you inspect their house to make your scale replica of your town in Minecraft.
You constantly wonder, "How does life not lag with this super high res texture pack?"
You say "/give tnt 999" when you're really board and somehow are not playing Minecraft.
You throw dirt in the air trying to make it float.
You spend your school day making textures.
You read all of these jokes hoping for help.
When someone drops wood, you run away because you don't have a sword or arrows.
You chill
You walk into a library and think "It must've taken a long time to get all those reeds."
You see a water fountain and think "Wish I had some buckets on me."
You're heading out to the store, and check and see if you've got everything you need - Wallet, car keys, list of stuff to get, redstone compass...
You try to find a torch when your room gets dark.
Your Face is a Creeper
You punch trees IRL and wonder why your fist bleeds
You try to establish your house on a floating island.
You change your clock time forward IRL to engage hyperspeed.
You hear about the earth running out of resources and think 'just spawn some, damnit!'.
You sit in class and sketch stuff to build later.
You decide to learn Java just so you could make Minecraft mods.
You see solar panels at the store and explain to your dad how they work in Industrial craft format.
When your parents say 'Come on, we have to go now!' and you said 'Wait a minute, I just need to finish this..'
It is physically impossible for you to eat beef, chicken or lamb.
When you see a dark corner you think "I should put a torch there."
You dig holes in your backyard looking for coal and iron.
you ask your P.E teacher if you can go on a creeper pking field trip
you try programing a mod for real life
you broke your hand cause you needed wood.
You get a job as a miner and bring a sword with you.
When you can tell the time of day by looking at the sun
You feel like you need an obsidian panic room
Your scared that monsters will spawn out of your shadow.
you can eat gold !
You lay your building materials in geometric-grid shapes expecting them to build themselves.
You trade your olex for a clock that only shows day-time and night-time
You burn real pigs and wonder why they don't drop cooked porkchops.
You punch trees in real life to the point where you rage because its too slow without your diamond axe.
you watch bluexephos and then attempt to sing the diggy diggy hole song!
When 64 seems like an important number
you see an ugly building and think "I need a new texture pack"
When you want pork, you go find a pig to kill
When you want to pick something up you start punching it first.
you see a dead skeleton and try to take his bones and arrows
You go and play another game and DIE SKOL AFSOLFAO SLASPÖ
When you see a thunderstorm you become extremely scared of pigs and all things green
when you click on this site.
You smelt your own wedding ring to make gold.
You think you can dig up dirt in 3 seconds
You try and make a diamond pickaxe
Reading this entire list.
You try to change texture packs in real life.
You try to mod real-life.
you think that your render distance is low when it is foggy in real life.
You are terrified of the color green.
You break your door with an axe hoping it's miniature version will drop to the floor to be re-used.
if you see a creeper at your door telling "oh what nice house you got here" you run away telling "panic" and you falling down by dizzy.
You can describe, in-depth, three different mining systems and their varying efficiencies for finding ore.
When the entirety of your absent-minded doodles consist of designs and schematics for mechanisms or new projects.
You look at a building and image what it would be made of in Minecraft.
You beat the crap out of your computer waiting for a small flat pixelated portable version to pop out
You try to collect parts of your house.
you look at your clock or wristwatch and expect it to be half blue with the sun and half black with the moon
You build a clock that only has "Day and Night" on it.
Minecraft its a funny game im right?!
When you hear footsteps you grab the nearest pointy object and hide behind the sofa waiting for the creeper to pop out.
When you go outside you start punching trees
When you make a site to know if you're addicted or not..
Everything is blocky, even your eyes.
You cry for days when you lose your minecraft saves.
You have all the icons from Orion-Pyro
You have memorised all the splash screen messages.
You know about Dr. Leon Sisk's existance from Bobby Yarsulik's song, "PigMen Story" and also know he actually is a real person.
If you get a raging boner after seeing all the dicks on multi player servers... You mite be a faggot.
You see something green and grab out a wooden sword and charge
You crouch to make sure you don't fall off
You start to think of clothing as skins.
You try to find lava for your new house.
you wonder why things on the ground are not popping in to your quickbar
You start to to call yourself Steve and wish you could change your skin.
You are looking for the create a new world button when things go bad on Earth.
You hold shift to not fall from a building
you keep a list of your mod names,just in case there is a new update
you turn your car into a minecart.
You can't make a perfect circle in the real world.
You call your parents pussies because "they disabled hostile mobs spawning".
You walk for ten minutes trying to find a new biome.
You think about digging up the floor and look for iron under it.
When your parents come in the room, you scream, thinking its a creeper
When something happens to your minecraft you cry
When you get bored of minecraft you watch youtube about minecraft or go to the forums
You make a facebook so you can like this page or any other minecraft page.
When you hear Notch has twitter, you delete your facebook, and go on twitter.
Every site you make an account, you use your minecraft name
You don't care about dying because you think you can respawn.
You try to punch cacti without being hurt... ouch!
You keep refreshing this site to see if your joke has been added.
Creepers are green Spiders are black Now your shelter is under attack
You see a beautiful sunset and think "Hey, that's just like Minecraft"
You try to milk a giant squid, and when you fail epicly, you think: "Curse the Beta 1.3 update!"
You cut down a tree in real life, and once you regain conciousness in a hospital with severe breakages in all your bones, you wonder why gravity sudeny started working.
When you see green jello in your fridge, you slash at it wildly with your sword, and later wonder why it didn't multiply or attempt to eat you.
You want to have everything infinite in REAL LIFE.
You play on "PEACEFUL" because you hate that ... SsssSsss......
You start smashing your head at table when Notch release minecraft update and the mod's you really like gets broken.
You never try to catch squid with a fishing rod because you read on MinecraftWiki that it is impossible.
You put a piece of coal on a stick thinking that it will instantly become a torch that never burns out or lights stuff on fire.
When some-one asks you how big your house is, you proudly answer, "Four chunks."
You look at a map of a round Earth and think, "Where are the Edgelands then?"
Your wallpaper is minecraft.
you see a person and think: man, he needs to change skin
You go out in the morning looking for some arrows/bones/feathers
You never go outside for more than 10 minutes.
You try to press e to open your inventory and place your new dirt and rocks in there...
You live in constant fear of your neighbors punching through the wall and stealing all your valuables.
You throw coco beans at a sheep hoping it to turn brown.
You eat nothing but pork chops.
You sit around hoping to see a pink sheep.
You try to swallow apples with 8 cubik meters of pure gold around it, atempting to heal all of your woulds
You try to change your skin if you think you look ugly.
You hit a real crafting table and think a gui will show up and get frustrated by that.
Everyday, you watch at least 2 Minecraft videos
You see the sun and moon as squares
You can carry 81365 cubic feet of stone.
You think bears are a mod.
In real life you think that bookshelves are for decoration only
You can't hold a conversation in real life.
You started thinking electricity works the same as redstone and becomes surprised hearing that wires are circular.
your dream is what you did earlier that day on minecraft
You dream in Java code.
You see a car and go, "How!?"
When you look into a mirror, you think about F5 and i
When you go to the beach you take sand and come home and out it in a furnace
You build your room full-detailed at a scale of 1/1000 (no, really, its scary)
You think "this will make things easier!" when you see floor tiles.
You carry a grid-paper notebook on you at all times.
You cry when your wolf drowns.
when you star a painting and put it on the wall its blank as you forgot that paintings only automaticaly paint themselfs in minecraft
You want to know what texture pack it is when u go outside
You don't understand why your dog in real life doesn't sit when you right-click on it.
When there is a blackout, you try to wire your computer into a redstone torch.
Its a sqaury joke you got there
You hear a tyre hissing and you run away.
You make a site that has a werid name for minecraft addicts
You don't go out at night because you think Zombies will come after you!
You look at your bed and wonder why it isn't red.
You don't get a job because you think you can make your own with self-harvested resources.
You dump a bucket of water on a flat surface and wonder why it doesn't flow towards a hole you placed 7 meters away.
You wonder why your computer has colors other than black and red.
You see a spider and wonder why it's not as big as you are.
You start telling people "I like your skin. Where'd you get it?"
You see a dead person lying on the ground and wonder when they'll respawn.
You wonder how the Empire State Building was built when the sky limit is only 64 meters above sea level.
You See a book IRL and you wonder when Notch will let you write in it.
You have a Minecraft themed birthday with a creeper cake.
You kill an animal and wonder why it doesn't disappear in a poof of smoke.
Whenever there is a thunderstorm in real life, you are scared that monsters will spawn.
You wonder why you don't move upward when you walk into a ladder.
Whenever you get hurt in real life, you imitate that "Ohff" sound that you make in minecraft when you get hurt.
You punch someone and wonder why they don't turn red and jump backwards.
You place a cake in real life, and wonder why punching it doesn't make small portions of it disappear
You start seeing pigs fly through your screen when you're actually riding them off a cliff.
You see a sky scraper and think "that can't be right, the world isn't that high."
You try to break stone with wood.
When you stop listening to the real version of the song and listen to the Noteblock one instead.
You see a rectangle and think: "thats almost right!"
You always bring two extra porkchops when going diving.
When it's dark, you fear that a creeper spawn behind you.
You are actually reading this.... to see if you are addicted.....
You go out in a thunderstorm with a pig waiting for a lightning to strike it so you can have your own zombie pigman
You wonder why your hand gets bloody one you punch things
You make a giant creeper out of wool and fill it with TNT so you can blow it up when a sheep walks near it.
You find some obsidian and try to set it on fire so you can see your deceased grandfather
You never swim in the ocean without a fishing rod because of your perfectly rational fear of fireball-spitting-floating-jellyfishes
You sing the Minecraft "TNT" song everytime you hear Taio Cruz's "Dynamite"
You often get splinters in your knuckles due to the amount of wood-punching you do.
You drink milk by pouring it on the ground.
You start thinking about how epic your house would look with a few creeper traps.
You start raiding graves to make some fertilizer and tame all the wild wolves you come by.
You dig to the core of the earth, and you think you can survive the lava since you have hax on.
When it's dark, you try to /give 50 64.
When you see a shovel and start thinking about starting a mine in your backyard.
you hang up a painting and take it off repeatedly thinking it will be a new painting
You lay 2 sticks and 3 chunks of wood on your kitchen table.
you start putting rocks in your stove.
you try to make a wooden pickaxe out of fallen sticks
You try to put a pumpkin on your head.
you tried and failed to get to the bedrock layer
You find yourself fiddling with sticks and stones on a crafting table
You expect your friend to turn red for a couple of seconds when you punch him.
You look at your wife's jewelry box and say "Yes! I can finally get obsidian!"
Whenever you're wife gets angry, you think of the Charlotte mod and throw a flower at her to make her stay put.
You Try punching a Tree
You see real creepers
You continue to ask to be OP
When you are driving and see the fuel gauge going down you ask your passenger: "Hey, you have any spare coal?"
You use your wives diamond jewlery with sticks hoping for a pickaxe.
You make sure there isn't any way creepers can get into your house before you go to sleep.
You see a tree in real life and immediately calculate how many tools you can make from it.
You accidentally hit your dog and wonder why it's eyes aren't red.
When it starts getting dark you jump in your bed and go to sleep.
You build boats
You put your mom's ring's Diamond on the end of a stick attached to another stick and try to dig with it.
Every day, when you have to go to school, everything looks smooth and hi-resolution, and you think, wait, thats not right
You meet a blind person and think it's Herobrine.
When your motto is thinking outside of the block.
You wish for a minecart every time you need to go somewhere irl.
You cannot go to sleep unless the whole area is sleeping,
you have played more than 10 minecraft adventure maps
You jump into lava thinking you have god mode on.
You sat through this entire list.
Every light in your house has to be on.
Your pulse shoots off every time you hear a bow twang
You expect leather to pop out of a cow after it dies.
You find diamond in real life and try to make armor out of it.
You disassemble your computer and look at your motherboard: 'Woah, the guy who created this deserves a free internet.'
When youre stuck, you think you can just jump and put some dirt under you.
You keep your old computer because it has all your minecraft saves on it and you dont have a USB stick.
When you get greifed you start to treat everyone on the server as greifers. (even admins/ops)
You need a pick axe, oh wait, yes I have in my backpack
You have read the entire 'Art of war' thread on the forums and actually understood it.
When you see something ugly you think "Man i need to change my texture pack".
You feel like pressing shift-f whenever a game lags.
When you know the exact circumstances for leaves not to decay in alpha.
You think real spiders are midgets
When you get told that riding pigs is apparently a bad idea.
When your wolf says CREEPER than cry!
you walk up to people and hit them so you can take stuff of there dead bodies
you can survive a head on collison with a minecart going at full speed
You are still reading this
You see tree's waving in the wind. You say, " Thats not right..." .
You place a rock against the wall and when it drops, you wonder if it was gravel.
You're drawing minecraft figures all over your homework.
You shout "HAX!1!!!1!" when someone runs by faster than you can walk.
You attempt to re-texture IRL.
When your bored you try to add a mod.
You make a house dedicated to crafting
You try eating 10 un-cooked porkchops and wonder why you got sick.
You are no longer impressed by gold medals.
When you see a pig get hit by lightning in real life, you expect it to turn into a Zombie Pigman.
You refuse to take trigonometry because is it based upon heresy. (circles)
You stab a a sheep with a sword and the wool doesn't fall off, you call the president and tell him to fix the bug.
when you watch movies you think: ''c'mon just jump in the water it will be ok''
You know what a creeper actually is...
I guess you can say that Minecraft is pretty.. *Sunglasses* Top Notch.
You call yourself steve.
you think you have to press ''T'' before talking to someone
You read all this stuff here.
All your friends were made through Minecraft.
You get on minecraft at 6:30 then someone asked you what time it is and look at the clock and it says 5:45...
you have attempted to ignite a living pig in an attempt to cut out the time it would take to cook it's pork
You go out at night and worry,"Am i gonna get eaten by zombie"
You see flowing water and think "I'm going the other way"
You jump off a building, thinking you can eat an apple later.
You end up breaking your neck from looking up to see where the sun is.
You we're mining on a cave when you saw 50 creepers chasing you and you won.
You avoid moss stone because you are afraid that a dungeon might be near
The only way you spend time with people is on SMP.
You read every single one of these.
You see a TV and wonder how the redstone circuitry works.
You know every block id.
When you get stuck, you jump up and punch at the ground continuously, but no dirt appears.
You've burned down your house trying to create a Nether Portal.
In Geometry class, you suggest you spend a little more time on cubes.
You were sleepy and punched your bed.
you expected a mere metal bucket to hold a cubic meter of lava.
You poured a bucket of water on top of a mountain and were disturbed by the fact it didn't create a waterfall
you tried to carry 2,301 cubic meters of sand.
you punch things to pick them up.
You are afraid to go within a 5-meter radius of sprinklers.
You search all the sports channels looking for a Spleef match that's going on.
When Creeper stops meaning the guy who's a creep.
You cant stop listening to the "Form this way" yogcast music video.
When you hear a lot of sizzling and yell 'CREEPER GANBANG!'
You have several Minecraft related apps, even ones that do nothing like the Redstone torch app.
your watching TV and you wonder how to make it with redstone
You Punch Trees in your backyard When you want a new house
You look at grass IRL when your low on seeds in Minecraft and say "Dangit, I should've brought my hoe."
You get home from a car trip, cautiously walk into your dark house, and jump out in every room swinging a stick around in case there are creepers who have spawned, and then go to sleep with every light in the house turned on.
You have dreams about Minecraft updating.
You're constantly dissapointed with modern architecture, because you know you could build better in-game.
you look at a cow and wonder how much leather will drop
You hear groans and run only to find out that it was only your big brother
You jump off a high cliff into shallow water thinking you will be just fine by hitting jump.
You see a forest and think "I can build a wood fortress!"
You refer to Notch has "The Creator".
You always place your hands on the AWSD keys and mouse while waiting for stuff on your computer to load.
You refresh this page constantly to see if your joke has been added yet.
You get a watch thinking it shows a sun and moon.
Youve actually read all of these, shame on you...
You think that a creeper caused the Haiti earthquake.
You made Minecraft forums your homepage.
You see a jellyfish and run for your life, thinking that it will blast you with flaming snowballs.
You see strange landforms in real life and think "HEROBRINE".
You try to punch a tree in real life, hoping to get wood, but then you're just disappointed.
You never go underground in case of the Obsidian Skeleton.
You put cactus in the oven, then hope to dye sheep green with the resulting paste.
You go to a graveyard and punch the bodies expecting to get feathers.
You think that spiders won't bite you in the daytime.
You try to shear a sheep with snowballs.
You swim in shark-infested waters thinking that you're safe because you don't have Mo creatures on.
You put four pieces of sand in a grid formation expecting to get sandstone.
You put a log on a workbench expecting to get planks IN REAL LIFE.
you watch commentary by slyfox and yogscast everyday.
It has been 10 minutes and your wondering why the sun hasn't started to go down.
You think cages are Mob spawners
You light a steel cage on fire and put a model of a pig inside expecting swine to be created in puffs of smoke.
You think worshipping Notch is a religion.
You can't read normal clocks.
Also PSN Will be back tomorrow with free membership and free downloads for 30 days.
Scavrat Captured Beta.
When I built the Archon Beta, I knew I wanted to build more than one. This was a great opportunity to return to one of my favourite #darklegacies factions, the Scavrats. I added a bit of steampunk flavour to this build, with the bolt launcher and exhaust, which is truer to the original source material. It also has a Sisterhood Lantern of Revelation up front to ensure no invisible demons can sneak up on the pilot when working the carrion fields.
This build is complete but also a WIP, as I have a bunch of old dark gray parts coming in from BrickLink and I may replace the left arm cannon with an arm/multi-tool. I also need to get to work on my new custom base so I can do some proper photos.
Beautiful double star Albireo - a series of LRGB images stacked from an ASI2600MM cooled mono camera, using an off-axis guider.
Peter
Beta Ray Bill - custom printed torso/leg stickers, custom painted hammer, 3D printed and painted head
Jane Foster - full body custom stickers, custom painted hemet
Future Ventures hosted a dinner conversation with Tau Beta Pi, the engineering honors society... and the nation's second-oldest honor society, founded in 1885. We are all members, albeit very different years.
So for the past few weeks, I’ve been given the privilege to take part in the Injustice 2 Online Beta. Now that I’ve had some time to play around with some of the features I just wanted to give you guys some of my impressions of the game so far. This is isn’t going to be in the traditional format of a review, I’ll save that for when the full game actually comes out, but I’m just gonna ramble for a bit about the things I like and don’t like about this game so far.
The first thing I don’t like about the beta that has nothing to do with the game is that the only thing you can do is online matches. This is like the equivalent to if you were trying to learn how to swim, somebody just would just drop you off in the middle of the ocean and you’d learn from there. I haven’t played an Injustice or a Mortal Kombat game in a while before this Beta, so I’m pretty trash, and there would be matches were I couldn’t even lay a finger on my opponent! I just wish there was just a training mode or a tutorial mode alongside the online matches. The only way to see your moves is to pause the online match, which isn’t really pausing because it’s just pausing you and before you’ve even finished reading the character’s move list, you’ve already lost!
This will have no affect on the full game, I just wanted to bitch about this because it took me a while until I could find someone where we were even, but when I found someone who was even with me, I had a blast with this game. The gameplay of Injustice 2 just feels way more smooth than the first one, it also felt a lot faster too.
So far the characters that are playable in the Beta are Batman, Superman, Supergirl, Atrocitus, Blue Beetle, and Black Canary. All the characters are pretty fun to play as, but I find myself playing with Superman the most.
When I first heard about the gear system for Injustice 2, I thought it was just going to be a dumb gimmick, but in reality, it what actually makes the game for me. I love playing matches to collect gear and then seeing what they look like on all the characters. It kinda reminds me of what Super Smash Bros. tried to do with custom characters, but it’s 100 times better because you can actually see the gear on the character and you can make them look however you’d like!
Anyways, that pretty much wraps up everything about the Injustice 2 Beta. I’d say this game’s gonna be a day 1 pick-up for me. I really have to start saving money if I want to pre-order the Ultimate Edition!
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.
Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.
Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:
Continuum, 2002.
Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.
Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.
Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.
Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.
de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.
de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.
de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.
Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.
Descartes, René. Méditations metaphysiques. 1641.
Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.
Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.
Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.
Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.
Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.
Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.
Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.
James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.
Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.
Kant, Immanuel. “Was ist Aufklärung?” 1784.
Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.
Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.
Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.
Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.
Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.
Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.
MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.
Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.
Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and
Company, 1895.
Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.
Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.
Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.
Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.
Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.
Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and
Schuster, Inc., 1926, 1954.
Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.
Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.
Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.
Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.
Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.
Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke
University Press, 2013.
Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.
Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.
Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.
Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig
Dworkin. Cambridge: MIT Press, 2006.
Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der
Gegenwart. Bonn: Kunstmuseum Bonn, 2007.
Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André
Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.
Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’
Writings. Cambridge: MIT Press, 2009.
Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,
Issue 2 (Fall 2013).
Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.
Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.
Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).
Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.
Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.
Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.
Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.
Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and
Transgender Communities. New York: The Haworth Press, 1998.
Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social
Text Collective. Minneapolis: University of Minnesota Press, 2002.
Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,
Number 2 (Summer 1989).
Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).
Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.
Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.
Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).
Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.
Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke
University Press, 1993.
Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.
Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.
Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.
Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT
Press, 1997.
Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.
Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.
Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.
Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).
Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.
Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.
Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.
Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.
Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.
Berger, John. About Looking. New York: Pantheon Books, 1980.
Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.
Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.
Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.
Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.
Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.
Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.
Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.
Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).
Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.
Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.
Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.
Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.
Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.
Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.
Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:
University of Chicago Press, 1992, 1994.
Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.
Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.
Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.
Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.
Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.
Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.
Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.
Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.
Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.
Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.
Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,
2006.
Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.
Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,
2007.
Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.
Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.
Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.
Belgrade: Tipografik plus, 2008.
Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.
Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.
Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.
Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:
Routledge, 2004.
Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.
Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.
Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.
Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth
Century. Cambridge: MIT Press, 1990.
Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.
London: Laurence King Publishing, 1996.
Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.
Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.
Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.
Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.
de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.
de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.
de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.
de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:
Harmony Books, 2009.
Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.
Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.
Rogers. University Park, PA: The Pennsylvania State University, 2012.
di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.
Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.
Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.
Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.
Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.
Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.
Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.
Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.
Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:
Art Gallery of Alberta, 2011.
Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.
Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.
Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.
Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.
Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.
Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.
Finn, David. How to Visit A Museum. New York: Abrams, 1985.
Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University
Press of America, Inc, 2010.
Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.
Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.
Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.
Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.
Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.
Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.
Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.
Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.
Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.
Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.
Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.
Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.
Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.
Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.
Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).
Gidal, Peter. Materialist Film. London: Routledge, 1989.
Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:
Harvard University Press, 1974.
Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.
Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).
Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.
Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.
Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.
Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.
Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.
Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.
Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.
Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.
Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.
Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.
Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A
th th
Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:
Revolver, 2006.
Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).
Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.
New York: Routledge, 2007.
Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.
Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).
Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).
Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.
Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.
Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:
Grossman Publishers, of Viking Press, 1975.
Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.
Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.
Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.
Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).
Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.
Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin
Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.
IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.
Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.
Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.
Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.
Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.
Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.
Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.
Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.
Cambridge: MIT Press, 2003.
Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.
Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).
Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.
Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.
Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.
Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.
Kholeif, Omar. Moving Image. London: Whitechapel, 2015.
Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.
Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.
Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching
Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.
Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:
Routledge, 2011.
Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.
Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins
Publishing Company, 2012.
Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.
Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).
Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.
LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.
Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.
Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.
le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.
Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,
England: Ashgate, 2012.
Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the
United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.
Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.
Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.
Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.
Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.
Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.
Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International
Publications, 2007.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.
Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.
Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.
Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.
Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.
Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and
Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.
Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.
Oxford: Blackwell Publishing, 1997.
Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.
Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.
Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.
Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.
Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.
Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.
McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.
McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.
Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.
Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.
Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.
Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).
Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,
Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.
Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.
Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.
Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.
Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.
Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).
Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.
Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.
Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.
Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.
Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.
Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.
Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.
Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.
New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.
Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:
University of California Press, 1986.
O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.
Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.
Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.
Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,
Second Edition. New York: St. Martin’s Press, 2000.
Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.
Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.
Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.
Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).
Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).
Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.
Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).
Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.
Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical
Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State
University of New York Press, 2006.
Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.
Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.
Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,
Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.
Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.
Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.
Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.
Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.
Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.
Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.
Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.
Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.
Richards, Mary. Marina Abramović. New York: Routledge, 2010.
Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of
Chicago Press, 1992.
Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie
spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.
Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and
Modernity. University Park, PA: The Pennsylvania State University, 2009.
Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,
1960-2010. Cambridge: MIT Press, 2012.
Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).
Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.
Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.
Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.
Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.
Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.
Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.
Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.
Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den
Originalempfindungen. Leipzig: W. Engelmann, 1909.
Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle
Printing and Binding Company, 1954.
Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison
Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).
Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some
Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.
Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.
Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.
Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.
Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.
Tauris, 2015.
Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.
Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.
Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.
Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba
Slovenija, 1968.
Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).
Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.
Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”
Култура/Culture (2015).
Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian
Institute, 2005.
Susovski, Marijan, ed. The New Art Practice in Yugoslavia, 1966 - 1978. Zagreb: Gallery of Contemporary Art, 1978.
Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.
Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.
Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.
Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.
Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.
Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.
Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.
Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.
Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.
Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.
Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.
Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.
Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.
White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).
White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.
Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.
Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.
Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.
Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.
Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.
Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.
Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.
----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ALPHA BETA // prototyping a caribbean style skirt for xalaat african dance team using bedsheets. a circle skirt is hand gathered to the yoke and each ruffle is serged on either side with a tight and narrow overlock stitch, then applied with a straight stitch using a ruffling foot attachment.
Two pairs of beta lobe neurons (one blue, one orange) in the brain of a locust. These neurons process olfactory information. Toward the top are mushroom bodies, brain areas associated with learning and memory. Credit: N. Gupta and M. Stopfer, NICHD