View allAll Photos Tagged batik
After a couple of projects that saw me rummaging in my batik stash and messing it all up and a new purchase of batiks last weekend I decided it was time to tidy them up and organize them.
Of course, I then couldn't resist taking a picture.
A woman walks across newly dyed fabric drying in a yard. Everyone in this village on the outskirts of Dhaka is engaged in the production of these fabric. The process used is a technique called Batik where wax is applied to the cloth to create patterns and designs that resist dye. The fabric is used for domestic consumption and later made into sarees, salwar kameez, shirts, and home decor. It seems to me that whoever designed these color pairs had some knowledge of color theory!
The exhibition of Batik Nyonyas - Three Generations of Art and Entrepreneurship at Peranakan Museum. Armenian Street.
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Batik factory worker tossing fabric to dry in the sun (Indonesia).
HUMANKIND, my premium, limited-edition, museum-quality standard book featuring over 200 large-format photos. Available here: robertopazziphoto.com
Not all batik from Java is created using the slow and intricate hand drawn wax technique. Many workshops produce more affordable batik using stamps that allow artisans to apply repeating patterns quickly while still relying on traditional skills and manual craftsmanship.
Once the fabric has been printed and dyed, the next stages are just as important as the pattern itself. The cloth is thoroughly washed several times to remove excess dye, residue, and any remaining processing materials. Each wash helps stabilize the colors and ensures the fabric feels soft and comfortable to wear.
One of the most distinctive moments comes during the drying process. After washing, artisans stand at the top of a gentle slope and skillfully throw the long lengths of fabric downhill, allowing the cloth to unroll naturally under its own weight. Once fully extended, the fabric is left to dry under the warm Javanese sun. This traditional technique helps prevent folds and creases while exposing the entire surface evenly to sunlight. Seeing vibrant batik fabrics stretched across the hillside is a striking scene that reflects both practicality and generations of experience.
Although this method is faster than hand drawn batik, it still depends on experienced artisans who oversee every stage of the process. From printing and dyeing to washing and sun drying, each step contributes to producing durable fabrics that celebrate the rich textile traditions of Java while making batik accessible to a wider audience.
Website: robertopazziphoto.com
Instagram: instagram.com/roberto_pazzi_photo
During a visit to the region around Kolkata and the Sundarbans, West Bengal, India, my colleagues and I visited an artisan collective. This fellow was making beautiful Batik cloth. The care and effort, the colors, and the light combined to create multiple interesting images that I attempted to capture with my camera.
Bai woman working on indigo-dyed batik textiles in her workshop (China).
HUMANKIND, my premium, limited-edition, museum-quality standard book featuring over 200 large-format photos.
Available on my website: robertopazziphoto.com
The Bai are an East Asian ethnic group who live mainly in Yunnan Province in southwestern China, especially around Erhai Lake and the historic city of Dali.
They have a long and rich history and are known for their developed traditions of trade, agriculture, and craftsmanship.
Unlike many other ethnic minorities in the region, the Bai built well-organized towns and participated actively in regional commerce.
Today they are one of the 56 ethnic groups officially recognized by China, with a population of about two million people.
Bai towns are famous for elegant white houses with grey roofs and decorated gates, reflecting both aesthetic refinement and practical design.
One of the most distinctive artistic traditions of the Bai people is their batik, a traditional wax-resist dyeing technique that creates striking blue-and-white textiles.
This craft has been practiced for generations and is often passed down within families.
In many villages, women traditionally learn the technique from their mothers and grandmothers.
The process begins with white cotton cloth. Artisans draw patterns on the fabric using melted beeswax, which protects certain areas from dye.
The cloth is then immersed in a bath of natural indigo, giving it a deep blue color.
When the wax is removed, the undyed areas appear as white designs against the blue background.
Bai batik patterns are often inspired by nature and daily life, including flowers, birds, butterflies, fish, and geometric motifs.
Some designs carry symbolic meanings such as good fortune or prosperity.
Traditionally, batik textiles were used for clothing, headscarves, aprons, baby carriers, and household decorations.
They also played a role in festivals and important family events.
Today, Bai batik remains an important symbol of cultural identity.
Artisans continue to produce traditional textiles while also adapting the craft to modern tastes.
Recognized as part of China’s Intangible Cultural Heritage, Bai batik represents both the creativity and the enduring traditions of the Bai people.
Website: robertopazziphoto.com
Instagram: instagram.com/roberto_pazzi_photo
Workers in a batik factory rinsing the fabric to remove excess dye (Indonesia).
HUMANKIND, my premium, limited-edition, museum-quality standard book featuring over 200 large-format photos. Available on my website: robertopazziphoto.com
Not all batik from Java is created using the slow and intricate hand drawn wax technique.
Many workshops produce more affordable batik using stamps that allow artisans to apply repeating patterns quickly while still relying on traditional skills and manual craftsmanship.
Once the fabric has been printed and dyed, the next stages are just as important as the pattern itself.
The cloth is thoroughly washed several times to remove excess dye, residue, and any remaining processing materials.
Each wash helps stabilize the colors and ensures the fabric feels soft and comfortable to wear. One of the most distinctive moments comes during the drying process.
After washing, artisans stand at the top of a gentle slope and skillfully throw the long lengths of fabric downhill, allowing the cloth to unroll naturally under its own weight.
Once fully extended, the fabric is left to dry under the warm Javanese sun. This traditional technique helps prevent folds and creases while exposing the entire surface evenly to sunlight.
Seeing vibrant batik fabrics stretched across the hillside is a striking scene that reflects both practicality and generations of experience.
Although this method is faster than hand drawn batik, it still depends on experienced artisans who oversee every stage of the process.
From printing and dyeing to washing and sun drying, each step contributes to producing durable fabrics that celebrate the rich textile traditions of Java while making batik accessible to a wider audience.
Website: robertopazziphoto.com
Instagram: instagram.com/roberto_pazzi_photo
saw 'quilts by elena' Color Block Quilt (http://www.flickr.com/photos/quiltsbyelena/3241553818/) and decided to create one of my own
Batik is a "resist" process for making designs on fabric. The artist uses wax to prevent dye from penetrating the cloth, leaving "blank" areas in the dyed fabric. The process, wax resist then dye, can be repeated over and over to create complex multicoloured designs.
Captured 'out the back' of the Batik factory.
One of Indonesian heritages, traditional textile called 'Batik' crafted by an old woman. Trusmi, Cirebon, West Java - Indonesia.
I would appreciate your personal comment, instead of graphics. Thank you.
As for the workmanship Garutan Batik painting, is using brushes and other painting tools and still using wax as a medium color barrier.
Taken@Garut, West Java, Indonesia
The exhibition of Batik Nyonyas - Three Generations of Art and Entrepreneurship at Peranakan Museum. Armenian Street.
Batik, or wax printing, is a method of selectively dying fabrics through the use of wax. The wax is melted and applied to the fabric with a special brass applicator. Traditional patterns of Miao ethnic batik in Guizhou province are still produced by atrisans and later dyed with indigo. This form of printing is first attributed to the late Qin (BC 221-207) or early Han (BC 206 – CD 220) Dynasty.
I made the quilt top some 10 years or more ago but am only just now have I been able to start the final quilting. There's a story to this top - I took a class to learn how to do machine applique but it turned out my old machine couldn't do the stitch needed. At lunch I spoke with my classmates and they all recommended a local shop that would have the stitch I needed. So I packed up my old machine and drove over to the shop - traded in my machine for a newer model, went back to class and was able to do the project! My classmates were astonished that I went and did this without talking to my husband first. I told them he would be fine with it and he was. :D
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